The first of many projected volumes from the Chicago trio of Quin Kirchner on drums, percussion, sampler & electronics, Daniel Van Duerm on electric piano, organ, mellotron & electronics, and Matthew Lux on bass & electronics, with guest Jaimie Branch on trumpet, presenting three extended improvisations that maintain peaceful contemplation in captivating grooves.
"KVL sits nicely in the same headspace as recent modern improv that eschews a more traditional "jazz" label. Think Matthew Lux's Contra/Fact, Jaimie Branch's Fly or Die, Shabaka Hutching's Sons of Kemet or The Comet Is Coming, Ben Lamar Gaye, Rob Mazurek and others. Of course, many folks will point toward the past Chicago rumblings of a group like Isotope 217 of which Matthew Lux was a member (and deep heads will recognize mastering engineer Casey Rice worked with as well). And yes, there may be some sonic similarities, but as you might expect from the members of KVL, they easily differentiate themselves from their influences and contemporaries.
There is a deep sense of minimalism and groove throughout Volume 1 that is a bit more contemplative and open ala late 60's Miles Davis. Kirchner's playing is beautifully understated throughout, barely even touching the drums on "Peaceable" but still setting a vibe. Van Duerm takes on the most "leader" like role with his (also beautifully understated) various keyboards that modulate and keep things moving forward throughout the album. Lux meanwhile is still the bass player's bass player, his lines more of a sinewy funk than repetitive groove in an absolutely mesmerizing way. This is the first of multiple "volumes" of material that will be released over the coming years."-Astral Spirits
"Volume 1, the debut album from Chicago's KVL-the trio of percussionist Quin Kirchner, keyboardist Daniel Van Duerm, and bassist Matthew Lux-is a thoughtful mix of ambient jazz that carefully unfolds through the layering of acoustic and electronic textures. It's a cloudy, meditative record best suited for headphones, or for stereos in quiet rooms that encourage solitude.
At certain points, the music is barely there, almost fading into the background and becoming white noise. Silence is Volume 1's main draw, and on "Peaceable," Kirchner all but disappears, his faint drumming receding to guest Jaimie Branch's soft trumpet wails. On her recent album, Fly or Die II, Branch emitted shrill tones to lament U.S. politics; here, she takes the steam out of her instrument to give "Peaceable" a sultry essence. Compare that with "Bladewalker," the LP's nervy 16-minute centerpiece: The band locks into a mesmerizing loop of bass, warped keys and muted drums, giving a sense of finality. Then the trio lunges forward-cymbals start crashing, and the synths grow darker and edgier until the song fades out. On an album full of lush tranquility, "Bladewalker" snaps you back to reality while foreshadowing KVL's next move."-Marcus J. Moore, Bandcamp Daily