"Dimitra Lazaridou-Chatzigoga (b. 1981, Thessaloniki, Greece) is a musician and a linguist based in London. She is active in experimental and improvised music since 2006. She plays the zither, a string instrument, and uses ebows and objects on its resonance box to produce sustained or granulated sounds. Her approach focuses on the interplay between spontaneity and elaborate techniques.

She has performed solo, in long-term collaborations or in occasional formations with Jennifer Allum, Alfredo Costa Monteiro, Angharad Davies, Rhodri Davies, Matt Davis, Axel Dörner, Phil Durrant, Ferran Fages, Anastasis Grivas, Franz Hautzinger, Robin Hayward, Chris Heenan, Ute Kanngieser, Grundik Kasyansky, Martin Küchen, Tisha Mukarji, Ivan Palacký, Eddie Prévost, Henrik Olsson, Christine Sehnaoui, Birgit Ulher and Daichi Yoshikawa among others.

Her first solo album 'stroke by stroke' was released in 2011 on Organized Music from Thessaloniki. Recently, she released 'Workshop concert' on Matchless Recordings with Jennifer Allum, Ute Kanngieser, Grundik Kasyansky, Eddie Prévost and Daichi Yoshikawa and 'Accidents of matter or of Space' on suppedaneum that includes realizations of Sarah Hughes' composition (can never exceed unity) performed with Rhodri Davies, Patrick Farmer, Jane Dickson and Neil Davidson. In the last few months, she performed with Grundik Kasyansky and Daichi Yoshikawa at the OTO Project Space, with Phil Durrant at GVart and she toured in Sweden with Angharad Davies, Axel Dörner and Henrik Olsson."

"Iannis Xenakis (Greek: Γιάννης (Ιάννης) Ξενάκης [ˈʝanis kseˈnacis]; 29 May 1922 - 4 February 2001) was a Romanian-born, Greek-French composer, music theorist, architect, and engineer. After 1947, he fled Greece, becoming a naturalized citizen of France. He is considered an important post-World War II composer whose works helped revolutionize 20th century classical music.

Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.

Among his most important works are Metastaseis (1953-54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed by himself."

"Not many Greek improvisers have made names for themselves on the European free music scene; Nikos Veliotis did it by connecting with British musicians in the late '90s while researching issues relating to the performance of graphic scores at Trinity College of Music in London. As a cellist, Veliotis is manifestly interested in extending the sound-making possibilities of his instrument. He's a member of the trio Cranc with harpist Rhodri Davies and violinist Angharad Davies. He's also played with the London Improviser's Orchestra and in duos with guitarist John Bisset and cellist John Wastell. Veliotis is a dedicated performer of contemporary classical works by composers such as Xenakis, Sculthorpe, Cardew, and Bussotti. He's also a member of Texturizer, a duo with Greek electronica artist Coti K. Veliotis has played on an ad hoc basis with Evan Parker, Fred Van Hove, and John Butcher, among others. His solo album, Cello (2001), was issued in limited edition with 100 CDs on the Confront label. Veliotis was the curator for the Athens offshoot of 2:13, a pan-European improvisation club that also has branches in London and Berlin."

"Not many Greek improvisers have made names for themselves on the European free music scene; Nikos Veliotis did it by connecting with British musicians in the late '90s while researching issues relating to the performance of graphic scores at Trinity College of Music in London. As a cellist, Veliotis is manifestly interested in extending the sound-making possibilities of his instrument. He's a member of the trio Cranc with harpist Rhodri Davies and violinist Angharad Davies. He's also played with the London Improviser's Orchestra and in duos with guitarist John Bisset and cellist John Wastell. Veliotis is a dedicated performer of contemporary classical works by composers such as Xenakis, Sculthorpe, Cardew, and Bussotti. He's also a member of Texturizer, a duo with Greek electronica artist Coti K. Veliotis has played on an ad hoc basis with Evan Parker, Fred Van Hove, and John Butcher, among others. His solo album, Cello (2001), was issued in limited edition with 100 CDs on the Confront label. Veliotis was the curator for the Athens offshoot of 2:13, a pan-European improvisation club that also has branches in London and Berlin."