New York/Ohio skronkers Scarcity of Tanks with Jim Sauter of Borbetomagus plus Kid Millions in a hard free rock free improv blast.

The Spring 2016 issue of Canada's best creative music magazine covering composed, improvised and experimental music. Articles include: Juan Camilo Vasquez' Caliope (canto de las abejas); First-Place Winner, Musicworks' 2015 Electronic M...

Electroacoustic composer and performer Anthony Pateras in a beautiful 5-CD box set documenting a broad variety of works from ensembles to solo work, an excellent overview of one of Australia's most vital composers and performers.

A 6 part work based on immersive listening with a smartphone featuring a GPS and audio headphones made during a train trip across the Arc Jurassien, developed into 6 rich and detailed compositions, performed with violinist Julia Eckhardt and cellist Silvia Platzer.

Using saxophone and electronics in unexpected ways, Warszawa composer Kamil Szuszkiewicz's 9 movement "Robot Czarek" is described as a "sound cartoon", using odd punctuation of voice and effected interactive instrumental interjections to tell his libretto's strange tale.

Polish conceptual composer Zygmunt Krauze meets pianist John Tilbury, who studied in Warsaw in the 1960s, and returned in 2015 for a residency; this delicate and beautiful work was recorded at the Concert Studio of Polish Radio in Warsaw with 4 pianos and a percussionist.

Electronic composer Jean Schwarz in two large works composed in the Ina GRM's numerical composition studio exploring exaggerated amplification, inversion, transformation, and include tributes to Kenny Clarke and John Coltrane.

World premieres of new compositions by spectral composers Iancu Dumitrescu and Ana-Maria Avram performed live with the Hyperion International Ensemble under the batton of Ilan Volkov at the 15th George Enescu Festival in 2015.

A double CD featuring all of Wandelweiser composer Jurg Frey's music for solo acoustic guitar, beautifully interpreted by the Chilean guitarist Cristian Alvear, including a new piece written specially for Cristian Alvear; beautifully unfolding, concentrative music.

Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.

Conceptualist/composer Alessandro Bosetti in a 4CD box set and extensive booklet presenting large and unusual radio works that he's composed from 2003-2011, using "translations, misunderstandings, travels, microphones, headphones and sonorous telephone games as creative tools."

Four recent pieces by Berlin-based instrumentalist, composer and improviser, Lucio Capece, all focusing on the process of listening, one performed by Konzert Minimal, the other solo performances including a work for hanging speakers and helium balloons.

An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).

A site-specific sound installation in the nave and choir of Minoritenkirche in Krems/Stein that engages with the architecture and sound of this church space from composer Michael Moser working with Berndt Thurner, Klaus Lang, Hannah Schwegler and Nik Hummer.

Earle Brown conducts a chamber ensemble including John Tilbury on piano through a number of compositions, including versions of "October", "November", & "December", "Corroboree 1964 For Three Pianos", "Trio For Five Dances", and "Tracking Pierrot For Ensable".

Recorded live at the Huddersfield Festival of Contemporary Music in 2006, this is the 3rd and final volume of works by Morton Feldman performed by the Smith Quartet with John Tilbury on piano, recorded in high quality DVD audio and with extensive liner notes by Tilbury.

Free and open-ended improvisation and amplified sound work from Mats Gustaffson with the duo of Gennaro and Newman AKA Wrist Error.

The debut album by the chamber-jazz quartet resAUnance of Jonathan Golove on electric cello, Michael McNeill on piano, John Bacon on vibraphone and percussion, and Esin Gunduz on voice, blending compositional, improvisation, & Turkish folk music into passionate and beautiful works.

The Riviere Ensemble led by bassist Kent Carter with Christiane Bopp (trombone), Albrecht Maurer (violin), Katrin Mickiewicz (viola) and Laura Tejeda Martin (mezzo soprano) recording original works in historic churches in France, blending classical, jazz, free improv & traditional musics.

Pauline Oliveros surrounded by Belgian ensemble Musiques Nouvelles, performing two long pieces for orchestra, using her Expanded Instrument System and 5.1 Surround Sound System in a mix of conducted and improvised music using metaphors and listening concepts.

Canada's premier new music magazine in their 125th issue, articles include Ayo Leilani; Ocean Bug and Bird Songs; Gabriel Dharmoo; crys cole; Thin Edge New Music Collective; plus a CD with tracks from Witch Prophet; Gabriel Dharmoo; Tim Brady; crys cole; Marc Saba; &c. &c.

The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials.

Violinist Clemens Merkel interprets compositions by Wolfgang von Schweinitz's "Sonata for Violine Solo"; Antonie Beuger's "Unwritten Page"; Bruno Madema's "Piece Pour Ivry"; and Thomas Stiegler's cycle "Kammerkomplex" ("quasi una fantasia", "gran partita" and "sonata facile").

German composer Alfred Zimmerlin presents 3 pieces that balance compositional and improvisational approaches, with a 7-part work for strings, a large Klavierstruck work for microtonal piano, and an improvised chamber work, "Klarinettenquintett," with Jurg Frey on clarinet.

Taken from 2 concerts during the 2013 Angelica Festival in Santa Caterina, with the Apartment House Ensemble, percussionist Robyn Schulkowsky, and Wolff himself; compositions include several "Excercises", his "Duo for Violins", and a variation on a Morton Feldman work.

Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".

A superb program of string trios from minimalist composers Beat Keller, Tom Johnson, and Joseph Kudirka, from cinematic to spacious sound work, as realized by the trio of Julia Schwob on violin, David Schnee on viola, and Nicola Romano on cello.

Pushing the envelope on minimalism, Mannfred Werder's 3 scores for "2003" present just 6 tones, the instructions telling 3, 2 or 1 performers to play a pitch or sound for 3-7 seconds twice during the performance; realized by Erik Carlson, Stephanie Richards, and D. Edward Davis.

An epic, hypnotic work for three choirs, three pairs of noise musicians, and church organ, to be performed in a cathedral or similar location with musicians surrounding the audience, here from a live performance at the Huddersfield Contemporary Music Festival 2012.

Percussionist Michel Blanc's astounding 12-part work was composed around news events that occurred between 1972-89, in a tour-de-force of music drawing from improvised music, RIO oriented rock, and concrete sound; with Marc Ducret, Annabelle Playe, Anne Gimenez, & Antonin Rayon.

Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC.

Seth Josel performs Peter Ablinger's "33-127" for guitar and field recordings of transportation, graphic minimalism punctuated by bursts of activity - cacophony vs. tranquility.

Compositions by composer, conductor and teacher Peter Eötvös, Bernd Alois Zimmermann & Martin Smolka.

The duo of Jurgen Spitschka and Marta Klimsara performing works for marimba and percussion by Steve Reich, Astor Piazzola, Andy Pape, Maurice Ravel and Marcin Blazewicz.

Composer Simon Martin pays hommage to Quebec painters Ozias Leduc, Paul-Emile Borduas, and Jean-Paul Riopelle in contemplative works for each artist, performed by the ensembles Quatuor Bozzini, Quasar quatuor de saxophons, and Trio de guitares contemporain.

Asticcio Chamber Opera with works from Handel performed by Tenor J. Reichert and the Ensemble Teatro Affetto.

Two large works from Italian composer Luigi Nono, recorded at Germany's Experimentalstudio des SWR under the direction of Andre Richard.

Paul Paccione's compositions balance a love of "abstract" sound combinations with a vivid sense of lyricism, here in 6 works from 1993 to 2007.

Montreal saxophone quartet Quasar (Jean-Marc Bouchard, Marie-Chantal Leclair, Mathieu Leclair, & Andre Leroux) in their 3rd incredible album of contemporary saxophone compositions, presenting 14 rich and varied compositions, including commissioned and premier works.

The Quatuor Bozzini string quartet dedicate this double CD to emerging artists in a collection of miniatures written in 2011 by emerging composers for the QB's annual Composer's Kitchen event.

This is Moe! Staiano's (Sleepytime Gorilla Museum) 1st CD of orchcestral compositions for Strings, Percussion, U-bolts, Wine Glasses, Prepared Guitar & Sirens recorded in 1998 and 2003.

Composer Tenney with early works for flute and clarinet and early drone compositions, exploring issues of unpredictable results and indeterminancy.

Distinctly far-ranging work from technical/conceptual phenomenon pianist McDonas and drummer Rivera, a mix of composed & spontaneous works, eclectic and amazing.

New works by Rick Burkhardt, George Lewis, Alex Mincek, Sam Pluta, Kate Soper, and Eric Wubbels take NYC's Wet Ink Ensemble into new worlds of ensemble virtuosity, sonic explorations, and compositional inventiveness.

A composition for string quartet and trumpet in 9 parts by German composer Bojan Vuletic, a work inspired by and dedicated to Paul Celan, performed with the MIVOS String Quartet & Nate Wooley, and premiered in NYC's Issue Project Room.

Two Zorn compositions touching upon the mediaeval world: "The Holy Visions", a Mystery Play in 11 strophes for voice concerning mystic Hildegard von Bingen; "The Remedy of Fortune" is a string quartet inspired by the 12th century troubadour Guillaume de Machaut.

Bryn Harrison's highly acclaimed, labyrinthine composition for violin & piano from 2014, expertly realised by violinist Aisha Orazbayeva and pianist Mark Knoop, for whom this 5-part work of beautiful repetitions reflecting tapestries of sound was written.

A joint composition for violin and double bass, developed over six months in 2015 by violinist and Wandelweiser composer Johnny Chang with bassist Mike Majkowski, a fragile and beautifully revealing work in 5 parts that moves slowly through subtle harmonic changes.

Canadian composer Linda Catlin Smith's extended composition for violin and percussion in 15 parts, performed by percussionist Simon Limbrick and violinist Mira Benjamin, a unique orchestration that reveals a journey of steady pace, tension and beauty.

Composer and pianist Slava Ganelin meets Russian double bass player Vladimir Volkov for a surprising and impulsive release of spontaneous studio improvisations.

Jerome Noetinger was commissioned by the Ensemble Phoenix Basel, a challenge for a non-notational conceptualist, which he accepted, creating this work in collaboration with the Ensemble, and based on the book by Pascal Quignard, "La haine de la musique" (The hate of music).

Using a diverse set of instruments and percussive devices, from tennis balls to Jupiter 80 keyboards, electronics artist and performer Steve MacLean presents an exotic set of compositions using microtonal, poly-rhythmic and deeply engaging structures in unusual and captivating music.

Saxophonist Pierre-Antoine Badaroux and double bassist Sebastien Beliah formed Ensemble Hodos in 2008 to perform the music of composers who wrote scores that include freedom and/or improvisation for the players, here performing the music of Philip Corner.

erstwhile records releases their first CD on their ErstClass imprint, issuing and collecting historically important work, here with composer Michael Pisaro's piano works from 1994-2016, 11 compositions performed by Netherlands pianist Reinier van Houdt.

A beguiling and atmospheric work of overtones, harmonics, tonal and microtonal progressions from a trio of clarinetists (Hans Koch, Michael Thieke, and Paed Conca) with Japanese vocalist Maki Hachiya, an immaculately paced and exotic work of sound.

Canada's premiere music magazine, with articles on The Sound Future of Virtual Reality; Roarke Menzies; Heidi Chan; Erin Gee; Eric Normand; Carmen Braden; Nick Dourado; plus a CD with recordings from Eric Normand, Carmen Braden, Erin Gee, Nick Dourado, Heidi Chan, and Plumes Ensemble.

Soprano Juliet Fraser performs Morton Feldman's late work for 3 voices, performed by 1 vocalist (originally Joan La Barbara) who performs with themself on tape, in a work that Feldman described as "lucious", "sexy", and "gorgeous", as heard in Fraser's beautiful rendering.

Fascinating works for doublebass from American composer James Tenney, 3 pieces for solo doublebass, and a large work for viola, cello, doublebass and tape delay system, performed by bassist Dario Calderone with William Lane on viola and Francesco Dillon on cello.

Drummer Bobby Previte's "Mass" is based on heavy electrified rearrangements of 15th century composer Guillaume Dufay's "Missa Sancti Jacobi", performed by The Rose Ensemble, Stephen O'Malley, Don McGreevy, Mike Gamble and Jamie Saft, Marco Benevento, and Reed Mathis.

Three beautifully delicate works for Jurg Frey's clarinet, composed by the Amsterdam-based Wandelweiser composer/pianist Dante Boon, who has collaborated with Frey for several years and who accompanies Jurg on two of the pieces.

Six chamber works by the Paris-based Italian composer Giuliano d Angiolini, following his Edition Rz release by presenting more examples of Giuliano's careful and particular use of indeterminate elements in a series of compositions that are musically exquisite.

A composition for solo 'modified guitar' from Swiss composer d'incise peformed by guitarist Cristian Alvear, music "at the confluence of sound, melody and rhythm. Something quiet but somehow driven by a pulse, existing somewhere between the electroacoustic and the tonal conceptions of music."

Acoustic instruments and feedback devices in old stone spaces, rich multi-layered music recorded during a residency in the Czech Republic by the trio of George Cremaschi (double bass and electronics), Irene Kepl (violin and electronics) and Petr Vrba (trumpet, clarinet and electronics).

Portugese stoner rock band Black Bombaim and German free jazz saxophonist Peter Brotzmann recorded this album live at Estudios Sa Da Bandeira in Portugal, a power trio + 1 of uncompromising and burning improvisation, a less common but completely rewarding setting for Brotzmann.

Sonic explorer Jason Kahn & Asher Thal-Nir in a 2008 concert at Boston's Axiom Gallery for a performance that creates inspired sound worlds by layering Kahn's planes of sound with Asher's environmental processing.

Sound explorer Olivia Block reflects upon human "webs of significance" and the way electronic communication and recording technologies both improve and complicate those webs, in a remarkably detailed set of layered recordings contrasting clear and fragmented sound.

Morton Feldman was a friend, flatmate and student of John Cage's innovative approaches to composition; he wrote this 3 part work for violin and piano in 1982 as a 70th birthday present for Cage, here performed by violinist Josje Fosie Ter Haar and pianist John Snijders.

Feldman's idiosyncratic large composition is also one of his more active, influenced by John Cage, and using a score that defines organizational procedures in chordal and chromatic patterns, as realized in this '93 recording by Rohan de Saram (cello) and Marianne Schroeder (piano).