Celebrating 20 years since his recording debut as a leader and his own 50th birthday, Cuban-born, New York-based pianist Aruán Ortiz presents his 6th album on Intakt in a trio with bassist Brad Jones and drummer John Betsch, opening with a Gillespie/Parker number then taking us on a spectacular journey through contemporary jazz influenced by Afro-Cuban/Haitian traditions.

Unique approaches to the piano trio format, alerted to the listener by merging synthetics and samples into the opening, bubbling carnival-esque "Rapture", then settling into more recognizable yet innovative approaches to creative, modern jazz through Hawkin's fascinating compositions, electronics drifting in and out at times but generally adhering to great, modern jazz.

This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.

Bringing tremendous playing skill and creative intent, the Italian/Portuguese trio of Simone Quatrana on piano, Andrea Grossi on double bass and Pedro Melo Alves on drums & percussion, improvise over spontaneous compositions that flow perceptively from quick energetic moments to periods of abstract beauty, complementing each other in exquisite and dynamic ways.

Reissuing and remastering two seminal albums on the Riverside label from pianist and composer Bill Evan's trio with double bassist Scott LaFaro and drummer Paul Motian — Sunday At The Village Vanguard and Waltz for Debby — yielding jazz standards and helping define the modern jazz trio through impressive technical underpinnings and lyrical sophistication.

An alluring album of piano trio music from the NY trio led by drummer Tyshawn Sorey with Aaron Diehl on piano and Matt Brewer on bass, allowing the excitement of a first meeting between the players as they perform compositions from the American Songbook, and some songs that Sorey feels should be included in the Songbook; lyrical, sophisticated, virtuosic, beautiful.

Drummer Tyshawn Sorey takes his sophisticated piano trio of pianist Aaron Diehl and bassist Matt Brewer into deeper territory following their debut album Continuing, here expanding the breadth of their playing in four extended and passionate interpretations of works by Wayne Shorter, Ahmad Jamal, Sorey's mentor Harold Mabern, and the standard "Angel Eyes".

A meeting in the studio of long-time friends and collaborators, pianist Matthew Shipp and Daniel Carter performing on alto, tenor & soprano saxes, clarinet & trumpet, having played together in many groupings this is only their first duo recording, in a thoughtful set of free improvisations with an innate lyricism and beautiful sense of pacing; masterful and evolved.

After recording the Not Two trio album "Five Spontaneous Ones", the trio of Catalan saxophonist Albert Cirera, English/Swiss drummer Nicolas Field and Polish bass player Rafalm Mazur planned a concert at Klub Dragon in Poland, but when Mazur was unavailable, Field & Cirera played the concert as a duo, recording this exceptional sax & drum free jazz album.

San Francisco Bay Area bassist Lisa Mezzacappa's "garage jazz" quartet, a raw collective with an energized approach to jazz that focuses on band sound and chemistry.

Inspired by the spiritual mythology of William Blake, this is part of Zorn's series of 21st century mystical works, alternately romantic, ominous, ecstatic, driving and meditative.

Lyrically upbeat and expressive piano trio compositions from Polish pianist Grzegorz Tarwid and his trio with double bassist Max Mucha and drummer Albert Karch, all active performers on the Polish and European free jazz secene, here in six works of diverse moods that start with Latin tinges and seamlessly work through playful and pointillistic pieces to end in a tranquil "Sleep".

Three configurations of sophisticated duos & trios from four remastered albums recorded between 1962 and 1966 by pianist Bill Evans: first in duos with guitarist Jim Hall (Undercurrent); then with his trio of bassist Gary Peacock & Paul Motian (Trio 64); then with bassist Chuck Israels & drummer Larry Bunker (Trio 65); and last full circle to 1966, again with Jim Hall (Intermodulation).

Pianist & improviser Steve Beresford performing on prepared piano, toys & electronic, percussionist Valentina Magaletti and bass player Pierpaolo Martino are heard in this cataclysmically interesting album based around Beresford's compositions, each piece a vignette that merges elements of free improv, rock, sound & avant structures in inventive and compelling ways.

An expressive piano trio from Steve Beresford on piano, Italian-born, UK-based drummer/percussionist Valentina Magaletti, and Italian Bassist Pierpaolo Martino, Beresford using piano preparations, electronics & toys to expand the palette of their instrumentation, all three bringing a wealth of experience in jazz, free improv and experimental sound to their solid conversations.

A trio of leaders in their own right performing pianist Satoko Fujii's demanding compositions, bassist Takashi Sugawa and drummer Ittetsu Takemura rise to the challenge in a set of six exciting works that push and pull this remarkable piano trio in unexpected directions, responding to the twists and turns of Fujii's intense and intricate directions; superlative!

Recordings from the Berlin club Au Topsi Pohl where the [ism] piano trio of Pat Thomas on piano, Joel Grip on double bass and Antonin Gerbal on drums played 4-nights in a row, May 18-21, 2022, Thomas performing on a Bösendorfer grand piano, creating an omnipresent and precise sound that drove the band to great heights of interactive, warmly diverse playing.

Spanish pianist Eva Novoa leads the trio of Drew Gress on bass and Devon Gray on drums in her second 577 album, and the first of two volumes with this trio, in a solid and lyrical traditional piano trio album of melodic themes, masterly trio interplay, swinging touches and strong grooves, augmented at times with a subtle electronic tapestry of modular synthesis provided by Gress.

Spanish pianist Eva Novoa leads the trio of Drew Gress on bass and Devon Gray on drums in her second 577 album, and the first of two volumes with this trio, in a solid and lyrical traditional piano trio album of melodic themes, masterly trio interplay, swinging touches and strong grooves, augmented at times with a subtle electronic tapestry of modular synthesis provided by Gress.