Reissuing Peter Brotzmann's first album from 1967 on his own BRO label (subsequently reissued by FMP in 1972) in a trio with German bassist Peter Kowald and drummer Sven Ake Johansson.

The late great saxophonist Julian Hemphill and bassist Peter Kowald, essential free jazz players from NY and Germany, performing solo and as a duo live at Kassiopeia, Wuppertal in 1987.

The late great saxophonist Julian Hemphill and bassist Peter Kowald, essential free jazz players from NY and Germany, performing solo and as a duo live at Kassiopeia, Wuppertal in 1987.

The free improvising trio of saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald performing at Zeitgeist Multi-Disciplinary Arts Center in New Orleans in 2002.

The free improvising trio of saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald performing at Zeitgeist Multi-Disciplinary Arts Center in New Orleans in 2002, plus the duo of Jordan and Fielder in the studio in 2005 and live, 2012 in Texas.

Three bassists converged on WNUR Studios, in Evanston, Illinois in 1998 to record these tracks, finally released after 16 years: 5 freely improvised trio sessions, 6 miniatures suggested by Kowald and performed by the trio, and 6 duos between Kowald and Lonberg-Holm.

1967 recordings from the duo of John Stevens (percussion) and Evan Parker (soprano & tenor sax), plus Peter Kowald making the group a trio on two tracks; seminal work from three incredibly influential players.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Recordings from 2000 at Instants Chavires in Montreuil, France from the free improvising trio of Peter Kowald on double bass, Daunik Lazro on alto & baritone sax, and Annick Nozati on voice, in a uniquely informed dialog representing the only time this masterful trio performed.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

First ever CD reissue of the only band under bassist Peter Kowald's own name, remastered; originally released by FMP in 1972, this is exemplary European Free Jazz from one of the orignal innovators in a quartet with Peter Kowald on tuba, bass, & alphorn, Gunter Christmann and Paul Rutherford on trombones, Peter van der Locht on alto saxophone, and Paul Lovens on drums.

"Recorded (and released) one year after Konrad Bauer's Disques Victo debut Toronto Tone, a solo-trombone-with-electronics affair, Three Wheels: Four Directions features his favorite trio at the time. Bauer, bassist Peter Kowald, and dru...

Three CDs, each dedicated to a mix of concert and studio recordings of double bass duos, the first between Damon Smith and Peter Kowald in 2000 at Gallery 2310, in Oakland, CA; the 2nd between Smith and Joëlle Léandre in 2002, which was recorded by Henry Kaiser; and between Smith and Bertram Turetzky at 1510 8th St. Performance Space, in Oakland, CA in 2007.

During a 1985 stay in Montreal, iconic German double bassist Peter Kowald asked alto saxophonist Yves Charuest to perform a series of duos with him, after which Charuest invited Michel Ratté to perform as a trio live at Le Bruit Court, recording in their studio these solid free jazz recordings that remained in storage for 37 years prior to this release!

Reissuing the 1976 album on the German FMP Label, this trio session with Michel Pilz on bass clarinet, Peter Kowald on bass and Paul Lovens on percussion is an impressive example of the European Free Jazz scene of the time, all three musicians contributing compositions that unleash serious interplay of passionate expression and unorthodox approach to song structure and instrumental technique.