The third release from the Barcelona-based experimental improvising duo L'Ocell of Chilean acoustic guitarist Fernando Carraso and Spanish double bassist Àlex Reviriego-double bass, here joined by guitarist Ferran Fages (a member of Phicus and Radium with Reviriego), for a set of mysteriously dark improvisations recorded live at Sant Roma de Mianigues church.

With his new trio with bassist Matt Brewer and drummer Damion Reid, saxophonist Lehman combines his own original compositions with a full program of works by jazz legends like John Coltrane and Jackie McLean.

Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.

UK multi-reed master Evan Parker brings an all-star electroacoustic septet to the 2014 Victoriaville Festival for the massive and wonderfully detailed two part composition "Seven", performed with Peter Evans, Okkyung Lee, George Lewis, Ikue Mori, Sam Pluta, and Ned Rothenberg.

An unapologetically political album from double bassist William Parker in collaboration with poet Patricia Nicholson, confronting injustice and inequality through spoken word set over Parker's compositions, performed with James Brandon Lewis on tenor saxophone, Devin Brahja Waldman on alto saxophone, Francisco Mela on drums, vocals, Melanie Dyer on viola and Gerald Cleaver on drums.

Using piano, synthesizer, electronic feedback, field recordings and amplified objects, sound artist Andrea Parkins' long-cycle installation composition explores time and space in an 8-channel, multi-room work designed so that adjacent acoustical spaces respond to each other, creating shifting and unexpected sonic juxtapositions; CD package include a link to "The Third Room".

"Vancouver pianist Paul Plimley and his comrades, bassist Lisle Ellis and drummer Scott Amendola, have issued a tough little gem of a recording in Safe-Crackers. Plimley's pianism ranges in voice from fierce avant-garde improvisation to...

Keyboardist Annie Lewandowski (London Improvisers Orchestra, Fred Frith, Samech) composed this song cycle about ancient Greek figures in collaboration with David Yearsley, Theresa Wong and Russell Greenberg, poetic pieces contrasting traditional use of instruments with subtle experimental approaches in a unique and fascinating set of compositional strategies.

The first album from 1982 by drummer Geoff Serle's band Research, combining free improvisation with rock forms, electric and acoustic, or as he described it: "an electro-funk industrial jazz unit", configured as the quartet of trumpeter Jim Dvorak, a member of Mujician & Brotherhood of Breath, bassist Dan Brown from The Fixx, and legendary pianist Veryan Weston.

"As Frogworth says in one review: 'Two giants of Australian avant-garde music getting together here, dedicating their record to Australian composer Peggy Glanville-Hicks, whose house in Paddington, Sydney is used for residencies/sabbatic...

A live recording of free improvisation recorded at Theater im Viertel, in Saarbrucken, Germany in 2021 from the SteDaJoDa quartet of Daniel Studer on double bass, Stefan Scheib on double bass, Daniel Weber on drums and Johannes Schmitz on guitar, the dark double bass foundation and floating ("Schwebend") percussion work balanced by Schmitz' blues oriented electric.

Assertively probing like a squid raging out of the sea, Street Tentacle is the trio of Chicago tenor saxophonist Jeff Chan, guitarist Da Wei Wang also on electronics, and drummer Jerome Bryerton on drums, cymbals, gongs, bowed metal & assorted percussion, in five assertive improvisations of an everything including the kitchen sink style; daunting and domineering!

Tsahar's 9-piece Brass Reeds Ensemble Herb Robertson, Chris Jonas, Rob Brown, Susie Ibarra, &c. is an ambitious and incredible undertaking of group improvisation.

The Winged Serpents is a collective of solo pianist brought together by John Zorn to pay tribute to brilliant free jazz pianist Cecil Taylor, taking their name from his 1985 Soul Note album "Winged Serpent", Craig Taborn, Sylvie Courvoisier, Brian Marsella, Kris Davis, Aruan Ortiz, and Anthony Coleman each pay homage in original improvisations that invoke the spirit of Taylor's work.

Two iconic New York players - saxophonist John Zorn and guitarist Thurston Moore - meet for the first time, presenting seven exhilarating improvisations of great diversity, inventiveness, sonic power, and creative drive.

A wild improvising band from Vancouver in their 3rd release of episodic compositions based around instrumental rock forms, six "sick" and wide-ranging pieces that blend rock, jazz, chamber music and inventive forms in magnificent way, from JP Carter on trumpet, Joshua Zubot on violin, Peggy Lee on cello, Cole Schmidt on guitar, James Meger on bass, synths and Dan Gaucher on drums.

Working with German jazz and "third stream" musician, vibraphonist & composer Gunter Hampel, New York alto saxophonist Marion Brown is heard in two live recordings from 1968 & 1969 in Munchen, Germany and Wurzburg, in quintet and sextet configurations with superb supporting musicians including Steve McCall (drums), Ambrose Jackson (trumpet), Daniel Laloux (bass) and Jeanne Lee (voice).

A stunningly beautiful suite from Richmond, VA drummer and composer Scott Clark, poetic songs rendered by Laura Ann Singh in a sextet with Bob Miller on trumpet, flugelhorn, J.C. Kuhl on bass clarinet, tenor saxophone, Michael McNeill on piano and Adam Hopkins on bass, in four sublimely passionately compositions presented in studio recording and live versions.

A stunningly beautiful suite from Richmond, VA drummer and composer Scott Clark, poetic songs rendered by Laura Ann Singh in a sextet with Bob Miller on trumpet, flugelhorn, J.C. Kuhl on bass clarinet, tenor saxophone, Michael McNeill on piano and Adam Hopkins on bass, in four sublimely passionately compositions presented in studio recording and live versions.

Recalling his Sun Quartet album, UK saxophonist Paul Dunmall's new sextet pivots off the jubilant rhythm section of drummer Hamid Drake, double bassist Dave Kane and vibraphonist Corey Mwamba, with three saxophonists--Dunmall on tenor & c-soprano saxophones, Xhosa Cole on tenor and Soweto Kinch on alto & tenor saxophones--in a truly joyful bright celebration of free flowing jazz.

Merging jazz and rock forms, NY bassist Hannah Marks composes and provides the lyrics for 10 inspired songs of incisive, quirky and expressive topics, performed with a sextet of solid players from the genre-mashing NY scene: Sarah Rossy (lead vocals), Lee Meadvin (guitar), Lex Korten (piano), Nathan Reising (alto saxophone), and Connor Parks (drums).

Reflecting on the loft-oriented NYC free improvisation scene, this 2006 concert at Zebulon, in Brooklyn has keyboardist Alon Nechushtan bringing together a spectacular sextet with Roy Campbell on flute & trumpet, Daniel Carter and Sabir Mateen on reeds, William Parker on bass and Federico Ughi on drums, taking flight on two seemingly boundless Nechushtan compositions.

Bassist & composer Nick Dunston's Berlin band Skultura creates a uniquely experimental and fascinatingly sculpted approach to free jazz through layers of sound and serious playing punctuated by voice and concrete elements, each piece keeping the listener in anticipation of what might happen next, eased into serious jazz grooves, then whisked away in new directions; not to be missed!

The Swiss-based Ever Present Orchestra, dedicated to the presentation of later works by composer Alvin Lucier written for this orchestra and centered on pieces for the electric guitar, in two works of differing characteristics: "Arrigoni Bridge" for 3 lap steel electric guitars + violin, sax & cello; and "Flips" for two guitars, bass and glockenspiel.

A rare setting for tenor saxophonist Ivo Perelman in a larger ensemble: an exemplary sextet with trumpeter Nate Wooley and vibraphonist Matt Moran over a string section of Fred Lonberg-Holm on cello, Joe Morris on bass and Mat Maneri on viola, recording a ten-part work sans drums or piano, allowing fascinating new orchestral possibilities performed with utmost creative mastery.

A unique 1995 studio album from bassist Joe Fonda, remastered reissued to bring to life this septet with Anthony Braxton on reeds & winds, Herb Robertson on trumpet, Grisha Alexiev on drums, Vickie Dodds on vocals, and integrating tap dancer Brenda Bufalino as a full percussive voice into the ensemble's unique merging of jazz and dance, and of the healing arts and the performing arts.

The DUOT pairing of Argentinian, Barcelona-based sax player Albert Cirera and Spanish drummer Ramón Prats is joined on their 6th album by the Portuguese string quartet ZARM Ensemble of Carlos Zingaro on violin, David Alves on violin, Ulrich Mitzlaf on cello and Alvaro Rosso on double bass for a dynamic concert at Igreja do Espírito Santo in Caldas Da Rainha, Portugal.

Taking the viola da gamba and the daxophone into uncharted (dark) territories, composer Daniel Fishkin (who studied with daxophone inventor Hans Racheil) presents four works leveraging interference & frequency patterns, performed with an exceptional set of specialists on each instrument, and Fishkin's own 20-foot long instrument, The Lady's Harp, creating long, sustained tones.

5th anniversary LP reissue of bassist Adam Hopkins' 2018 album, a great example of the Downtown / Brooklyn scene, using jazz as a jumping-off point to merge free playing, fusion, and rock into an enthusiastic and technically brilliant album of original compositions performed with the sextet of Anna Webber, Ed Rosenberg, & Josh Sinton on sax, Jonathan Goldberger on guitar, and Devin Gray on drums.

An exemplary set of explorative hard bop compositions from composer/trumpeter Alan Shorter, first Mephistopheles from Wayne Shorter's The All Seeing Eye in an octet with legends Wayne Shorter, James Spaulding, Freddie Hubbard, Grachan Moncur III, Herbie Hancock, Ron Carter & Joe Chambers; and then Alan Shorter's own Orgasm with Gato Barbieri, Charlie Haden, Reggie Johnson, Muhammad Ali & Rashied Ali.

Compressing his Exploding Star Orchestra to a sextet, Chicago trumpeter Rob Mazurek presents two expansive works of ecstatic, exploratory electric and groove-oriented jazz, performed with Damon Locks (voice, electronics), Tomeka Reid (cello), Angelica Sanchez (Wurlitzer electric piano), Ingebrigt Haker-Flaten (double bass) and Chad Taylor (drums).

Chimaera is the ensemble of Sylvie Courvoisier on piano, her core trio with Drew Gress on bass, Kenny Wollesen on drums & vibraphone, expanded by two trumpeters--Wadada Leo Smith & Nate Wooley--and affected by Austrian guitarist Christian Fennesz who provides sonic backdrops for the improvisations over Courvoisier's compositions, focusing on aura over pyrotechnics; absolutely sublime.

Highlighting the parallel to changes in birdsong in urban areas because of anthropogenic ambient noise, this diverse ensemble demonstrates the evolution of improv approaches through unique origins and backgrounds; with Chad Fowler (stritch, flute), Shanyse Strickland (French Horn), Sana Nagano (violin), Melanie Dyer (viola), Ken Filiano (bass) and Anders Griffen (drums).

A collection of works from Netherlands composer Michel Banabila, including a piece developed with saxophonist Dave Liebman and previously released only digitally; a work with Rutger Zuydervelt (Machinefabriek); a work with Pierre Bastien; and excerpts from scores for Yin Yue's choreography in two works: "Somewhere" for New York Live Arts and "Timeless Tide" for BalletMet.

Joining the Boston duo Leap of Faith, the core duet of David Peck on reeds, percussion, the kitchen sink and everything in between, and Glynis Lomon on cello, aquasonic & voice, is bassist Scott Samenfeld from Turbulence Orchestra, drummer Jared Seabrook, and brass player John Fugarino, with Joel Simches capturing the recording and manipulating the stream in real time.

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The French duo Griffure of cellist & vocalist Leonore Grollemund and violinist & vocalist Amaryllis Billet are transformed into a string quintet enhanced by electroacoustic instrumentation, with violinist Chloe Julian, violist Alix Gauthier and double bassist Lea Yeche, all three providing vocals, in 15 evocative works that shift between composition, improv and text.

A superb and extended live performance from 1980 at NYC's Fat Tuesday jazz club, from the outstanding sextet of forward-thinking free improvisers, Jimmy Lyons on alto sax, Ramsey Ameen on violin, Alan Silva on double bass & cello, Jerome Cooper on drums & African Balaphone and Sunny Murray on drums, led by Cecil Taylor on piano in an ecstatic concert never previously released.

2019 Record Store Day release, a 7" from trumpeter Dave Douglas in two different configurations: the lead track from his album "Engage" featuring guitarist Jeff Parker and cellist Tomeka Reid along with Anna Webber, Nick Dunston & Kate Gentile; and a B-Side from 2018's "Uplift" featuring Joe Lovano and Bill Laswell alongside Mary Halvorson, Julian Lage, and Ian Chang.

Spanish sound artist and vocalist Mattin in his 6th "Songbook" album, performed with Farahnaz Hatam, Pan Daijing, Colin Hacklander, Werner Dafeldecker, and Dean Roberts, a vicious mix of essentially no-wave rock and experimental music, six songs at exactly six minutes each covering topics of the conflicts, confusion and frustrations of our modern age.

Reflecting on the slow decay of Roman and Egyptian murals, New York City-based, Puerto Rican-born composer, guitarist, visual artist and No Base Trio member, Gabriel Vicéns, presents a collection of chamber works including two piano trios, a wind quintet performed by Nu Quintet, cello & violin and violin & piano duos, a solo piano work, and a sextet conducted by David Bloom.

Revisiting and remastering two essential albums from New York hard bop trumpeter Kenny Dorham, a tremendous musican who died much too young but left a legacy of 20 albums as a leader, here in his 1956 Blue Note album in a sextet that included Bobby Timmons and Kenny Burrell, and his 1963 United Artists Jazz album in a quintet with Jackie McLean, Bobby Timmons, Teddy Smith and JC. Moses.

Transforming a sense of isolation and separation into exuberant and pointed expression, drummer Mike Reed brings together this hybrid sextet of Chicago players, including cornetist Ben LaMar Gay, poet and spoken word artist Marvin Tate (D-Settlement), and members of Bitchin Bajas (Rob Frye, Cooper Crain, and Dan Quinlivan), for 9 heartfelt, intensely passionate pieces.

Transforming a sense of isolation and separation into exuberant and pointed expression, drummer Mike Reed brings together this hybrid sextet of Chicago players, including cornetist Ben LaMar Gay, poet and spoken word artist Marvin Tate (D-Settlement), and members of Bitchin Bajas (Rob Frye, Cooper Crain, and Dan Quinlivan), for 9 heartfelt, intensely passionate pieces.

The lesser known hard bop trumpeter Booker Little died at just 23, but left a legacy in these two sextet albums that balance lyricism with freedom — Out Front and Booker Little and Friend — the former recorded with Eric Dophy and Max Roach, and the latter with George Coleman & Julian Priester, both albums with legendary players including Ron Carter, Reggie Workman, Art Davis, Don Friedman &c..

Elton Dean's 1989 performance at the Covent Garden Jazz Saxophone Festival in London is reissued, bringing to light the powerful performance from saxophonists Dean on alto sax & saxello, Paul Dunmall on tenor & baritone saxophones, Trevor Watts on alto saxophone, Simon Pickard on tenor saxophone, plus the rhythm section of Paul Rogers on double bass and Tony Levin on drums.

With two bass players (Wilber Morris & Rafael Garrett), two drummers (Denis Charles & Thurman Barker, violinist Billy Bang and tenor saxophonist Frank Lowe, this 1984 album covered pieces from Jackie McLean, Butch Morris, Ornette Coleman and Rashied Ali, here remastered with a previously unreleased 1984 session including a 2-part suite composed by Billy Bang.

Active since 2016, The "Bone" in PorchBone is heard in the three trombonists who join the trio of bassist Nate McBride, drummer Eric Rosenthal, and saxophonist Jorrit Dijkstra, who composed 7 of the 8 pieces on this album (Duke Ellington is the 8th, and the inspiration for their sound along with Sun Ra), with trombonists Jeb Bishop, Michael Prentky & Bill Lowe.

Powerful free improvisation led by the words of poet K. Curtis Lyle, known for his work with Julius Hemphill, part of a sextet with trumpeter George R. Sams, a member of United Front, two double bassists — Adi Bu Dharma Joshua Weinstein and Damon Smith — and two percussionists — Henry Claude and Ra Kalaam Bob Moses — in a gatefold CD with a 10-page booklet of related poems from K.Curtis Lyle.

A new book of compositions and four interesting interpretations of Billy Strayhorn songs from trumpeter Dave Douglas' premier of a new quartet with tenor saxophonist James Brandon Lewis and two members of the post-rock trio Son Lux — guitarist Rafiq Bhatia and drummer Ian Chang — in a lyrically embraceable and sophisticated album dedicated to the gifts of life and music we all share.

Metal Chaos Ensemble was formed in 2015 by reedist & percussionist David Peck and drummer Yuri Zbitnov as a working project to explore chaotic rhythms on metallic instruments with a rock sensibility; drummer Steve Niemitz now holds the drum chair, and the band is a prolific sextet with saxophonist Michael Caglione, trumpeter Bob Moores, synth player Eric Woods and guitarist Mike Gruen.

Saxophonist Bruce Ackley, percussionist Andrea Centazzo, pianist Tania Chen, cellist Danielle DeGruttola, and bassists Henry Kaiser and Michael Manring present a tribute to soprano saxophonist & composer Steve Lacy's 1977 album The Wire, replicating the instrumentation of that album but electrifying the bass, as they reflect twice on Lacy's incredible contribution to creative jazz.

A diverse, upbeat and embraceable album of brass-heavy jazz from New York trumpeter Frank London's ensemble, from funky rhythms to material that would be at home in Miles Davis' Birth of the Cool, flavored with London's Klezmatics background and performed with three percussionists, taking a wide view on the role of brass, particularly trumpet, trombone & tuba, in the history of jazz music.

The second of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Savoy label in New York City between 1945-48, performing with jazz greats including Bud Powell, Dizzy Gillespie, Miles Davis, John Lewis, Curley Russel, Max Roach, &c. for some of be-bop's finest and best known compositions.

The first of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Dial label on the US West Coast between 1946-47, performing with jazz greats including Miles Davis, Lucky Thompson, Erroll Garner, Barney Kessel, Red Calender, JJ Johson, Max Roach, &c. for some of Parker's best known and essential compositions.

South African drummer Louis Moholo-Moholo's 2nd album as a leader with his sextet Viva La Black, newly remastered and including two extra tracks from the original LP, issued for the first time on CD drawing out their unique approach to British jazz through compositions from Keith Tippett, Chris McGregor, Tristan Honsinger, Mongezi Feza, Harry Miller, and Moholo-Moholo himself.

A collection of songs exploring intimacy under colonialism by the writing duo of bassist and singer/lyricist Mali Obomsawin, a member of the Odanak First Nation and known for her work with the band Lula Wiles, and Chicago guitarist Magdalena Abrego, based in Cambridge, MA, featuring eight beautifully crafted pieces that showcase lyrical strength and astute observation.

Guitarist & vocalist Fred Frith leads the highly creative quintet of Zeena Parkins on keys & voice, Carla Kihlstedt on violin & voice, Mathias Bossi on drums and Shahzad Ismaily on bass, merging free improv, rock and experimental forms; drawn from live performances recorded by The Normal Conquest, this set of compositions captures the group's dynamic interplay and remarkable inventiveness.

This session at Evil Clown Headquarters brings together a sextet featuring PEK, Michael Knoblach, Robin Amos, Bob Moores, Tony Leva, and Jonathan LaMaster, blending horns, strings, electronics, and percussion to create a richly textured improvisational journey, highlighting deep connections within the Boston improvisation scene and showcasing dynamic interactions shaped by both past collaborations and new encounters.

Originally planned as an Axioms session, this Leap of Faith performance features PEK, Glynis Lomon, Chris Alford, Albey onBass, Vance Provey, Jose Arroyo, and Michael Knoblach, who transformed a dynamic sextet improvisation into a rich exploration of sonorities, blending wind, strings, percussion, and electronics to create a spontaneous, evolving soundscape marked by deep listening and adaptability.

Exploring chaotic metallic rhythms, this ensemble has become one of Evil Clown's most prolific groups, blending gongs, chimes, Tibetan bowls, and horns spanning a dynamic range of sounds, here in a sextet configuration with drummer Steve Niemitz and special guest Chris Alford on guitar, offering a powerful fusion of rock elements within the ensemble's electroacoustic approach.

A new solo project from French composer and improviser Falter Bramnk, exploring glass and crystal as exclusive sound sources, following his "Glassical Music" series; originally conceived for six Muzzix collective musicians, Bramnk reworked and expanded the compositions featuring glass struck, rubbed, blown, and shaken, on select tracks with contributions from Sam Bodart on Crystal Baschet.

Possibly Joe McPhee's earliest recording, this session with bassist Tyrone Crabb's band, The Jazzmen, features McPhee on trumpet alongside saxophonists Harry Hall and Reggie Marks, pianist Mike Kull, and drummer Charlie Benjamin, performing two extended pieces, including the politically charged 'Killed in Vietnam' that evolves into a passionate interpretation of Miles Davis' 'Milestones'.

Leap of Faith's core duo, David Peck on woodwinds and Glynis Lomon on cello, voice & aquasonic, leads this modular Boston sextet of strings and winds in a live improvisation guided by their Broad Palette Aesthetic to influence improv with varied sonorities, an array of classical, jazz, and global influences, featuring standout guzheng player Jiaxin Wan.

The 2nd night of the superb, extended live performance from 1980 at NYC's Fat Tuesday jazz club, from the outstanding sextet of forward-thinking free improvisers, Jimmy Lyons on alto sax, Ramsey Ameen on violin, Alan Silva on double bass & cello, Jerome Cooper on drums & African Balaphone and Sunny Murray on drums, led by Cecil Taylor on piano in an ecstatic concert never previously released.

Led by David Peck, Turbulence brings together its core horn players — Michael Caglianone, Bob Moores, John Fugarino, and Peck himself — alongside bassist Scott Samenfeld and percussionist Michael Knoblach, to explore an evolving palette of sonorities blending jazz-inspired interplay, diverse instrumentation and innovative electro-acoustic sounds through transformative improvisation.

Consisting of 28 short works, Hélène Sage collaborates with composer and performer Benoît Lavoisier, computer artist Marc Demereau, percussionist Pascal Portejoie, sampler Alex Piques, and vocalist and writer Nathalie Desmarest to craft an avant album blending Dadaist humor with experimental soundscapes, intertwining musical and literary elements to create a distinctive auditory experience.

Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.

This edition of Leap of Faith brings core members David Peck and Glynis Lomon together with both longtime collaborators and first-time guests, including Vance Provey, Tor Snyder, Albey onBass, and Marc Edwards, for two improvisations that blend musical histories with fresh interactions in an exploratory journey of winds, strings, electronics, and an arsenal of percussive & resonant instruments.

David Peck leads an expansive sextet with Bob Moores, John Fugarino, Jiaxin Wan, Ziyi Gao, and Michael Knoblach, blending Western and Chinese instrumentation as clarinet, saxophones, & space trumpet intertwine with guzheng, pipa, electronics, & percussion, creating a richly textured, dynamic improvisation that reflects the ensemble's ongoing exploration of spontaneous composition.

This small-format Turbulence performance led by David Peck features an ensemble of six musicians — including Michael Caglianone, John Fugarino, Bob Moores, Scott Samenfeld, and Jim Lucchese — navigating broad-palette improvisation across a constantly shifting landscape of horns, percussion, strings, and electronics yielding evolving textures and intricate sonic interactions.

Trumpeter & vocalist Jacob Wick leads an ensemble of Mexico City's vibrant experimental musicians with Gibran Andrade, Mabe Fratti, Alina Maldonado, Saul Ojeda, and Federico Sanchez, in a deconstructed exploration of pop, jazz, and country, transforming fragments of songs by Emmylou Harris, Alice Coltrane, Kylie Minogue, and Billie Holiday into improv scores that transform tradition into new sonic forms.

Collaborating with the ensemble Ordinary Affects, Serbian-born composer and pianist Stepančić records two introspective and spacious works that explore sonic stillness, harmonic resonance, and gradual transformation, blending Wandelweiser aesthetics with personal influences from Orthodox choral traditions, New York experimentalism, and theatrical composition.

Blending the cosmic textures of electronic experimentation with the raw energy of free improv, drummer and composer Dennis Egberth leads a handpicked sextet through hypnotic soundscapes of modal grooves, ambient flourishes, and dynamic interplay, channeling the spirit of late-'60s and '70s jazz while forging a forward-thinking approach to contemporary creative music.

Blending the cosmic textures of electronic experimentation with the raw energy of free improv, drummer and composer Dennis Egberth leads a handpicked sextet through hypnotic soundscapes of modal grooves, ambient flourishes, and dynamic interplay, channeling the spirit of late-'60s and '70s jazz while forging a forward-thinking approach to contemporary creative music.

A relentless and electrifying improv performance from the sextet Metal Chaos Ensemble blending the raw energy of electric bass and drums with an expansive arsenal of metallic percussion, electronics, and winds as the group takes listeners on a dynamic and unpredictable sonic journey, pushing the boundaries of structured free improvisation with "chaotic" precision.

Consisting of 28 short works, Hélène Sage collaborates with composer and performer Benoît Lavoisier, computer artist Marc Demereau, percussionist Pascal Portejoie, sampler Alex Piques, and vocalist and writer Nathalie Desmarest to craft an avant album blending Dadaist humor with experimental soundscapes, intertwining musical and literary elements to create a distinctive auditory experience.

Italian composer and multi-instrumentalist Matteo Ciminari leads an adventurous sextet through a labyrinth of polyrhythms, dissonant harmonies, and unexpected textures, with virtuosic contributions from Maurizio Moscatelli, Simone Maggio, Mattia Borraccetti, Michele Sperandio, and Luca Orselli, creating an unpredictable yet lyrical fusion of progressive structure, free jazz, and playful experimentation.

Commissioned by Geneva's Museum of Ethnography, Jean-Jacques Birgé crafts a richly imaginative sonic fiction using field recordings, archival folk material, and electroacoustic composition, with a remarkable ensemble including Nicolas Chedmail, Antonin-Tri Hoang, Jean-François Vrod, Sylvain Lemêtre, and Else Birgé, evoking a post-human journey through reinvention and memory.

A sextet edition of Evil Clown's flagship ensemble Leap of Faith, this session features core members David Peck and Glynis Lomon joined by regular collaborators John Fugarino, Michael Caglianone, Scott Samenfeld, and percussionist Michael Knoblach in a vividly textural improvisation, merging winds, strings, electronics, and an arsenal of unique instruments into a richly layered, evolving sonic tapestry.

A richly textured exploration of acoustic and electronic soundscapes, fully displaying Philip Gayle's multi-instrumental prowess alongside contributions from Japanese vocalists and woodwind artist Shogo Oshima, at times with a number of improvising vocalists, culminating in a collaborative work that blurs the lines between folk, avant-garde, and ambient music.

CUT CORNER PROMO

CUT CORNER PROMO

CUT CORNER PROMO

Revived as an experimental supergroup by Biota's Gordon H. Whitlow, Sorry For Laughing brings together a unique cast including Edward Ka-Spel, Martyn Bates, Dave-id Busaras, Patrick Q-Wright, and Janet Feder in Rain Flowers, a two-CD album weaving post-punk echoes, poetic reflections, avant-classical textures, and psychedelic nuance into a vivid and surreal sonic garden.