"Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, theatre plays and choreographies. He worked / performed in The Netherlands, Poland, Lebanon, UK, South Africa, Russia, Japan, Spain, China, USA and Belgium. Banabila is especially keen on mixing disciplines and music styles, using elements and influences from jazz, electronic music, classical and world music. Therefore there is no particular genre to categorize Banabila's music. In addition to acoustic instrumentation, Banabila uses electronics, field recordings, and snippets from radio, tv and internet. He collaborated with different types of artists like Anton Goudsmit, Erkan Oğur, Hanyo van Oosterom, Holger Czukay, Joshua Samson, Machinefabriek, Mete Erker, Oene van Geel, Radboud Mens, Salar Asid, Sandhya Sanjana, Scanner, Yaşar Saka , Eric Vloeimans, and Zenial, among others.

Besides making albums and musical scores, Banabila works with theatre, dance and visual art on more conceptual artistic projects. He builds a database with samples; uses the city environment as a recording studio, collects fragments of spoken texts, which he composes into soundscapes, audio/visual installations and performances. Using recordings of speech in several languages Banabila experiments with the tonality of words and the "sound system" of languages. Banabila worked on various projects with video artists Geert Mul, Olga Mink, and photographer Gerco de Ruijter. With Geert Mul he has an audiovisual set, Big Data Poetry, which they performed live in venues like The Barbican (London) during the Logan Symposium 2014, Yukunkun (Beirut) during the Global Week For Syria 2014, and TENT (Rotterdam) during Sound Spectrums 2012. With Olga Mink he performed at the LUX Festival (Sevilla), the VAD Festival (Girona) and the State Of The Image Festival (Arnhem) in 2006. For Gerco de Ruijter he did sound design for several stop-frame animations, like the critically acclaimed Crops, shown in the Hirhshorn Museum (2013 / Washington DC) and Ringdijk at Panorama Mesdag (2016 / The Hague)"

"Violist / composer Oene van Geel (1973) is a true adventurer in music. Influenced by jazz, chamber music, Indian music and free improvisation, he has applied his virtuoso improvisation skills and his composition talents to a wide scope of musical activities. He toured in Europe, India, Japan, the USA and Canada.

As a player he is currently active with: Zapp4, Estafest, The Nordanians, Haanstra & van Geel and a duo with Matteo Mijderwijk. Besides these groups he is regularly invited as an improvising guest soloist.

He has won the Boy Edgar Award (2013), the Sena Performers Toonzetters Award (2012, with Zapp4) Kersjes Award (2005, with Zapp4), the Deloitte Jazz Award (2002), Dutch Jazz Competition (2001) and the Jur Naessens Music Award (2000).

Oene composes for his own groups, but also writes for other ensembles / soloists such as:

The David Kweksilber Big Band, Osiris Trio, New European Ensemble, Calefax, Ensemble Black Pencil, Amstel Quartet, Steven Kamperman Quintet, Frederieke Saeijs, Remy van Kesteren & Eric Vloeimans, Eric Bosgraaf, Jeugd Orkest Nederland, Amsterdam Sinfonietta, Matangi Quartet, Tetzepi bigtet, Ricciotti Ensemble, Nikolay Shugaev, David Braid and many others.

In 2015 Oene wrote his first viola concerto for Emlyn Stam and the New European Ensemble (premiered 18 December at the Bimhuis, Amsterdam).

Oene often gets commissions by festivals such as: Het Nederlands Vioolconcours (2016), Cello Biennale Amsterdam (2016 and 2008), 25 years Osiris Trio (2014), Storioni Festival (2013), Orlando Festival (2012), North Sea Jazz Festival (2005), SJU Jazz Festival (2002), Marathon Festival Oosterpoort (2002).

As a player and / or composer he was involved in theatre productions with the following companies / directors: Silbersee, Holland Opera, Marcel Sijm, Hollands Diep, Boukje Schweigman, Eric Vaarzon Morel, Saartje van Camp, Tafel van Vijf (Herman van Baar), De Wereldband and the Sonnevanck theatre.

Oene has a special interest in dance: he often works with dancer/ choreographer Kenzo Kusuda, dancer/ choreographer Heather Ware and he will do a collaboration with choreographer Kalpana Raghuraman in 2018."

"Radboud Mens is a sound-artist, composer and sound designer. He started creating noise-machines in 1988. In the early 90s he attached contact mics to dog's brushes that he used to destroy vinyl records by scratch-playing them, boosting the signal through broken cassette-decks and recording the results. He also made rhythmic-noise using a broken turntable. In 1994 these experiments were released as a two CD set by the British label i-Records under the project names Hyware and Technoise. To achieve the full effect, listeners had to mix the two discs together themselves.From 1997 on he also released music under his own name, music that is more minimal and conceptual. For his CD Cl;ck, which was made in 1997/1998, but released two years later, he used digital clicks and errors he collected while cleaning up digital recordings during his stint as a sound engineer at the Centre Of Electronic Music in Amsterdam. Pulse, his next CD release, is based on a DSP function called 'convolution'. He worked on the vocabulary for this CD for two years.

Radboud Mens has worked with a broad variety of sound artists and composers, including Stephan Mathieu, Janek Schaefer and Timeblind, voice-artist Jaap Blonk, guitarist Dan Armstrong (as Fitness Landscape), Michel Banabila, Mark Poysden (as Alignment), Craig Ward (ex-Deus), and Matthijs Kouw. His music has been released by Staalplaat, Mutek_Rec, AudioNL, ERS, Bake Records, Noise Museum, Takashi Mobile, Tapu Records and Touch; and Audio-NL and Vynalogica released some of his minimal-techno as a series of 12" LPs. In live situations he collaborates with video artists such as Marco Douma, Remco Schuurbiers, Bas van Koolwijk and Jpech. He co-founded the ERS label with Dan Armstrong in 1999, which is dedicated to experimental ambient-noise and drone music; after a break of 10 years, ERS is now active again.

He presented a radio show called Earbitten for the Amsterdam free radio station Radio 100 for sixteen years between 1986 and 2003. He still has a radio show called 230 Volt on the Concertzender in the Netherlands and alternates as the producer of the Staalplaat radio shows on dfm.nu"