The Squid's Ear Magazine


Isotope Ensemble: Radium (Creative Sources)

Recorded at CreativeFest#12 in Lisbon at O'Culto de Ajuda, the 21-piece electroacoustic ensemble Isotope takes on the chemical element Radium in a gripping piece of evolving improvisation, intensely restrained and extremely detailed, orchestrated with cello, baroque violin, double bass, acoustic & electric guitars, zither, psaltery, winds, brass, keys, electronics and percussion.
 

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Personnel:



Etienne Brunet-alto saxophone

Bruno Parrinha-bass clarinet

Guilherme Rodrigues-cello

Helena Espvall-cello

Miguel Almeida-classical guitar

Fred Marty-double bass

Luis Lopes-electric guitar

Carlos Santos-electronics

Carla Santana-electronics

Pedro Frazao-euphonium

Wilfrido Terrazas-flute

Abdul Moimeme-guitar

Tiago Varela-organ

Joao Valinho-percussion

Monsieur Trinite-percussion

Mariana Carvalho-piano

Gianna de Toni-psaltery

Joao Silva-trumpet

Gil Goncalves-tuba

Maria do Mar-violin

Ernesto Rodrigues-violin

Biagio Verdolini-zither


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UPC: 5609063406092

Label: Creative Sources
Catalog ID: cs609
Squidco Product Code: 28194

Format: CD
Condition: New
Released: 2019
Country: Portugal
Packaging: Cardboard Gatefold
Live recording on November 6th 2918 at O'Culto da Ajuda, Lisbon, during the CreativeFest XII.

Descriptions, Reviews, &c.

Recorded at CreativeFest#12 in Lisbon at O'Culto de Ajuda, the 21-piece electroacoustic ensemble Isotope takes on the chemical element Radium in a gripping piece of evolving improvisation, intensely restrained and extremely detailed, orchestrated with cello, baroque violin, double bass, acoustic & electric guitars, zither, psaltery, winds, brass, keys, electronics and percussion. This element is noted for its use in modern nuclear physics, and also for its tragic discovery Marie Curie, who died from its exposure. Here the Isotope Ensemble presents the element almost as a half-life decaying, generating subliminal energy that briefly pulses out intense moments, then returns to a near-dormant stage. As the piece advances, the energy expands and takes on more kinetic power, never exploding yet increasing in force and aural interest. Each of the players brings a unique approach to their instrument, and the commingling of unusual sounds yields and alien ambiance; intent listening reveals layers of detail and parallel processes that create the ultimate progress of the piece. A quietly radiant and powerful performance.



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Étienne Brunet is a musician, composer and improviser, born in Paris on January 2, 1954. He plays saxophone alto and soprano, bass clarinet , bagpipes, harmonicas and electronic instruments.

He took part in children's choir at the Opéra de Nice at the age of seven, then re-learned music as a self-taught musician as a teenager and took classes with Steve Lacy whose originality of musical thought will influence his entire career. He will do many jobs in addition to music (press modelist, book worker, saxophone tuner, operator on synthesizer writing for television channels). In 1979, he founded the trio Axolotl (not to be confused with other homonymous groups that came one or two decades later) with Marc Dufourd and Jacques Oger. In 1984 he founded the group Aller Simple Paris, with the accordionist Odile Lavault known as Gina Sbu, devoted to folk music arrangements from Eastern Europe. From 1987 he collaborated with the poet Julien Blaine . He performed with musicians such as Jac Berrocal , Anthony Coleman , Wayne Dockery , Jean-Jacques Birge , Jean-François Pauvros , Guillaume Loizillon, Erik Minkkinen, Jean-Jacques Avenel , Yasuaki Shimizu , Emiko Ota, and the Romanian drummer Cornelius Stroe; he writes various music and rides the Zig Rag Orchestra, then 3D Jazz and Ring Sax Modulator with Thierry Negro (bass) and Erick Borelva (drums). In 1995, he inaugurated a contract for several discs with the Saravah label of Pierre Barouh with a disc dedicated to Louis Jordan composed of exploded songs, La Légende du Franc Rock And Roll . In 1997 he recorded duets with Daunik Lazro , Daniel Mille , Thierry Madiot , Hubert Dupont , Camel Zekri and Fred van Hove, which were transformed into samples and mixed in the album B / Free / Bifteck . In 2007, he plays in duo with Diemo Schwarz (electronics). In recent years, it happens a little less, mainly solo, sometimes within the group of Senegalese grilet Djeour Cissokho.

He wrote numerous columns: Journal Web Intime from 1998 to 2001 (before fashion blogs ), then, from 2003 to 2007, Petite Fleur Electronique for Jazz Magazine devoted to the tune of time in music. His musical career is atypical. Initially impassioned by improvisation , he studied Indian music and electronic music which he mixes in a ferociously post - modern , jazz , funk , folk and free approach in the same composition."

-Wikipedia (Translated by Google) (https://fr.wikipedia.org/wiki/ƒtienne_Brunet_(musicien))
3/13/2024

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"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

-Bruno Parrinha MySpace Page (https://myspace.com/brunoparrinha/bio)
3/13/2024

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"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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"Helena Espvall is a cello player who is comfortable in indie rock and improvised music circles. She was born and raised in Sweden, playing guitar and cello in rock bands and a silent movie orchestra. Moving to the U.S. and settling in Philadelphia in 2000, Espvall further explored Arabic music, performed with the Amnesiac Music & Dance Ensemble, and joined the contemporary psychedelic-folk group Espers, recording the CDs Weed Tree and II with them. Her penchant for playing free jazz has resulted in collaborations with guitarist Eugene Chadbourne. She is a featured artist with saxophonist/flutist Oluyemi Thomas on his recording Before the Beginning, and with From Quagmire on Habitats in the Wound. Espvall's debut CD as a leader, Nimis & Arx, from the Pax/Fire Museum label is produced by George Korien, where she plays cello, guitar, and recorder, sings and uses electronics. Other artists she has worked with include Katt Hernandez, Lukas Ligeti, Masaki Batoh, Gui Mallon, Nick Castro, Bert Jansch, Sharron Kraus, Fürsaxa, Vashti Bunyan, Samara Lubelski, Marissa Nadler, Damon & Naomi, Arborea, Curia, Golden Ball, the Valerie Project, Polineros, and Scorces.

Helena Espvall is a Swedish-American musician noted for her participation in the post-millennial psych-folk and free improv scenes. Her primary instruments are cello, guitar and voice."

-Helena Espvall Website (https://helena-espvall.keepvid.io/fr)
3/13/2024

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"Guitarist Miguel Almeida is also a researcher and educator, locate in the Lisbon area of Portugal. He is associated with Universidade Nova de Lisboa, Conservatório de Música de Sintra, and was educated at Universidade Nova de Lisboa."

-Linked In (https://pt.linkedin.com/in/miguelalmeidamusic/en)
3/13/2024

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"Fred Marty was born in Blaye (Gironde) in 1970. After studying classical bass studies, he devoted his work to improvisation and experimentation of various game modes on bass. He strives to develop a personal language, inspired by everyday sounds, making some forget the bass itself (distorted sounds, harmonics "gaps" in incomplete or misleading spectrum percussion sounds without specific height, sounds The rubbing of the fingers or the hand on the body of the double bass). He also modifies the timbre by inserting between ropes of wooden or metal rods. Each part of the body of the double bass becomes an instrument of its own.

Thus, co-creation he also collaborated in multidisciplinary projects combining dance, music, and video playback, including Anne Ropers collective recidiva in UNICA, a project calling itself "night moves" around the collection of poems of the same Title of Henri Michaux, or with Bérengère Altieri-Leca in the duo OKAMI.

Fred Marty has played with Yuko Oshima, Ai Watanabe, Birgitte Lyregaard, Yoko Arai, Frederic Blondy, Edward Perraud, Itaru Oki, Claude Speaks, Xavier Lopez, Michel Doneda Sebastien Bouhana, Marcos Fernandes, Usui Yasuhiro, Alvise Sinivia Michael Nick, Daunik Lazro, Isabelle Duthoit, Benoit Cancoin, Matsumoto Kenichi, Jean Marc Foussat, Yoko Arai, Eric Dambrin John Cuny, Jean Brice Godet, Alexandre Bellenger, Nush Werchowska Mathieu Garrouste Pascal Marzan, Cyprien Busolini, Nicolas Souchal, Deborah Walker, Patricia Bosshard, Jean-Marc Foussat, Yoko Miura, Francesco Pastacaldi Richard Comte, Hideo Ikegami, Ugo Boscain and works with dancers of butoh Gyouhei Zaitsu, Maki Watanabe and dancer Bérengère Altieri-Leca.

Since 2012 he is a member of ONCEIM, an orchestra conducted by Frédéric Blondy."

-Fred Marty Website translated by Google (https://fredmartyDoublebass.wordpress.com/a-propos/)
3/13/2024

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"Averse to any linearity, the idiosyncratic Luís Lopes, a musician connected to Jazz, improvised and experimental music, has been building his career, a simple and singular story, characterised by a unique voice, free of corsets, formal ties or constraints and mannerisms regarding strict stilistical implications. He is an unfollower... experiments himself through paradoxes. Invokes teachings by following standards of subversion to any possibility of pre-established idea. Eminent self-subversion... Introspective timeless trance.

Running Multi-international groups, especially his Humanization 4tet (with Portuguese Rodrigo Amado and Texan's Aaron and Stefan Gonzalez), Lisbon Berlin Trio (with Germans Christian Lillinger, Robert Landfermann), and his "Noise" or "Love Song(s)" Solos, plus his highly recommended records he is growing as an international artist, playing at important Festivals and venues not just in Portugal but in Europe and U.S.

Coming from a rock/punk and blues background, while studying at local classic and rock schools, he began studying Jazz at Hot Club Portugal School and then was finalist at Escola de Jazz do Barreiro/Lisbon. Then did studies with Saxophonist Joe Giardullo who opened for him the doors of modern jazz harmony complexity through the George Russell's "Lydian Chromatic Concept of Tonal Organization", plunging Lopes into the world of improvised and experimental music, without disregard for his fascination with distorion and guitar feedbacks, expressed in different incursions into noise music, while also canalizes energys towards projects where he can develop his composing abilities.

In more recent times, Lopes has played and / or recorded with different artists connected to jazz and improvised music, such as Noel Akchoté, Christian Lillinger, Robert Landfermann, Marco Von Orelly, Marc Unternahrer, Adam Lane, Igal Foni, Floros Floridis, Joe Giardulo, Harvey Sorgen, Benjamin Duboc, Phill Niblock, Ernesto Rodrigues, Paulo Curado, Sei Miguel, Rodrigo Amado, Hernâni Faustino, Gabriel Ferrandini, Rodrigo Pinheiro, Miguel Mira, Aaron Gonzalez, Stefan Gonzalez, Dennis Gonzalez, Elliot Levin, Alfred Hart, Daniel Levin, Reuben Radding, Daniel Carter, Jeb Bishop, Josh Abrams, Jean-Luc Guionnet, Samuel Blaser, Boris Hauf, Evan Parker, Olivier Benoit, Fred Lomberg-holm, Valentin Ceccaldi, Gonçalo Almeida, among many others."

-Luis Lopes Website (http://www.luislopes.pt/?page_id=972)
3/13/2024

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"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.

Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.

Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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Carla Santana is a Portuguese electronic artist known for the bands Quarto com Luz, quatroconnection, Isotope Ensemble and Variable Geometry Orchestra.

-Squidco 3/13/2024

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Pedro Frazao is a Portuguese euphonium player, a member of ikb, and Isotope Ensemble.

-Squidco 3/13/2024

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"Wilfrido Terrazas (Camargo, 1974) is a Mexican flutist whose career spans 27 years of performance, commissioning, collaboration, improvisation, composition and pedagogy. His recent work has been focused on finding points of convergence between notated and improvised music, and in exploring innovative approaches to collaboration and collective creation. He is a founding member and Herald of the Mexico City-based improvisation collective Generación Espontánea since 2006. As an interpreter, Wilfrido has performed over 330 world premieres, and has been a member of Liminar ensemble since 2012. As a composer, his main interest is the exploration of dialogues between composition, improvisation and performance. As such, he has written over 40 works for diverse instrumental forces. Other current projects include Filera, Trio D'orizzonte, Escudo (Torre), and the Wilfrido Terrazas Sea Quintet. Since 2014, Wilfrido has been co-curator of Semana de Improvisación La Covacha, a week-long festival dedicated to improvised music in Ensenada.

Terrazas has been a committed educator since his adolescence. He currently has a flute studio at the Conservatorio de las Rosas in Morelia, and teaches experimental music at the Escuela Superior de Música in Mexico City. He is also in demand as a coach and workshop leader throughout Mexico.

Wilfrido has given concerts and participated in projects in Argentina, Austria, Belgium, France, Germany, Greece, Italy, The Netherlands, Portugal, Spain, Sweden, United Kingdom, United States, Venezuela, and in over 40 cities in Mexico. He has obtained support from FONCA and several other Mexican institutions, has been an artist in residence at Omi International Arts Center, Atlantic Center for the Arts and Ionion Center for the Arts and Culture; and participated in the recording of more than 20 albums, three of them as a soloist: Open Cages (Umor, 2007), Bóreas (Shival/CONARTE 2010) and Bug/ge/d (Mandorla, 2010).

Wilfrido Terrazas studied music initially in Baja California and California. He later graduated from the Conservatorio de las Rosas. Among his most influential teachers are Damian Bursill-Hall, Tom Corona, John Fonville, Roscoe Mitchell, Guillermo Portillo and Germán Romero. Wilfrido grew up in Ensenada, and has lived in Mexico City since 2003."

-Wilfrido Terrazas Website (https://wilfridoterrazas.weebly.com/bio.html)
3/13/2024

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"Abdul Moimême was born in Lisbon, in 1959, moving at an early age to New Mexico and later to Dublin, Ireland. He began studying the guitar at the age of 11, studying under various private teachers, in Madrid, Spain.

In 1979 he moved to Boston to study architecture, finally completing his degree at the University of Lisbon.

In the 90's he began studying the tenor saxophone with Patrick Brennan. In this period he became actively involved with Lisbon's improvised and alternative rock scenes, performing frequently with the Variable Geometry Orchestra since it's creation in 2003, as well as with various other local projects.

His main musical partners are from Lisbon and Porto, but he has also performed in public concerts with such artists as Gale Brand, George Haslam, Jon Raskin, Ken Filiano, Patrick Brennan, Steve Adams, and Wade Matthews.

In 1999 he started writing about jazz in various Portuguese publications and is currently a permanent collaborator of Jazz.pt magazine, and Publico newspaper, as a critic.

In 2006 he created Freemusic (http://freemusic.podomatic.com), a space exclusively dedicated to the promotion of Portuguese improvised music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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Tiago Varela is a Portuguese musician who plays melodica, and is a member of Equinox Quartet, Isotope Ensemble, Variable Geometry Orchestra.

-Squidco 3/13/2024

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"João Valinho is a percussionist and Visual Artist based in Lisbon, Portugal."

-Soundcloud (https://soundcloud.com/joaovalinho)
3/13/2024

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Monsieur Trinité is based in Lisboa, Portugal, and is a member of Equinox Quartet, IKB, Potlatch, and Variable Geometry Orchestra.

-Squidco 3/13/2024

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"Mariana Carvalho is a brazilian pianist, improviser and performer, keen on body, gender and transdisciplinarities. Experiments objects inside the piano and explores corporealities via eutony. Interested in weaving sonic relations in space, installations, expanded sonic bodies, free improvisation, experimental music, theatre, dance."

-Audible Women (http://www.audiblewomen.com/?listing_tag=improv)
3/13/2024

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Italian double bassist Gianna de Toni is a member of the Portuguese-based groups IKB and String Theory.

-Squidco 3/13/2024

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João Silva is a Portuguese musician who performs on tibetan bell, seng gong, shruti box, &c.

-Squidco, Creative Sources 3/13/2024

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"Gil Gonçalves, Tubist, Professor for Tuba and Euphonium

Gil Gonçalves was born in Samora Correia in 1983. He studied music at the Lisbon Conservatory of Music and at the Lisbon Superior Orchestra Academy with Sérgio Carolino. Later, he pursued his studies with FrançoisThuillier at the Amiens Music Conservatory in France. Gil has worked in master classes with professors Ilídio Massacote, Sérgio Carolino, Gene Pokorny, Anne Jelle Visser, Oystein Baadsvik, Mel Culberston, Miguel Moreno, Walter Hilgers, Roger Bobo, Oren Marshall, Samuel Hershko, Harri Lidsle e François Thuillier.br> He was semi-finalist on the International Tuba-Euphonium Conference 2006 in Denver, USA, in the categories Tuba solo and Jazz. In 2008 he won first prize (senior division) in the 1st National Wind Instruments Competition "Terras de la Salette" and was a semi-finalist in the Tuba Solo International Competition in Markneunkirchen, Germany.

After auditioning he was selected to join the Orchestre des Jeunes de la Mediterranée (France) in a tour in Turkey. He plays regulary with the Oporto National Orchestra, the Lisbon Metropolitan Orchestra and the Gulbenkian Orchestra. In other diferent music styles he plays in the world music bands "Kumpania Algazarra" and "Sarrabulho". He is a founding member of Dixieland band "On Dixie", electronic-acoustic band "Anisotropus" and collaborates regularly with jazz musicians Alípio C. Neto, Johannes Krieger and Ernestro Rodrigues, the most relevant project "Variable Geometry Orchestra".

Gil Gonçalves is professor of tuba and euphonium at Palmela Music Conservatory and University of Evora."

-Miraphone (http://www.miraphone.de/en/artist-details/details/gil-goncalves.html)
3/13/2024

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"Maria do Mar, violinist born in Lisbon, has a path marked by classical music and teaching, although she has always collaborated with artists from other musical areas. Since 2012, following her participation in the "Atelier de Improvisation et Direction de Ensemble in real-time (Conduction)" directed by Butch Morris, she began to explore free improvisation and other languages ​​in the contemporary music scene, taking part in a violin and Electric bass duo with the musician and composer Ricardo A. Freitas.She has developed improvisational work with various musicians, performing in concerts, cycles and festivals, with names like Carlos "Zingaro",., Joana Guerra, Ricardo Jacinto, Christophe Berthet, Maria Radich. In the context of the Moving Theater she participated in the Suzuki workshop / Viewpoints by Lowri Jenkins and Jane Pupo. She is seeking a broader musical universe and the development of a personal language, where the musical boundaries are fading and new possibilities opens up with no creative limits."

-Zaratan (Translated by Google) (http://www.zaratan.pt/en/event/74)
3/13/2024

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"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

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Biagio Volandri Verdolini is an instrument maker, a member of IKB.

-Squidco 3/13/2024

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Track Listing:



1. Radium 26:57

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Large Ensembles
European Improvisation, Composition and Experimental Forms

Search for other titles on the label:
Creative Sources.


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Into the Wood
(Creative Sources)
Working together in a variety of setting and ensembles--Variable Geometry Orchestra, Suspensao, groupings with Hernani Faustino & Jose Oliveira, with Michel Stawicki, and with onsieur Trinite--the core trio of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet and Joao Madeira on double bass, is heard in three studio improvisations of dark woods explorations.
Variable Geometry Orchestra
There's Always Someone Who Says No
(Creative Sources)
One of the largest ensembles associated with Creative Sources, merging acoustic and electronic improvisers, this conduction by violist Ernesto Rodrigues at Torre Do Tombo in Lisbon in 2023 was the opening for an exhibition about the struggle of college students against the Portuguese dictatorship during the years 1970-74, leading to the Carnation Revolution.
dis/con/sent (Petzold / Rodrigues / Rodrigues / Bauer)
Munchen
(Creative Sources)
A double opus of improvised String Quartets in four movements each, using impressive technique and exquisite pacing in this live recording captured at the Offene Ohren, in Munich, Germany, 2023 by Dietrich Petzold on violin, tenor violin, clavichord & bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Matthias Bauer on double bass.
Dorner / Rodrigues / Kim / Flinn
Chess Music
(Creative Sources)
A profoundly patient extended improvisation referencing the pensive and strategic decisions made in a game of chess, creating a dynamic interplay of sounds through unconvential technique in this live recording at Werkhalle Wiesenburg, Berlin from the quartet of trumpeter Axel Dorner, cellist Guilherme Rodrigues, tenor saxophonist Jung-Jae Kim and percussionist Stephen Flinn.
Rodrigues / Lonberg-Holm / Hencleeday / Oliveira
Uncommon Statement
(Creative Sources)
Two unique string players--Lisbon's Ernesto Rodrigues on viola and Chicago's Fred Lonberg-Holm on cello--with pianist Andre Hencleeday and percussionist Jose Oliveira, in an exhilarating concert of dynamic free improvisation captured live in 2023 at Lisboa Incomum in Lisbon, presented as two "Statements", an apt description of their confident and declarative interplay.
Hyper.object
Inter .independence
(Phonogram Unit)
Formed in 2019 by Red Trio members Rodrigo Pinheiro on piano and Hernani Faustino on double bass plus core Creative Sources electronic musician Carlos Santos, with Joao Almeida on trumpet and Joao Valinho on drums, the "inter.independence" referencing an experimental approach to collective improv through independent layers that interact to create unexpected intersections.
Rodrigues / Parrinha / Flak / Levine
Quadruple Quadrature Questions
(Creative Sources)
While theremin & synth specialist Andrew Levine was on a 2023 tour of Portugal he met with a core trio of Creative Sources improvisers--Ernesto Rodrigues on viola & Crackle Box, Bruno Parrinha on bass clarinet & objects, Flak on electric guitar & effects--meeting in Flak's countryside studio for one detailed, extensive improvisation and 6 short works of differing sonic characters and colour.
Bechegas / Rodrigues / Rodrigues
Secrets Under Trees
(Creative Sources)
Recording at Berlin-Wedding's performance space Werkhalle Wiesenburg in the summer of 2023, the free improvising chamber trio of violist Ernesto Rodrigues and cellist Guilherme Rodrigues meet with Portuguese flutist Carlos Bechegas, bringing contemporary classical technique to an extended and energetically tempestuous improvisation and a sprightly "Time Between".
Kim / Rodrigues / Rodrigues / Cholet
Taedong
(Creative Sources)
Emulating the Korean river Taedong through it's undulating flows, uproar, flux and treachery in eleven succinct chamber-oriented improvisations from the quartet of South Korean tenor saxophonist Jung-Jae Kim, French-born South Korean-based drummer Quentin Cholet, with the Portuguese father/son duo of Ernesto Rodrigues on viola and Guilherme Rodrigues on cello.
Okura / Rodrigues / Rodrigues / Buder
Your Dramatic Joy
(Creative Sources)
Father and son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello join with Berlin improvisers Fumio Okura (Ensemble 222) on violin and Hannes Buder on guitar for six collective chamber free improvisations using extraordinary technique and focus, creating parallel and converging conversations that build and recede in vigorous momentum.
Claman / Rodrigues / Rodrigues / Tallone
Three Shadows
(Creative Sources)
Berlin recordings from the lowercase chamber improvising string quartet of New Zealand violinist Sarah Claman, Portuguese violist Ernesto Rodrigues and cellist son based in Berlin, Guilherme Rodrigues, with Swiss sound artist Caroline Cecilia Tallone on electroacoustic hurdy gurdy & amplified objects, exploring three shadow aspects of "Umbra", "Penumbra" and "Antumbra".
Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues / Eric Bauer / Stephen Flinn
Letters to Milena
(Creative Sources)
Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion).
Suspensao
Serendipity
(Creative Sources)
A fortuitous 2015 concert from the lowercase chamber/ea-improv octet Suspensão, captured live at Ler Devagar Bookstore in Lisbon from Ernesto Rodrigues (viola & harp), Guilherme Rodrigues (cello), Nuno Torres (alto sax), Eduardo Chagas (trombone), Antonio Chaparreiro (guitar), Rodrigo Pinheiro (piano & melodica), Miguel Mira (bass), Carlos Santos (electronics) and Jose Oliveira (percussion).
Suspensao (Rodrigues / Torres / Parrinha / Goncalves / Flak / Madeira / Santos / Oliveira)
Impromptu
(Creative Sources)
The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.
MOVE (Gibson / Zenicula / Valinho)
The City
(Clean Feed)
Energetic and urgent free jazz from the Portuguese trio MOVE of Felipe Zenicola on electric bass, Yedo Gibson on saxophones and Joao Valinho on drums, long time collaborators and members of bands including Rodrigo Amado Refraction Quartet and Naked Wolf, these five shredding improvisations were captured live at Desterro Club, in Lisbon in 2022.
Lopes, Luis Abyss Mirrors
Echoisms
(Clean Feed)
Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!
IKB
Limosa Limosa
(Creative Sources)
IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.
IKB
Rhinocerus
(Creative Sources)
One of Portugal's most interesting large scale lowercase ensembles led by violist Ernesto Rodrigues, with frequent Creative Sources collaborators including Nuno Torres on alto sax, Carlos Santos on electronics, Guilherme Rodrigues on cello, Miguel Mira on bass, 14 musicians move with subtlety in a tapestry of electroacoustic resonance and mystique.



The Squid's Ear Magazine

The Squid's Ear Magazine

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