Creating complex intervals that the players must "notice among each other" as a model for coexistence, cellist Stefan Thut's score for three string players and sine waves, here configured for double bass (Félicie Bazelaire), acoustic guitar (Fredrik Rasten) and cello (Thut) with Léo Dupleix on sine waves tuned to multiples of prime numbers and attached to the wooden boxes that serve as transducers.

Composer Michael Pisaro-Liu asked guitarist Jameson Feakes and saxophonist Josten Myburgh to each select a location in Western Australia and make a set of field recordings at different times of day, providing the basis for a musical scroll akin to Chinese scroll paintings, each musician then a poetic character placed into the virtual landscape of their recordings.

A work for percussion in thirty-four succinct movements from German composer Eva-Maria Houben and performed by the Frantic Percussion Ensemble of Markus Behn, David Gutfleisch, Simon Gutfleisch, Gunnar Kötke and Jonathan Szegedi, each section using broad and patient spacing to highlight a fascinating mix of traditional and unusual percussive devices.

The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.

Rich harmonics and interstitial interactions between two bass clarinets, as Utah-based Katie Porter and Berlin-based Lucio Capece exchanged recordings to develop two compositions, the first focusing on expression in the context of freedom in time, the 2nd using strict time to explore the effects of overlapping-phasing; reference The International Nothing.

Titled for the landscape and vineyards of his native Lower Austrian countryside, "Landschaft in Niederösterreich", this recording of composer Hermann Nitsch's serene and evocative Weinviertel Sinfonie for 27 string players in six parts was recorded in 2021 at the Nitsch Museum in Mistelbach by the Radio Symphony Orchestra Vienna conducted by Michael Mautner.

Trumpet City is a 60 minute live-installation of 40 or more trumpets performing outdoors in a public space, first commissioned and presented by the Prasidialdepartement and the Musikpodium of the City of Zurich, these two realization are from recordings at 51st Street, in Manhattan, New York and at Meeker Avenue between Lorimer and Leonard Streets, in Brooklyn, New York.

A truly fascinating and seamless hybrid of improvised and composed music, alongside an exploration of feedback and "its acoustic double, a harmonic noise", from the merging of two projects--LAMIEE and Dròlo Ensemble--plus Italian poli-instrumentalists Nicholas Remondino and Andrea Giordano (OTONN), yielding wonderfully complex and enveloping sound worlds.

Since 1965 Wadada Leo Smith has developed string quartets influenced by a diverse set of composers including Ornette Coleman, Claude Debussy, Howlin' Wolf, Scott Joplin, Olly Wilson, &c. heard here in 12 Quartets from 3 major periods of his work, compositions exploring the African-American experience, with scores that leave room for interpretation and expression from his players.

A massive archive of drone & ambient composer Phill Niblock's films and music, from recordings made between 2013 and 2016 in festivals and studios around the world, orchestrated with primarily acoustic instruments using rich and closely related harmonics, paired with moving images of people from around the world engaged in work; hypnotic and engrossing.

There is uncertainty of when pianist John Tilbury recorded these three solo keyboard works by his associate and friend, legendary minimalist composer Terry Riley, performing "Keyboard Study #1" and #2, along with "Dorian Reeds" using piano, electric organ, harpsichord & celesta, captured with excellent quality in superb performances from Tilbury at the height of his powers.

Eight powerful and often cinematic pieces for organ and percussion, jointly composed and performed by long-time collaborators, Montreal composers and improvisers Katelyn Clark and Isaiah Ceccarelli, these 8 compositions developed around improvisations on the historic instruments continuo & portative organs, with percussion including a 40" bass drum, bell plates, and almglocken.

Six pieces developed by violinists Johnny Chang and Keir GoGwilt, with vocalist Celeste Oram joining on three, starting with early music works by Hildegard van Bingen and Orlando de Lassus in a hybrid of musical archaeology informed by modern concepts of repetition, variations of timbre, improvisation, &c, as they seek hidden sound worlds in older notation.

Three chamber works by Klaus Lang of a beautifully fragile and dark nature and a meticulous inner structure, alongside arrangements of early music pieces by Johannes Ockeghem and Pierre de la Rue, performed by Klaus Lang himself on organ with the Trio Amos of Sylvie Lacroix on flute, Krassimir Sterev on accordion and Michael Moser on cello.

The 2nd solo album from Sweden-based pianist and Merce Cunningham-collaborator Kristine Scholz, performing on a 1921 Steinway & Sons Model A piano, recording four movements from composer Hans Otte's seminal work "Das Buch der Klänge" (1979-82), and an interpretation of John Cage's "Music for Piano 4-19", compatible pieces from two contemporary and visionary composers.

Written by Catalan composer Ferran Fages for pianist Lluïsa Espigolé following a quote by Catalan author Carles Camps Mundó — "Barely anything: deformities of silence" — this delicate work of resonance, space and suspense slowly unfolds, the score giving Espigolé choices for timing and placement as each meaningful note or combination subsides.

The fifth set of compositions from John Zorn for the guitar trio of Bill Frisell, Julian Lage and Gyan Riley, these works inspired by the short stories of Argentine philosopher and writer Jorge Luis Borges, each of the nine pieces drawing on elements of folk, classical, jazz, bluegrass, world music and more, rendered impeccably by the masterful skills of all three guitarists.

Berlin-based composer & pianist Quentin Tolimieri's goal for the 15 compositions of "Monochrome" was to hear the acoustic piano differently, removing traditional structures of European harmony, each piece focused on a single or "monochromatic" theme that unfolds over an extended period of time, whether languorous or intensely active, each piece unique and self-contained.

Employing multiphonics, circular breathing and unusual sonic phenomena of immense control over the lowest of clarinets--the bass clarinet and contra bass clarinet--UK-based multi-reedist Jason Alder performs the two-part "Milieu Interiuer" composition by Greek composer Thanos Chrysakis, along with three other Chrysakis compositions for solo and layered clarinets.

Borrowing from traditional music notation, Jessica Pavone's compositions for her string ensemble with Aimée Niemann and Abby Swidler alternates between metered and time-based scores allowing the performers freedom to move between long tone sounds and clusters at the performer's chosen rate, responding to each other while creating a "collaboratively sewn musical fabric".

Borrowing from traditional music notation, Jessica Pavone's compositions for her string ensemble with Aimée Niemann and Abby Swidler alternates between metered and time-based scores allowing the performers freedom to move between long tone sounds and clusters at the performer's chosen rate, responding to each other while creating a "collaboratively sewn musical fabric".

An evening of free improvisation recorded in Berlin at au Topsi Pohl in 2020 from the Swedish trio of Euro Free Jazz legend Sven-Ake Johansson on drums, Niklas Fite on acoustic guitar and Joel Grip on double bass, performing two extended and dynamic improvisations, and then settling into jazz standard form for "Isn't It Romantic" and "Out of Nowhere" sung by by Johansson.

The Summer 2022 issue of Canada's essential music magazine exploring improvised, compositional, experimental and other musical hybrids, this issue with composer Gayle Young on the cover, articles on violist Ig Henneman, composer Du Yun, Mark Ellestad, plus reviews, interviews and a 10-track CD with music from artists covered in the magazine.

Commissioned by Organ Reframed, the organ-only experimental music festival curated by Scottish composer/performer and London's Union Chapel organ music director Claire M Singer, this piece of deep overtones ascending through octaves was developed with organist Frédéric Blondy at the Église Saint Merry in Paris, this specially packaged release captured at the Union Chapel festival concert in 2020.

Matt Weston (Arthur Brooks Ensemble V, Arc Pair) initiates a series of limited cassette releases with this solo album, seven works of percussion using traditional and idiosyncratic percussive sources with a pensive pace and somewhat irascible attitude, each piece fully notated and executed live in the studio, using a similar aesthetic to link each work.

London-based composer Emmanuelle Waeckerle in a project of spoken word, flute and melodica with contributors including Antoine Beuger, using minimal and multiple narrations in texts that blend erotic literature, conceptual writing and verbal scores, presented as 2 Scores for voice(s) and instrument(s) based upon Pauline Reage's "Story of O".

Five fascinating works by the Belgian composer Maya Verlaak, realized by Apartment House and soloists Sarah Saviet & Mark Knoop, experimental compositions including a work of personal reflection based on "Alouette"; a conceptual game piece; a composition layering pre-recorded segments of "Greensleaves"; and two interactive acoustic & computer pieces.

The third of a five volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Sergio Sorrentino, Christian Vasseur, CharbelHaber, Misha Marks, Henry Kaiser, Nick Ashwood, Emil Palme & Taus Bregnhøj-Olesen, Sharif Sehnaoui, Colin Robinson, Martin Huba

The fourth of a five volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Janet Feder, Martin Vishnick, Ikbal Lubys, Edward J. Gibbs, Joshua Weitzel, Guram Machavari, Eric Wong, Garth Erasmus, and Bill Horist.

The final of five volumes from this series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Harvey Valdes, Antonio Guillen, Boris Belica, Sandy Ewen, Denis Sorokin, Arvind Ganga, Pengboon Don, Josue Amador, Todd Clouser, and Mohammed Ashraf.

The second of a five-volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from David Stackenas, Jessica Ackerley, Jorge Espinal, Usui Yasuhiro, Scott Fields, Sebastian Sequoiah.Grayson, Sam Shalabi, Shinobu Nemoto and Nyctalllz.

Since 2014 the collective [SNDNG STTNS] has explored theatrical situations between musictheatre, staging and composition with live music, instruments, recordings, samples, speach and live editing, this work featuring cellist Guilherme Rodrigues bridges the art of the brazilian "violeros" with contemporary music, acoustic and electronic composition and improvisation.

American composer Dean Rosenthal's influential performance piece written in 2012 and performed more than 40 times throughout the world, a site-specific piece for any outside body of water with any number of performers, using stones to create percussive sounds in the water, here in five live performances from Newfoundland to New York to Wilbraham, MA (the composer's hometown).

The final issue of 2020 is is dedicated to the art of conversation in music and about music during the age of pandemic; with Debby Friday on the cover, plus articles about Victoria-based composer Anna Höstman, Tehran-born Araz Salek, Tkarón:to-based saxophonist and composer Olivia Shortt, with a CD including tracks from those artists, plus reviews, articles, &c.

Fall 2020 issue of Canada's finest new music magazine, focusing on guitars--hollow, heavy, bowed, cracked, pedalled, flung, trusty companions & feedback demons; Plus articles on Casey Koyczan, Susan Alcorn, Amy Brandon, Aidan Baker, Eliza Kavtion, C. Diab, Markus Lake, Catherine Debard, Cloud Chamber, &c; and an 11-track CD with music from the aforementioned.

Spring 2020 issue of Canada's premiere new music magazine covering improvised, composed and experimental music, with reviews of recordings and live events and extensive articles, this issue featuring Anthony Pateras, Xuan Ye, sound artist April Aliermo and composer Lieke van der Voort; with a 15 track CD of work from those and other featured artists.

Fall 2019 issue of Canada's premier music magazine covering contemporary, improvisation and experimental music, plus reviews of recordings, books, and events; this issue has articles on Ana Sokolovic, Charlie Morrow, Nadah El Shazly, Laraaji, Amy Brandon, William Kuo, Sami Blanco, Silla and Rise, Mystery & Wonder Records, including a CD with tracks from the same.

The final issue of the premier Canadian new music magazine Musicworks' 40th anniversary year, with Darcy Spidle on the cover, plus articles on Luke Nickel, Lina Allemano, Andre Cormier, Joseph Shabason, Thanya Iyer, the Ociciwan Contemporary Art Collective, plus a 9 track CD with music from Darcy Spidle, Shabason, Iyer, Luke Nickel & Heather Roche, &c. &c.

Sound interpretations of Miron Bialoszewski's poetry, whose work focuses on the mundane aspects of the everyday life, usually from an autobiographical perspective and using an overtly colloquial language, interpreted by vocalist Mina Asi, aka Asia Bronisławska, speaking and singing over understated keyboard work.

Pianist Marco Dalpane and soprano Sabina Meyer create a virtual cabaret of songs using the music of Erik Satie and John Cage, interlacing pieces by each in a delicate set of songs that draw the two composers together through a surprising commonality, the lyrics provided from texts written by J. Peladan, C. Mendes, H. Pacory, J.P. Contamine de Latour, &c.; lovely.

Luke Martin began this work with a field recording at Mentryville Park in Southern California, which was transcribed by himself and Amy Golden, Ben Levinson, Davy Sumner, and Ryan Gaston using Martin's system of notating silence, then combined into the final score for this recording.

Soprano vocalist Irene Kurka performs two works works by Antoine Beuger, and one each by Christopher Fox, Eva-Maria Houben, and Thomas Stiegler, accompanied by Antoine Beuger on flute for his composition "Chants de Passage"; 5 beautiful, unhurried works that bring the delicate beauty of each compositions, and of Kurka's refined voice, to a resonant foreground.

John Krausbauer's composition employs 3 West Coast accordionists (Krausbauer, Kate Short and Aaron Oppenheim) in an extended compositional framework allowing for improvisation, of hallucinatory, shimmering sound that accentuates the intersections of tone and harmonics; minimalist and entrancing in the mode of Pauline Oliveros, Wada, Palestine, Radigue, &c.

Two conceptual compositions from Christoph Korn: the first, "Ich Spreche Diesen" (I appeal to this) where spoken word is placed in a loop and then slowly erased by custom software using aleatory procedures; then "Stille" (Silent), a Cage inspired work.

A contemplative solo work of subtle nuance and laden atmospheres, slowly drifting through a virtual landscape of dampened details, from London composer and improviser Sarah Hughes, performing on zither, piano, Hammond organ, sine tones, white noise, electric harpsichord, and objects, using an eBow to draw sustained tones over which delicate progressions advance.

"Undeclared" refers to a 2006 drone attack in Pakistan that struck a school, killing more than 80 civilians including 70 children, which took place on a day that was intended for a peace agreement; Hanneson pays homage to the victims by finding a sound for each of them, rendering the piece 3 times by himself via electronics, by Rene Holtkamp on guitar, and by Antoine Beuger on children's glockenspiel.

Four trios perform selections from composer and reedist Phillip Greenlief's BARBEDWIRE - 37 Graphic Scores For Trio, featuring John Bischoff, Kyle Bruckmann, Mark Clifford, Evelyn Davis, Tim Decillis, Gabby Fluke Mogul, Jane Rigler, and Tim Perkis, each composition a unique sonic sculpture, creating a diverse set of unique recordings realized by consummate performers.

Raymond Boni performs on guitar and harmonica, using a fascinating set of approaches, for poems from Spanish poet and playwright Federico Garcia Lorca, chosen from Lorca's "Romancero Gitano" (Gypsy Ballads), and read with substantial depth by actress Violeta Ferrer.

During 2012 Patrick Farmer walked half of the Welsh Coast, writing a series of observations, which on this release are read in environmental settings by Antoine Beuger, Jeph Jerman, Bruno Guastalla, Sally Ann McIntyre, Holly Pester, Daniela Cascella, & Michael Pisaro-Liu.

Active in the modern creative music scene around Germany and The Netherlands, drummer/percussionist Hendrik Eichler explores a variety of "Dimensions" and "Transcendence" in solo percussive playing, using traditional and extended techniques, from highly active to deeply introspective moods, assisted at time through digital technology.

German-born Canadian composer living in Deux-Montagnes, Quebec Michael Oesterle has a long relationship with the Quatuor Bozzini beginning with their first commission 25 years ago, here in four works including a tribute to English mathematician Alan Turing, the large-scale "String Quartet No. 4", and a piece inspired by Quebec poet Nicole Brossard's book Mecanique jongleuse.

Dedicated to Cor Fuhler, Tasmanian guitarist Nick Ashwood's extended composition is a thoughtfully introspective work of rich sonority, shifting harmonics and abstract tones generated through guitar bowing, recorded live to tape in two continuous recordings, the second overlaying the first as the work unfolds in a meditative and beautifully pensive manner.

Using harmonic intersections and extraneous sonic emanations from two clarinets, the duo of Kai Fagaschinski and Michael Thieke (also of The Magic I.D.) continue their long-standing International Nothing project of composed works through patient interactions of powerfully focused technique, here in their fifth album presenting a 42-minute work of delicate, dark beauty.

Part of Japanese composer Taku Sugimoto's Solo for Strings series, these works focus on bowed stringed instruments played only with natural harmonics, arranged with clarinets and flute, using long tones and repetition that allow the performer decisions on their length, performed by a Berlin-based octet including Catherine Lamb, Johnny Change, Samuel Dunscombe, &c.

The debut of Ensemble Nist-Nah, a nine-piece collective group of French percussionists led by Nantes-based Australian drummer and percussionist Will Guthrie, incorporating a diverse set of influences including Gamelan performance, contemporary composition, noise and jazz into rich and ecstatic performances, an exciting album of informed approaches to modern and traditional percussion.

The soundtrack to the documentary Loving Highsmith about thriller novelist Patricia Highsmith, with music composed by Belgium guitarist Noël Akchoté along with pieces by Cole Porter, Mancini, Johnny Mercer, Frank Sinatra, Hildegard von Bingen, Carl Fischer, &c, presented in two CDs, one each of duets between Akchoté and New York guitarists Mary Halvorson and Bill Frisell.

The project and ensemble "Songs" brings together Swiss trombonist & composer Samuel Blaser and pianist & composer Oscar Strasnoy, taking the instrumentation and concept of Lucio Berio's Folksongs and expanding it into Blaser's "Worksongs", a set of songs around Mississippi Delta blues, and Strasnoy's "Chanzuns Popularas Rumanchas" based on the traditional music of the Canton of Grisons.

A site-specific sound installation in the nave and choir of Minoritenkirche in Krems/Stein that engages with the architecture and sound of this church space from composer Michael Moser working with Berndt Thurner, Klaus Lang, Hannah Schwegler and Nik Hummer.

2nd Offering: Electroacoustic composer Michel Banabila compiles his dynamic works for dance & movement in this beautifully pressed limited double LP, presenting two 2019 works--'Dragonfly II' for "A Trace of Inevitability" (Yin Yue - Pennsylvania Ballet), and "Illicit Acquirement" for "Enough" (Patrick O"Brien - CUNY Dance Initiative)--and six prior pieces featuring his work with Conny Janssen Danst & Annabelle Lopez Ochoa.

Translating to "Blueberries and cat bells", Finnish electronic composer Olli Aarni's sound world is quick paced and surprisingly dense considering an overall feeling of brightness, sounds flashing and swirling by in strange segments of acousmatic exhilaration, pausing form moments before seizing his listener once more with swift streams of alien soundscapes; brilliant.

Quartetski--the Montereal quartet of Isaiah Ceccarelli on percussion & synthesizer, Bernard Falaise on electric guitar, Philippe Lauzier on bass clarinet & synthesizer and Pierre on Yves Martel on electric bass, perform John Cage's 1992 Numbers work "Four6" and "One7", a variation on "Four6", an incredible and insightful interpretation of this fascinating work.

A profound contemporary work integrating improvisation into composed forms from Montreal composer and percussionist Isaiah Ceccarelli and performed by an ensemble of 16 Musique Actuelle improvisers and performers, beautifully balanced between diverse instrumental passages and texts inspired by different poetical and musical forms of the past; sublime.

The French new music group Ensemble 0 offer a second tribute to Pauline Oliveros and György Ligeti, performing Oliveros' beautifully floating 1975 composition "Horse Sings from Cloud" and Ligeti's 1953 composition "Musica Ricercata", a wonderfully complex and active composition with two percussionists performing on marimba, strings, piano and winds.

Following the visual scores of multi-disciplinary artist Tina Douglas, pianist Magda Mayas uses objects and preparations on piano, clavinet & rhodes keyboards to expand on Douglas' sculptural and tactile scores, exposing the fragility or imperfections in each, allowing one melody, chord or noise to become the focus of Maya's aural rendering and interpretations.

The Montreal string quartet Quatuor Bozzini (Alissa Cheung-violin, Clemens Merkel-violin, Stephanie Bozzini-viola, Isabelle Bozzini-cello) continue their investigation of avant composers, focusing on American composer Tom Johnson through three works or minimalist precision: "Combinations for String Quartet"; "Tilework" and "Four-Note Chords in Four Voices".

Exploring how a composition can provide a sense of weightlessness, and influenced by the music of gamelan, krautrock, Tony Conrad & Arnold Dreyblatt, composer Alex Zethson structured these works to influence the 13 performers in his ensemble into a state of intense focus and listening as they strike, bow and pluck their instruments, creating an ecstatic sense of infinite motion.

Known for his The Rite of Trio, guitarist Andre B. Silva releases his 2nd solo album featuring compositions in a chamber jazz mode, including long passages of composed music that open into improvisation, performed with Jose Soares on saxophone, Raquel Reis on cello, Sophie Bernado on basson, Paulo Bernardino on bass clarinet, Andre Carvalho on double bass & Ricardo Coelho on drums & vibes.

Featuring some of Poland's most interesting improvisers and contemporary players and led by wind & reedist Marek Pospieszalski, this 8-piece ensemble use the compositions of Krauze, Kotonski, Baird, Rudzinksi, Stachowski, Sikorsi, &c. as the inspiration and influence for sophisticated arrangements & improvisations merging concepts of jazz, contemporary composition & sound art.

Rich sound worlds or mysterious space and controlled chaos in this work commission by the TAK ensemble, the score devised partly in text and partly through instruction, giving directions for interpretation to the performers--Laura Cocks, Madison Greenstone, Marina Kifferstein, Charlotte Mundy, Ellery Trafford & Lopez himself--allowing each to become part composer, part improviser.

Composer and sound artist Chaz Underriner composed these eight meditation in 2021 during residencies at the Atlantic Center for the Arts and the NYU Music Technology studios, recorded at Stetson University in Florida with an ensemble including four vocalists, cello, piano, percussion, electronics and field recordings; beautifully introspective and thought provoking works.

24 short works for clavichord from German composer Christoph Schiller and performed by French keyboardist Ed Williams (Heard Of Bears, TANDEM, Grand 8 Ensemble), slowly developing pieces that bring clusters of notes like falling leaves that slowly fade into silence, thoughtful works of space around unanticipated clusters, presented as groups of "Fuge" variations.

Playful in its seriousness, the sound poetry of Greta Monach (1928-2018), an early proponent of computer generated concrete poetry, and known for her notated sound poem series for four voices, "Fonerga", is performed by University of Victoria voice artists Cathy Fern Lewis, Laura Brandes, Daniel Brandes and Christopher Butterfield; awe-inspiring and exotically amusing.

Insub.Meta director Cyril Bondi developed this work to question the life course of an artist--their starting point, daily routines and essence--realized through sound and narration in an intimate soundscape of six artists who converge, converse, accompany and answer each other, accompanied by sounds made during warm-ups, rituals and rehearsals.

Five varied and fascinating percussion duos under the title "Rhythm Mapping - Approximating Velocity" from French composer Karl Naegelen and performed by the duo of Sylvain Darrifourcq and Toma Gouband, both using traditional drums and percussion along with objects and vegetal lithophones (a collection of plants and stones); an innovative, upbeat and compelling album.

The title's play on words for Swiss percussionist Peter Conradin Zumthor's piano compositions is explained by his performance being effected by piano tuner Rene Waldhauser while playing, the piano being slowly detuned while Zumthor plays a series of aggressive key separations in a percussive manner, the modified tuning generating unexpected turbulence and harmonic overtones.

A member of London Improvisers Orchestra, Wuppertaler Improvisationsorchester, and Insub Meta Orchestra Geneva, cellist Marei Seuthe is primarily involved with classical chamber music, contemporary music, music theatre, but here exposes her playing in a solo sonic exploration of microscopic intent performed on every inch of the cello.

Four compositions depicting the John Muir Trails, a high-quality set of biking trails near Madison and Milwaukee two hours from Chicago, composed by Eva-Maria Houben and performed by the West Coast percussion duo DesoDuo of Katie Eikam and Kevin Good, portraying the trails through bowed cymbals, marimba & vibraphone along with field recordings from the outdoor ambiance.

Three works from English composer Christopher Fox performed by the five-member Ensemble SEV, with two renderings of his work "This is the Wind" along with three duos, each combining two of a set of six "Paralogos", a solo work for violin--"Planes and Folds"--and the title piece "Hieroglyph" about decoding the incomprehensibility of unfamiliar music.

Their association stretching back to their time together in music school, pianist Anita Tomasevich is the perfect interpreter of Serbian composer Andreja Andric's December, exploring a single minor chord in each of six movements, challenging the performer to explore shades of tone color by working through gradual changes; plus Meditation (II) for 2 pianists.

Composer Frederic Rzewsk is known for his associations with John Cage, Karlheinz Stockhausen, Alvin Curran & Richard Tietelbaum, &c.; he wrote a number of text pieces for solo piano about life, philosophy and politics, many premiered by pianist and narrator Stephane Ginsburgh, who here presents seven such compositions, several written for Ginsburgh himself.

Six chamber works for strings by Korean composer and Fluxus performance artist Kunsu Shim, performed by the Luna String Quartet, "specialists in quiet music", along with six short pieces written for Kunsu by composer friends and collaborators, including Arnold Marinissen, Ammon Wolman, Alwynne Pritchard, Nicolaus A. Huber, Gerhard Stabler and Anton Lukoszeviez

Four works from Amsterdam-based Argentina composer Gabriel Paiuk, particularly "The Construction of an Imaginary Acoustic Space" about the intertwining of technology, affect, space and listening, performed by the New European Ensemble in a mix of strings, reed, brass, piano and tape; also a solo work for cello; a solo work for piano; and a piece for three clarinets.

A brooding work for pipe organ, piano and percussion, created by composer Eva-Maria Houben and the GBSR Duo of Siwan Rhys & George Barton, commissioned by the 2021 Huddersfield Contemporary Music Festival and recorded in concert in the resonance of of Huddersfield's St. Paul's Hall using the organ built by Wood's of Huddersfield.

Composer and pianist Magnus Granberg developed this delicately introspective work as a collaboration between his Skogen ensemble and cellist Leo Svensson Sander & harpist Stina Hellberg Agback, concerning the development of art in times of crisis, using Messiaen's "Quatuor pour la fin de temps" (Quartet for the End of Time) as a basis, and brought into focus by actual pandemic.

Three chamber works by Calgary, Canadian composer Mark Ellestad composed between 1988 and 1994 and recently retrieved by the composer, including the title track, a graceful solo guitar work performed by Christián Alvear; a meditative piece for pump organ & Hardanger fiddle performed by the composer; and a large work for violin and cello performed by Apartment House.