Two powerful electro-acoustic improvisations by two of the most exciting voices from the current London improv scene.

A half-hour concert of understated and engaging performance of astonishing detail and subtlety from violinist Milton and percussionist Dumont.

Four Barcelona musicians on the cutting edge of contemporary electroacoustic improvisation in their second release, recording at ca l'escuder in 2008.

Four fascinating and detailed compositions from Canadian composer and painter Lance Austin Olsen, each work giving the performers space to collaborate on the results, using graphic scores and Cage-like elements from recordings; performers include Terje Paulsen, Gil Sanson, Ryoko Akama, Isaiah Ceccarelli, Katelyn Clark, Patrick Farmer and Apartment House.

Planning a duo album since 2019, this was to be pianist Keith Tippett & vocalist Julie Tippett first new studio album in 30 years, but tragically pandemic and Keith Tippett's passing prevented that, Julie instead turning to unreleased live solo piano recordings from 1979 through 1996 to which she added new vocal performances in the studio, creating eight impressive virtual duos.

Seeking new methods of performing real-time collective composition through improvisation, composer & guitarist Moss Freed developed a language of hand signals that could be used among a large ensemble with instructions to guide players towards particular activities, heard in this spectacular set of seven improvisations, each named for an iconic improviser or composer.

After participating in the Birmingham Improvisors Orchestra, wind improviser Martin Archer, bass guitarist John Jasnoch and violin & electronic musician Sarah Farmer were joined in the studio by drummer Lee Boyd Allatson to record this mix of compositions, graphic scores and free improv, merging AACM-style free jazz with contemporary chamber-oriented improv.

Three live guitar improvisations from Swedish guitarist Kasper Agnas performing at Stockholm's New Music and Intermedia Art venue Fylkingen, each piece uniquely approached, starting with a lap guitar dulcimer-like approach of rapid rhythmic attacks, to a warm sound world using mallets on the guitar neck, and finally a work of decaying chords that evolve in complexity, strength and skew.

Recording in a former hospital funeral chapel in Sweden--Stockholm's Kapellet--the drum and sax duo of alto saxophonist Julia Strzalek and drummer Cornelia Nilsson focuses on melody and clear articulation in a dialog that finds their passion in calmly unfolding conversation, consistently illuminating their instrumental and instant-compositional mastery.

Two percussionists--vibraphonist Sergio Armaroli and drummer/percussionist Roger Turner-- and two brass players--trombonist Giancarlo Schiaffini and trumpeter Phil Minton, who doubles on voice improvisation--are heard in these studio recordings from Udine, Italy for nine "Dreams" that turn introspective slumber into restless visions through profoundly paced playing.

Developing their dialog and language during the 90s through mutual work with organizations including King Ubu Orchestra and Chris Burn's Ensemble, the unique approach to free improv between keyboard & electronic artist Matt Hutchinson and trumpeter Chris Burn are heard in these three UK concerts from 2005 & 2006 at Red Rose Club, the White House and The Music Room.

Between his work with Charlie Parker and before his own personal success, trumpeter Miles Davis joined the influential ensemble of pianist, composer and arranger Tadd Dameron, heard in six large ensemble pieces at New York's Royal Roost in 1949, and then in a quintet at the Paris Festival International De Jazz the same year, in both hearing a unique and confident facet to Miles' playing.

A surprising trio for percussionist Paal Nilssen-Love and wind player Frode Gjerstad, who more typically play assertive free jazz of enthusiastic character and technical skill, but here joined by fellow Norwegian, accordionist Kalle Moberg, they instead turn in a beautifully reflective set with Paal primarily playing gongs, using the resonance of Oslo's Gamle Aker Kirke.

Singular but not strange improvisational intersections from this Swiss trio of open-minded and masterful musicians--Hans Koch on clarinet, Frantz Loriot on viola and Jonas Kocher on accordion--highly compatible collaborators who have developed a unique language of chamber-oriented free improvisation that experiments at the convergence of compositional and chamber jazz forms.

One of a pair of albums--New Map and Clusterfuck--recorded in the studio in Oslo, Norway by percussionist and composer Paal Nilssen-Love's Large Unit, a 15-piece, incredibly flexible and open-minded ensemble, here improvising over a work of graphic notation where the composed structures are balanced with blocks of improvisation, allowing for quick dynamic shifts in direction.

One of a pair of albums--New Map and Clusterfuck--recorded in the studio in Oslo, Norway by percussionist and composer Paal Nilssen-Love's Large Unit, a 15-piece, incredibly flexible and open-minded ensemble, here performing a work where the improvisers are provided with a series of open-form "cells"--concrete ideas, notes and directions--to which they must respond.

The improvising duo light.box of Alex Bonney (trumpet) and Pierre Alexandre Tremblay (bass), using expansive electronic processing at the intersection of dark ambient, gestural improv and electronic environment, is expanded through the drums and percussion of Norwegian improviser Emil Karlsen, heard in these 2021 recordings at University of Huddersfield, UK.

A beautiful and contemplative performance of "Raga Marwa", a a hexatonic Indian raga and the eponymous raga of the "Marva thaat", peformed by Dutch-Czech master vocalist Marianne Svašek, and recorded in Stockholm, with Svašek and Swedish bass player Vilhelm Bromander both performing on the tanpura, a long-necked plucked string instrument used to create a sonic canvas behind the raga.

Drawn from an experimental improv performance by drummer Gerald Cleaver and bassist Brandon Lopez at 577 Records' 2019 Forward Festival, electronic artist and producer Hprizm of the Antipop Consortium took those recording to reconstruct twelve works of illusory and often surreal music, from active beat-based electronica to hazy dreamlike ambience.

Four string improviser convene at Ulrichsberger Kaleidophon, in Germany in 2021, two of them from Germany--Dietrich Petzold on violin, viola, clavichord & bowed metal, Matthias Bauer on double bass--and the Portuguese father/son complement of improvisers--Ernesto Rodrigues on viola and Guilherme Rodrigues on cello--for three works of delicately sinewy intersection & counterpoint.

Keeping the momentum going from Ornette Coleman's 60s quartet, the 1st "Old and New Dreams" from 1977 with Don Cherry on pocket trumpet, Dewey Redman on tenor sax & musette, Charlie Haden on bass and Eddie Blackwell on drums & gong, performed new compositions of burning free jazz from each of Cherry, Redman and Haden, alongside Coleman's "Handwoven".

Inspired by the graphic wall drawings of American artist and sculptor Sol Lewitt, designed as graphic scores for flexibility in improvisation, violinist Dave Soldier and drummer William Hooker assembled this impressive ensemble to present 9 etudes, performed with Rebecca Cherry, Kirk Knuffke, Ayumi Ishito, Hans Tammen, Alex Greene, Luke Stewart, and Ken Filiano.

Sounding as though they'd played together for decades, this 1st meeting between pianist Joel Futterman, bassist William Parker, saxophonist Chad Fowler and drummer Steve Hirsh is a single 52-minute free jazz exposition as the four immediately fall into an invigorating conversation that continues through diverse moods from pinnacles of activity to reflective tone worlds; masterful!

Continuing the connections from prior Mahakala Music albums Warp & Weft, (Futterman/Hirsch) and Two Five None (Fowler/Hirsch) this album brings the three together as a dynamic trio recording the two-part "Ebb & Flow", a spectacular convergence that, true to the title, shows tremendous momentum and moments of great introspection, an incredible collective free encounter!

Meeting in Minneapolis, home of saxophonist & guitarist George Cartwright (Curlew), the quintet of Cartwright, Steve Hirsh on drums, Chad Fowler on stritch, Kelley Hurt on voice and Christopher Parker on piano have many collaborative and friendly connections, heard in their easy-going and informed dialog, with some quirks & comments tossed in to personalize these excellent studio sessions.

Confronted and assaulted by Asian bigotry in NYC shortly after the start of the pandemic, pianist Eri Yamamoto adopted a wig, mask and sunglasses to hide her ethnicity, about which she sings in the title track of her album, a mix of the sophisticated jazz instrumentals with bassist David Ambrosio and drummer Ikuo Takeuchi punctuated with songs of Yamamoto's pandemic experience.

Sheltered in place during the pandemic, trombonist Steve Swell occupied his time listening to recordings forgotten or never released, seizing on these excellent studio session from 2007 organized with drummer Ray Sage, performed in duo, trio and quartet configurations with clarinetist Perry Robinson and pianist Borah Bergman, demonstrating that in bad circumstance, good can appear.

The 2nd album collaboration between French music concrète composer Lionel Marchetti and the Australian chamber ensemble Decibel directed by flute and wind player Cat Hope, performing two works by Marchetti--"Inland Lake" and "La Patience"-- works for strings, winds, piano, percussion and radio, integrated in the studio with Marchetti's synthetics, tape and electronic manipulations.

Ljug Aldrig, aka Roosen, a visual artist, guitarist and vocalist from Stockholm, is heard in a 2-song 7" + download release performing with Dennis Egberth on drums, Alexander Zethson on keys, Anton Toorell on bass, guitars and Isak Hedtjarn on saxophone.

A student of Steve Lacy & Anthony Braxton and active from NYC to the San Francisco Bay Area, soprano saxophonist Andrew Raffo Dewar is heard in these studio recordings with bassist John Hughes and drummer/vibraphonist Chad Popple, a follow-up to the 2018 trio album Reflejos on pfMENTUM, presenting a series of compositions based on reflection/refraction-based compositional forms.

A remastered edition of percussionist Masahiko Togashi's 1979 trio album with trumpeter Don Cherry and bassist Charlie Haden, bridging free jazz with Eastern influences in both dynamic and introspective playing, released with the original artwork plus an 8-page booklet of new photographs, liner notes in English & French and a biography of Togashi by Paul Bowler.

Starting each day in the Australian studio with a 20-minute improvisation, The Necks trio of Chris Abrahams on piano & keyboards, Tony Buck on drums and Lloyd Swanton on bass developed this, their 21st album, as a collection of "shorter" and varied improvisations, released with minimal overdubs to present their music closer to their exceptional live performances.

Starting each day in the Australian studio with a 20-minute improvisation, The Necks trio of Chris Abrahams on piano & keyboards, Tony Buck on drums and Lloyd Swanton on bass developed this, their 21st album, as a collection of "shorter" and varied improvisations, released with minimal overdubs to present their music closer to their exceptional live performances.

Complementing their 2022 release Kind Of Light, recorded the same day at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw in 2021 after their performance at the Ad Libitum Festival, the quartet of Izumi Kimura on piano, Artur Majewski on trumpet & electronics, Barry Guy on bass and Ramon Lopez on drums & percussion release this magnificent 11-part improvisation.

Four recordings of chamber-oriented improvisation by Serbian violinist Szilárd Mezei in a trio with bassist Zoltán Csányi, a frequent collaborator of Mezei, and Catalonian percussionist Vasco Trilla, performing in 2021 at KC Lab in Novi Sad, at RCA Magyarkanizsa in Serbia, at Samo Pivo in Subotica, Serbia and at Korzó Zeneház in Szeged, Hungary.

Recording with legendary jazz musicians, trombonist Ray Anderson, drummer Reggie Nicholson and double bassist Joe Morris, tenor saxophonist Ivo Perelman's quartet album brings the depth of experience and Ivo Perelman's unstoppable creative drive to these four extended and masterful improvisations, impeccably captured at Brooklyn's ParkWest Studio by Jim Clouse.

New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.

Originally released in 2001 on the Magaibutsu label, the 3rd studio album from Japan's Koenjihyakkei led by drummer/vocalist Yoshida Tatsuya energetically blends progressive rock, chamber rock, fusion and composed forms, here revisited for the 2nd time with the 2009 expanded reissue remixed again with new additions, plus three bonus tracks from a 2020 concert.

Originally released in 2001 on the Magaibutsu label, the 3rd studio album from Japan's Koenjihyakkei led by drummer/vocalist Yoshida Tatsuya energetically blends progressive rock, chamber rock, fusion and composed forms, here revisited for the 2nd time with the 2009 expanded reissue remixed again with new additions, plus three bonus tracks from a 2020 concert.

Formed in 1992 by UK keyboardist Pat Thomas, originally with the intention of exploring the energy of rock forms within non-idiomatic ea improv, this 2017 album with Dave Tucker on acoustic & electric guitars, Roger Turner on drums & percussion and Phil Minton on voice, was captured live at Cafe OTO in London for two extended, sometimes perplexing, but consistently amazing improvisations.

A virtual live performance from the UK at The OctoBar in this solo clarinet performance from multi-reedist Massimo Magee, starting with a short introduction titled "The Way In", leading to a 43 minute extended and accomplished improvisation dedicated to the playing of iconic reedists Evan Parker and John Coltrane, complemented by unexpected digital glitches and reverb.

Bringing to ears a 2003 encounter in Chicago, IL between legendary violin improviser, conceptualist and writer Malcolm Goldstein and exploratory cello improviser Fred Lonberg-Holm, through two extended dialogs weaving their strings around each other and finding unusual intersections and unions, from rapid action to introspective beauty; unsettling and inspired.

A dark album of sound art from the quintet of mostly St. Louis improvisers--Damon Smith, Louis Wall, NNN Cook, Michael Williams and noted flutist Fred Tompkins on two tracks--starting through shrouded percussion and unidentifiable sources, the group's sessions are edited into a cohesive album that takes its listeners on a unique journey of electronic and acoustic interaction.

Performing at the Gallery arToxi in Munich, 2022 as part of clarinet & cornetist Schindler's LowToneStudies series, the free improvising trio of Schindler, Nikolaus Neuser on trumpet and Georg Karger on double bass perform four extended conversations of meticulous momentum and superb technique, at times repurposing, extending or modifying their instruments.

Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings.

Referencing the Spanish galleons that sailed the Pacific Ocean between Acapulco in Mexico and Manila in the Philippine Islands, this meeting in Mexico city brings Philippine-based saxophonist Rick Countryman together with Swiss drummer living in Mexico City Gabriel Lauber and Lauber's collaborator in the group Zero Point, Mexico City native double bass player Itzam Canois.

Documenting the continued growth and evolution of the longer than a decade collaboration between American alto saxophonist living in the Philippines Ricky Countryman and Swiss drummer Christian Bucher, performing in the Strawberry Jams studio in Quezon City for thirteen succinct improvisations titled with stellar analogies, from pensive music to excitingly dynamic interplay.

Two live performances at Sala Castello di Sannicandro di Bari and at Sala Auditorium Accademia Cinema Ragazzi in Bari, Italy from violinist & violist Stefania Ladisa's trio Strutture with drummer Marcello Magliocchi and saxophonist Adrian Northover (LIO, Remote Viewers, Runcible), using the resonance of the performances spaces in spacious free interaction.

Originally formed in 1985, this free improv ensemble continues in a new rendition of the Örchestrü, with original members Mark Charig (cornet), Paul Lytton (percussion), Alfred Zimmerlin (cello) and Phillipp Wachsmann (violin) joined by new members including Axel Dorner (trumpet), Phil Minton (voice), and Melvyn Poore (tuba), for two exceptional examples of advanced collective and cooperative improvisation.

Some of the finest London and Birmingham improvisers, the free improvising quartet of saxophonist Paul Dunmall with pianist Liam Noble, drummer Mark Sanders and bassist John Edwards, continue their work together with this exceptional live performance at the Eastside Jazz Club, Birmingham Conservatoire in an extended, far-ranging and engaging collective concert.

Eight studio compositions recorded in Kingston, London in 2022 between FMR label-leader Trevor Taylor on percussion and electronics, and violinist Philipp Wachsmann, also processing his sound through electronics, the two finding common ground and great compatibility in reserved pacing that seemingly allows each note and gesture to express itself fully.

Universe of AMP are the Swiss twin brothers pianist Michael and drummer Florian Arbenz, in a 7 piece group mixing modern jazz with an active string section.

Covering a vast landscape sonically & stylistically, the quintet of saxophonist Paul Dunmall, guitarist Philip Gibbs, keyboardist Tony Hymas & drummer Mark Anderson were captured live in the studio.

"Matanzas" translates to "Killings", an apt description of this fiercely dark and propulsive free improv album from the NY trio led by bassist Brandon Lopez with saxophonist Steve Baczkowski and drummer/percussionist Gerald Cleaver, drawing unexpected and often malevolent sound from their instruments, particularly on the extended "Dithyramb, Sodomy, Salt".

Circumventing pandemic lockdowns, the trio of Brandon Seabrook on guitar, banjo & tapes, Mike Pride on drums, marimba, glockenspiel, bells & organ and Mike Watt on bass recorded their contributions in separate studios and file-shared to create this genre-merging album of free improv, rock, experimental and inexplicable forms; an inspired and seriously unique album of challenges overcome.

A warmly lyrical, mostly instrumental album of modern jazz that surprisingly takes it's title from legendary punk band MDC, and its songs from their 1982 debut album Millions of Dead Cops, led by NY drummer Mike Pride and performed with Jamie Saft (keys), Brad Jones (bass), Mick Bar (guitars) and on a few songs, vocalists JG Thirlwell (Foetus), Sam Mickens (The Dead Science) and Dave Dictor from MDC itself.

Reissuing and remastering two Impulse! albums from saxophonist Ornette Coleman: 1969's Ornette At 12 with Dewey Redman, Charlie Haden and his then 12-year-old son Denardo on drums; 1972's Crisis adding Don Cherry on trumpet; and a lesser-known 1969 EP, Man On The Moon, with electronics from Dr. Emmanuel Ghent and Ed Blackwell on drums.

Arriving in NY in 1959, saxophonist, flute & bass clarinetist Eric Dolphy joined some of the finest avant jazz players, releasing his 1st album as a leader in 1960--Outward Bound--with Freddie Hubbard, Jaki Byard, George Tucker & Roy Haynes; subsequently tagged as an anti-jazz musician, it would be 4 years before his masterwork Out To Lunch would be released, both albums here reissued & remastered.

A cross of Tokyo and NY rock scenes, Dynamite Club is led by vocalist Kentaro Saito and drummer Mike Pride, in their 2nd release with help from Nate Wooley, Aaron Ali Shaikh, &c.

An exemplary concert of free jazz with world influences, from a quartet drawn from diverse parts of the world--trumpeter Don Cherry from New York, Dollar Brand (Abdullah Ibrahim) from South Africa, double bassist Johnny Dyani, also from South Africa, and Brazilian percussionist Nana Vasconcelos--in four side-long improvisations recorded in Austria in 1972.

Reissuing two essential, major works from improviser, conceptualist, accordionist and composer Pauline Oliveros--The Well & The Gentle--recorded in 1984 with participation including fellow accordionist Guy Klucevsek, The Well recorded in the studio in Pennsylvania, The Gentle using the resonance of the drinking watertank Severin of Cologne in West Germany.

A tour-de-force solo concert from the masterful improvising French double bassist Joëlle Léandre, performing at Kunstraum Walcheturm in Zurich in 2022, mostly performed through an astounding bowing exposition, accompanied at times by her worldless vocal improvising, the five parts of this concert evoking passion, power, and a lifetime of profound expression.

"Jim" is US drummer & composer Jim Black working in Berlin, and The Shrimps are the trio of bassist Felix Henkelhausen and the two-sax front line of Germans, Asger Nissen on alto and Julius Gawlik on tenor, finding a rapport and common approach to free improv, they formed to perform & record Black's assertive compositions influenced by the tradition of Black American jazz.

Electric free improvisation with a caustic edge, stellar burns with titles like "Broken Navigation" or "The Sun is a Ball of Hate", from the North Carolina duo of guitarist Phil Venable (Tragic Assembly) and NY/NC drummer Tommy Jackson, who explore the atmospheric drag on their far-reaching dialogs through propulsive energy burns and moments of dark stellar voids.

Violist Jessica Pavone and double bassist Tristan Kasten-Krause found they shared a similar aesthetic in sound and sonic structure while working together in other ensembles, their debut developed over two seasons of experimentation with string interactions of consonance and dissonance using distinct timbres and textures, heard in four patiently unfolding compositions.

The core duet of the Boston-based free improvising ensemble Leap of Faith Orchestra (LOFO) of David Peck on reeds, winds & an amazing collection of percussive instruments and Glynis Lomon on cello, aquasonic & voice are joined by keyboardist Eric Woods for an extended exploration adding unusual electronics to their typically acoustic sets for unexpected and remarkable sonic journeys.

The Winter 2022/23 issue of Canada's most interesting music magazine including a 15-track compilation CD of new and rediscovered music from artists featured in the magazine; SLOWPITCHSOUND on the cover, plus articles on Gordon Grdina, performance artist Kite, Toronto's Audiopollination music series, sound artist Seth A Smith, live and recorded reviews, &c. &c.

The incredibly creative EUPHORIUM_freakestra as a mid-size ensemble performing at naTo in Leipzig, Germany are joined by legendary free jazz players, Wadada Leo Smith on trumpet and Barre Phillip on double bass, extending the incredible assemblage of players including Oliver Schwerdt, Axel Dorner, Ernst-Ludwig Petrowsky, Urs Leimgruber, Christian Lillinger, Gunter Baby Sommer & Michael Haves.

Two vocalists associated with Cecil Taylor's final trio--Albey onBass and Jane SpokenWord--join Evil Clown leader David Peck (PEK) on reeds, winds and a large collection of percussive devices, and Glynis Lomon on cello & aquasonic, for an extended work of critical poetry and spoken word, merging truth and abstraction through free improv and pointed expression.

Mary Halvorson continues her string of excellent modern jazz albums with this octet release with fellow guitarist Susan Alcorn, Jonathan Finlayson (trumpet), Jon Irabagon & Ingrid Laubrock (sax), Jacob Garchik (trombone), John Hebert (bass) and Ches Smith (drums).

A triple CD of extended and magnificent performances between 2004 & 2005 from the quartet of Steve Swell on trombone, William Parker on double bass, Hamid Drake on drums and Jemeel Moondoc on alto saxophone, to whom this album is dedicated; two concerts in Texas and one at the Guelph Jazz Festival, with compositions from Swell and Moondoc plus collective improvisations.

The cooperative Japanese/French quartet Kaze of pianist Satoko Fujii, trumpeter Natsuki Tamura, trumpeter Christian Pruvost and drummer Peter Orins are expanded for a second time with New York electronic artist Ikue Mori, embracing pandemic restrictions by creating this album through file exchange, adding complex layers of profound interaction to the virtual improvisations.

Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.

A live set of electronic recordings from New York sound explorer David Lee Myers, aka Arcane Device, using modular synths under masterful control to create coherent excursions into territories both terrestrial and cosmic, each piece carefully evolving without histrionics or overt noise through warmly vivid and uniquely diverse works of sound.

Adding guitarist Joe Morris to the long-standing collaboration of tenor saxophonist Ivo Perelman and pianist Matthew Shipp directs the New York trio into a fascinatingly unique direction, Morris' often pointillistic style bringing out quick responses and conglomerates of ideas, balanced by hauntingly lyrical and suspended moments; an evokative album of spirited improvisation.

Recording as a new group in the vast network of Evil Clown organizations, label leader David Peck on reeds, winds, percussion and digital works stations collaborates with engineer and live processing artist Joel Simches, who create the "perturbations" on this extended improvised work through a vast array of delays, reverbs, audio warps and rotary ensembles.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

Remastering and reissuing two tracks--"Summertime" and "C.T"--from saxophonist Albert Ayler's 1964 Fontana album My Name Is Albert Ayler with basssist Nils-Henning Orsted Pedersen, drummer Ronnie Gardiner and pianist Nils Bronsted; and his classic and passionate 1965 ESP Disk release Spiritual Unity with double bassist Gary Peacock and drummer Sunny Murray.

A leading statesman of free jazz drumming, Andrew Cyrille's approach is influenced by both the Blue Note era and the groundbreaking work he participated in with Cecil Taylor or Trio3, still going strongÊand perceptively wise as heard on these eleven succinct studio solo performances, featuring favored percussive instruments adding melodic elements to these solid rhythmic vignettes.

Welcoming third improvisers into the long-standing duo, Chicago saxophonist Dave Rempis and drummer Tim Daisy invite New York/Chicago violinist Mark Feldman to perform at Elastic Arts, in Chicago, heard in two extended improvisations, superb examples of masterful technique and profound dialog.

Bringing vast experience in free improv and contemporary creative settings, the French trio of Guillaume Gargaud on acoustic guitar, Patrice Grente on double bass and Thierry Waziniak on drums present seven unique collective conversations named by permutation, recorded in the studio to bring the nuance of their playing to the foreground.

Drawing listeners into a meditative state, Oregon-based sitar player and experimental musician J.J. Gregg's album presents a lilting and bright rendition of Raag Rageshree, Raag Yaman offers a uniquely developed and comprehensive journey through the beauty of South Asian Classical music and Raag Chandrakauns, an interesting melodic to aid in personal meditation.

Zurich tenor saxophonist & composer Christoph Irniger in his fourth album on the Intakt label with his creative and cooperative band Pilgrim of Stefan Aeby on piano, Dave Gisler on guitar, Raffaele Bossard on bass and Michael Stulz on drums, performing Irninger's lyrical and thoughtful compositions, along with one from bassist Raffaele Bossard.

Influenced by and working with John Coltrane, saxophonist and composer Archie Shepp paid tribute to 'Trane with his 1965 Impulse! album Four for Trane, here remastered and joined with tracks from the live album John Coltrane/Archie Shepp: New Thing At Newport, accompanied on each by acclaimed free jazz players including Roswell Rudd, John Tchicai, Reggie Workman, Barre Phillips, Joe Chambers, &c.

Referencing the "queen of morning ragas" Raag Bhairavi, Oregon-based sitar player and experimental musician J.J. Gregg performed these three improvisations immediately following a group meditation, each raga providing a distinct mood to take their listeners on a journey to complement their state of mind, weaving themes of inspiration and experience.