Brothers John and Robert Kidney play stripped down, guitar-based narrative songs that are occasionally accompanied by the harmonica or tenor sax, and are rooted in the blues.

Instrumental and song work from Chris Cutler (Henry Cow, &c.) and Steve MacLean (Dr. Nerve) with Julie Thompson as vocalist, subtle non-linear songs created using unusual processes.

A specially priced double CD collecting two decades of composition and experimentation from Dr. Nerve alumnus guitarist Steve MacLean.

Beautiful studio works created by Steve MacLean (Dr. Nerve) using guitar and field recordings from the water's edge of frogs, bugs, birds, and pond ambiance.

Maksymenko, founder of the Swedish Beefheart influenced band Kraljursastalten, in a solo release with that band, and with Henry Kaiser, Drumbo French, Sten Standell, &c.

The eclectic and gifted solo pop artist R.Stevie Moore's first LP, recorded by himself from 1974-76 around Nashville; strange, compelling, sometimes brilliant, always engaging!

Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre.

The only recording of the short-lived and still phenomenal version of Ubu after Allen Ravestine left to be replaced by Eric Drew Feldman, with Chris Cutler on drums.

Acnalbasac Noom was Slapp Happy's second LP, recorded in 1973, and engineered by Kurt Grauner in Faust's legendary Wumme Studio using Faust as the Slapphappy house band; it was originally rejected by Virgin Records, who made the group re-record the album with different musicians as Casablanca Moon, though through time Acnalbasac is still the definitive and preferred edition.

Recorded around the time of Sleeping Beauty, this album features the same funky approach to grooves and swinging electric trance, a focal point of Sun Ra's 70's catalog

A suite of fiendishly complex compositions for mixed real (Bob Drake, Chris Cutler, Djorge Delibasic, Pegja Milosavljevic) and virtual resources.

Originally released in 1982, this is a collection of specially commissioned and (at the time) newly recorded pieces by the most interesting groups and individuals then in the ReR catalogue.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

2 CDs expanding work from Milanese ethnomusicographers Musci & Venosta's self-titled album, plus pieces form "Water Messages on Desert Sand" and "Urban & Tribal Portraits", plus their soundtrack for Theodore Carl Dreyer's silent movie "Vampyr" recorded with Chris Cutler.

The long-awaited, missing 2nd side of "Technology of Tears" recorded at Noise NY by Kramer, this album was written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise-sculpting, for a dark and amazing album.

After performing at Jean-Herve Peron's 2010 Avant Garde Festival, Yumi Hara (keys, violin & voice), Geoff Leigh (winds & electronics), John Greaves (bass & piano) and Chris Cutler (drums & percussion) present their first studio album mixing open-minded composed and improvised music.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

An exquisite and subtle new composition by Macedonian composer Nikola Kodjbashaia realised by an ensemble of exemplary instrumentalists in a unique musical landscape.

The Fence: about borders and fences all over the world, using long amplified strings and voices; Bagni di Dolabella: a violinists guide to the treatments and political intrigues of an ancient roman bath.

Steve MacLean's 5-piece ensemble perform complex, composed polyrhythmic pieces interspersed with atmospheric improvisations for guitar, bass, keyboard, percussion and various objects.

Perhaps the most exceptional of the "road' albums from the Henry Cow Box Set, this 1976 Trondheim concert found the band missing bassist John Greaves and singer Dagmar Krauss, so instead of their set list they shut off the lights and gave the audience pure improvisation using EA and concrete approaches, heard in spectacular detail in Bob Drake' remaster.

Starting with Blegvad's "Downtime" LP, this box traces the evolution of the Peter Blegvad Trio into a quintet with Karen Mantler and Bob Drake, released in a solid box with a double CD of alternate versions, unreleased material and live performances, plus a 72 page book of photographs, memorabilia, drawings, documents and recollections; the ultimate reissue!

A welcome reissue of two 1980s, forward-thinking albums of electronic compositions from Milanese ethnomusicologist composers, sound engineers and performers Giovanni Venosta and Roberto Musci, incorporating exotic field recordings from their world travels into accessibly sophisticated pieces, creating unexpectedly innovative, novel and melodically rich hybrids.

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists.

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists.