Christina Kubisch developed software to react to the variations in sunlight reflected on solar panels installed at an historic mill complex in the Massachusetts Museum of Contemporary Art, the sun's interactions driving pitch-shifted and envelope-altered samples from the original bells of that museum's clock tower to create a beautiful and illusory long-form recording.
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Label: Edition Rz
Catalog ID: Ed. Rz Parallele 11
Squidco Product Code: 19165
Packaging: Jewel Case
Recorded at Electronic Studio University, in Berlin, Germany, 1997, by Christina Kubisch
Christina Kubisch-composer, performer
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• Show Bio for Christina Kubisch
"Christina Kubisch was born in Bremen in 1948. She studied painting, music and electronics in Hamburg, Graz, Zürich and Milano, where she graduated. Performances, concerts and works with video in the seventies, subsequently sound installations, sound sculptures and work with ultraviolet light. Her compositions are mostly electroacoustic, but she has written for ensembles as well. Since 2003 she works again as a perfomer and collaborates with various musicians and dancers.
Numerous grants and awards, such as the Award of the German Industrial Association (BDI) 1998, composition grant of the city of Berlin 2000, Carl Djerassi Honorary Fellowship, USA 2000, artist-in-residence IASPIS, Stockholm 2002, Honorary prize of the German Sound Art Prize 2008, City sound artist Bonn, 2013.
Since 1974 solo exhibitions in Europe, USA, Australia, Japan and South America. Numerous participations in international festivals and group exhibitions such as: Pro Musica Nova, Bremen 1976 and 1980, Für Augen und Ohren, Berlin 1980, Biennale of Venice 1980 and 1982, documenta 8, Kassel 1987, Ars Electronica, Linz 1987 and 2010, Steirischer Herbst, Graz 1987, Biennale of Sydney 1990, Biennale of Nagoya 1991, Donaueschinger Musiktage 1993 and 1997, Sonambiente, Berlin 1996 and 2006, Klangkunstforum Parkkolonnaden, Berlin 1999, Sonic Boom, London 2000, Visual Sound, Pittsburgh 2001, Singuhr Hörgalerie, Berlin 2002, Activating the Medium, San Francisco 2003, sounding spaces, Tokyo 2003, Resonances - The Electromagnetic Bodies Project, ZKM, Karlsruhe 2005, Her Noise, London 2005, B!AS International Sound Art Exhibition, Taipei 2005, Stockholm New Music 2006, Invisible Geographies: Sound Art from Germany, New York 2006, Sharjah Biennial 2007, Huddersfield Contemporary Music Festival 2007, Soni(c)loud, Mexico City 2008, RUHR2010, European Capital of Culture project, Ruhr area 2010, Salon Urbain de Douala, Cameroon
2010, gateways, Art and Networked Culture, Tallinn 2011, White Walls Have Ears, Hong Kong 2012, Sound Art. Klang als Medium der Kunst, ZKM, Karlsruhe 2012, bonnhoeren, Beethovenstiftung Bonn, 2013, festival NOW, Essen 2014, blurred edges festival, Hamburg, 2015.
Her music has been released with various labels such as Cramps Records, Edition RZ, ampersand, semishigure, Die Schachtel, Olof Bright, AA Records.
Christina Kubisch has been a visiting professor in Maastricht, Paris and Berlin. She has been a professor for sound art at the Academy of Fine Arts, Saarbrücken, Germany, from 1994 to 2013. She is a member of the Akademie der Künste Berlin since 1997."-Christina Kubisch Website (http://www.christinakubisch.de/en/biography)
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1. Dreaming Of A Major Third 44:36
sample the album:
"The clocktower, in the historic mill complex in the Berkshire mountains of western Massachusetts which houses the Massachusetts Museum of Contemporary Art, triggered by variations in sunlight as registered by solar panels interacting with a unique software program.
"All the sounds derive directly from the original bells from the MASS MoCa clocktower. The sounds have been pitch-shifted and attack-shaped, but have not been electronically altered."
Produced in the Electronic Studio at Berlin University 1997. "-Edition Rz
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