The Squid's Ear Magazine


Courvoisier, Sylvie / Mary Halvorson: Crop Circles (Relative Pitch)

A studio encounter between pianist Sylvie Courvoisier and electric guitarist Mary Halvorson, both using sophisticated techniques giving unique voices to their playing styles, in a set of improvisations that balance playful, subtle, energetic, and emotional playing.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Mary Halvorson-electric guitar

Sylvie Courvoisier-piano


Click an artist name above to see in-stock items for that artist.




UPC: 616892452348

Label: Relative Pitch
Catalog ID: RPR1045
Squidco Product Code: 23050

Format: CD
Condition: New
Released: 2017
Country: USA
Packaging: Digipack
Recorded at Studio LULU in Brooklyn, New York,on August 21st, 2016, by Joseph Braneiforte.

Descriptions, Reviews, &c.

"A mere two months following yet another highly thought-of ensemble record, guitarist/composer Mary Halvorson has returned with some stimulating one-on-one. In this latest such instance, Crop Circles (Relative Pitch) pits her against (or rather, with) Sylvie Courvoisier.

Halvorson has always thrived in a duo setting: Jessica Pavone, Noël Akchoté, Stephan Crump to name a few; Halvorson's duets with the violinist Pavone even got her much of her initial notice some ten years ago. This time she goes toe-to-toe with a pianist who is likewise one of the most creatively distinctive women in avant-garde jazz.

The Swiss-born Courvoisier is the fairly rare highly trained musician who has been able to apply her ample skills toward developing a voice all her own. She leads or co-leads a number of mostly small ensembles that include Mark Feldman, Drew Gress, Marc Ribot, Kenny Wollesen and Ellery Eskelin. Numerous collaborations have involved John Zorn, Erik Friedlander, Herb Robertson, Enrico Rava and Evan Parker. Given hers and Halvorson's predisposition for working with any musician who shares a zeal for crafting challenging scores and carrying them out in extemporaneous performances, it was perhaps only a matter of time before the paths of these two extraordinary women would cross.

That finally happened last year with an engagement at New York's Cornelia Street Cafe, leading eight months later to a single day recording session at Courvoisier's home studio. Each brought tunes and worked them out together and by the end of the day, ten tracks were in the can.

It's a given that Crop Circles was going to be highly artful - and it is - but the affinity heard between the two is something that can't be taught. The two often navigate across a tightrope of synchronicity, such as on "La Cigale," where they erupt with clusters of notes with such density it sometimes seems that there are three or four of them playing, especially when Halvorson turns her guitar into a tornado-making machine. The unison, impossibly knotty avant-bop lines that forms the head are remindful of Lennie Tristano. The clipped notes on the brief "Water Scissors" is so synergistic and telepathic, there are practically four hands with one mind. "Eclats for Ornette" begins and ends with a precarious, harmolodic head that they somehow make it through in tight conformity. For "Downward Dog," Courvoisier splits her brain with her right hand following the serpentine path of notes with Halvorson as her left hand effortlessly offers up the complementing chords.

Other performances are much more spacious but no less full of intrigue. The spare "Aftershock" sports subtleties like pairing the bass strings of the guitar with the left side of the piano and a symmetry that's maintained through the slight mood adjustments. Halvorson is heard playing slide like no one else on "Woman In The Dunes" and later brandishes effects pedals as the two ride the song on swelling and receding tides of emotion.

With "Your Way," the two demonstrate how pretty melodies have a place in avant-garde. Although it's Halvorson's song, Courvoisier immerses herself in it and totally inhabits it. Those wanting to hear Halvorson go crazy with her signature guitar effects need to look no further than "Absent Across Skies," where she deploys them so effectively to add both jarring eccentricities and shape to Courvoisier's dark, strange chord progression.

This meeting of two of the brightest minds on the edgier side of jazz today produces music that's astonishing both in its fluency and ceaseless ingenuity. Crop Circles can be purchased directly from Relative Pitch Records here."-S. Victor Aaron, Something Else! Reviews



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Something Else!

Artist Biographies

"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."

After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.

As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."

-Mary Halvorson Website (http://www.maryhalvorson.com/bio/)
4/22/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Sylvie Courvoisier is a pianist, composer and improviser. Born in Lausanne, Switzerland, Courvoisier moved to New York in 1998 and has lived in Brooklyn since that time.

Courvoisier has led several groups over the years and has recorded over 25 records as a leader or co-leader for different labels, notably ECM , Tzadik and Intakt Records and 30 cds as a sideperson. She has performed and recorded with John Zorn, Mark Feldman, Yusef Lateef, Ikue Mori, Tony Oxley, Tim Berne, Joey Baron, Joëlle Léandre, Herb Robertson, Butch Morris, Evan Parker, Mark Dresser, Ellery Eskelin, Lotte Anker, Fred Frith, Michel Godard, Tomazs Stanko among others. She has been commissioned to write music for concerts, radio, dance and theater. Since 1996, she has been touring widely with her own groups and as a side person in USA, Canada, Japan, Australia and Europe.

Currently, Courvoisier is the leader of her TRIO with Kenny Wollesen and Drew Gress. She performs regularly Solo and since 1997, in Duo with violinist Mark Feldman. She co-leads the Sylvie Courvoisier/Mark Feldman Quartet with Scott Colley and Billy Mintz. Since 2000, she has been a member of Mephista, an improvising collective trio with Ikue Mori and Susie Ibarra. She is currently playing and touring in different projects of John Zorn including Cobra and Masada Marathon. She is also playing in Erik Friedlander's Trio, Herb Robertson's Quintet and Nate Wooley's Quartet. Since 2010, she has been working as a pianist and composer for flamenco dancer Israel Galvan's project "la Curva" with more than 150 performances around the world.

Awards include Switzerland's 1996 Prix des jeunes créateurs; Zonta Club's 2000 Prix de la Création; Switzerland's 2010 Grand Prix de la Fondation Vaudoise de la Culture; 2013's NYFA (NewYork Foundation For the Art) Music/Sound Fellowship."

-Sylvie Courvoisier Website (http://www.sylviecourvoisier.com/bio.htm)
4/22/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. La Cigale 5:37

2. Aftershock 5:09

3. Eclats For Ornette 3:46

4. Absent Across Skies 7:08

5. Downward Dog 4:00

6. Your Way 4:51

7. Water Scissors 1:54

8. Woman In The Dunes 6:57

9. Double Vision 4:32

10. Bitter Apple 2:23

Related Categories of Interest:


Improvised Music
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Duo Recordings
Staff Picks & Recommended Items

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Other Recommended Releases:
Bogacz, Santiago / Emiliano Aires
Retrato Anos Despues
(Relative Pitch)
With nine years of work together, the Uruguayan duo of guitarist Santiago Bogacz, aka Matador, and clarinetist Emiliano Aires have developed a near-telepathic dialog of sharp-edged interactions through technically rapid exchanges and plateaus of anxious reserve; exhilarating work heard here in 9 vehement and creatively urgent improvisations.
Bourne, Matthew / Emil Karlsen
The Embalmer
(Relative Pitch)
First meetings between British pianist Matthew Bourne and Norwegian drummer Emil Karlsen, two intrepid and like-minded improvisers using unusual techniques, preparations, inside playing and unusual percussive sources that fuel technically superb performances from both musicians, heard in six improvisations informed by masterful skill and creative drive.
Richards, Steph / Joshua White
Zephyr
(Relative Pitch)
Exploring the sonic and visual territory of water, centering on concepts of metamorphoses and breathing underwater, pianist Joshua White and trumpeter & flugelhorn player Steph Richards also employ resonating water vessels and percussion as they present three fluid and introspectively fathomed works in multiple movements: "Sacred Sea"; "Sequoia"; and "Northern Lights".
Courvoisier / Rothenberg / Sartorius
Lockdown
(Clean Feed)
Recording in the studio in Switzerland, the trio of Sylvie Courvoisier on piano, Ned Rothenberg on alto saxophone, clarinet, bass clarinet & Shakuhachi, and Julian Sartorius on drums & percussion perform a mix of compositions, with 3 from Courvoisier and 1 by Rothenberg, and 4 collective improvisations; a unified and accomplished album of diverse approaches to free improv.
Alcorn, Susan Quintet
Pedernal
(Relative Pitch)
An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions.
Blum, John / Jackson Krall
Duplexity
(Relative Pitch)
A dynamic and red-hot album of free improvisation from two New York legends--pianist John Blum and drummer/percussionist Jackson Krall--both in jaw-dropping form as they present two extended improvisations, "Blood and Bone" and "Wind and Wing", appropriate for the energy and intense and seemingly physically-defying technical skill each brings to their playing.
Greene, Burton / Guillaume Gargaud
Magic Intensity
(Chant Record)
Renowned pianist and composer Burton Greene joins French composer and improvising guitarist Guillaume Gargaud performing on acoustic guitar, for four duo improvisations recorded at Tilo's Ark, in Weesp, The Netherlands in 2019, in crisp & often rapid dialog that uses space and reflective moments well, the duo joined by Tilo Baumheier on flute for three pieces.
Lubelski, Samara / Bill Nace
S/T
(Relative Pitch)
Issuing on CD the duo album of violinist Samara Lubelski and guitarist Bill Nace, originally released on Nace's Open Mouth label early in 2018, presenting a series of psychedelic textural works, Lubelski creating vibrant and reiterating structures that Nace uses as a foundation for swells and expressive emanations; hypnotic and mesmerizing.
Nauseef, Mark
All In All In all
(Relative Pitch)
Influenced by rock, jazz, Javanese and Balinese gamelan, NY drummer Mark Nauseef's career has embraced an inclusive blending of styles, heard in this fantastic new album embracing compositional and ea styles, recorded with previous collaborators including Tony Oxley, Bill Laswell, Walter Quintus, along with Sylvie Courvoisier, Pat Thomas, Miroslav Tadic, & Arthur Jarvinen.
Duthoit, Isabelle / Franz Hautzinger
Lily
(Relative Pitch)
French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger.
Lillinger, Christian / Tobias Deluis
Dicht
(Relative Pitch)
Berlin-based improvisers Christian Lillinger on drums and Tobias Delius on tenor sax and clarinet in an album of powerful rhythms, instant melodies, and quick-witted responses, bridging a generation of experience in dialog and give and take that works well head on and in reserve, a great encounter from two modern and active creative players.
Corsano / Courviosier / Wooley
Salt Task
(Relative Pitch)
First recorded meeting of Chris Corsano (drums), Sylvie Courvoisier (piano), and Nate Wooley (trumpet) in the studio in Brooklyn, 2015, for a completely open, sensitive set of improvisations that are constantly on the edge, at times explosive, and always in a focused dialog.
Fujiwara, Tomas / Ben Goldberg / Mary Halvorson
The Out Louds
(Relative Pitch)
The first release from the NY/West Coast trio of Tomas Fujiwara on drums, Ben Goldberg on clarinet, and Mary Halvorson on guitar, a collaborative improv of lyrical and nuanced improv, using great skill and sophistication in dialog that takes unexpected twists and turns.
Wooley, Nate (w/ Ingrid Laubrock, Sylvie Courvoisier & Matt Moran)
Battle Pieces
(Relative Pitch)
"Battle Pieces" was conceived as a background for an improviser, using linguistics, tape processes & aleatoric concepts to fashion an ever-shifting composition that supplies the soloist with information within the context of an ever-changing series of densities, velocities and silences.
Halvorson, Mary
Reverse Blue
(Relative Pitch)
Guitarist Mary Halvorson's project with Chris Speed on sax & clarinet, Eivind Opsvik on bass, and Tomas Fuijwara on drums, a band formed for a one-off concert at the Blue Note in NYC, that continued on based on the strength of the bond between them, as heard on this superb release.
Parker, Evan & Sylvie Courvoisier
Either Or And
(Relative Pitch)
A powerful duo recorded in the studio after their 2013 performance at The Stone in NYC from NY pianist Sylvie Courvoisier and UK saxophonist Evan Parker, with extraordinary playing over eight pieces presenting an inspired range of technical and impressionistic styles.
Halvorson, Mary / Kirk Knuffke / Matt Wilson
Sifter
(Relative Pitch)
Presenting compositions from all three players, the NY-based trio of Kirk Knuffke (cornet), Mary Halvorson (guitar) & Matt Wilson (drums) this exceptional trio play a stripped down, rocking blend of free form improvisation.
AYCH (Jim Hobbs, Mary Halvorson, Taylor Ho Bynum)
As The Crow Flies
(Relative Pitch)
From NY and Boston the Aych group (pronounce as "H", a letter shared by all 3's names) presents three improvisers representing some of the best of the new breed of modern jazz based players in a trio without bass and drums.



Customers Who Bought This Item Also Bought:
Houle, Francois / Joe Sorbara
Hush
(ezz-thetics by Hat Hut Records Ltd)
With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".
Zorn, John / Eugene Chadbourne
John Zorn's Olympiad Vol. 3 - Pops Plays Pops - Eugene Chadbourne Plays The Book Of Heads
(Tzadik)
The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.
Zorn, John (w/ Marsella / Roeder / Smith / Lage)
Incerto
(Tzadik)
Bringing together John Zorn's trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) with guitarist Julian Lage, this new jazz quartet is a versatile and flexible unit capable of instantaneous changes in direction of genre or mood with virtuosic finesse and sensitivity, as Zorn's compositions explore concepts from Freud, Sartre, and the Uncertainty Principle.
Rempis / Reid / Abrams
Allium
(Aerophonic)
The second release from the Chicago chamber-oriented, collective free jazz trio of Dave Rempis on alto & tenor saxophone, Tomeka Reid on cello, and Joshua Abrams on bass, expanding on their highly concentrative and contemplative approach to group dialog, a powerfully assured and seemingly composed set of nine impeccable improvisations.
Millar, E / Christof Kurzmann
Rare Entertainment
(Mystery & Wonder)
The first meeting of Austrian improviser Christof Kurzmann (The Magic I.D., Schee) and Montreal sound artist Elizabeth Millar (Sound of the Mountain, Ensemble Supermusique) in two tremendous multi-part performances live at the 2019 Suoni Per il Popolo Festival in Montreal, works of mysteriously vibratory backdrop, insinuating narrative voice and unsettling sonic interaction.
Warelis, Marta
A Grain of Earth
(Relative Pitch)
Working inside and out of the piano and sometime evoking wild sounds that seem to have no relationship to the instrument, Polish-born and Amsterdam-based pianist Marta Warelis explores the concepts of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed.
Russell, John / John Butcher / Dominic Lash
But everything now left before it arrived
(Meenna)
A live performance at the 2010 GIO Fest III in Glasgow, UK, from three of the UK's leading free improvisers--late guitarist John Russell, John Butcher on saxophones and Dominic Lash on double bass--a superb concert in five improvisations of incredible technical skill through both energetic and restrained passages, a brilliant example reminding us of the loss of the great guitarist.
Courvoisier / Halvorson
Searching For The Disappeared Hour
(Pyroclastic Records)
The second collaboration between pianist Sylvie Courvoisier and guitarist Mary Halvorson, six years after Crop Circles and a product of their tours together and the result of their both writing compositions specifically for their duo project, showing a level of communication that allows incredible inventiveness and moments of poignant exchange; exceptional.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC