The Squid's Ear Magazine


Sun Ra and His Intergalactic Myth Science Solar Arkestra: On Jupiter (Art Yard)

Recorded around the time of Sleeping Beauty, this album features the same funky approach to grooves and swinging electric trance, a focal point of Sun Ra's 70's catalog
 

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product information:

Personnel:



Sun Ra-piano, organ, keyboards, vocals

Eddie Gale-trumpet

Michael Ray-trumpet

Marshall Allen-alto sax, flute, oboe

John Gilmore-tenor sax

Julian Pressley-baritone sax

Danny Ray Thompson-bass, flute

James Jacson-bassoon, flute

Skeeter McFarland-electric guitar

Taylor Richardson-electric guitar

Steve Clarke-electric bass

Richard Williams-bass

Atakatune-percussion

Luqman Ali-drums

June Tyson-vocals


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UPC: 752725024822

Label: Art Yard
Catalog ID: ArtyardCD004
Squidco Product Code: 9992

Format: CD
Condition: New
Released: 2008
Country: Great Britain
Packaging: Digipack
Originally released on the Saturn label in 1979.

Descriptions, Reviews, &c.

"A big band studio recording made a month before Sleeping Beauty and released by Saturn in 1979 consisting of three quite different pieces: On Jupiter, which is a vocalised, relaxed, swing trance piece, "UFO" - Sun Ra's unashamed approach to disco, layering big band events over a funky beat and chunky chants -, and "Seductive Fantasy", which lurches along in classic Ra fashion, very easygoing and with a good high-definition recording quality. It's nice to hear the oboe and bassoon, often lost in live recordings, so prominent, Again, the mixing is unusually sophisticated. As an ex-LP, it's LP length."-Chris Cutler, ReR Megacorp

"On Jupiter is a great album recorded in 1979, about a year after Lanquidity. After easing in with the fairly brief title cut, a fairly mellow affair featuring June Tyson on vocals, listeners are treated to the all-out disco-funk of "U.F.O." Anchored by a monster bassline courtesy of Steve Clarke, this tune has fun ensemble vocals and great solos on guitar and tenor sax. This is as funky as Sun Ra ever got and really must be heard to be believed. Side two consists of "Seductive Fantasy," a lovely piece composed on top of a three-note bass ostinato that features lots of great piano from Ra and some interesting guitar sounds from either Skeeter McFarland or Taylor Richardson. John Gilmore gets plenty of room on this track as well and Luqman Ali's drumming is superb. [...]"-Sean Westergaard, All Music


Artist Biographies

"Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, poet and philosopher known for his experimental music, "cosmic philosophy", prolific output, and theatrical performances. He was inducted into the Alabama Jazz Hall of Fame in 1979. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up.

Born and raised in Alabama, Blount would eventually become involved in the 1940s Chicago jazz scene. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity. His widely eclectic and exploratory music would eventually touch on virtually the entire history of jazz, ranging from swing music and bebop to free jazz and fusion, and his compositions ranged from keyboard solos to big bands of over 30 musicians. From the mid-1950s until his death, Ra led the musical collective The Arkestra (which featured artists such as Marshall Allen, John Gilmore, June Tyson throughout its various iterations). Its performances often included dancers and musicians dressed in elaborate, futuristic costumes inspired by ancient Egyptian attire and the space age.

Though his mainstream success was limited, Sun Ra was a prolific recording artist and frequent live performer, and remained both influential and controversial throughout his life for his music and persona. He is now widely considered an innovator; among his distinctions are his pioneering work in free improvisation and modal jazz and his early use of electronic keyboards. Over the course of his career, he recorded dozens of singles and over one hundred full-length albums, comprising well over 1000 songs, and making him one of the most prolific recording artists of the 20th century. Following Sun Ra's death in 1993, the Arkestra continues to perform."

-Wikipedia (https://en.wikipedia.org/wiki/Sun_Ra)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Trumpet player Michael Ray spent approximately 15 years with the Sun Ra Arkestra before he took the leap and established a band of his own, Michael Ray & the Cosmic Krewe. He had previously contributed to the sound of Kool & the Gang. While Sun Ra's outfit played free jazz, and Kool & the Gang was more of a contemporary funk outfit, Ray and his Cosmic Krewe have learned how to deliver their own type of funk to a jazz audience, as evidenced on the song "Earthrite." While the number gets the crowd moving in a big way every time during a live show, when Michael Ray & the Cosmic Krewe debuted with an eponymous release in 1994, it was decided that the mix was too much of a gamble. Evidence Music didn't include "Earthrite" on the release, although the song later found a place on Funk If I Know.

In addition to leading the Cosmic Krewe, Ray still plays trumpet with the Arkestra. Tipping his hat to the late jazz visionary, Ray included a couple of Ra's numbers, "Yolinda" and "Latin Monkey," on his Funk If I Know release. Ray also played with Phish on the album Phish: A Live One, as well as on-stage, and he contributed to Surrender to the Air by Trey Anastasio. His other work includes a soundtrack for PBS. Based in New Orleans, Michael Ray & the Cosmic Krewe took home the honor of Best Funk Band in 1999 when the outfit appeared at the New Orleans Jazz & Heritage Festival. Ray actually supervises a pair of ensembles named Cosmic Krewe -- one based in the Crescent City, the other in Burlington, VT, and the surrounding region. Members of both Krewes are represented on the Funk If I Know CD."-Linda Seida

-All Music (https://www.allmusic.com/artist/michael-ray-mn0000471358/biography)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and EVI (an electronic valve instrument made by Steiner, Crumar company).

Allen is best known for his work with eccentric keyboardist/bandleader Sun Ra, having recorded and performed mostly in this context since the late 1950s, and having led Sun Ra's Arkestra since 1993. Critic Jason Ankeny describes Marshall as "one of the most distinctive and original saxophonists of the postwar era."

Marshall Allen was born in Louisville, Kentucky.

During the Second World War he enlisted in the 92nd Infantry Division and was stationed in France. Allen studied alto saxophone in Paris and played in Europe with Art Simmons and James Moody.

He is best known for his mastery of pyrotechnic effects on the alto - he has said that he "wanted to play on a broader sound basis rather than on chords" (1971 interview with Tam Fiofori cited in). The opportunity came through his long association with Sun Ra, with whom he performed almost exclusively from 1958 to Ra's death in 1993, although he did record outside the Arkestra, notably with Paul Bley's group in 1964 and with Olatunji's group during the mid-1960s. Critic Scott Yanow has described Allen's playing as "Johnny Hodges from another dimension".

Since the departure of Sun Ra and John Gilmore, Allen has led the Arkestra, and has recorded two albums as their bandleader. In May 2004, Allen celebrated his 80th birthday on stage with the Arkestra, as part of their performance at the Ninth Vision Festival in New York City. Allen gave another performance on his birthday in 2008 at Sullivan Hall in New York City.

Allen often appears in NYC-area collaborations with bassist Henry Grimes and has also participated in the "Outerzone Orchestra" together with Francisco Mora Catlett, Carl Craig and others in an appreciation of Sun Ra's music."

-Wikipedia (https://en.wikipedia.org/wiki/Marshall_Allen)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Gilmore (September 28, 1931 Ð August 19, 1995) was an avant-garde jazz saxophonist known for his tenure with keyboardist/bandleader Sun Ra from the 1950s to the 1990s.

Gilmore grew up in Chicago and played clarinet from the age of 14. He took up the tenor saxophone while serving in the United States Air Force from 1948 to 1952, then pursued a musical career, playing briefly with pianist Earl Hines before encountering Sun Ra in 1953.

For the next four decades, Gilmore recorded and performed almost exclusively with Sun Ra. This was puzzling to some, who noted Gilmore's talent, and thought he could be a major star like John Coltrane or Sonny Rollins. Despite being five years older than Gilmore, Coltrane was impressed with his playing, and took informal lessons from Gilmore in the late 1950s. Coltrane's epochal, protoÐfree jazz "Chasin' the Trane" was inspired partly by Gilmore's sound.

In 1957 he co-led with Clifford Jordan a Blue Note date that is regarded as a hard bop classic: Blowing In from Chicago. Horace Silver, Curly Russell, and Art Blakey provided the rhythm section. In the mid-1960s Gilmore toured with the Jazz Messengers and he participated in recording sessions with Paul Bley, Andrew Hill (Andrew! and Compulsion), Pete La Roca (Turkish Women at the Bath), McCoy Tyner (Today and Tomorrow) and a handful of others. In 1970 he co-led a recording with Jamaican trumpeter Dizzy Reece. His main focus throughout, however, remained with the Sun Ra Arkestra.

Gilmore's devotion to Sun Ra was due, in part, to the latter's use of harmony, which Gilmore considered both unique and a logical extension of bebop. Gilmore had stated that Sun Ra was "more stretched out than Monk" and that "I'm not gonna run across anybody who's moving as fast as Sun Ra ... So I just stay where I am."

Gilmore occasionally doubled on drums and also played bass clarinet until Sun Ra hired Robert Cummings as a specialist on the latter instrument in the mid-1950s. However, tenor sax was his main instrument and Gilmore himself made a huge contribution to Sun Ra's recordings and was the Arkestra's leading sideman, being given solos on almost every track on which he appeared. In the Rough Guide to Jazz, Brian Priestley says:

Gilmore is known for two rather different styles of tenor playing. On performances of a straight ahead post-bop character (which include many of those with Sun Ra), he runs the changes with a fluency and tone halfway between Johnny Griffin and Wardell Gray, and with a rhythmic and motivic approach which he claims influenced Coltrane. On more abstract material, he is capable of long passages based exclusively on high-register squeals. Especially when heard live, Gilmore was one of the few musicians who carried sufficient conviction to encompass both approaches.

Many fans of jazz saxophone consider him to be among the greatest ever, his fame shrouded in the relative anonymity of being a member of Sun Ra's Arkestra. His "straight ahead post-bop" talents are exemplified in his solo on the Arkestra's rendition of "Blue Lou," as seen on Mystery, Mr. Ra.

After Sun Ra's 1993 death, Gilmore led Ra's Arkestra for a few years before his own death from emphysema. Marshall Allen then took over the Arkestra leadership."

-Wikipedia (https://en.wikipedia.org/wiki/John_Gilmore_(musician))
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Danny Ray Thompson is a bassoon player, saxophonist and long-time member of the Sun Ra Arkestra, spanning a period from the mid-'60s to the late '80s. He has been in the groups Black Heat, The Heliosonic Tone-tette, and The Sun Ra Arkestra.

-Squidco 3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Atakatune, aka Stanley Leon Morgan, Born in Philadelphia, PA in 1953, My father spent his childhood sharing time between Camden New Jersey and Philadelphia's Germantown neighborhood. It was in Germantown where he began a relationship at age 19 that would change his life forever. He first began to play the conga drums for Sun Ra's Arkestra in 1972 and would soon come to be referred to as "the premier Conga player and percussionist" under the direction of the Great Cosmic Philosopher Sun Ra."

-Takee Morgan (https://www.takkeemmorgan.com/news/atakatune-stanley-leon-morgan/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

" (born Edward Skinner; November 13, 1939 in Starkville, MS - August 19, 2007) was an American jazz drummer and multi-instrumentalist primarily known for his work with the Sun Ra Arkestra."

-Wikipedia (https://en.wikipedia.org/wiki/Luqman_Ali)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"June Tyson (born February 5, 1936, Albemarle, North Carolina - d. November 24, 1992, Philadelphia, Pennsylvania) was a singer and dancer who achieved prominence performing with keyboardist and bandleader Sun Ra.

When she joined Sun Ra's Arkestra around 1968, she became the first female member of his band. (Sun Ra had previously recorded with a few female vocalists, but they were not members of his band.) She became a close and trusted friend of Ra, and helped him with costume design. Tyson continued to perform and record with Ra up to her death.

Tyson was diagnosed with cancer and grew increasingly ill. When she was unable to sing because of her illness, she played the violin."

-Wikipedia (https://en.wikipedia.org/wiki/June_Tyson)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. On Jupiter 4:02

2. UFO Sun Ra 8:35

3. Seductive Fantasy 17:09

Related Categories of Interest:

Sun Ra

Recommended Records
Improvised Music
Jazz
Top 20 for 2008

Search for other titles on the label:
Art Yard.


Recommended & Related Releases:
Other Recommended Releases:
Sun Ra Arkestra
Nothing is ... Completed & Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing and remastering Sun Ra's 1966 Arkestra album Nothing Is, the complete live recording from St. Lawrence University in NY with a classic ensemble including saxophonists Marshall Allen, Pat Patrick & John Gilmore, bassist Ronnie Boykins, drummer Cliffor Jarvis, &c., an incredible concert with an exemplary set of Sun Ra compositions and performances.
Sun Ra Arkestra
Heliocentric Worlds 1 and 2
(ezz-thetics by Hat Hut Records Ltd)
The two volumes of "Heliocentric Worlds", recorded 7 months apart in 1965, represent perhaps one of greatest chapters in Sun Ra's legacy, bringing together his immense orchestration skills with future-leaning free jazz, allowing his players expanse inside disciplined compositions that reflect on both space and the then-new freedom explored by jazz soloists.



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