"Machinefabriek is the alias of Rutger Zuydervelt. Rutger's music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. His pieces can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details.

Rutger was born in 1978 in Apeldoorn (The Netherlands) and now resides in Rotterdam. He started recording as Machinefabriek in 2004. After a series of self released cd-rs, his official debut Marijn was issued in 2006, with great critical acclaim. Since than, a solid stream of music was released on labels such as Type, Important, Home Normal, 12K, Entr'acte, Dekorder, Miasmah, Consouling Sounds, Experimedia and Staalplaat. He performed all over the globe, from Canada to Israel and from Russia to Japan.

Rutger collaborated (on record and/or live) with numerous artists, such as Steinbrüchel, Jaap Blonk, Aaron Martin, Peter Broderick, Frans de Waard, Mats Gustafsson, Steve Roden, Gareth Davis, Stephen Vitiello, Michel Banabila, Dirk Serries and Dead Neanderthals, amongst many others.

He frequently works with film makers, like Makino Takashi, Mike Hoolboom, John Price, Paul Clipson and Chris Teerink, for whom he composed a soundtrack for his documentary about Sol LeWitt. Rutger also recorded the music for the Canadian drama The Cold and the Quiet from 2014. Furthermore, his music was used in Edward Burtynsky's Watermark, the drama Stone (with Robert DeNiro and Edward Norton) and Josh Fox' influential Gasland and Gasland Part II documentaries. Besides films, Rutger also composes music for dance pieces, like Alix Eynaudi and Kris Verdonck's EXIT (premiéred at the Haus der Kulturen der Welt, Berlin), Alexander Whitley's The Measures Taken (for the Royal Opera in London) and Beheld (for Candoco Dance Company), and multiple pieces by Spanish/Dutch choreographer Iván Pérez. Then there's Rutgers installation work, in which the dialogue with the environment plays an important role. He did projects for Stedelijk Museum Amsterdam, NAi (Dutch Architecture Institute), the new Armando Museum MOA, Sounds Like Audio Art in Saskatoon (Canada), the Into the Great Wide Open Festival, Netwerk in Aalst (Belgium) and children's museum Villa Zebra in Rotterdam."

"Drummer René Aquarius lives in Nijmegen, Netherlands, and has an "unhealthy obsession for grindcore, soundtracks and experimental music." He is best know for his work in Dead Neanderthals and Celestial Bodies."

"Tim Barnes is an internationally-known percussionist, electronic musician, and recording producer/engineer who has played and recorded with Sonic Youth, Wilco, Body/Head, Jim O'Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, The For Carnation, and MV+EE, as well as being featured in countless multiple other settings, from jazz-influenced free-improvisation to full-on rock n' roll. He is the Artistic Director of DREAMLAND, and also runs the newly-revived Quakebasket record label (best known for its mid-1990s archival releases of solo work by Angus MacLise, poet and original drummer for the Velvet Underground). A California native, Tim moved to Louisville, Kentucky in 2007 from his longtime musical base, New York City."

"Cyril Bondi (drums, percussion) Born in 1980 in Geneva.

In February 1994, he discovered with passion the battery in the basement of a neighborhood house. His first teacher, Alain Frey, quickly taught him the technical bases of his instrument for four years. At the same time, he is interested in jazz and follows workshops at the AMR from 1998 to 2002 as well as Raùl Esmerode's lessons at the CPM in Geneva where he graduated in 2002.

First experiences with the "irony of sound" of which he is a founding member. Atypical group, bringing together a rapper, a harmonica, a guitar and a drums, "the irony of sound" offers for ten years an unclassifiable music, traveling between improvised music and traditional music. (4 albums, a hundred concerts in Switzerland).

At the same time, he is interested in improvised music and jazz and works with musicians from here and elsewhere such as Otomo Yoshihide, Eric Pailhe, Johann Bourquenez, Gabriel Zufferey, Christian Graf, Christophe Berthet, Guillaume Perret and Nicolas Sordet. , Manuel Gesseney, Alex Allflat, Jean Ferarini, Andrès Neira, Martin Wisard, Philippe Helfer, Pascal Alba, ...

From his meeting with the saxophonist Gaël Riondel and the electroacousticien d'incise was born "diatribes", trio with clearly freejazz consonances. (1 album on altrisuoni, 6 albums on the net, tour in Poland (May 06), Italy (Jan 07).

Without stopping in search of new spaces to explore, he uses his instrument as a means to address unknown or surreal worlds to better understand the one in which he produces sound. This enthusiasm for all music pushes him to multiply the experiences in sometimes radically different styles: Jonas (hip-hop), Ianeq (electro), Pascal Alba Group (jazz rock), Pierre Lautomne (French song), Kara (Afro) .

He has appeared during the Jazz Contreband 04 festival, Balelec 05, Cully jazz festval off 05, Festival Electron 06, the AMR festival at Cropettes 05-06, as well as in Switzerland, France, Italy and Poland."

"Born in Sydney in 1962, Tony is regarded as one of Australia's most creative and adventurous exports, with vast experience across the globe. He has been involved in a highly diverse array of projects. Apart from The Necks, he is probably best known as leader of hardcore/impro band PERIL.

Early in his musical life, after having graduated from the New South Wales Conservatorium of Music, he became very involved in the jazz scene in Australia, often touring with visiting international artists such as Vincent Herring, Clifford Jordan, Mickey Tucker, Branford Marsalis and Ernie Watts, as well as Australians Mark Simmonds, Paul Grabowsky, The catholics, Sandy Evans and Dale Barlow.

Following time spent in Japan, where he formed PERIL with Otomo Yoshihide and Kato Hideki, Tony moved to Europe, and has involved himself in many projects there, including the development of new "virtual" MIDI controllers at STEIM in Amsterdam.

Tony has played, toured or recorded with, among others, Jon Rose, Nicolas Collins, Tenko, John Zorn, Tom Cora, Phil Minton, Haino, Switchbox, The Machine for Making Sense, Ne Zhdall, The EX, Peter Brotzmann, Hans Reichel, The Little Red Spiders, Subrito Roy Chowdury, Clifford Jordan, Kletka Red, Han Bennink, Shelley Hirsch, Wayne Horvitz, Palinckx, and Ground Zero."

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

"Philipp Ernsting is a drummer from Lünen who has been active in Rotterdam for the better part of two decades. He is acclaimed for his versatile playing in genre-defying bands such as Albatre and Doktor Schnitt."

"Improviser, composer, and interpreter Tim Feeney seeks to explore and examine the possibilities inherent in unstable sound and duration. Tim began working in this thread in 2002, within Boston's community of improvisers interested in austere combinations of sounds and silences, and has since performed and recorded with musicians throughout the United States and abroad. He frequently collaborates with artists including the trio Meridian, with percussionists Sarah Hennies and Greg Stuart, pianist Annie Lewandowski, cellist and electronic musician Vic Rawlings, vocalist Ken Ueno, saxophonist Andrew Raffo Dewar, banjo and electronic musician Holland Hopson, trumpeter Nate Wooley, sound artists Jed Speare and Ernst Karel, video artist Jane Cassidy, and many others.

He has presented work at experimental spaces throughout the United States, such as the Red Room in Baltimore, Boston's Institute of Contemporary Art, the Knitting Factory New York, and The Stone, as well as the Center for New Music and Audio Technology at UC-Berkeley, the Stanford Art Museum, Princeton University, and Dartmouth College. Within this community, he has recorded for the experimental Caduc, Accidie, Rhizome.s, Full Spectrum, Sedimental, homophoni, Audiobot, Soul on Rice, lildiscs, and Brassland/Talitres labels.

Tim also builds sound installations, concerned primarily with the acoustic properties and geographies of neglected or nontraditional spaces. His recent work has been presented by festivals at locations including Silo City, the abandoned grain complex along the Buffalo River in western New York, Boston's Metropolitan Waterworks Museum, the preserved steam pumping station that processed the city's drinking water, and the Bernheim Research Forest, outside Louisville, Kentucky, as well as by more formal events at the Contemporary Art Center New Orleans and the University of Richmond.

As an interpreter of contemporary compositions, Tim has performed at venues such as the Brooklyn Academy of Music, Zankel Hall, the American Academy in Rome, and the Norfolk Chamber Music Festival, and his work has been featured on WNYC Radio's New Sounds. A member of Boston's Callithumpian Consort, Tim appeared on the Musica Nova series at the Gewandhaus in Leipzig, Germany, and at New York's Tonic, as part of its 50th birthday celebration for John Zorn. As a founding member of So Percussion, Tim appeared in concerts and masterclasses at Columbia University and Williams College, and commissioned David Lang's The So-Called Laws of Nature, premiered at the 2001 Bang on a Can Marathon.

He was a co-founder of the duo Non Zero, with saxophonist Brian Sacawa, which performed American and world premieres of works in concerts at MIT, NYU, the University of Michigan, the Kerrytown Concert Hall, New York's Tenri Cultural Institute, and Eastern Nazarene College. As the percussionist in the onstage band for Rinde Eckert's chamber opera Orpheus X, Tim performed to great acclaim in stagings at Boston's American Repertory Theater, the 2008 Hong Kong International Festival for the Arts, and New York's Duke Theater at 42nd Street, praised by the New York Times.

Tim is currently Percussion Artist at the California Institute of the Arts, and is also a faculty member of the Chosen Vale International Percussion Seminar, a yearly chamber music-intensive workshop bringing students from the US and abroad to rehearse and perform at the Enfield Shaker Museum in New Hampshire. From 2012 to 2018 Tim served as Assistant Professor of Percussion at the University of Alabama, where he led the applied percussion studio and the Alabama Percussion Ensemble, served as the principal percussionist of the Tuscaloosa Symphony Orchestra, and was a frequent performer with the Alabama Symphony Orchestra. From 2007 to 2012 Tim directed the percussion program at Cornell University, where he taught the Cornell Percussion Ensemble, Cornell Steel Band, and CU World Drum and Dance Ensemble.

An active guest educator, Tim has given workshops on improvisation, chamber music and solo percussion performance, Ewe dance-drumming, and Balinese gamelan at schools including the Eastman School of Music, Oberlin Conservatory, the University of Tennessee, the University of Washington, Michigan State University, the University of Miami, the Longy School of Music, UC-Berkeley, UC-Davis, Bucknell University, and the Peabody Conservatory. He has presented new music and given invited lectures and workshops at the international conventions of the Percussive Arts Society in 2013, 2014, 2015, and 2017, and is a member of the PAS New Music Research Committee.

Tim earned a Bachelor of Music degree from the Cleveland Institute of Music, and Master of Music and Doctor of Musical Arts degrees from the Yale School of Music, where his teachers included Robert van Sice, Richard Weiner, and Paul Yancich. In addition, he has studied Balinese gamelan with Andrew McGraw of the University of Richmond, and the late Pak Wayan Konolan in Den Pasar, Bali, and Ewe dance-drumming with James Burns of Binghamton University, Johnson Kemeh of the University of Ghana at Legon, and with master drummer Kodzo Tagborlo of the Dzigbordi dance-drumming society, Dzodze, Volta Region, Ghana."

"Steve Heather (Composer/Performer/Musician) is a freelance musician (drums, percussion, electronics) and composer, performance and installation maker based in Berlin. Born in Melbourne and studied percussion/improvisation at the Victoria College of the Arts and performance art at Das Arts/Amsterdam.

Steve Heather's current music projects/bands vary from avant guard, free jazz to noise, drone rock and prog fitness disco include: STIFF LEATHER, TUB, NEU TRAINERS, THE STILL, BOOKLET, MRS CONCEPTION, RAFT, SHELTER, THE PEELED EYE and ASHES. Steve was the co founder of the Amsterdam based electo acoustic music series, Kraak Geluiden and is also is the co-founder of the new media/ performance group SXS ENTERPRISE with Siegmar Zacharias and Xander De Boer.

As sound designer, composer and performer, Steve Heather works regularly in the fields of dance, theatre, film new media, performance and has worked with The Netherlands Dance Theatre, Sandra Parker Dance, Scapino Ballet, Ivana Müller, United Sorry and Dansgroep Amsterdam.

He performs regularly at European Festivals with performances, among others, at Hebbel am Ufer (Berlin) Haus Der Berliner Festspiele (Berlin), BRUT (Vienna), Grand Theatre (Gronigen), Sophiensaele (Berlin) and Volksbuhne (Berlin). Steve Heather has undertaken numerous artistic residencies in institutes such as Les Bains (Brussels), sophiensaele (Berlin), Steim (Amsterdam), STUK (Leuven), Grand Theatre (Gronigen), Dance House (Melbourne)."

"Steven Hess (b. 1969); Drums, Percussion, Electronics/

Steven Hess currently resides in Chicago where he probably best known as the drummer for the experimental/industrial metal band, LOCRIAN (Relapse Records), and the instrumental trio, RLYR (Magic Bullet Records), percussionist for the ultra-minimal electro-acoustic group, HAPTIC, as well as a member of, CLEARED (Immune Recordings), the Vienna/Chicago trio, INNODE (Editions Mego), and the monster jazz sextet NEXT DELUSION (Clean Feed/Shameless) fronted by the Berlin reedsman, Boris Hauf. He is as equally comfortable performing in the improvised / experimental community as he his playing in the vibrant metal/noise scene happening in Chicago (and worldwide). He can be heard on many recordings, which include releases on labels such as, Relapse Records, Profound Lore, Kranky, Utech Records, Type, Thrill Jockey, Immune Recordings, Clean Feed, and many others. He has performed live in quite a few places throughout North America, Europe and Japan.

He has collaborated/recorded/performed with the likes of:

Fennesz, Pan•American, Anjou, Sylvain Chauveau, Stefan Németh, Mamiffer, Robert Hampson, David Daniell, Helge Sten (aka Deathprod), Martin Seiwert, Frank Rosaly, Machinefabriek, Jon Mueller, Dave Rempis, Christopher McFall, Jason Stein, Jenks Miller, Tony Buck, Boris Hauf, Glenn Kotche, Reto Mäder, and Michel "Away" Langevin, amongst numerous others.

He's performed internationally at Skaņu Mežs (LV), Roadburn (NL), Transmissions Festival (IT), Mutek Festival (CAN), Adventures In Modern Music - Presented by the WIRE (US), TodaysArt Festival (NL), Unsound (POL), DudeFest (BE), Interpenetrations Festival (AT), Dis-Patch (Serbia), Decibel Festival (US), Kontracom 06 (AT), Musikprotokoll (AT), CTM Berlin (DE), Musique Action Festival (FR), NXNW (US), SXSW (US), DNA Festival (US), Chicago Sound Maps 2010 (US), Hopscotch Festival (US), Interzone Festival (Serbia), Framework Festival (DE), Substrata (US), Denton 35 (US), Utech Records Music Festival (US), Boomslang (US), and has toured throughout North America, Europe and Japan."

"Andrew Lisle is a drummer from Northumberland, UK, currently based in London. In 2008 he began studying Jazz at Leeds College of Music and soon discovered a passion and talent for free improvisation. It was during his time at LCoM that he co-founded the band Shatner's Bassoon with five like-minded musicians (and fellow graduates) Johnny Richards, Michael Bardon, Oliver Dover, Craig Scott and Joost Hendrickx. To date the band have recorded two studio albums (receiving wide-spread critical acclaim) and have toured the UK extensively.

After graduating in 2011 he moved to Lisbon, Portugal where he had the opportunity to further develop his musicianship. He spent much of his time at the Clean Feed Records' base of operations Trem Azul playing with the city's veteran improvisers including Rodrigo Pinheiro (Red Trio), Hernani Faustino (Red Trio), Rodrigo Amado and Luis Lopes among others.

Since moving to London in 2013 his virtuosity and musicality has established him as a sought-after drummer on the Jazz and improvised music scene, performing and recording with some of the most innovative musicians in the UK and beyond. These include Colin Webster, John Edwards, John Dikeman, Alex Ward, Dirk Serries, Alan Wilkinson, Matthew Bourne, Rachel Musson and Mark Sanders.

On-going projects to date include: Orbits, Kodian trio, Colin Webster/Andrew Lisle, ​Ales Ward Item 10, Dikeman/Lisle/Serries/Webster to name a few."

"From jazz to gnawa music, electro-acoustic trance to total improvisation, in solo or in a big band, collaborating on dance and theatre productions and making soundtracks for movies (including "John From" which got him a nomination for Best Original Music at the Fénix Awards 2016 in Mexico), João Lobo maintains a versatile career as a musician mainly playing the drums.

He is the co-founder of Oba Loba, Going, Tetterapadequ, Norman, Mulabanda, and a proud member of Giovanni Guidi Trio, Mâäk, MikMâäk and Ghalia Benali & Mâäk: MwSOUL.

He has recorded more than 40 albums, some self-produced and others for labels such as ECM, Clean Feed, CamJazz, De Werf, El Negocito, three:four records, Challenge, NEOS.

He has performed and/or recorded in many countries around the world with many musicians including Enrico Rava, Marshall Allen (US), Rosewell Rudd (US), Carlos Bica (PT), Nate Wooley (US), Maalem Hassan Zogari (MA), Thomas Morgan (US), Chris Corsano (US), and collaborates intensely with Norberto Lobo (PT), Giovanni Di Domenico (IT), Lynn Cassiers (BE), Manolo Cabras (IT), Giovanni Guidi (IT) and Laurent Blondiau (BE)."

"Born in 1984, obviously self-taught, from the very beginning interested more in sound than in technique, his way to explore and to learn was to play with more and more musicians, everyone who accept actually!

So really soon improvisation took an important part in his work.

He met Michel Massot in Liège, and did a lot of workshop in Mulhouse (Festival Meteo) with people like Okkyung Lee, Chris Corsano, Mats Gustaffson, .. and all this, and also all the meetings are still feeding his sound experiences.

Tom is now very active in L'Oeil Kollectif in Liège, Ninglinspo, Nystagmus, Bobby de Nazareth, duo with Cecile Thévenot, duo with Phil Maggi and a lot of other bands..."

"Jon Mueller (born 1970 in Waukesha, Wisconsin) is an American percussionist and composer, active in experimental and rock disciplines.

Jon Mueller was introduced to music through his parents, and began taking guitar and piano lessons at an early age. After quitting both, he became interested in the drums after his friend inherited a drumset. The instrument appealed to him due to its focus away from melody. In an interview with Natasha Pickowicz, Mueller stated, "Hitting the drums and cymbals sounded good, no matter the combination." He then began taking snare drum lessons before moving to a full kit.

In 1990, he studied with jazz musician Hal Russell while attending Columbia College in Chicago.

Mueller graduated in 1995 from Cardinal Stritch University in Milwaukee with a bachelor's degree in English. In 2008, he earned his Master of Business Administration degree.

In the 1990s, he met guitarist Chris Rosenau, with whom he developed a long-time association. Together, they founded the groups Pele and Collections of Colonies of Bees. The latter group later co-founded Volcano Choir with Bon Iver's Justin Vernon. Their debut album Unmap reached number 92 on the Billboard 200 chart.

He has also worked with a variety of musicians such as James Plotkin, Rhys Chatham, Asmus Tietchens, Z'EV, Jason Kahn, Marcus Schmickler, Bhob Rainey, Jack Wright, and others.

In 2003, he began experimenting with vibrating drums on top of speakers. This direction is documented on his What's Lost is Something Important CD, Metals CD, Physical Changes LP/CD/DVD, and Alphabet of Movements LP.

He has performed solo and in various groupings throughout North America, Europe, United Kingdom, and Japan, in venues including New Museum (New York), Arnolfini (Bristol, UK), MusŽe des Beaux-Arts de MontrŽal, (MontrŽal, QC), Issue Project Room (New York), Guggenheim (New York), and Cafe OTO (London, UK). His solo and collaborative recordings have been released by labels such as Table of the Elements, Polyvinyl Records, Type Recordings, Jagjaguwar, Hometapes, Important Records, Taiga Records, and many others.

In 1999, he formed the record label, magazine, and music distribution company Crouton. Crouton published over 40 releases, mostly in limited editions, featuring the work of The Hafler Trio, Asmus Tietchens, Daniel Menche, Robert Hampson, Robert Haigh, Jarboe, Lionel Marchetti, Jason Kahn, Aranos, Alessandro Bosetti, Osso Exotico, Z'EV, Collections of Colonies of Bees, Pele, and many others, as well as his own releases. Crouton also organized events in the Milwaukee and Chicago areas. These were documented by the press and even filmed as part of a PBS documentary (on Ken Vandermark). The business closed in 2009.

In 2009, he was referred to by Pitchfork as "an audacious ringleader for new music."

In 2011, he started his Death Blues project, described by Mueller as, "a multidisciplinary project that addresses the inevitability of death as impetus to become more present in each moment." Performances for the project took place throughout the U.S., including Hopscotch Fest and Alverno Presents."

"Drummer, percussionist and artist Julian Sartorius forms sounds into previously unseen shapes. His precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. Julian Sartorius has released numerous solo albums, creates audiovisual art works, collaborates with musicians, writers and artist and performs live in intimate venues and on festival stages.

Trained at the Jazz schools in Berne and Lucerne by instrumentalists like Fabian Kuratli, Pierre Favre and Norbert Pfammatter, Julian Sartorius soon developed a singular musical approach. Being interested in fine-scaled variations, tension and release, mass and vibrancy, he creates projects like the 12-LP-box set "Beat Diary" (Everest Records, 2012), consisting of 365 beat tracks and an accompanying photo book; the daily 8-seconds loop series "Morphblog" (from 2013 to 2019); or "Depot", an audiovisual installation for 16 loudspeakers and 16 screens that was shown at Kunstmuseum Thun. For his last album "Hidden Tracks: Basel - Genève" (Everest Records, 2017), Julian hiked over 200 km with his drum sticks and recording equipment, playing and recording a multitude of sounds and textures on objects found on the journey.

In recent years, Julian Sartorius has collaborated with numerous musicians including Sophie Hunger, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily and Dan Carey. His distinct percussion work is featured on the current albums of Kate Tempest, Matthew Herbert and James Zoo.

Julian Sartorius has toured and performed live in North and South America, Asia and in Europe sharing the bill with artists like Marc Ribot, Deerhoof, Faust, Jaki Liebezeit and Arto Lindsay."

"Greg Saunier is a musician, producer, and composer best known as the drummer of Deerhoof. Rolling Stone included Saunier alongside Brian Chippendale (Lightning Bolt) and Zach Hill (Hella) as together composing "a generation of trailblazing 21st-century avant-rock percussionists".

Saunier graduated from the Oberlin Conservatory of Music in 1991. The next year, he joined a four-piece band, Nitre Pit, in San Francisco as its drummer. When the band's two guitarists left, Saunier and Nitre Pit's bassist, Rob Fisk, reformed as an "elastic, hyper-expressive" band to fulfill Nitre Pit's extant scheduled shows, which later became Deerhoof when Slim Moon of Kill Rock Stars signed the group in 1995. Saunier moved to New York with two suitcases and has said that he does not own many possessions. As a drummer, he says, things he touches tend to break.

Saunier uses a minimal drum kit, with a kick drum, snare drum, and a cymbal, inspired in part by the kit and play style of Questlove (The Roots). In 2008, Saunier said that he rarely practices, mainly for lack of time. When he writes songs, he usually considers the drum part last and is more concerned about the components of rest of the song and its technical elements. His interest and judgement in the latter came from his experience starting Deerhoof without producers, a record label, or much outside help.

Outside of Deerhoof, Saunier's bands include Mystical Weapons (a duo with Sean Lennon) and a collaboration with Brian Chippendale, about which a documentary, Checking in at 20, was produced. He also formed Nervous Cop with drummer Zach Hill and harpist Joanna Newsom, and bands with members of Erase Errata and Rainer Maria, soundtracked a film by Martha Colburn, and collaborated with Xiu Xiu. Saunier has produced albums including Xiu Xiu's The Air Force and Always, Marc Ribot's Ceramic Dog's Your Turn, Sholi's self-titled album and People Get Ready's Physiques, remixed tracks for Shy Hunters and WOOM, and appeared on albums including Zach Hill's Face Tat. In 2016, Saunier collaborated with American Brazilian composer Marcos Balter, in which they wrote songs for Deerhoof and Ensemble Dal Niente."

"Øyvind Skarbø, b. 1982, is a drummer, composer and producer based in Bergen, Norway. He studied with Terje Isungset from 2004-2006, and has also studied Norwegian, Cuban and Yoruba traditional music. Øyvind has performed on 28 albums, and played in 28 countries. He received the Vossajazz Prize in 2016."

"Rogier Smal is a drumming man from Amsterdam. Imagine the long lost son of Han Bennink raised on a steady diet of dutch marching band music and anarcho-punk going renegade by venturing to the free jazz fold. His performances can be intense, inspiring, proper funny and totally awkward. All at the same time. If I try to think of him playing it's all like super fast paradiddles bouncing harmonics off the walls doubleforming pyscho-acoustics inside your own head, then a drumstick sculpture asking for "a nice cup of tea", then wearing a bin bag to play drums, then playing more amazing drums, then staring the audience out for a really long time and telling them weird Netherlandish farmers jokes. A true gent of jazzpunk quality (there is no sign of any spang-a-lang here) he holds down the drum stool on occasions besides: Marshall Allen, Dylan Carlson, Eugene Chadbourne, Asuna Arashi, Colin Webster, Mik Quantius, Cathy Heyden, Ryoko Ono, Royal Improvisers Orchestra, Nora Mulder, Lori Goldston, Schimmbad Jazz Pool, Johannes Lunds, Maria Bertel, Don McGreevy and many more.."-David Birchall

"Greg Stuart is a percussionist whose work draws upon a mixture of music from the experimental tradition, Wandelweiser, improvisation, and electronics. His performances have been described as "a ghostly, gorgeous lesson in how close, concentrated listening can alter and enhance perception" (The New York Times). Since 2006, he has collaborated extensively with the composer Michael Pisaro, producing a large body of music comprised of pieces that focus on the magnification of small sounds through recording and layering, often in combination with field recordings and/or electronic sound. His role as an interpreter of Pisaro's compositions has been called "a David Tudor to Pisaro's Cage" (The Boston Globe). Stuart's most recent collaboration with the composer, Continuum Unbound, a three-disc box set on Gravity Wave, grew out of the pair's field recording work in Congaree National Park and was selected by The Wire as one of the best albums of 2014.

Stuart currently performs with fellow percussionists Tim Feeney and Sarah Hennies in the percussion trio, Meridian, and with computer musician Joe Panzner. Other recent collaborations include projects with Ryoko Akama, Erik Carlson, Antoine Beuger, Jürg Frey, Manfred Werder, Kunsu Shim, Phillip Bush, Nomi Epstein, and Speak Percussion. He has appeared as a featured performer at numerous festivals and notable venues presenting experimental music including MaerzMusik (Berlin), the Melbourne Festival, Café Oto (London), Arnolfini Centre for Contemporary Arts (Bristol), Gallery Kapelica (Ljubljana), Cha'ak'ab Paaxil (Mérida), Issue Project Room (New York), REDCAT (Los Angeles), Dreamland (Louisville), Elastic Arts Foundation (Chicago), New Music Co-Op (Austin), Philadelphia Sound Forum, and Non-Event (Boston) among others. He has recorded for numerous labels, including Edition Wandelweiser, Gravity Wave, Erstwhile, Cathnor, New World Records, Accidie, L'innomable, caduc, Lengua de Lava, Crisis, and Senufo Editions.

An enthusiastic educator, Stuart has given lectures, workshops, and performances at the University of Huddersfield, Universidade Federal de Goiás, Victorian College of Arts, Oberlin Conservatory, the University of Louisville, the New England Conservatory of Music, Harvard University, Florida State University, Georgia State University, and Tulane University. Stuart holds a D.M.A. and M.A. from the University of California, San Diego, and a BMus from Northwestern University. He is currently an Assistant Professor at the University of South Carolina School of Music in Columbia, SC where he teaches experimental music, music history, and runs the Experimental Music Workshop."

"Sao Paulo native Mauricio Takara, born in 1982, started playing the acoustic guitar at the age of seven. Two years later, he started playing drums. Takara played with local hard core punk bands throughout the '90s and started Hurtmold in 1998, releasing five records on the Submarine label. He put out his first solo album on Desmonta Discos in 2003 and has since released three more solo recordings on the same label, the latest bein g 2010's Sobre Todas e Qualquer Coisa . Takara has recorded with many Brazilian artists, including Nacao Zumbi, Vanessa Da Mata, Sabotage, Naná Vasconcelos and Marcelo Camelo, as well as such renowned international artists as Pharoah Sanders, Archie Shepp, Yusef Lateef, and Prefuse 73 . Besides Rob Mazurek's São Paulo Underground, Takara has also worked with such other Chicago - connected projects and artists as Exploding Star Orchestra, Jason Adasiewicz, and John Herndon . Takara has toured Europe (Sonar festi val/Barcelona, Roskilde/Denmark, Womex/Seville & Club Transmediale/Berlin), the U.S., India (World Socials Forum) and Brazil (Nublu Jazz Festival, SESC Pinheiros, and opening for Lo Borges & Milton Nascimento at Coquetel Molotov Festival). Takara is consid ered one of the leading voices in the new post - Tropicalia wave of Brazilian music."

"Born in Barcelona, Vasco Trilla started playing drums at the age of nineteen. His first influences were progressive rock and metal, but gradually he developed an interest in a variety of different genres such as jazz, Indian music, African music, klezmer, free improvisation, etc.

Since then he has collaborated, toured and recorded with many different bands and projects such as Boi Akih (an ethno-jazz band from the Netherlands), Planeta Imaginario (progressive jazz-rock) October Equus (avant-rock), The Oddvisers (pop-avant), Fine! (indie pop-rock), Mundo Flotante (ethno-jazz-rock), Kaulakau/Cobla Sant Jordi (an ethno-jazz Catalan orchestra), Filthy Habits Ensemble (a jazz octet playing Zappa's and Stravinsky's repertoire), Cows On Trees (a jazz-improv quartet with Susana Santos Silva and Kaja Draksler), Balimonster (an impro-ethno duo with Angel Ontalva), Yedo Gibson-Vasco Trilla duo (an improv sax & drums duo), Outerzone (jazz-core), Reptilian Mambo (mambo free rock), Liba's Traum, etc.

In the last years he has been playing and experimenting on the free-improv scene, applying extended techniques to the kit and treating it as a textural-melodic instrument. Blowing, bowing, scratching, playing with hands and all kinds of objects, all is valid to expand the vocabulary of this innovative percussionist. He played with improvisers, such as: Lotte Anker, Marshall Allen, Yedo Gibson, Susana Santos Silva, Kaja Draksler, Jasper Stadhouders, Mikloaj Trzaska, Martin Kuchen, Richard Barrett, Jorma Tapio, Christher Bothen, Marc Stucki, Luc Ex. etc...

He has released around 30 CDs in labels such as Cuneiform Records (USA), Altrock Records (Italy), Leo Records (UK) Discordian Records (Barcelona, Spain), Audition Records (Mexico), El Negocito Records (Belgium), Jacc Records (Portugal), Fmr Records (UK)."

"Teun (April '75) first picked up the drums by the age of eight. After two summer courses with drummer Dre Pallemaerts he went to the Conservatory of Brussels where he was taught by Hans Van Oosterhout. Since graduating from this school in 1999, he became one of the most in demand sideman in lots of different bands and musical styles in no time. His search for a personal touch and wanting to explore all possibilities of playing music and drums, his lack of boundaries and styles and trying to find fresh sounds and freedom in collective improvisation made him work (as sideman)with:

Alexi Tuomarila 4tet and Trio (signed WARNER MUSIC)
Jef Neve Trio (signed: UNIVERSAL)
FES (IPECAC ; CRAMMED) Fes did the first part of Mike Patton's Fantomâs during 10 Europe dates.
VVG trio
Karanova (featuring Hilmar Jensson, Johann Johannssonn from Iceland and Mauro Pawlowski from Belgium), Molo Trio, Jambangle, Rackham, Pascal Schumacher 4tet, "4", JojoBa, Streams, Silent Song, Jozef Dumoulin Trio,...

He worked as a sideman and leader with musicians such as Paolo Fresu (with Jef Neve trio), Uri Cain (With FES), Erwin Vann, Jean Phillippe Viret, Hilmar Jennson, Ernst Reyseger, Jimi Tenor, Toots Thielemans (with FES), Fred Vanhove, Trevor Dunn, Magic Malik, Shelley Burgon, Andrew d'Angelo, Fred Vanhove, Marc Helias, Giovanni Mirrabassi, Edouard Ferlet, Eric Vloeimans, Benny Lackner, Anton Goudsmidt, Harmen Fraanje, John Watts (Fischer Z), Matts Eilertsen, Michel Hatzi (aka moon),Louis Clavis (with FES), Peter Hertmans, Natalie Lorriers, Diederik Wissels, David Lynx, Bart Defoort, Kris Defoort, Arif Durvesh (Knitting Shawney), Kevin Armstrong (Iggy Pop), Pierre Vervloesem, Bart De Nolf, Manu Hermia, Sal La Rocca, Erik Vermeulen, Antton Walgraeve, Tom Wolf, Monsoon, Pieter Embrechts, Point Zéro, Cesarius Gadzina, Marco Locurcio,jacques Pirroton, Steve Houben, Melanie de Biasio, Toine Thys, Nic Thys, Hein Van de Gein ... Teun goes on tour with some of these bands a lot.

He has played on Festivals in Scandinavia, Australia, Mexico, Spain, Italy, South Africa, Portugal, Iceland, Canada, Japan, Austria, Bermuda's, England, Tunisia, Morocco, France, Venice, Bermuda Islands, Holland, United Kingdom, Greece, Cyprus, Finland, Norway, Sweden, Germany, Russia, Poland, ...
He played at the EuroJazzfestival in Greece with Alexi Tuomarila, Jef Neve, "4" and Pascal Schumacher and played on the same festival in Mexico City with Jef Neve.
He played a lot at big festivals such as North Sea, Vancouver, Blue Note, Jazz Middelheim, April Jazz, Gexco Jazz, Kaamos Jazz, Montreal Jazz, Dour,...

Teun was also invited by Jazz Middelheim to open their 25 Jubilee Festival with the program called "Around a Drummer" and he also got a "carte blanche" at the 2005 Time Festival, Ghent.


Did support acts for bands as :
Elvin Jones Jazz Machine, Brad Mehldau Trio, John Zorn's Moonchild, Paul Bley, Brandford Marsalis 4tet, Joey Baron's Killer Joe, Mike Patton's Fantomâs, John Zorn's Electric Masada, Charley Haden Band, John Abercrombie 4tet, Andrew d'Angelo Trio,..."

Mike Weis is a Chicago drummer & percussionist, known for the groups Good Stuff House, Kwaidan, Zelienople, along with duos with Simon Scott and Scott Tuma, his own solo recordings, and his work at the Zen Buddhist Temple Chicago.