The Squid's Ear Magazine

Pisaro / Chabala

Black, White, Red, Green, Blue (Voyelles) [2 CDs]

Pisaro / Chabala: Black, White, Red, Green, Blue (Voyelles) [2 CDs] (Winds Measure Recordings)

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.
 

Price: $19.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:




product information:

Personnel:



Barry Chabala-electric guitar; recording engineer "black, white, red, green, blue"

Michael Pisaro-Liu-Liu-composition; sine tones, samples, mixing and mastering of "voyelles". samples are drawn from tape hiss produced from various cassette sources.


Click an artist name above to see in-stock items for that artist.




Label: Winds Measure Recordings
Catalog ID: 17-2
Squidco Product Code: 19139

Format: 2 CDs
Condition: New
Released: 2014
Country: USA
Packaging: CD sleeve

Descriptions, Reviews, &c.

"When I wrote black, white, red, green, blue for a concert in Los Angeles in 2004, I didn't think anyone else was going to play it. The score was written in a kind of shorthand, for me to keep track of what I wanted to do. (The structure and all the pitches are given, but the precise timing and the details of the guitar sound are left open.) However, I had the good fortune to meet Barry Chabala a few years ago, and in the close working relationship that developed, Barry has learned to play most of my work for solo guitar (and a few pieces besides).

Barry's version of this piece is subtler, more striking and deeper in its use of the resources of the Fender Telecaster than any version of it I played. As his recording developed, it became clear that it should be released. This happened to coincide with a request from Ben Owen to consider releasing something on cassette on his excellent winds measure label. My first thought was that I'd never figure out anything for that (apparently) outdated medium. However, in pondering the background of the original piece and the fact that I loved the sound of tape hiss, I started to formulate an idea for a remix that would make use of the medium.

I thought I'd see if various kinds of hiss, collected from the unused ends of old tapes, could be aligned with the five sections of the piece. This procedure found its own trajectory as I worked with the sounds, adding multiple layers of straight and filtered tape hiss (and then sine tones) to Barry's recording. The result, although leaving Barry's recording intact, was different enough in sound and perceived structure, that I felt it merited a new title, thus, going back again to Rimbaud: voyelles.

Deepest thanks to Barry and Ben. I dedicate this new piece to them."-Michael Pisaro-Liu


Artist Biographies

"Guitarist/improvisor Barry Chabala, born of the New Jersey bar scene, is influenced as much by classic rock as he is by modern classical, free improvisation and experimental music. The goal - to blend it all into a personal, creative voice. Barry has presented lectures on graphic scores & improvisation for Bowerbird of Philadelphia, performed numerous compositions from the Wandelweiser collective throughout the United States, and has recorded for labels including Confront, Gravity Wave, Another Timbre, Erstwhile and his own imprint Roeba Records."

-Barry Chabala 3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. black, white, red, green, blue (2004) 1:00:04

2. voyelles (2009) 1:00:20

Related Categories of Interest:


Compositional Forms
NY Downtown & Metropolitan Jazz/Improv
Guitarists, &c.
Electronic Forms
Electroacoustic Composition

Search for other titles on the label:
Winds Measure Recordings.


Recommended & Related Releases:
Chabala, Barry / Lance Austin Olsen
Patterns For A Future Human
(Roeba)
Guitarist Barry Chabala merges musique concréte and improvisation, using recordings from painter and visual artist Lance Austin Olsen that Olsen recorded in his workshop while creating a series of large collaged and folded paintings--mutterings, physical sounds and other ephemera--which he sent to Chabala to use as a backdrop for these spaciously meditative guitar improvisations.
Other Recommended Releases:
Pisaro-Liu, Michael / Julia Holter
Tombstones: Live in Brooklyn
(Editions Verde)
Six songs from Michael Pisaro's "Tombstones" project--experimental songs developed from recontextualized fragments of popular songs--heard in this 2012 Brooklyn recording directed by guitarist Jason Brogan, with Julia Holter (voice), Tucker Dulin (trombone), Andrew Lafkas (bass), Katie Porter (clarinet), Sam Sfirri (piano and melodica), and Ron Wiltrout (keyboard & percussion).
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Corner, Philip
On Tape From The Judson Years
(Alga Marghen)
Early tape collage works from Fluxus founder and member of the Experimental Media Foundation Philip Corner, five distinct pieces recorded and developed between 1962 to 1963 in New York's Lower East Side, including Lucinda Pastime" for a a dance piece by Lucinda Childs, and "Oracle, a Canata on Images of War" commissioned by the Living Theatre; includes a 16-page booklet.
Pisaro-Liu, Michael
Revolution Shuffle [2 CDs]
(erstwhile)
Alarmed by the warning signs of social deterioration, political overreach and planetary damage warning of an imminent need for revolutionary change, composer and sound artist Michael Pisaro-Liu sought and plundered references in sound from historic and current sources, producing 53 tracks that are arranged to tell a story in a mosaic form; an incredible achievement.
Jacques, Anne-F
Poudrerie [CASSETTE]
(Winds Measure)
Using handmade devices and contraptions including small motors and found objects, Montreal sound experimenter Anne-Francoise Jacquese amplifies her miniature devices to create unexpectedly large textures and rhythms, which she manipulates with great instinct to create fascinating sonic environments, heard here in four pieces recorded in Montreal and Sackville from 2018-19.
Chabala, Barry / Ann Coman
In And Out Of Focus
(Roeba)
This album of improvised music was born out of mutual appreciation and admiration for the respective art forms of Ann Coman and experimental sound artist Barry Chabala, who performed original guitar improvisations while Coman intuitively created visual artworks from those performances, then reversing the process where Chabala interpreted Coman's art as visual scores.
Olsen, Lance Austin / Barry Chabala
A field of wildflowers for our lost souls
(Roeba)
Three connected journeys in drifting tones, unidentifiable and sometimes aberrant intersections and melodically abstract guitar work, composed by guitarist Lance Austin Olsen and performed with guitarist Barry Chabala, using layers of sound like an audio version of a colour field painting, emulating a field of seeds waiting for changing conditions to allow them to emerge.
Ohta, Takamitsu
Three Relations Among The Flock [CASSETTE]
(Winds Measure)
Takamitsu Ohta, known for his work with artists Anne-F Jacques & Ryoko Akama, in three unexpected recordings using the microphone and speaker of small devices with recording and playback ability, from five to fifteen such linked devices creating surprisingly stacatto and expressive voices from feedback, each piece aptly named for the resulting articulation each combination creates.
Filip, Klaus / Moe Kamura
Passagein
(Winds Measure)
ppooll sound artist Klaus Filip and Japanese experimental vocalist Moe Kamura (10Tet, Taku Sugimoto) in a two-part improvisation of electronic tones, textures, silence, and minimalist vocalization and utterance, Filip using a dynamic frequency palette inspiring Kamura's wordless expression; lowercase or Onkyo, a meditative and moody work.
Owen, Ben
Turning
(Wind Measure Recordings)
Using a reel to reel deck, a mixer, electronics, and extraneous room sound, Brooklyn-based Ben Owens creates an album of contrasting drones and spaces, harmonically rich or pure tones contrasting with slowly drawn tape and abstract environmental sound, bringing enigmatic moments amidst drifting hiss and subliminal resonance; mysterious and intriguing.
Pisaro, Michael
Sometimes
(Edition Wandelweiser Records)
The MaDam Electroacoustic Improvisation Collective based in Spain performs the first in Pisaro's 34 piece Harmony Series, which attempts to create the conditions for a harmonic situation without giving any actual notes, just numbers, durations of tones, and pauses; this work is based on "swell piece (for alison knowles)" (1967) by James Tenney.
Steerage
Entropy Is What The State Makes Of It
(Caduc)
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.
Lambkin, Graham / Michael Pisaro-Liu
Schwarze Riesenfalter
(erstwhile)
Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro-Liu in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.
Pisaro, Michael
Melody, Silence (For Solo Guitar)
(Potlatch)
A collection of materials for solo guitarist, written by Michael Pisaro-Liu and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences.
Jones, A.F.
Rearward Through Forgottenness
(Laminal Recordings)
A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.
Pisaro / Chabala
Black, White, Red, Green, Blue (Voyelles) [2 CDs COLOR EDITION]
(Winds Measure Recordings)
Limited color edition of guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.
Pisaro / Chabala
Black, White, Red, Green, Blue (Voyelles) [CASSETTE]
(Winds Measure)
Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.
Chabala / Jones / Martin / Mukarji / Nakamura
Unbalanced In (Unbalanced Out)
(Another Timbre)
Six musicians from around the world (Chabala / Jones / Martin / Mukarji / Nakamura) created this 50-minute track over the course of a year by collaborating and file-sharing online.
Philadelphia Company, The
#1: The First Meeting
(Roeba)
A plater, a teacher & a drummer walk into a rehersal room... parts 1-5



Customers Who Bought This Item Also Bought:
Machinefabriek
With Drums
(Machinefabriek)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Powerdove
Bitter Banquet
(fo'c'sle)
Keyboardist Annie Lewandowski (London Improvisers Orchestra, Fred Frith, Samech) composed this song cycle about ancient Greek figures in collaboration with David Yearsley, Theresa Wong and Russell Greenberg, poetic pieces contrasting traditional use of instruments with subtle experimental approaches in a unique and fascinating set of compositional strategies.
Loxbo, Finn / Erik Blennow Calalv
Snow Country
(Creative Sources)
A duo between Swedish guitarist Finn Loxbo (Fire! Orchestra) and bass clarinetist Erik Blennow Calalv, in a low-key, moody and tranquil album of improvisations with titles implying their unhurried approach to their dialog--"Clouds", "Moving, Dancing", and "Ryoanji"-- making a beautiful album of nearly ambient but decidedly determined music.
Ease: Klaus Filip / Noid
No No No, No
(Mikroton Recordings)
An anniversary release for the 10 year collaboration of Ease, the duo of Klaus Filip and Noid, using Filip's ppooll software (formerly lloopp) to tailor both pure electronic sound and modified field recordings into subtle and mysterious sound environments.
Barriere, Lali / Miguel A. Garcia
Espejuelo
(Nueni)
The duo of Miguel A. Garcia on electronics and Lali Barriere on objects and no-input mixer for an album of investigative, detailed improvisation that's well paced and calmly complex.
Janas, Gene / Vinnie Paternostro / Jay Reeve / Other Matter
United Slaves #2~3
(Improvising Beings)
Recorded in Brooklyn and Paris, this quintet crosses the threshold between jazz, rock and electronic sound with a somewhat dark intent, using guitar & sitar, organs, syths, pianos, drums, bass and sounds to evoke thick and extended psychedelic environments.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC