Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Drawing from the spirit of early free jazz, pianist Simon Nabatov's new trio with Dominik Mahnig on drums and Stefan Schonegg on bass, are caught live at the LOFT in Cologne, Germany in 2015 for a superb concert of jazz that balances captivating lyrical material with exciting free passages, taking unexpected directions that constantly engage.

The 3rd part of NY/Brazilian saxophonist Ivo Perelman's "Art of the Improv Trio" series, with Matthew Shipp on piano and Gerald Cleaver on drums, each an essential element in the interplay and subtle skills of these masterful players, with Perelman's voice exceptionally strong as he demonstrates the full range of his sax through free and melodic passage.

The fifth volume in Ivo Perlman's series exploring free improvising trios in various configurations brings together the tenor saxophonist with guitarist Joe Morris and drummer Gerald Cleaver for an exemplary album of modern, creative jazz.

An inevitable meeting of New York luminaries, trumpeter Nate Wooley joins saxophonist Ivo Perelman with frequent sideman Matthew Shipp for an album of complex and sophisticated collective free improvisation, spectacular playing and like-minded conversation of incredible technique and lyrical innuendo; released with the quartet album "Octagon".

The second release pairing Brazilian-born, New York-based saxophonist Ivo Perelman with trumpeter Nate Wooley, in a quartet with bassist Brandon Lopez and drummer Gerald Cleaver, a frequent hard bop configuration, here in an 8 part set of studio recordings that range from exultant and vigorous group interplay to pointillist interaction, a superb album of creative modern jazz.

For more than 20 years Brazilian tenor saxophonist Ivo Perelman and New York pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this first volume of 6 albums brings the two together with frequent collaborator William Parker for a 6 part work, fittingly dedicated to Saturn's largest moon, "Titan".

For more than 20 years Brazilian tenor saxophonist Ivo Perelman and New York pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this second volume brings the duo together with legendary drummer Bobby Kapp, whose nimble and relaxed approach showcases himself and the duo of Pereleman Shipp with grace.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 4th volume celebrating that partnership adds another long-term compatriot, NY bassist Michael Bisio, for a 10 part series of improvisations exploring a diverse set of approaches.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 5th volume celebrating that partnership brings the duo together with bassist William Parker and drummer Whit Dickey, where the long-term bonds of all 4 players push each to great heights.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 6th volume bring us back to the core, evoking the planet Saturn in a 10-part series of duos between these two masterful players, showing fire and angular playing in mid-tempo exploration.

An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free playing with an experimental bent, but never departing from the traditions of identifiable jazz music; recommended!

A rare live album from Brazilian-born/NY-based saxophonist Ivo Perelman, performing live at An Die Musik in Baltimore in 2017 in a trio with pianist Matthew Shipp and new drummer Jeff Cosgrove, for a single epic improvisation that takes the listener on an adventure from lyrical to energetic free jazz, all three players unhurried and absolutely focused.

Releasing albums at a furious pace, Brazilian/NY saxophonist Ivo Perelman continues his collaborations with some of New York's finest players, here in a quartet with Matthew Shipp on piano, William Parker on bass and Bobby Kapp on drums, in the appropriately titled 7-part "Heptagon" of lyrical free improvisation of great intensity and dialog.

Scalene describes a triangle having sides unequal in length, but there's nothing uneven in the back and forth from the NY trio of tenor saxophonist Ivo Perelman, pianist Matthew Shipp, and new to Perelman & Shipp's many collaborations, drummer Joe Herteinstein, in a 10-part studio recording of energetic spontaneous improvisation with a strong lyrical center.

A significant release culminating the partnership of saxophonist Ivo Perelman and pianist Matthew Shipp, a distillation of their work after 8 duo recordings and dozens of collaborative albums, this 3 CD presents their work together in nearly telepathic terms: sympathetic and intimate without irascibility, a beautiful and introspective reflection of a shared ethic.

As much a composed work as a work of improvisation, pianist and composer Simon Nabatov's String Trio with Garteh Lubbe on viola and Ben Davis perform six Nabatov compositions, chamber jazz works that express in both buyouantly intricate and languourosly beautiful abstraction, each piece leaving room for each player to improvise and express themselves.

Saxophonist Heath Watts' 3rd Leo release is an album of free improvisation with three Montana jazz mavens--Blue Armstrong on double bass, MJ Williams on trombone, piano & melodica, and Nancy Owens on violin--in nine recordings of sophisticated and intelligent interaction that naturally evolves new directions of irrepressibly enjoyable and diverse conversation.

The complete performance of alto saxophonist Ivo Perelman and pianist Matthew Shipp's concert at L'Archiduc, in Brussels, Belgium in 2017, two extended sets that reveal the intimate conversations between the two New Yorker's styles, in beautiful phrasing, extended expressions, and impressive mastery, as they merge free playing with innate lyricism.

An absolutely impressive example of collective free improvisation as the quartet of Japanese jazz masters Takashi Seo on acoustic bass and Akira Sakata on alto saxophone, clarinet, vocals, and percussion meet Australian Darren Moore on drums & percussion, and Russian Simon Nabatov on piano for an extended 6-part live set at Chiba's "Jazzspot" Candy.

A confluence of reeds as Brazilian-born, NY-based tenor saxophonist Ivo Perelman meets NY-born, Chicago-based bass clarinetist Jason Stein, the 2nd of Perelman's recent reed duos after his meeting with bass clarinetist Rudi Mahall; here Pereleman ascribes a spiritual connection with Stein in the remarkable compatibility of wonderfully controlled, complex interplay.

The first in a series of recent duo recordings from Brazilian-born, NY-based tenor saxophonist Ivo Pereleman is with German bass clarinetist Rudi Mahall, both incredibly skilled players that complement each other in timbre and range, while finding common ground in intertwining lines, incredible counterpoint, and an innate adherence to lyricism.

Two distinct yet emotionally connected works from pianist Marilyn Crispell, violinist Tanya Kalmanovitch a partner in both; first, a "Memoria" for Crispell's relatives who died in World War II, in spacious and moving character, Richard Tietelbaum adding mood through haunting electronics; and 7 piano & violin duos, from the masterfully eccentric to the beautifully reflective.

The second "Lacy Pool" directed by pianist Uwe Oberg and with drummer Michael Griener the common element, invites Rudi Mahall on clarinets as they interpret, or as Oberg describes it, "unlock" the music of Steve Lacy, in 9 compositions including "Trickles", "Cliches", "Ladies", &c., plus two Oberg compositions that fit into his pool of Lacy interpretations.

With two violins (Mat Maneri & Mark Feldman) and one viola (Jason Kao Hwang), Ivo Perelman initiates his 7-CD "Strings" series, freely improvising in an unusual collective setting as an illusionary string quartet, Perelman functioning as a virtual cello on the saxophone, another tenor instrument he played for years before turning to the sax; stunning.

The 3rd album of NY-based Brazilian tenor saxophonist Ivo Perelman's Strings series with Mat Maneri on viola adds trumpeter Nate Wooley, an unusual instrument for a string series, but in the adaptable creative intent of Wooley's playing the trumpet is found intertwining with the strings and Perelman's cello-like sax runs to create a remarkable complement in their collective voice.

Expanding on the trio setting of NY tenor saxophonist Ivo Perelman's "Strings 3" album, the 4th of the planned 7 CDs adds pianist Matthew Shipp to create a quartet that, while somewhat conventional on the surface, in practice emphasizes a string-like approach in both the woodwind and brass components, Shipp's perspective adding a unique dimension to the collective improvisation.

The second in Ivo Perelman's 7-CD "Strings" series with a core duo of Perelman on tenor saxophone and Mat Maneri on viola, are joined by Downtown NY cellist Hank Roberts on 7 of 9 tracks, and bass clarinetist Ned Rothenberg on 4; the addition of Roberts adds an emotional drive to their recordings, as Rothenberg brings spectacular technique and creative power.

Saxophonist Braxton in a limited 4 CD set of live concerts with his quartet performing standards from the American Songbook, plus pieces by Monk, McLean, Coltrane, &c.

Two GTM compositions from saxophonist and composer Anthony Braxton: Composition 255, a duo with saxophonist Chris Jonas; and Composition 265, performed by the same duo with vocalist Molly Sturges.

After performing live at New York's Vision Festival in 2012, the trio of Thomas Buckner (voice), Joelle Leandre (bass) and Nicole Mitchell (flute) recorded this studio album of free improvisations in a free-flowing exchange of ideas and adroit improvisation.

Two decades of duets recorded from New York City to The Netherlands between eccentric free country improviser and vocalist Euguene Chadbourne on guitar and banjo, with free improv masters John Zorn, Derek Bailey, Han Bennink, Volcmar Verkerk, and Charles Tyler.

Double bassist and balafonist Enrico Fazio leads this 9-piece band, here in their 3rd Leo release, demonstrating his unique approach to harmony and melody through sometimes dense but always accessible and compelling compositions.

A stunning example of modern creative improv from the duo of bassists Peter Frey and Daniel Studer, in concert with configurations of duos, trios and one septet, with performers including John Butcher, Hans Koch, Magda Mayas, Jacques Demierre, Gerry Hemingway, &c. &c.

Germany's Grid Mesh (Frank Paul Schubert-saxophones; Andreas Willers-guitar; Willi Kellers-drums; Johannes Bauer-trombone) performs suspenseful, multi-dimensional improv with a fascinating blend of acoustic & electric sounds, here captured live in Madrid, 2011.

Live at the LOFT in Cologne, Germany, the trio of German-based Russian pianist Simon Nabatov with NY Downtown double bassist Mark Dresser and relative newcomer Dominik Manhig on drums, expressive collective improvisation using edgy techniques in impressive dialog.

Since 1999 the duo of sax/clarinetis Tim Trevor-Briscoe and pianist Nicola Guazzaloca have been playing in Bologna, Italy, giving rise to a unique dialog.

The long-running duo of saxophonist Urs Leimgruber and guitarist Andreas Willers are joined by percussionist Fabrizio Spera (Ossatura) and Alvin Curran (MEV) for a live performance at Casa del Jazz in Rome, merging avant jazz approaches with ea-improv through guitar effects and sampling, finding passion in explorative and unpredictable music of superb skill and intent.

"Efflorescence", to reach an optimum stage of development or blossom, as heard through four studio-recorded CDs, expanding on the warm and enduring duo of saxophonist Ivo Perelman and pianist Matthew Shipp in beautifully flowing, succinct improvisations with a lyrical inclination, allowing for exploration through the sophisticated support each brings; beautiful.

Not ambient nor aggressive, Swiss guitarist Vinz Vonlanthen's latest solo album finds the improviser creating contemplative environments in unhurried ways, allowing bass and upper string to interact, often adding unusual vocal emanations to punctuate or layer with the guitar, creating an eclectic set of succinct works, often ominous, always uniquely fascinating.

Following their 2016 album "I Am Three, Mingus, Mingus, Mingus", the German trio of Silke Eberhard on alto saxophone, Nikolaus Neuser on trumpet, and Christian Marien on drums invited British improvising vocalist Maggie Nicols to further explore the works of jazz legend Charles Mingus in song and spoken word in a thoroughly enjoyable and worthy tribute to his work.

Performed at the Angelica Contemporary Music Festival in Bologna, Italy in 2019 and recorded with superb fidelity, drummer/percussionist Fritz Hauser joined with xylophonist Sergio Armaroli for an enthralling performance that balances chamber jazz forms with fully free exploration, avant yet embraceable as two interact in exquisite and authoritatively unhurried ways.

On their first concert as a duo in 2014, alto saxophonist Michael Attias and pianist Simon Nabatov recorded these five creatively lyrical improvisations at iBeam in Brooklyn, Nabatov on the keys and inside the piano and both using tremendous technique in a mix of perky and introspective free expression, including an extended work that melds into Herbie Nichol's "Spinning Song".

Naming each track for the teeth of a different type of zip-fastener (curved, triangular, saggitate, &c) Swiss double bassists Daniel Studer and Peter K. Frey improvise a fascinating set of interlocking and intersecting abstractions, recorded live at at Kronen Galerie, in Zurich as the two celebrated their 20th anniversary as a duo through a series of 10 half-hour concerts.

Ganelin Trio saxophonist joins with the UK improvising duo of pianist Carolyn Hume & drummer Paul May, with percussionist Oleg Yudanov rounding out this sophisticated quartet of chamber-oriented collective free improvisation, their studio debut alternating three concise conversations with two extended works, each unfolding in great detail through expressive technique.

A series of diverse landscapes in the voluptuaries of guitarist Brandon Seabrook and pianist Simon Nabatov, evoking an imaginary garden of sensual pleasures expressed through dialogs running the gamut from elegant lyricism of lush and languid interaction to quirky runs of playful inventiveness; an elegantly complex and always sophisticated set of exchanges.

An unusual blend of jazz tradition, spoken word and soundscape, presenting mostly as a jazz album with spoken narration from Steve Piccolo (Lounge Lizards) guiding the album with abstract comments that interject with Sergio Armaroli's virtuoso vibe playing, Elliot Sharp adding both acoustic sax elements and inventive sonic environments underpinning many moments; conceptually fascinating.

The fifth album on Leo Records for vibraphonist Sergio Armaroli, and his second with NY guitarist, saxophonist & electronic artist Elliott Sharp and bassist Steve Piccolo, using lyrical interpretations of jazz standards as a jumping off point for experimental and unusual approaches to improvisation, a unique balancing point in a fascinating collection.

33 songs & instrumentals in 74 minutes performed by Dublin composer, performer, improvisor, pianist and organist John Wolf Brennan, covering an eclectic and vast cross-section of styles and genres, from composers including Chick Corea, Bill Evans, Miles Davis, The Rolling Stones, Lars Hollmer, Tom Waits, Cornelius Cardew, Bela Bartok, Paul McCartney, John McLaughlin, &c.

The 6th and final volume of tenor saxophonist Ivo Perelman's ambitious series exploring modern free improvisation in a variety of trio setting with differing players and configurations, here with Joe Morris on bass and Gerald Cleaver on drums in an extended and masterful 2-part recording that runs the gamut of lyrical and burning free jazz.

Playful, joyful and absolutely commanding performances from the duo of German pianist Uwe Oberg and Silke Eberhard on alto sax and clarinet, performing both live and in the studio on original compositions and pieces by Carla Bley, Jimmy Giuffre, and Annette Peacock.

For more than 20 years Brazilian/NY saxophonist Ivo Perelman and NY pianist Matthew Shipp have collaborated in a diverse set of projects that have led to more than 30 albums; this 3rd volume brings David S. Ware's (or Shipp's Trio) rhythm section the studio for a turbulent and ultimately fiersome album of free improv that only such long relationships can invoke.

"It is probably not easy to be the son of Pino Minafra and try to find your musical identity. But there are advantages too: from early childhood Livio was hanging out with great musicians such as Sergey Kuryokhin, the whole of Italian I...

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"The Invisible Story" was produced over a four year period, and completed just last ear: This work deals with the ideas of Bela Hamvas (1897-1968), a Hungarian literary figure whose fate was literally sealed by his country's history. In...

A sound work about freedom, choice and politics, performed at Arika's Festival Episode 4 "Freedom is a Constant Struggle" in Glasgow, 2013, from the duo of Mattin (computer and feedback) and written with Lebanese philosopher Ray Brassier.

Live recordings from Roundhouse Community Center in Vancouver of the intense and enchanting dialog of bassist Leandres, flautist Nicole Mitchell, and percussionist Dylan van der Schyff.

An informed set of creative iprovisations recorded in the studio and drawing clearly from the traditional jazz idiom between German pianist Klaus Treuheit and NY drummer Lou Grassi, performing original 4-part compositions including the "Misterioso", "L'espace Sonore", and "Lament # Pb".