Recording of the premiere performance of Hermann Nitsch's large-scale symphony for full orchestra, brass ensemble and choir, in five movement, composed for the 155th Action of the Orgien-Mysterien-Theater, and performed in 2018 as the first action to be staged in the Nitsch Museum, Mistelbach, coinciding with the occasion of Nitsch's 80th birthday.
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Label: Tochnit Aleph
Catalog ID: TA 167CD
Squidco Product Code: 30202
Format: 2 CDs
Packaging: Digipack - 3 panel
Performed at the Nitsch museum, Mistelbach, Austria, on September 9th 2018.
This is a USED (previously owned) item
Hermann Nitsch-composer, conductor
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• Show Bio for Hermann Nitsch
"Hermann Nitsch (born 29 August 1938) is an Austrian avant-garde artist who works in experimental and multimedia modes.
Born in Vienna, Nitsch received training in painting when studied at the Wiener Graphische Lehr-und Versuchanstalt, during which time he was drawn to religious art. He is associated with the Vienna Actionists-a loosely affiliated group of off-kilter and confrontational Austrian artists that also includes Günter Brus, Otto Muehl, and Rudolf Schwarzkogler.
Nitsch's abstract 'splatter' paintings, like his performance pieces, are inspired by his neutral perspective on humanity and being human. In the 1950s, Nitsch conceived of the Orgien Mysterien Theater (which roughly translates as Theatre of Orgies and Mysteries or The Orgiastic Mystery Theater), staging nearly 100 performances between 1962 and 1998."-Wikipedia (https://en.wikipedia.org/wiki/Hermann_Nitsch)
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01. Musik der 155. Aktion, part 1 (65:36)
01. Musik der 155. Aktion, part 2 (53:41)
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Previously played Squidco store copy, used for cataloging and samples, in excellent condition.
"The 155th action in Herman Nitsch's Das Orgien Mysterien Theater took place on September 1, 2018. As the first action to be staged in the Nitsch Museum in Mistelbach, Vienna, it coincided with the occasion of his 80th birthday.
A series of processions both viscerally affecting and poignant in their restraint took place in the museum to a very crowded audience. This action was accompanied by a new symphony composed by Nitsch for large orchestra, brass band, and choir. Sudden and explosive motifs for the brass band punctuate still, though unnerving, drone-like passages that modulate over the course of the two-hour performance. Throughout, the movement of the participants in the action and the audience is accentuated by the incongruous percussive ring of the whistle that calls attention and directs the activity, heightening the intensity of the entire work."-Patrick Quick
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