The Squid's Ear Magazine


Tsahar, Assif Brass Reeds Ensemble: The Hollow World (Hopscotch Records)

Tsahar's 9-piece Brass Reeds Ensemble Herb Robertson, Chris Jonas, Rob Brown, Susie Ibarra, &c. is an ambitious and incredible undertaking of group improvisation.
 

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Personnel:



Herb Robertson-trumpet

Cuong Vu-trumpet

Vincent Chancey-french horn

Joe Daley-tuba

Chris Jonas-soprano saxophone

Rob Brown-alto saxophone

Susie Ibarra-drums

Assif Tsahar-tenor sax


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UPC: 015568230981

Label: Hopscotch Records
Catalog ID: HOP 03
Squidco Product Code: 29555

Format: CD
Condition: New
Released: 2000
Country: USA
Packaging: Cardboard Gatefold
Recorded live at Roulette, in New York, on March 30th, 1999, by Jim Staley

Descriptions, Reviews, &c.

"In the realms of creative improvised music, ambitious undertakings are often a risky enterprise. Especially taxing is the drafting of music for large collectives of musicians. Designing an environment that nurtures both individual and group improvisation in a space populated by numerous instrumental voices can sometimes portend failure for even the most seasoned improviser/composer. On his latest release Assif Tsahar stares these realities boldly in the face and cleverly circumvents them through an ingenious use of space and an almost Ellingtonian-like understanding of the capabilities of the musicians in his ensemble. The finished product is something to marvel at, a nine-piece group comprised almost totally of brass and reed players and fueled rhythmically by only a single drummer. It's no accident that the drummer happens to be Susie Ibarra, Tsahar's wife. Her presence as rhythmic fulcrum is a crucial contribution to the successful strategy deployed by the group.

The cast of horn players assembled is no less impressive. Comprised of a cadre culled from the upper echelons of New York's current improvising community, the ensemble dives into Tsahar's compositions with enthusiasm and candor. Of particular note are the contributions of Chancey and Daley whose deeper brass instruments more than make up for the dearth of a traditional string bass presence. At the opposite end of the sonic spectrum Jonas handles upper register duties with a alacritous energy and imagination. The five pieces over which the ensemble ranges often focus on smaller combinations of instruments rather than the collective voice of the entire group, though no one ever stays on the bench for too long. Some of the most interesting moments occur when Tsahar pairs players together. The opening "Tapestry of Dreams" features a number of such duos including an exciting exchange between Tsahar and Brown. When these two trade phrases the results are rarely less than extraordinary. "Edge of Dreams" is likewise packed with insightful conversations from Brown and Daley, and Chancey and Vu. "Rainbow at My Table" builds a reverent tribute to William Parker, one of Tsahar's chief mentors, and the bassist's Little Huey Orchestra is invoked in the densely conceived horn charts Tsahar devises for the piece. [...]"-Derek Taylor


Artist Biographies

"Clarence "Herb" Robertson (born February 21, 1951) is a jazz trumpeter and flugelhornist. He was born in New Jersey and attended the Berklee School of Music. He has recorded five solo albums for the JMT record label and also worked as a sideman for Tim Berne, Anthony Davis, Bobby Previte, David Sanborn, George Gruntz, Bill Frisell and Paul Motian, among others."

-Wikipedia (https://en.wikipedia.org/wiki/Herb_Robertson)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Cuong Vu is widely recognized by jazz critics as a leader of a generation of innovative musicians.

A truly unique musical voice, Cuong has lent his trumpet playing to a wide range of artists such as Pat Metheny, Laurie Anderson, and David Bowie.

As a youngster, Cuong's intense dedication and love for music led him to a full scholarship at the New England Conservatory of Music where he received his Bachelor of Music in Jazz studies with a distinction in performance. Transitioning from his studies in Boston, he moved to New York in 1994 and began his career actively leading various groups while touring extensively throughout the world. As a leader, Cuong has released eight recordings, each making critics' lists of the 10 best recordings of their respective years and has received rave reviews from notable publications such as the New York Times, The New Yorker, Harper's, the Guardian, BBC Music Magazine, JazzTimes and Downbeat. Each record displays how he has carved out a distinctive sonic territory as a trumpet player, blurring all stylistic borders while developing his own compositional aesthetic and sound world.

A recipient of the 2 Grammy for Best Contemporary Jazz Album as a member of the Pat Metheny Group, Vu has garnered internationally acclaim, having been recognized as one of the top 50 Jazz Artists in an article called "The New Masters" from the British magazine, "Classic CD" and has been named the Best International Jazz Artist by the Italian Jazz Critics' Society. Amazon listed Vu's "Come Play With Me" on their "The 100 Greatest Jazz Albums of All Time." Each of his recordings as a leader have been placed on esteemed jazz critics' Best Of/Top Ten releases of the year. Most recently Cuong received Europe's Echo Jazz 2017 Awards, International Instrumentalist for his work on his recording, "Cuong Vu Trio Meets Pat Metheny".

Currently a professor and the chair of Jazz Studies at the University of Washington, Cuong is also a "Yamaha Performing Artist", playing the Yamaha Custom YTR8310Z trumpet."

-Cuong Vu Website (https://www.cuongvu.com/bio)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Vincent Chancey - French Horn and Composer

Over the past 25 years I have built a solid reputation as an accomplished and totally dedicated french horn player, performing in a wide variety of musical contexts, and as an increasingly active composer. My first instrument as a member of the junior high school band was the cornet and later the trumpet and fluglehorn. But after hearing the french horn during rehearsals I felt a strong affinity for that instrument and was happily able to make the change. Simultaniously with my band experience in high school, I was first active in Giles Yellow Jackets and later the St. Andrews Hornets and the DesPlaines Vanguard competitive drum & bugle corps. Through high school and college, I lived a kind of musical schizophrenia, studying and playing classical music, but listening to and loving jazz. Continuing in that direction for some time, I finally decided that I needed some instruction on how to approach jazz on this instrument.

Upon graduation from the Southern Illinois University School of Music, I moved to New York to seek out and study with the long-time pioneering jazz french hornist Julius Watkins. I was able to win a N.E.A. grant to begin this study program. After several years of instruction and hard practice, I first came to prominence as a regular member of the Sun Ra Arkestra from 1976 to 1978. After that I worked sporadically for Sun Ra, making a number of recordings with the ensemble, and then worked for six years with the Carla Bley Band. In 1984, I joined Lester Bowie's Brass Fantasy and have been featured on all of the group's nine recordings. For many years, I have also been part of the David Murray Big Band in which I am featured on five CD's. I have been able to employ my talent playing with Chick Corea, Cassandra Wilson, Shirley Horn, Randy Weston, The Gil Evans Orchestra and The Mingus Orchestra. In the Contemporary Classical idiom , I have worked with Guus Janssen on varied projects in The Netherlands. I have also performed with popular artists such as Ashford and Simpson, Melba Moore, Peggy Lee, Maxwell, Aretha Franklin, Freddy Jackson, The Winans, Elvis Costello, Brandy, Charlie Haden Liberation Orchestra, Dave Douglas, singer Diana Krall and many more. In 2000 I had the honor of playing a performance for Pope John Paul II's 80th birthday concert.

I have recorded as a sideman with various artist on more than 150 albums, CD's and soundtracks. Eventually I came to the point that many musicians reach when they feel the need for more personal creative expression. I began writing music that could best express myself and my instrument. I felt that no one was writing for the french horn the way I knew it could be played. Several bands were put together over many years, which lead to my first CD. This recording entitled "Welcome Mr. Chancey" was released in 1993 on In + Out Records. A quartet was featured on this album using electric guitar, bass and drums. I enjoyed working with this group, but felt that I wanted to do something closer to the music that I had always listened to as a developing jazz musician, classic jazz. I started first by composing music that I thought worked with the way I liked to play my instrument. Soon after I was asked to do a CD of music commemorating my jazz horn teacher, Julius Watkins and his group, The Jazz Modes. In 1996 I recorded my second CD "Vincent Chancey and Next Mode" on DIW records. This one featured a Quintet with tenor saxophone, piano, bass, and drums.

The french horn is my natural voice. Throughout my career I have been devoted to the idea of achieving wider recognition for the horn as a jazz instrument and I have constantly sought to increase the capability of the instrument and overcome the inherent problems of adapting it to the vocabulary of jazz."

-Vincent Chancey Website (http://www.vincentchancey.com/biography.htm)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joe Daley - tuba.

After nearly 50 years of recognition as one of the consummate sidemen on the adventurous music scene - with remarkable artists like Sam Rivers, Carla Bley, Gil Evans, Charlie Haden, Muhal Richard Abrams, Taj Mahal and so many more - Joseph Daley has emerged as one of Jazz' and contemporary music's most extraordinary composers and leaders. Stunning musicians and fans alike with his brilliant 2011 CD, The Seven Deadly Sins, featuring his Earth Tones Ensemble (a full Jazz orchestra augmented by six additional low-tone horns, and including a seven-member rhythm section and four special guests), this powerfully innovative music mines the same rich vein of musical expression as that of immortals like Charles Mingus, Duke Ellington and George Russell, receiving rave reviews and making several Best of Year lists. In 2013 he followed up with The Seven Heavenly Virtues, then in 2014 Portraits: Wind, Thunder and Love which includes the five movement suite Wispercussion: Five Portraits of Warren Smith - both featuring string orchestras.

Drawing the attention of a number of prominent educators and university programs, since 2018 Joseph has become an in-demand and highly compelling educator, providing activities at various institutions in Pennsylvania, Ohio, New Mexico, Washington, as well as a residency at Dartmouth College resulting in a performance of selections from The Seven Deadly Sins project. Plans for extended residencies are in motion for the future, including a week-long residency that will take place at Seattle Pacific University in January 2020, culminating in a full concert performance of The Seven Deadly Sins. Plans are also in place to repackage both Seven Deadly Sins and Seven Heavenly Virtues into a single CD entitled Sins and Virtues on his Jodamusic label in fall of 2019

In addition to his orchestral endeavors, Joseph is developing a significant reputation as a leader of smaller ensembles. In 2015, The Tuba Trio Chronicles - dedicated to his long time friend and mentor Sam Rivers, in whose Tuba Trio he performed extensively in the U.S. and Europe during the '70s and '80s - was released to high acclaim, and when time allowed three years later the ensemble toured in more than 15 U.S. cities in the spring of 2018. Joseph is also focused upon developing a series of life celebration projects dedicated to his late wife Wanda Daley, in which Joseph will use both his Tuba Trio Rituals Ensemble and Earth Tones Ensemble to realize this musical quest.

Joseph is also currently a member of the highly eclectic ensemble Hazmat Modine, under the direction of musician and visual artist Wade Schuman. It was Schuman's paintings that helped inspire the creation of Daley's Seven Deadly Sins project, which was developed at the MacDowell Colony in 2001.

Whether performing with his large ensemble; with his evocative Ebony Brass Quintet, his stunning World-music influenced Rituals Ensemble, the Tuba Trio or in sparer solo, or duo contexts; sheer musicality, deeply-hewn emotion and jubilant innovation are always at the core of Joseph's most singular musical expression. Best known for playing the tuba, Joseph also plays euphonium, trombone and piano; but these days his growing reputation as a visionary composer is bringing him worldwide acclaim.

Born in New York City's Harlem, Joseph began his musical studies in elementary school and received high honors and recognition throughout his school years (including the renowned High School of Music and Art), and was a member of the most prestigious ensembles in the New York City school system. During his high school years, he began performing on the Latin music scene - well-known as one of the most powerful foundations of higher musical learning - performing alongside such fine musicians as Rene McLean, Monquito Santamaria, Andy Gonzalez, Jerry Gonzalez, Alex Blake and many others.

A scholarship to the Manhattan School of Music resulted in his Bachelor's degree in Performance and a Master's degree in Music Education and led to a career as an educator in the New York and New Jersey school systems from 1976 until his retirement in 2005. Heavily dedicated to the education of young people to the highest values in musical understanding and expression, Joseph balanced his extensive educational commitments with recording and performing in the ensembles of some of the most provocative musicians on the contemporary jazz scene. In addition to those mentioned above, Joseph contributed heavily to groups led by other major artists including Muhal Richard Abrams, Makanda Ken McIntyre, Jason Hwang and Dave Douglas, and is an original member of Howard Johnson's groundbreaking tuba ensemble, Gravity. He also produced the latest Gravity CD: Testimony. Joseph has also been a longtime collaborator with the highly respected composer/ethnomusicologist and master of non-Western instruments, Bill Cole - a relationship that is still in bloom."

-Joe Daley Website (https://www.jodamusic.com/about)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Rob Brown (born February 27, 1962) is an American free jazz saxophonist and composer.

Rob was born in Hampton, VA. He started playing saxophone at the age of 12 or 13. His first gigs were with a local Virginia and swing band. He eventually studied at Berklee College for two years and worked privately with both Joe Viola and John LaPorta. After a year on the west coast, Brown bounced back to Boston, where he met pianist Matthew Shipp. He moved to NY in 1984 where he enrolled at New York University, earned a music degree, and studied with saxophone masters such as Lee Konitz, but the teacher who had more influence on Rob conceptually was Philadelphian Dennis Sandole. Rob took the train to Philly once a week to study with him for a year and a half.

His first issued recording was the duet with Shipp Sonic Explorations and since then has been actively leading groups or working as a sideman with Shipp, William Parker, Whit Dickey, Joe Morris and Steve Swell.

He is a 2001 CalArts/Alpert/Ucross Residency Prize winner and has received many Meet The Composer Fund grants. In 2006 Rob was awarded a Chamber Music America New Works grant."

-Wikipedia (https://en.wikipedia.org/wiki/Rob_Brown_(saxophonist))
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Susie Ibarra is a Filipina-American composer, percussionist, and sound artist. Her sound has been described as "a sound like no other's, incorporating the unique percussion and musical approach of her Filipino heritage with her flowing jazz drumset style" (Modern Drummer Magazine) and her compositions are sometimes described as "calling up the movements of the human body; elsewhere it's a landscape vanishing in the last light, or the path a waterway might trace" (New York Times). Recent commissions include Kronos String Quartet's 50 for the Future Project Pulsation, PRISM Saxophone Quartet + Percussion's Procession Along the Aciga Tree, Talking Gong trio with pianist Alex Peh and flautist Claire Chase, film score When the Storm Fades directed by Sean Devlin, and a multimedia game piece Fragility: An Exploration of Polyrhythms for Asia Society.

Susie Ibarra is a 2019 United States Artist Fellow in Music . She is a Senior TED Fellow and a 2018 Asian Cultural Council Fellow in support of her sound research of An Acoustic Story on Climate Change: Himalayan Glacier Soundscapes. She is recording and researching sound along the Ganges from source to sink in collaboration with glaciologist and geomorphologist Michele Koppes. Ibarra leads the DreamTime Ensemble, which recently released the album Perception, a suite of music exploring memory and shifting sensory experiences. She performs in collaborative ensembles Mephista, Yunohana Variations, and LIMBS. With ThinkFun Games, Ibarra is inventing an interactive polyrhythm game to teach rhythms. Since 2012, she has been a faculty member at Bennington College where she teaches percussion, performance, improvisation, and art intervention. Susie Ibarra is a Yamaha, Vic Firth, and Paiste Drum Artist."

-Susie Ibarra Website (https://www.susieibarra.com/about/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Assif Tsahar (born Israel, June 11, 1969) is an Israeli tenor saxophonist and bass clarinetist. He lived in New York City from 1990 to the early 2000s, returning to Israel.

He has performed with Cecil Taylor, Butch Morris, William Parker, Mat Maneri, Hamid Drake, Peter Kowald, Susie Ibarra, Rashied Ali, Warren Smith, Wilbur Morris, Le Quan Ninh, John Tchicai, Fred Anderson, Rob Brown, Roy Campbell, Gerald Cleaver, Agusti Fernandez, Ken Vandermark, Kent Kessler, Joe Daley, Herb Robertson, Cuong Vu, Chris Jonas, Ori Kaplan, Oscar Noriega, Roman Stolyar, Alex Harding, Steve Swell, Cooper-Moore, and Tom Abbs

He founded the label Hopscotch Records in 1999. In 2006 he opens the music club Levontin7 with Daniel Sarid in Tel Aviv. "

-Wikipedia (https://en.wikipedia.org/wiki/Assif_Tsahar)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Tapestry Of Dreams 19:12

2. The Edge Of Infinity 13:15

3. Rainbow On My Table 5:29

4. The Hollow World 11:48

5. The Luminous Tree 12:02

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Octet Recordings

Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Octet Recordings

Search for other titles on the label:
Hopscotch Records.


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