The 2nd volume in Sun Ra's "Discipline" series was recorded during the same sessions as 1972's Impulse release "Space Is the Place", with Sun Ra on electronic keyboards and Moog, and a large band including Marshall Allen, John Gilmore, Danny Davis, Akh Tal Ebah, June Tyson, &c.

The incredible first meeting between legendary saxophonist Joe McPhee and double bassist John Edwards is this performance at the 2019 Artacts festival in Austria, a powerfully reflective free jazz concert with McPhee speaking & preaching about the loss of giants John Coltrane, Albert Ayler and James Baldwin, as they stand upon their shoulders through free music.

Perhaps the only recordings on the Sequential Circuits "Prophet" analog synthesizer by Sun Ra, starting with an extended solo performance that bridges jazz tradition and future spacewaves, followed by full Arkestra performances on a set of concepts around "The Prophet", with both Marshall Allen and John Gilmore at the helm above a cosmically percussive heavy ensemble.

Celebrating 50 years since formed as a quintet in Paris, original Art Ensemble members saxophonist Roscoe Mitchell and percussionist Famoudou Don Moye present this live concert at Maison des Arts de Creteil in France with an oustanding chamber jazz ensemble including trumpeter Hugh Ragin, flutist Nicole Mitchell, bassist Jaribu Shahid, cellist Tomeka Reid and violinist Jean Cook.

Celebrating 50 years since formed as a quintet in Paris, original Art Ensemble members saxophonist Roscoe Mitchell and percussionist Famoudou Don Moye present this live concert at Maison des Arts de Creteil in France with an oustanding chamber jazz ensemble including trumpeter Hugh Ragin, flutist Nicole Mitchell, bassist Jaribu Shahid, cellist Tomeka Reid and violinist Jean Cook.

The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.

In 1966 tenor saxophonist Albert Ayler toured northern Europe with his ensemble of Donald Ayler on trumpet, Michel Samson on violin, William Folwell on double bass & Beaver Harris on drums, a stellar group performing some of Ayler's most substantial compositions, heard in concerts in Rotterdam and Helsinki, and in the soundtrack to a film recorded in Munich.

Exploring the trio format of clarinetist Jimmy Giuffre and his groundbreaking drumless trio, clarinetist & saxophonist Jürg Bucher and guitarist Samuel Leipold, both members of the Swiss Jazz Orchestra, joined with double bassist Luca Lo Bianco to perform this set of Leipold compositions, alongside Giuffre's "Afternoon" and "Three Clarinet Pieces I" by Stravinsky.

A brooding meeting between free improvising double bassist Joëlle Léandre and Catalonian drummer/percussionist Nuria Andorra (Icarus Ensemble, Barcelona 216, Patchwork Ensemble), two generations of improvisers finding common ground through a simmering boil of intelligent improvisation, imaginative technical skill and passionately assertive playing.

A first meeting between two incredible improvised pairings--Canadians Francois Carrier on alto saxophone and Michel Lambert on drums, and Euro/UK improvisers Alexander von Schlippenbach on piano and John Edwards on double bass-- recording live in the studio in Berlin for seven improvisations of profound creative intent and inventive conversation.

After performing at the Ad Libitum Festival 2021, FSR's Maciej Karlowski organized this recording at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw, bringing together four masterful improvisers from four countries: pianist Izumi Kimura (Japan/Ireland), cornetist Artur Majewski (Poland), bassist Barry Guy (The UK) and drummer/percussionist Ramon Lopez (Spain).

A specially priced box set bringing together 4 CDs from the Ambiances Jazz Trio Derome Guilbeault Tanguay: "10 compositions", "The Feeling of Jazz", "Danse a l'Anvers", and "Wow!".

Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of NO Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.

As prolific a drummer as Chicago-based international improviser Hamid Drake is, he has never released a solo drum album, which is finally put right with this release recorded at Experimental Sound Studio, developing strategies for these nine accomplished recordings, performed on a standard drum kit with each dedicated to prominent free jazz icon or group.

The trio of German pianist/composer Georg Graewe, guitarist Martin Siewert (Radian, Trapist, Also), and drummer Dieter Kern (DEK Trio, Bulbul, Fuckhead) bring together diverse attitudes in free improv from avant jazz to ea-/experimental approaches and bristling rock forms, sharing a unique collective voice with an oddly implied sense of humor and disconcertingly ingenious skill.

Contrasting the explosively experimental side to his guitar work honed through the No Wave band DNA with glimmers of the lyrical approaches to his work heard in his acclaimed songwriting albums, Brazlian/Downtown New York legend Arto Lindsay shows his wide range of interests through thirteen succinct pieces of noise and thoughtful reflection.

Stepping away from the Australian trio The Necks, drummer/percussionist Tony Buck meets pianist Alister Spence in the studio for seven distinct dialogs of "submerged rhythm, oblique extended forms, entwined interplay, and sound for its own sake", Spence at times using preparations on his strings, as both listen and respond deeply through a congenial approach to playing.

The inventive Canadian electric improvising band releases their 10th studio album, continuing as the trio of guitarist Bernard Falaise, keyboardist Pascal Globensky and drummer/percussionist Remi Leclerc, presenting six masterfully lyrical pieces that take unusual twists and turns, adding unexpected "elements" to each pieces in clever, playful and inspired ways.

Their name a combination of magic and music, "Mujician" formed in the UK in 1988 as the quartet of Keith Tippett on piano, Tony Levin on drums, Paul Dunmall on sax & winds and Paul Rogers on bass, this extraordinary 2010 recording of two extended improvisations at the University of Bristol was the band's last, before the passing of drummer Levin and pianist Tippett.

The introduction of a new trio bringing together Washington D.C. bassist Luke Stewart (Heroes Are Gang Leaders) with D.C. area tenor saxophonist Brian Settles and Chicago/NY drummer Chad Taylor, in an album carefully sequenced like a live performance, a journey through free improv, funky roots, world music, ending with a reference to La Monte Young's Dream House.

The seventh album from the exceptional free improvising jazz trio Thumbscrew of Michael Formanek on double bass & electronics, Tomas Fujiwara on drums & vibraphone and Mary Halvorson on guitar, with compositions from all members as they refine and expand on their communal interplay fueled by the great chemistry forged over their near decade of recording and performing.

The second of two volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 2nd volume presenting the most interesting of their investigations.

The second of two volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 2nd volume presenting the most interesting of their investigations.

An assertive album of compositional jazz from clarinetist & guitarist Alex Ward's Item 4 with London improvisers Charlotte Keeffe on trumpet & flugelhorn, Otto Willberg on double bass and Andrew Lisle on drums, a dynamic album that elicits exciting solos from all players around unusual structures that surprise in quick turns and changes of mood; inspiring!

An assertive duo of piano and trumpet from Canadian improvisers Marilyn Lerner playing inside and out of the piano, and trumpeter Nicole Rampersaud performing with powerful and unusually expressive technique, this the first meeting between the two in a set of seven studio recordings, creative interactions of wide-ranging and cohesive approaches to their dialogs.

In a nod to alto saxophonist Lee Konitz, Montreal trombonist Scott Thomson brings together four exceptional Canadian alto saxophonists with whom he has worked and who motivate his improvisational drive, heard here in four duos: two with Toronto alto saxophonists John Oswald and Karen Ng, and two with Montreal alto saxophonists Jean Derome and Yves Charuest.

The long-standing Montreal trio of saxophonist Jean Derome, here on alto & baritone sax, flute and voice, bassist Norman Guilbeault and drummer Pierre Tanguay, frequent collaborators through a vast set of creative improv/Actuelle projects, continue their research into the history of jazz with compositions including those from Ornette Coleman, Duke Ellington, Eric Dolphy, &c.

An exceptional album of widely-embracing collective improvisation recorded during Vertical Squirrel's 2019-20 residency at Silence as part of the You Are I Am series, the core quartet of Daniel Fischlin on guitars, monotron, flute & percussion, Ajay Heble on piano, Lewis Melville on bass & percussion and Ted Warren on drums & percussion are joined by cornetist and world instrumentalist Gary Diggins and vocalist & percussionist Dong-Won Kim.

Patrick Brennan's compositions propose a series of groove instances or cells, each laying out a contrasting polyrhythm in bass & treble so that at least two melodic lines can be played over them simultaneously and the series looped, cleverly accomplished with Brian Groder on trumpet, Rod Williams on piano, Hilliard Greene on bass, Michael TA Thompson on drums and Brenann on sax.

For 35 years saxophonist & composer Christoph Gallio has directed the exemplary Swiss jazz group Day & Taxi, here in a trio format with bassist Silvan Jeger and drummer Gerry Hemingway, Gallio on soprano, alto & C melody saxophones, heard in this 2021 live performance at Stadtbistro Isebahnli, in Baden, Germany for nine diverse, creative and delightfully quirky pieces.

Long-time collaborators, German reed & wind player Frank Gratkowski and pianist Simon Nabatov release their third collaboration as a duo, concentrating their playing from large bands including the Simon Nabatov Quartet to the essence of their personal and impressive dialog, here performing at the LOFT, in Cologne for the celebration of Nabatov's birthday.

A relaxed and informed dialog between young generation Portuguese improvisers Tomás Marques on alto saxophone and Afonso Pais on guitar, demonstrating their experience from bands like L.U.M.E. and Joao Hasselberg / Pedro Branco, these five expressive and intuitively melodic improvisations were recorded by the artists in 2022 and are presented without edits.

Developing their language together since childhood, Norwegian brothers Lauritz Heitmann Skeidsvoll on saxophone and Isach Skeidsvoll on piano & melodica converse in a way that only two family members can, using their knowledge of each other's playing as a confident foundation for remarkable flights of technically challenging yet innately lyrical improvisations.

Recording in Brooklyn, the trio led by Venezuelan guitarist Juanma Trujillo, with Costa Rican bassist Kenneth Jimenez and New York drummer Gerald Cleaver, merge avant jazz, heavy rock grooves with a Sonny Sharrock flavor, and abstract almost chamber jazz, a fascinating combination of contrasts that keeps the boundaries of their contours flexible and masterfully unpredictable.

A well-balanced and often scorching performance at Igreja do Espírito Santo in Portugal from trumpeter Luis Vicente, presented as two long improvisations each comprised of two works inspired by childhood times in a rural environment and by everyday life at home during pandemic, performed with the outstanding quartet of saxophonist John Dikeman, bassist Luke Stewart and drummer Onno Goevart.

A frequent collaborator with NY saxophonist and composer Tim Berne, French guitarist Marc Ducret takes on Berne's compositions, at times in multiple interpretations of the same work or by merging pieces together, performed with the superb support of trumpeter Fabrice Martinez, flutist Sylvaine Helary, trombonist Christiane Bopp and Ducret's son, cellist Bruno Ducret.

Derived from the name Georgios and its dual meaning of earth and work, drummer & composer John Hollenbeck (Claudia Quintet) developed these lyrical and sometimes pop-inspired compositions, along with arrangements of Sonny Bono's "Bang Bang" and Cyril Tawney's "Grey Funnel Line", performed with Anna Weber on sax & flute, Aurora Nealand on voice, keys & sax, and Chiquita Magic on keys & voice.

Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).

Taking the dual role of soaring guitar lines and savagely deep string foundations, Susan Alcorn joins clarinetist Patrick Holmes and drummer Ryan Sawyer for this invigorating 2022 concert at Union Pool in Brooklyn, their unique instrumentation providing clarity to each performer's contribution through their dynamic and often wildly energetic collective interplay.

A muscular album of free improvisation from the quartet of Mette Rasmussen on alto saxophone, Paul Flaherty on alto & tenor saxophones, Zach Rowden on contrabass and Chris Corsano on drums & percussion, recording live at Firehouse 12 in New Haven, starting like an Albert Ayler hymn and evolving through overlapping lines of controlled and sometimes wonderfully chaotic collective conversation.

Trumpeter & composer Sei Miguel's second O Carro De Fogo De Sei Migue continues his merging of electric jazz with ea-overtones, in three live recordings with Fala Mariam on trombone & Rings, Nuno Torres on saxophone & Rings, Bruno Silva on electric guitar, Pedro Lourenco on electric bass, Andre Goncalves on organs & ATMOS and Luis Desirat & Raphael Soares on percussion.

Focusing on the compositions of Swedish pianist Per Henrik Wallin, the energetic piano trio of Simon Sieger on piano, Joel Grip on double bass and Michael Griener on drums puts new life into Wallin's 1998 trio album Coyote with the intention of putting Wallin's music in front of a new audience while clearly reveling in his compositions amid their own impressive mastery.

Virtually unprecedented for the time, Evan Parker's 1976 solo soprano saxophone album captures Parker's prowess and unusual harmonic approach to the saxophone in a 1975 concert at the Unity Theatre in London and in the FMP studio the same year, using the instrument in startling ways as he captivates his listeners through a unique revelation of logic, drama and staggering skill.

Describing their improvisation as a chemical reaction of positive and negative ions, the central trio of the ensemble Skein--Achim Kaufmann (piano), Frank Gratkowski (winds) and Wilbert de Joode (bass)--are heard in this incredible 2018 concert at Konfrontationen Festival as a septet with Tony Buck (drums), Richard Barrett (electronics), Liz Allbee (trumpet) and Uchihashi Kazuhisa (guitar).

Part of the SmallsLIVE Living Masters series, masterful saxophonist Dave Liebman leads the stellar quintet of Peter Evans on trumpet, Leo Genovese on piano, John Hebert on bass & Tyshawn Sorey on drums through three Liebman compositions titled for their ordinal position, relaunching a highly focused Liebman post-pandemic with this stunning live concert at Smalls Jazz Club.

A live concert on a Sunday afternoon in 2017 at Green Mill in Chicago from the lyrically informed post-bop quintet Jimmy Bennington Colour And Sound, led by drummer Bennington with Fred Jackson, Jr. on alto saxophone & soprano saxophone, Artie Black on tenor saxophone, Dustin Laurenzi on tenor saxophone and Mike Harmon on bass.

The core trio of Cécile Cappozzo (piano), Patrice Grente (double bass) and Etienne Ziemniak (drums) release their second Ayler album, expanded to a quintet with Jean-Luc Cappozzo on trumpet and Guillaume Bellanger on saxophone, performing six works connected like a suite that flow beautifully through Cappozzo's warm compositions, including a piece dedicated to Carla Bley.

Seeking new methods of performing real-time collective composition through improvisation, composer & guitarist Moss Freed developed a language of hand signals that could be used among a large ensemble with instructions to guide players towards particular activities, heard in this spectacular set of seven improvisations, each named for an iconic improviser or composer.

After participating in the Birmingham Improvisors Orchestra, wind improviser Martin Archer, bass guitarist John Jasnoch and violin & electronic musician Sarah Farmer were joined in the studio by drummer Lee Boyd Allatson to record this mix of compositions, graphic scores and free improv, merging AACM-style free jazz with contemporary chamber-oriented improv.

Recording in a former hospital funeral chapel in Sweden--Stockholm's Kapellet--the drum and sax duo of alto saxophonist Julia Strzalek and drummer Cornelia Nilsson focuses on melody and clear articulation in a dialog that finds their passion in calmly unfolding conversation, consistently illuminating their instrumental and instant-compositional mastery.

Two percussionists--vibraphonist Sergio Armaroli and drummer/percussionist Roger Turner-- and two brass players--trombonist Giancarlo Schiaffini and trumpeter Phil Minton, who doubles on voice improvisation--are heard in these studio recordings from Udine, Italy for nine "Dreams" that turn introspective slumber into restless visions through profoundly paced playing.

Between his work with Charlie Parker and before his own personal success, trumpeter Miles Davis joined the influential ensemble of pianist, composer and arranger Tadd Dameron, heard in six large ensemble pieces at New York's Royal Roost in 1949, and then in a quintet at the Paris Festival International De Jazz the same year, in both hearing a unique and confident facet to Miles' playing.

A surprising trio for percussionist Paal Nilssen-Love and wind player Frode Gjerstad, who more typically play assertive free jazz of enthusiastic character and technical skill, but here joined by fellow Norwegian, accordionist Kalle Moberg, they instead turn in a beautifully reflective set with Paal primarily playing gongs, using the resonance of Oslo's Gamle Aker Kirke.

Singular but not strange improvisational intersections from this Swiss trio of open-minded and masterful musicians--Hans Koch on clarinet, Frantz Loriot on viola and Jonas Kocher on accordion--highly compatible collaborators who have developed a unique language of chamber-oriented free improvisation that experiments at the convergence of compositional and chamber jazz forms.

One of a pair of albums--New Map and Clusterfuck--recorded in the studio in Oslo, Norway by percussionist and composer Paal Nilssen-Love's Large Unit, a 15-piece, incredibly flexible and open-minded ensemble, here improvising over a work of graphic notation where the composed structures are balanced with blocks of improvisation, allowing for quick dynamic shifts in direction.

One of a pair of albums--New Map and Clusterfuck--recorded in the studio in Oslo, Norway by percussionist and composer Paal Nilssen-Love's Large Unit, a 15-piece, incredibly flexible and open-minded ensemble, here performing a work where the improvisers are provided with a series of open-form "cells"--concrete ideas, notes and directions--to which they must respond.

Drawn from an experimental improv performance by drummer Gerald Cleaver and bassist Brandon Lopez at 577 Records' 2019 Forward Festival, electronic artist and producer Hprizm of the Antipop Consortium took those recording to reconstruct twelve works of illusory and often surreal music, from active beat-based electronica to hazy dreamlike ambience.

Four string improviser convene at Ulrichsberger Kaleidophon, in Germany in 2021, two of them from Germany--Dietrich Petzold on violin, viola, clavichord & bowed metal, Matthias Bauer on double bass--and the Portuguese father/son complement of improvisers--Ernesto Rodrigues on viola and Guilherme Rodrigues on cello--for three works of delicately sinewy intersection & counterpoint.

Keeping the momentum going from Ornette Coleman's 60s quartet, the 1st "Old and New Dreams" from 1977 with Don Cherry on pocket trumpet, Dewey Redman on tenor sax & musette, Charlie Haden on bass and Eddie Blackwell on drums & gong, performed new compositions of burning free jazz from each of Cherry, Redman and Haden, alongside Coleman's "Handwoven".

Inspired by the graphic wall drawings of American artist and sculptor Sol Lewitt, designed as graphic scores for flexibility in improvisation, violinist Dave Soldier and drummer William Hooker assembled this impressive ensemble to present 9 etudes, performed with Rebecca Cherry, Kirk Knuffke, Ayumi Ishito, Hans Tammen, Alex Greene, Luke Stewart, and Ken Filiano.

Sounding as though they'd played together for decades, this 1st meeting between pianist Joel Futterman, bassist William Parker, saxophonist Chad Fowler and drummer Steve Hirsh is a single 52-minute free jazz exposition as the four immediately fall into an invigorating conversation that continues through diverse moods from pinnacles of activity to reflective tone worlds; masterful!

Continuing the connections from prior Mahakala Music albums Warp & Weft, (Futterman/Hirsch) and Two Five None (Fowler/Hirsch) this album brings the three together as a dynamic trio recording the two-part "Ebb & Flow", a spectacular convergence that, true to the title, shows tremendous momentum and moments of great introspection, an incredible collective free encounter!

Meeting in Minneapolis, home of saxophonist & guitarist George Cartwright (Curlew), the quintet of Cartwright, Steve Hirsh on drums, Chad Fowler on stritch, Kelley Hurt on voice and Christopher Parker on piano have many collaborative and friendly connections, heard in their easy-going and informed dialog, with some quirks & comments tossed in to personalize these excellent studio sessions.

Confronted and assaulted by Asian bigotry in NYC shortly after the start of the pandemic, pianist Eri Yamamoto adopted a wig, mask and sunglasses to hide her ethnicity, about which she sings in the title track of her album, a mix of the sophisticated jazz instrumentals with bassist David Ambrosio and drummer Ikuo Takeuchi punctuated with songs of Yamamoto's pandemic experience.

Sheltered in place during the pandemic, trombonist Steve Swell occupied his time listening to recordings forgotten or never released, seizing on these excellent studio session from 2007 organized with drummer Ray Sage, performed in duo, trio and quartet configurations with clarinetist Perry Robinson and pianist Borah Bergman, demonstrating that in bad circumstance, good can appear.

Ljug Aldrig, aka Roosen, a visual artist, guitarist and vocalist from Stockholm, is heard in a 2-song 7" + download release performing with Dennis Egberth on drums, Alexander Zethson on keys, Anton Toorell on bass, guitars and Isak Hedtjarn on saxophone.

A student of Steve Lacy & Anthony Braxton and active from NYC to the San Francisco Bay Area, soprano saxophonist Andrew Raffo Dewar is heard in these studio recordings with bassist John Hughes and drummer/vibraphonist Chad Popple, a follow-up to the 2018 trio album Reflejos on pfMENTUM, presenting a series of compositions based on reflection/refraction-based compositional forms.

A remastered edition of percussionist Masahiko Togashi's 1979 trio album with trumpeter Don Cherry and bassist Charlie Haden, bridging free jazz with Eastern influences in both dynamic and introspective playing, released with the original artwork plus an 8-page booklet of new photographs, liner notes in English & French and a biography of Togashi by Paul Bowler.

Starting each day in the Australian studio with a 20-minute improvisation, The Necks trio of Chris Abrahams on piano & keyboards, Tony Buck on drums and Lloyd Swanton on bass developed this, their 21st album, as a collection of "shorter" and varied improvisations, released with minimal overdubs to present their music closer to their exceptional live performances.

Starting each day in the Australian studio with a 20-minute improvisation, The Necks trio of Chris Abrahams on piano & keyboards, Tony Buck on drums and Lloyd Swanton on bass developed this, their 21st album, as a collection of "shorter" and varied improvisations, released with minimal overdubs to present their music closer to their exceptional live performances.

Complementing their 2022 release Kind Of Light, recorded the same day at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw in 2021 after their performance at the Ad Libitum Festival, the quartet of Izumi Kimura on piano, Artur Majewski on trumpet & electronics, Barry Guy on bass and Ramon Lopez on drums & percussion release this magnificent 11-part improvisation.

Four recordings of chamber-oriented improvisation by Serbian violinist Szilárd Mezei in a trio with bassist Zoltán Csányi, a frequent collaborator of Mezei, and Catalonian percussionist Vasco Trilla, performing in 2021 at KC Lab in Novi Sad, at RCA Magyarkanizsa in Serbia, at Samo Pivo in Subotica, Serbia and at Korzó Zeneház in Szeged, Hungary.

Recording with legendary jazz musicians, trombonist Ray Anderson, drummer Reggie Nicholson and double bassist Joe Morris, tenor saxophonist Ivo Perelman's quartet album brings the depth of experience and Ivo Perelman's unstoppable creative drive to these four extended and masterful improvisations, impeccably captured at Brooklyn's ParkWest Studio by Jim Clouse.

New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.

Formed in 1992 by UK keyboardist Pat Thomas, originally with the intention of exploring the energy of rock forms within non-idiomatic ea improv, this 2017 album with Dave Tucker on acoustic & electric guitars, Roger Turner on drums & percussion and Phil Minton on voice, was captured live at Cafe OTO in London for two extended, sometimes perplexing, but consistently amazing improvisations.

A virtual live performance from the UK at The OctoBar in this solo clarinet performance from multi-reedist Massimo Magee, starting with a short introduction titled "The Way In", leading to a 43 minute extended and accomplished improvisation dedicated to the playing of iconic reedists Evan Parker and John Coltrane, complemented by unexpected digital glitches and reverb.

A dark album of sound art from the quintet of mostly St. Louis improvisers--Damon Smith, Louis Wall, NNN Cook, Michael Williams and noted flutist Fred Tompkins on two tracks--starting through shrouded percussion and unidentifiable sources, the group's sessions are edited into a cohesive album that takes its listeners on a unique journey of electronic and acoustic interaction.

Performing at the Gallery arToxi in Munich, 2022 as part of clarinet & cornetist Schindler's LowToneStudies series, the free improvising trio of Schindler, Nikolaus Neuser on trumpet and Georg Karger on double bass perform four extended conversations of meticulous momentum and superb technique, at times repurposing, extending or modifying their instruments.

Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings.

Referencing the Spanish galleons that sailed the Pacific Ocean between Acapulco in Mexico and Manila in the Philippine Islands, this meeting in Mexico city brings Philippine-based saxophonist Rick Countryman together with Swiss drummer living in Mexico City Gabriel Lauber and Lauber's collaborator in the group Zero Point, Mexico City native double bass player Itzam Canois.

Documenting the continued growth and evolution of the longer than a decade collaboration between American alto saxophonist living in the Philippines Ricky Countryman and Swiss drummer Christian Bucher, performing in the Strawberry Jams studio in Quezon City for thirteen succinct improvisations titled with stellar analogies, from pensive music to excitingly dynamic interplay.

Two live performances at Sala Castello di Sannicandro di Bari and at Sala Auditorium Accademia Cinema Ragazzi in Bari, Italy from violinist & violist Stefania Ladisa's trio Strutture with drummer Marcello Magliocchi and saxophonist Adrian Northover (LIO, Remote Viewers, Runcible), using the resonance of the performances spaces in spacious free interaction.

Originally formed in 1985, this free improv ensemble continues in a new rendition of the Örchestrü, with original members Mark Charig (cornet), Paul Lytton (percussion), Alfred Zimmerlin (cello) and Phillipp Wachsmann (violin) joined by new members including Axel Dorner (trumpet), Phil Minton (voice), and Melvyn Poore (tuba), for two exceptional examples of advanced collective and cooperative improvisation.

Some of the finest London and Birmingham improvisers, the free improvising quartet of saxophonist Paul Dunmall with pianist Liam Noble, drummer Mark Sanders and bassist John Edwards, continue their work together with this exceptional live performance at the Eastside Jazz Club, Birmingham Conservatoire in an extended, far-ranging and engaging collective concert.

Covering a vast landscape sonically & stylistically, the quintet of saxophonist Paul Dunmall, guitarist Philip Gibbs, keyboardist Tony Hymas & drummer Mark Anderson were captured live in the studio.