A remarkable tour de force of solo piano improvisation on this self-released album from Virginia-based but New York-associated pianist Joel Futterman, recording in the studio in 2009 for a three-part series of exploratory and profoundly masterful improvisations, captivating with intense and technical passages that yield to lyrically beautiful and expansive playing.
Label: Creation Music Catalog ID: 14 Squidco Product Code: 30129
Format: CD Condition: New Released: 2009 Country: USA Packaging: Slimline CD with insert card Recorded at Shield Recordings In Fairfax, Virginia, on May 16th, 2009, by Scott Dargan and Benjamin Tomasetti.
"Pianist and improviser Joel Futterman engages an extremely broad sense of the piano's history and possibilities on Transition One, the seventh disc of solo piano music that he has released himself, following the six-disc set Creation (2008). Futterman is based in Virginia and is probably best known for his small-group collaborations with saxophonists Kidd Jordan and Ike Levin, and drummer Alvin Fielder, throughout the last two decades. Naturally, this is not that-solo piano music (or solo music of any stripe; and Futterman has also recorded solo music for soprano saxophone and Indian flutes) requires a dedication to exploring one's own lexicon independently of immediate conversation. Futterman explores sound and the instrument in much the same way as he talks or deals with words-drawling romanticism, punchy barrelhouse, and passages of explosive density that nevertheless espouse a sense of utter clarity. Each of the three pieces here is completely improvised, without-as Futterman would tell it-any preconception.
Composing in the moment is, for some improvisers, a reworking of one's art with a set structure to work within. For someone like Futterman, it is a blank-minded exploration of a lifetime of experience, craft, and performance. Assemblages of interdependent single-note thoughts eddy and dance, forming sharp rivulets and painterly crags, moving from sentences to paragraphs to words and isolated statements in a resoundingly physical conversation with the piano. Futterman is keyed into the tradition, and snatches of post-bop phrasing and lush, gospelized inflection imbue this piano-chase. Though logic is a part of Futterman's freedom, surprise is an equal bedfellow-the closing four minutes of the opening movement being a case in point, as the pianist explores a viscous ballad, swirling maelstroms, and rolling fragments of Jaki Byard-like stride. Transition One is a tour de force of solo playing from one of the staunchest individualists in contemporary pianism."-Ni Kantu By Clifford Allen, All About Jazz