The other shaded region to their 2022 Penumbra album, keyboardist Stemeseder and drummer Christian Lillinger explore "utopias in sound production" through acoustic and electronic composition, creating evolving melodies and sonic tapestries in performance with Peter Evans on Piccolo trumpet, Russell Hall on bass, DoYeon Kim on Gayageum and Brandon Seabrook on banjo & guitar.

The 3rd Intakt release from NY multi-reedist and composer Chris Speed's Trio with bassist Chris Toridini and drummer Dave King, who is also a part of Speed's other working band The Bad Plus, this new album presenting eight original Speed compositions that, as Speed explains, get to the point of featuring the song, the sophisticated melodies around which this excellent trio pivot.

Celebrating 20 years since his recording debut as a leader and his own 50th birthday, Cuban-born, New York-based pianist Aruán Ortiz presents his 6th album on Intakt in a trio with bassist Brad Jones and drummer John Betsch, opening with a Gillespie/Parker number then taking us on a spectacular journey through contemporary jazz influenced by Afro-Cuban/Haitian traditions.

Unique approaches to the piano trio format, alerted to the listener by merging synthetics and samples into the opening, bubbling carnival-esque "Rapture", then settling into more recognizable yet innovative approaches to creative, modern jazz through Hawkin's fascinating compositions, electronics drifting in and out at times but generally adhering to great, modern jazz.

A new trio setting from New York alto saxophonist Tim Berne with accordionist & multi-instrumentalist Aurora Nealand and long-time associate, cellist Hank Roberts, a warmly orchestrated band that allows fluid and relaxed approaches to their playing, Berne's compositions evoking exquisite tonal color and diverse conversations from pacific to tempestuous.

Working together many years in various formations--saxophonist Michel Doneda & drummer Roger Turner with John Russell; bassist Alexander Frangenheim & Turner in quartets with Pat Thomas or Phil Wachsman; Doneda & Frangenheim's own duo--this concert at Jazzatelier Ulrichsberg recorded during their European tour shows their incredible compatibility and seemingly telepathic conversations.

A subset of the Andreas Røysum Ensemble, the trio of Norwegian clarinetist Andreas Roysum on Bb& Bass clarinets, Nakama Label leader Christian Meaas Svendsen on double bass and Danish drummer Kresten Osgood recorded these collective free improvisations on the title's date in an unnamed location, for four assertive dialogs of impressive expression.

A delicate work of experimental chamber music from UK composer Jack Oliver Cooper (Modern Nature) performed by pianist Alexander Hawkins, cellist Anton Lukoszevieze and clarinetist Heather Roche, Arrival is delineated into twelve dovetailed parts that explore minimalism, patience and restraint; thoughtful music that rewards in close contemplation.

A New York trio of musical friends from Chris Pitsiokos on alto saxophone, Luke Stewart on electric & acoustic basses and Jason Nazary on drums, an elegantly impactful album of organic free jazz expanded through electronic textures from all three members as they enthusiastically explore new approaches to energetic, creative, contemporary improvisation; extraordinary!

Five concerts from percussionist and Ictus label leader Andrea Centazzo's 1978 US tour, performing in a duo with percussionist Alex Cline; in a trio with LaDonna Smith (violin) and Davey Williams (guitar); and in a quintet with John Zorn (saxophone), Tom Cora (cello), Toshinori Kondo (trumpet), Eugene Chadbourne (guitar) and Polly Bradfield (violin).

Following NY saxophonist Michael Foster's interest in free jazz, noise and the pre-AIDS era of sexual freedom in the gay community, expressed in a sax-bass-drums trio with Philadelphia double bassist Jared Radichel and drummer Joey Sullivan, drawing on pre-composed structures, melodies, samples, and improvisation to reflect both the joy and anxiety of the queer experience.

Promo copy with line thru bar code. An unusual set of electroacoustic improvisations recorded at Firehouse 12 from a New York trio led by trumpeter Forbes Graham, also on laptop and drum machine, Cecelia Lopez on analog synth, and bassist Brandon Lopez, Graham mutating his trumpet through sound processing, complemented by Cecelia Lopez's synthetic punctuations, all grounded by Brandon Lopez' solid bass work.

Drawn from the same period around 1976 which produced legendary free jazz saxophonist Steve Lacy's albums Clangs and Trio Live, the collected recordings in the two volumes of Ictus Record's Archives series were recorded while touring Italy with percussionist Andrea Centazzo, this 2nd volume from a concert in Udine presenting duos with Centazzo and a trio with bassist Kent Carter.

This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.

Energetic, authoritative and unpredictable, this 2020 concert at Hyde Park Book club, in Leeds, UK from the collective free improv trio of Pat Thomas on keyboards, Chris Sharkey on electric guitar and Luke Reddin on Williams on drums, burns through an extended and far-ranging set of sonic environments and seriously exhilarating straight-on playing.

Energetic, authoritative and unpredictable, this 2020 concert at Hyde Park Book club, in Leeds, UK from the collective free improv trio of Pat Thomas on keyboards, Chris Sharkey on electric guitar and Luke Reddin on Williams on drums, burns through an extended and far-ranging set of sonic environments and seriously exhilarating straight-on playing.

Recorded two decades apart, first in 1998 as a combination of recordings in the studio and live @ The Knitting Factory, and then in 2019 in the studio, the trio of Miya Masaoka on Koto, dan bau & electronics, Reggie Workman on bass, percussion, musical saw & digeridoo and Gerry Hemingway on drums & electronics, show both their consistency and evolution as masterful, creative improvisers.

Bringing tremendous playing skill and creative intent, the Italian/Portuguese trio of Simone Quatrana on piano, Andrea Grossi on double bass and Pedro Melo Alves on drums & percussion, improvise over spontaneous compositions that flow perceptively from quick energetic moments to periods of abstract beauty, complementing each other in exquisite and dynamic ways.

Mixed, edited and re-organized by Fred Frith and mastered by Thomas Dimuzio, this album find the trio of Frith on electric guitar, Evelyn Davis on the Mills Chapel pipe organ and Phillip Greenlief on clarinet & alto saxophone, performing in the Mills College Chapel in Oakland, CA, the sophomore release on Clean Feed for this versatile trio of masterful improvisers.

Named for the translation of alto saxophonist Bruno Parrinha's last name into English--"Vine Leaf"--the trio of frequent working partners Luís Lopes on electric guitar and João Valinho on drums are heard in two recordings at SMUP, in Parede, PT and one studio recording in Lisbon, for sophisticated collective improvisation that indeed flows like a beautifully intricate vine.

Spontaneous compositions with an emphasis on strings and exploratory, unusual approaches to group dynamic, from the trio of Slovenian guitarist Samo Salamon on 6- and 12-string guitars, Italian violinist Emanuele Parrini and Spanish percussionist & drummer Vasco Trilla, in seven conversations of consummate skill, balancing intense concentration with vigorous and inspired exchanges.

The second Clean Feed release from Spanish saxophonist Liba Villavechia's trio with drummer/percussionist Vasco Trilla and double bassist Alex Reviriego, a lively working ensemble heard in three new Villavechia compositions, plus two collective improvisations, and a work from New York composer, improviser and influence on the leader, Thomas Chapin's "Anima".

An often raucous and always informed debut from the dual reed & drums Chicago trio Near Miss of Rob Magill on tenor & soprano sax and bass clarinet, Gerrit Hatcher on tenor sax and Bill Harris on drums, Magill and Hatcher having collaborated previously on Triplet Fawns with Patrick Shiroishi, and Whole Abandoned Star, while Hatcher & Harris are a part of Devouring the Guilt.

A masterful album of collective free improvisation captured in Brooklyn's Park West Studios by Jim Clouse, of the trio of tenor saxophonist Joe McPhee, trombonist Steve Swell and drummer Chris Corsano, ten conversations of diverse approach, from reflectively abstract to uncompromisingly assertive discourse that is ultimately fueled by a joyful camaraderie.

The day after their duo tour of the West Coast and a final fiery concert in San Francisco, tenor saxophonist Zoh Amba and drummer Chris Corsano joined guitarist Bill Orcutt in the studio to record this album, the two facets of Orcutt & Corsano's long-standing work together and the newer Amba/Corsano collaboration setting up this tightly linked set of collective improvisations.

A six part improvisational inquiry from three experienced London investigators--John Butcher on saxophones, Terry Day on drums and Max Eastley performing on his self-developed electroacoustic monochord, along with percussion and a bird call--all three performing with unusual and extended techniques to create a uniqe sonic palette applied to extremely focused conversations.

An introduction to Amsterdam-based percussionist and composer Domen Cizej through five studio-recorded CDs of differing configurations of his ensembles, one album each from the 8-piece Domen Cizej Percussion Ensemble, the trio Domen Cizej Koška Čias, the Domen Cizej Duo and Trio, and Cizej solo; a set of diverse and upbeat settings with liner notes by Joe Morris.

An interpretation and reimagining of the opening track of Coltrane's Meditations, from the UK trio of Ed Jones on tenor & soprano saxophones, Dominic Lash on double bass and Mark Wastell on tam tam, gongs, cymbal & percussion, performed live at Cafe OTO in London in 2023, transforming the original recording's density into a slowly opening, evolving work of beauty.

Composer, poet and saxophonist David Mirarchi seeks to transform the written word into melodic, harmonic, rhythmic, and structural materials, using experimental compositional techniques, here recording in Brooklyn with trio of bassist Mathias Hojgaard Jensen and drummer Eliza Salem for a two part work transmuted from a two-part poem contrasting city life and nature.

Referencing their influences as The Pop Group, This Heat, Naked City, and Eric Dolphy, this collective trio from Vicenza, Italy features Tiziano Pellizzari on reeds & electronics, Geoffrey Copplestone on noise & vocals and Giampaolo Mattiello on percussion, in an insightful and sometimes socially charged, sometimes simply quirky mix of free jazz, noise and narrative vocals.

A live performance in Koenji, Tokyo at the club Jirokichi in 2022 from the prog-oriented instrumental improvising power rock trio of Mitsuru Tabata on guitar, Kazuhide Yamaji on guitar and Tatsuya Yoshida on drums, Tabata & Yoshida providing vocal emphasis through the nine brisk and highly interactive tracks of great energy, psychedelic overtone and impressive technical skill.

A meeting in Dortmund, Germany between the working trio of three masterful improvisers--New York trombonist Steve Swell, also on flute; Ukrainian double bassist Mark Tokar; and German drummer Klaus Kugel--recording 6 collective, spontaneous improvisations and Swell's "Child's Play", extending the concepts of the bass, drum and trombone trio.

The second volume from the trio of Tennessee-to-NYC transplant Zoe Amba on tenor saxophone & flute, legendary double bassist William Parker and Francisco Mela on drums, performing three compositions by Amba recorded in the studio in NYC; emphatic free jazz with a powerful rhythm section elucidating Amba's spiritually fueled approach to compelling, lyrical improvisation.

To celebrate drummer/percussionist Eddie Prévost's 80th birthday, Café Oto hosted four concerts once a week in June, 2022, each a differing configuration from Prévost's history; this final concert reconvened for an extended improvisation between Prévost & guitarist Keith Rowe, with a "Postscript" from pianist John Tilbury recorded at his home in January, 2023.

Releasing their first studio work in 2020, this album presents the first two live concerts in Brooklyn and Saugerties for the ea-improv trio MAW of Frank Meadows on upright bass, Jessica Ackerley on electric guitar and Eli Wallace on prepared piano & synth, in two 2-part improvisations: the darkly heavy "Mise-en-Place" and the brighter experiments of "Opus 40".

A deep string trio of two double basses and violin/viola from double bassists Joao Madeira and Hernani Faustino, whose duo albums on the FMR label are under the group name dB Duet, with Creative Sources label leader Ernesto Rodrigues, recording in the studio in Lisbon for 8 succint improvisations and an expanded live version at Cossoul during the 2023 Creative Sources Cycle.

Michael Moore, Ernst Reijseger and Han Bennink's excellent Clusone 3 trio in a reissue of their 1993 album playing mostly Irving Berlin compositions.

Oliver Lake's 1970's trio live at the Willisau Jazz Festival in 1979 playing all Lake compositions.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.

Swiss vocalist Sarah Buechi leads a new trio with Franz Hellmüller on guitar and Rafael Jerjen on bass, putting a uniquely expressive touch to a mix of original Buechi songs, standards including "I Thought About You" and "Moon River", and traditional song, the intimate and adept playing of Hellmüller and Jerjen enveloping the trio with a warm glow.

Stripping down their performance matter to its most minimal expression, their work developed since 2011 as they've toured the European alternative scene, the Hippie Diktat trio of Richard Comte on electric baritone guitar, Julien Chamla on drums and Antoine Viard on amplified baritone saxophone work an energetic and heavy set of Steve Reich-ian grooves.

Formed at Michael Attias's Washington Heights, Manhattan apartment by three improv compatriots, the trio of Kenneth Jiminez on bass, Michael Attias on saxophones and Francisco Mela on drums & voice incorporate free and experimental jazz forms with heartfelt tradition, in five collective improvisations captured in the studio, plus Paul Motian's "From Time to Time".

Five works from US composer often based in Amsterdam, Evan Johnson, in solo, duo and trio settings including a triptych titled "L'art de toucher" in three configurations, demonstrating his unique approach to writing using disparate musical influences from modern to Baroque, mated to anarchic experimentalism and a Wandelweiser sensibility; fascinating!

Focused mostly on introspective yet propulsive improvised interaction of concentrative listening, punctuated by moments of explosive exchanges, the trio of Dirk Serries on archtop guitar, Benedict Taylor on viola and Friso Van Wyck on drums & percussion are heard live in an engaging concert at Koffie and Ambacht's Le Sud, in Rotterdam in 2022.

Ute Wassermann adds a unique expressiveness to this Berlin studio session, bringing her impressive talents as a free improvising vocalist along with her bird calls and objects, providing an unusual yet extremely complementary foil to the intertwined strings of the father/son collaboration of violist Ernesto Rodrigues and cellist Guilherme Rodrigues; idiosyncratically wonderful!

A 2022 live performance at The Vortex in London from the trio of Maggie Nicols on voice, Caroline Kraabel on alto saxophone & voice and Charlotte Hug on viola & voice, reuniting the partnership from their 2002 Emanem album, Transitions, each track taking its titles from an observational poem by Jenny Xie, rendered in expressive, mostly wordless vocalization.

Impeccably recorded in the studio, the long-running and varied collaborations of saxophonist John Butcher, double bassist Dominic Lash and drummer Emil Karlsen come together for the first time as a trio, recording eight succinct improvisations of remarkable technique and nearly telepathic dialog, allowing space for each player to display their masterful skill.

Reissuing and remastering two seminal albums on the Riverside label from pianist and composer Bill Evan's trio with double bassist Scott LaFaro and drummer Paul Motian — Sunday At The Village Vanguard and Waltz for Debby — yielding jazz standards and helping define the modern jazz trio through impressive technical underpinnings and lyrical sophistication.

A compelling and lyrical debut from the London-based trio Aspyrian of Robin Porter on tenor & soprano saxophones, Jack Gillen on guitar and Matt Parkinson on drums, the band name from Old English translating to "To search, explore, trace, discover, explain", which the band does with ebullient dexterity through seven original compositions from Porter and Parkinson.

A dark trio of NYC heavyweights Tim Dahl and Trevor Dunn on bass and Nandor Nevai ( _ (Underscore)) on drums and conducting, in Nevai's fifth iteration of the _ ("UNDRSKOR") project, following a fusion of forms referred to as 'Neauxtheque' invoking "Danger Classical", the Martial Pop subgenre of Industrial and the virtuosic demands of Technical Death Metal.

Starting as an electric jazz album, the UK trio of Mark Sanders on drums & percussion, Chris Mapp on bass & electronics and Andrew Woodhead on keys & electronics slip into moody and experimental ea-improv territory, fluctuating between acoustic and electronic material of masterful virtuosity, presenting two unconventional solo sections for drummer Sanders along the way.

The Boston-based Expanse, inspired by the concepts of space and restraint, configured as a trio in a livestreamed session where Evil Clown stalwart David Peck on clarinets, saxophones, fog horns & percussion is joined by Eric Woods on analog synth & percussion, and Michael Knoblach, who focuses on exotic percussion instruments, for a unique journey in electroacoustic improv.

Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice, here joined by John Fugarino performing on trumpet, slide valve trumpet, flugelhorn, trombone and leveraging the vast Evil Clown arsenal of percussion devices.

"I met Glynis originally when we both played in the Masashi Harada Sextet... A few months after I arrived in Boston to attend Berklee, I saw Masashi perform with Joe and Matt Maneri and introduced myself afterwards, and the Sextet start...

"Just before the pandemic, Leap of Faith did a performance as a trio with drummer Steve Niemitz at Bonnie Kane's Friday night experience in western Mass. On the bill with us was a stunning solo violin performance by Tom Swafford. As I a...

The NY trio of Jessica Ackerley (SSWAN) on electric guitar, Yuma Uesaka on saxophone & reeds and Colin Hinton on drums & percussion, associated with improvisers including Tyshawn Sorey, Patrick Shiroshi, Ingrid Laubrock, &c., in a collective trio of exceptionally attuned and implicitly melodic dialog promoting energetic interplay balanced with periods of explorative reflection.

An energetic trio of Serbian free improvisers from Tibor Takacs Faki on reeds, Laslo Lenkes on guitar and Goran Grubisic on drums, Tibor Takacs Faki and Goran Grubisic both part of the rock band Wooden Ambulance, that energy translating into their indefatigable approach to collective improvisation, just keeping a lid on their rambunctious interaction.

Energetic and urgent free jazz from the Portuguese trio MOVE of Felipe Zenicola on electric bass, Yedo Gibson on saxophones and Joao Valinho on drums, long time collaborators and members of bands including Rodrigo Amado Refraction Quartet and Naked Wolf, these five shredding improvisations were captured live at Desterro Club, in Lisbon in 2022.

An absorbing album of electronic jazz and improvisation from the Portuguese string and percussion trio of Ricardo Jacinto on cello, electronics & harmonium, Goncalo Almeida on double bass & electronics and Nuno Morao on drums & percussion, exploring unique and innately lyrical intersections of chamber improv, ea-improv and compositional forms.

A sophisticated album of collective free jazz recorded in Brooklyn in 2004, from the trio of husband and wife improvisers Roberta Piket on piano and Billy Mintz on drums, with under-recorded saxophonist Mark Reboul rounding out the trio, as the three present "Seven Pieces" in "About an Hour" of stunningly elegant, implicitly melodic and impressively creative playing.

After sharing a stage with Belgium bassist Farida Amadou--whose collaborations include Peter Brötzmann, Steve Noble, and Thurston Moore--Chicago saxophonist Dave Rempis and Amadou sought an opportunity to record together, joining with Amadou collaborator, pianist Jonas Cambien, to record these startling studio improvisations during a 2022 tour in Belgium and The Netherlands.

The 2nd live performance from the Evil Clown headquarters post-pandemic, in a trio edition of Leap of Faith comprised of David Peck on reeds & winds, Glynis Lomon on cello, aquasonic & voice and Steve Niemitz on drums, plus an extended encore with 3 strings, reeds, trumpet and drums adding Nate McBride, Eric Rosenthal, Vance Provey and Albey onBass.

An unrestrained album of free jazz, unorthodox electronic excursions and vocal irascibility as legendary tenor saxophonist Joe McPhee joins the Bazuinschal duo of alto saxophonist Mette Rasmussen and percussionist & electronic manipulator Dennis Tyfus (Ultra Eczema) for this singularly unusual 2018 concert at Het Bos, in Antwerp, Belgium; magnificently indescribable!

Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".

Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".

Teaming up with Norwegian keyboard player Ståle Storløkken of Elephant9 & Supersilent and drummer Ole Mofjell, guitarist Hedvig Mollestad Thomassen introduces her new trio with this double album of live recordings from three separate concerts in Oslo and Stavanger, Norway, in dynamic performances of blistering, building prog and jazz fusion-oriented rock forms.

A remarkable journey in free improvisation and free form electroacoustic improv from the trio of Jean-Marc Foussat on synth & effected voice, Urs Leimgruber on soprano & tenor saxophones and Carlos Zingaro on violin, three masterful improvisers who employ unusual sonic palettes and remarkable technique in a carefully controlled conversation drawing on diverse styles.

Referencing the collective NY Loft scene of the 1980's, the trio of Jean-Jacques Avenel on bass, Siegfried Kessler on piano, keys & ring modulator and Daunik Lazro on alto sax & tuba sax, are heard in a Béziers Jazz Action concert recorded in the crypt of a Franciscan theater, in two suites of collective improvisation, the 2nd adding unusual electronics from Kessler.

Five stories of electric jazz from composer and violinist Jason Kao Hwang, who leads his trio with electric guitarist Anders Nilsson and drummer Michael T.A. Thompson through journeys of melodically fueled and lyrically realized original compositions, each showcasing the band's virtuosic talent and tight communication, with an ear to sonic excitement.

An alluring album of piano trio music from the NY trio led by drummer Tyshawn Sorey with Aaron Diehl on piano and Matt Brewer on bass, allowing the excitement of a first meeting between the players as they perform compositions from the American Songbook, and some songs that Sorey feels should be included in the Songbook; lyrical, sophisticated, virtuosic, beautiful.

Drummer Tyshawn Sorey takes his sophisticated piano trio of pianist Aaron Diehl and bassist Matt Brewer into deeper territory following their debut album Continuing, here expanding the breadth of their playing in four extended and passionate interpretations of works by Wayne Shorter, Ahmad Jamal, Sorey's mentor Harold Mabern, and the standard "Angel Eyes".

The trio of pianist Jacques Demierre, trumpeter Axel Dorner and accordionist Jonas Kocher recorded these live improvisations at Theatre Le Colombier in Les Cabannes, France, each performer then assembling a complete album selecting from the fourteen recordings, unique to each performer's aesthetic selection, sequencing and length, creating three distinct yet deeply attached albums.

Developed originally as a "remedy" to pandemic through a weekly discipline of composing and rehearsing new music, the trio of trumpeter Thomas Heberer, bassist Joe Fonda and drummer Joe Hertenstein return for the second in their series: eight studio recordings of magnificent collective interplay through intricate and implicitly lyrical compositions from each of the three performers.

The catalyst for this album is Australian drummer based in Singapore Darren Moore, whose 2022 tour of Japan took him to Tokyo where he performed with legendary Japanese free improvisers, Kazuo Imai on electric guitar and Junji Hirose on tenor saxophone, this album recorded in GOK Studio, the session anything but Quiet!!!, but definitely energetically charged and assertive.

During a tour by frequent collaborators, American saxophonist living in the Philippines Rick Countryman and Swiss drummer Christian Bucher, the duo joined with acoustic bassist Tetsuro Hori for five nights in the Kansai region of Japan, on the fifth night performing at the Big Apple in Kobe, Japan where this hard blowing session of free jazz was captured.

A superb album of 80's free jazz with a warmly lyrical loft influence and filled with jazz reference, from the trio of late trumpeter Roy Campbell, also performing on flugelhorn & flute, late Japanese/NY drummer Takeshi Zen Matsuura and bassist William Parker, in a never-before issued performance at Boston-area Brandeis University for five expansive conversations.

A rare meeting between three New York free jazz improvisers, organized by bassist David Izenzon (Perry Robinson Trio, Ornette Coleman, Bill Dixon) as a trio with Barry Altschul on drums and Perry Robinson on clarinet, performing four collective, free improvisations of reciprocal playing that brings joy and reflection into their wonderfully informed group sound.

Originally released in 1977 during an extremely creative period for both UK free improvising guitarist Derek Bailey and Italian percussionist Andrea Centazzo, this 3rd album on the Ictus label finds both players defining each of these extraordinary improvisations through instrumental timbres, dynamics and metronome speeds chosen to suit each piece.

Guitarist Henk Zwerver, bassist Raoul van der Weide and percussionist George Hadow, frequent collaborators in the Amsterdam free improv scene, join with Berlin saxophonist & clarinetist Edith Steyer to make up the Bertch Quartet, their debut album a great and embraceable example of subtle, collective free improvisations that merge traditional and non-idiomatic forms.

A vinyl-only limited edition album of Ran Blake's live performance on December 10, 2010 at St. Catherine's Church, performing mostly solo, and in duos with guitarist David "Knife" Fabris.

Best known for his work with Sun Ra, Bassist Ronnie Boykin took 10 years to compose and arrange this, his only solo album, originally issued in 1974 and performed in a septet with a strong front line of wind and brass players and fueled by two drummer/percussionists, Boykin's natural bass sound in the foreground over a wealth of moods and textures.