Surplus 1980 Collectiv Ensembl takes the current members of drummer Moe! Staiano's Surplus 1980 along with associated musicians, including Kyle Bruckmann, John Shiurba, Vicky Grossi, Paul Costuros, &c, with vocals from Dutch vocalist G.W. Sok (The Ex), in an album of avant post-punk rock, sophisticated but determined and pointed music, an unusual hybrid of impressive styles.
Label: Music a la Coque Catalog ID: COQ - 012 Squidco Product Code: 27396
Format: CD Condition: New Released: 2019 Country: Italy Packaging: Cardboard Gatefold Recorded at Ex'pression, in Emeryville, California, on November 17th, 2017, by HL Nelly.
"So far I had not heard of Surplus 1980. This is a band around Moe Staiano in which plays most instruments himself, but also using studio recordings from other people, such as (quoting Discogs here) "Carla Kihlstedt, Matthias Bossi, and Dan Rathbun (Sleepytime Gorilla Museum), guitarist Ava Mendoza (Mute Socialite, Unnatural Ways), violinist Meredith Yayanos (Faun Fables)" but also bits from Andy Moor (The Ex), GW Sok (ex-The Ex, King Champion Sounds) and others. This new release collects all (?) members so far that have been a more or less permanent presence in the band under the banner of Surplus 1980 Collectiv Ensembl With G.W. Sok. The latter recorded his vocal contributions in Amsterdam, whereas the rest was recorded in California, but even then some might have been taped elsewhere. The line-up consists of guitars, bass ("low, high, upright"), drums, oboe and bass clarinet. The music reminds me of post-punk but that might be because of Sok's voice, as the music itself is at times quite complex. I could be wrong but it takes the more complex rhythm and signatures from progressive rock in the mid-seventies but playing them with the vigour of a punk band. There have been times that the Ex sounded like this, around Tumult and Blueprints For A Blackout; it is almost an orchestral approach here and it works damn fine. If they all play at the same time, we are talking about four guitars, three basses, two drummers plus the oboe and bass clarinet. As you may know by now, I am not a man caring that much about lyrics, so I must admit I have no idea what these lyrics are about; one is about Elvis. I guess that's not enough, right? Sok sings as he does best; full-on, almost spitting the words out, but it is controlled aggression that he is putting on display here. It all sounds like a pleasant, intelligent work of post-punk, using all the energy and inventive composition, taking elements of seventies progressive rock with all the changes, but then as executed by punks who know how to play their instruments. This label I know for their interesting obscure re-issues but this one branches out to a current recording; it is something that could have been from the past as well."-Frans de Waard, Vital Weekly