LOWER PRICE! Taking on another set of compositions from John Zorn's Masada Songbook, the New and electrified Masada quartet of Kenny Wollesen on drums, Julian Lage on guitar, Jorge Roeder on bass and Zorn himself on alto saxophone releases their second volume, seven melodically rich and intricate works that lead to incredible, often burning soloing and group interchange.

A fascinatingly structured album conceived by Romain Clerc Renaud and Antonin Tri Hoang, the first CD constructing a complex poetic form made up of multiple themes, from simple (Encore, Petit Matelot) to rapidly complex (LetCo, Klaxon), unfolding in unexpected ways; the 2nd CD restructured in the studio by Marc Baron, transforming the music into seven engrossing electroacoustic compositions.

A high-intensity free jazz workout from the French duo of tenor saxophonist Bertrand Denzler and drummer Antonin Gerbal, long-time collaborators in their 3rd sax & drum duo album, anticipating each other's gestures to allow them flexibility in creating textural approaches to their dialog, challenging physical limits while subtly progressing their frenzied and arresting playing.

The second part of Umlaut's Cartographie de rythmes, a sound exploration guided by an imaginary map of rhythm, here investigating the relationship between text and music through mysteriously breathing clarinet lines & harmonics by Fabrice Arnaud-Cremon, and patient narration by Julien Gaillard, Karl Naegelen and Aurélie Maisonneuve.

Recording in Brooklyn's Seaside Lounge in 2014, these five previously unreleased collective improvisations bring together West Coast reedist Vinny Golia, performing on clarinet, saxello, sopranino, baritone saxophones with double bassist Max Johnson and drummer Weasel Walter, an absolutely impressive example of free playing intent and well-balanced conversation.

A suite based on raag todi from sitar player J.J. Gregg with Pavan Kanekal on tabla; five tracks revised in the studio to create compositions of both sitar music and more experimental forms, the music tying together concepts of water's effect on geologic formation, as illustrated and contemplated in a description from the albums's liner notes.

Destined for top lists of 2023, saxophonist & composer Ingrid Laubrock's ambitious work brings together unusual orchestration through previous collaborators Brandon Seabrook (guitar), Michael Formanek (bass) and Tom Rainey (drums) along with violinist Mazz Swift and cellist Tomeka Reid, for six fascinating and articulate compositions of farge ranging mood and gestures.

Braxton's 9 Compositions (Iridium) 2006 is a nine-CD-plus-one-DVD box set documenting what Time Out New York called "last Spring's epochal run" at New York's Iridium Jazz Club with his 12+1tet.

The core duo of the Boston collective group the Leap of Faith Orchestra (LOFO), David Peck (PEK) on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice are joined by percussionist Michael Knoblach and trumpeter Vance Provey for an extended improvisation inspired by their work on the previous LOFO album Revealing the Essence.

Sonic explorer and feedback pioneer David Lee Myers in a collection of eight pensive electronic ambience works recorded at Pulsewidth in the spring of 2022, meditating on the mysteries of time and eternity through Apophis, a demon serpent of darkness whom Ra, as sun god, destroys every morning at dawn.

Expanding the rhythmically exuberant Natural Information Society led by Chicago bassist & guimbri player Joshua Abrams with core members Lisa Alvarado (harmonium), Mikel Patrick Avery (drums) & Jason Stein (bass clarinet), are Hamid Drake (percussion), Josh Berman & Ben Lamar Gay (cornets), Nick Mazzarella & Mai Sugimoto (alto sax & flute), Kara Bershad (harp) and Ari Brown (sax).

Part of Peter Brötzmann's 80th birthday concerts in his hometown of Wuppertal, the saxophonist assembled a trio from his typically duo partner, pedal steel guitarist Heather Leigh (Charalambides, Dream/Aktion Unit) and Chicago cellist and electronic improviser Fred Lonberg-Holm, performing the extended title track at INSEL | Kultur im ADA, along with two succinct improvisations.

Creating a persona to "overcome his own limitations", Austrian trumpeter Franz Hautzinger adopts the name of Gomberg as an alter-ego, releasing this engaging and unconventional set of 22 succinct recordings made between 2006-2018, selected and sequenced from occasion-related compositions and commissioned works, performed on quartertone trumpet, electronics, zither, voice & percussion.

With nine years of work together, the Uruguayan duo of guitarist Santiago Bogacz, aka Matador, and clarinetist Emiliano Aires have developed a near-telepathic dialog of sharp-edged interactions through technically rapid exchanges and plateaus of anxious reserve; exhilarating work heard here in 9 vehement and creatively urgent improvisations.

Two New York improvisers — percussionist Nava Dunkelman and violinst Gabby Fluke-Mogul — sharing a background from Mills College and work with luminaries including Fred Frith, present their extroverted approaches to free improvisation in these eleven assertive dialogs recorded in the studio, their compatibility and love of unusual techniques evident.

Scott Field's 9-part Sands for 20 instrumentalists, three singers, and a conductor, in this case Fields himself, employs a modular performance system that integrates composition and improvisation, the conductor selecting modules from melodies, phasing patterns, long tones, improv elements, fragmented short stories, &c., spontaneously assigned live; a fascinating accomplishment.

With each solo intended for a specific recipient, London saxophonist Magee recorded a series of improvisations during the pandemic isolations, retaining two of the recordings as pure solo Magee, the others virtual duos with: Travis D. Johnson on synth, Tim Green on drums, Joshua Weitze on guitar, A.F. Jones for resampling, Thomas Milovac on bass, and Lance Austin Olsen on guitar.

Steering far from pyrotechnics or histrionics, the drum duo of UK legend Mark Sanders and Norwegian residing in the UK and part of the new direction of Bead Records, Emil Karlsen, present six percussion improvisations that focus on textural interaction, melodic progression, polyrhythms, and sonic excitement through percussive elements; an exceptional duo.

Eight aquatic themed works from the Berlin-based quintet of Hui-Chun Lin and Uygur Vural on cello, Matthias Müller on trombone, Klaus Kurvers and Ulf Mengersen on bass; also known as Ensemble Discoveries, this album collects work from 2020-22, described as "improvised music and Echtzeit Compositions and the ideas of deep sea, their special living conditions: big pressure, eternity darkness".

Spanning three generations of improvisers, the duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues join with tenor saxophonist Gonçalo Mortágua and legendary percussionist Gunter Baby Sommer to record eleven diverse improvisations in the studio in Berlin, naming the quartet "Not Bad", an extreme understatement for their unique chamber influences of European Free Jazz.

Working with modular synthesizer systems and amplified double bass, the Berlin duo of Ulf Mengersen, a member of Berlin Improvisers Orchestra and Ensemble MIA, and Thomas Rehnert, an experimental musician, sound artist and composer known for rock, theater, radio, visual arts and free improv settings, recorded these 10 electroacoustic improvisations in the studio in 2021.

The third Spiegel, or mirror, takes the Portuguese acoustic octet led by violist Ernesto Rodrigue through an extended improvisation and its reflection, captured live at the 2021 CSFest XV, at O'Culto da Ajuda, by performing and recording their performance in a first pass, and then playing over the first improvisation, layering and extending their work.

Far from the reductionist/minimal improvisation often associated with the Creative Sources label and the work of both violist Ernesto Rodrigues and cellist Guilherme Rodrigues, this quartet session with double bassist Joao Madeira and Jose Oliveira is a highly charged and energetic affair, improvising through a suite of eight tightly controlled conversations of "Chaos".

Each track in this beautiful pairing of strings through cello and electric guitar is named after nature, the title referencing a brown-eared bat, as the Berlin duo of guitarist Olaf Rupp and cellist Ulrike Brand intertwine in an unhurried series of dialog that prioritize natural fluidity, reflecting the confidence that nearly ten years working together has imbued to their improvisations.

The 20-year followup to their 2003 album on the Unsounds label titled Thermal, the trio of John Butcher on tenor & soprano saxophones, Andy Moor on guitar and Thomas Lehn on analogue synthesizer update listeners with their free and ea-improvising approach through five studio improvisations of incredible detail, technical & sonic mastery, and astute conversational skills.

Inspired by the writings of Russian philosopher, mystic and composer Georges Gurdjieff (1866-1949), John Zorn composes for his piano trio of Brian Marsella (piano), Ches Smith (drums) and Jorge Roeder (bass), their 3rd album after Suite for Piano and their quartet work with guitarist Julian Lage on Incerto; technically sophisticated and melodically compelling music; exceptional.

The 4th release from the New York electric jazz quartet Chaos Magick of Brian Marsella on electric piano, John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on electric guitar, playing the lyrical & passionate compositions of John Zorn, in eight tracks varying from rhythmically propulsive to contemplatively dream-like, with a little Chaos thrown in.

Composed, constructed and mixed by bassist, improviser and composer David Menestres, this extended electroacoustic work features work from a tremendous set of performers: Jeb Bishop, Olie Brice, Sean Clancy, D. Edward Davis, Laurent Estoppey, Chris Eubank, David Grubbs, Michael Thomas Jackson, David Jordan, David Menestres, & Catherine Sikora.

Red Trio drummer Gabriel Ferrandini joins alto saxophonist Ilia Belorukov for a three-part freely improvised set captured live at Masterskaya Anikushina, in St. Petersberg, Russia, the former workspace of architect Mikhail Anikushin, a large space that creates a unique resonance that the two improvisers take advantage of through insistent yet discerningly constrained dialog.

In the midst of pandemic, NY pianist & keyboardist Gordon Beeferman jumped on an opportunity to record in the studio, assembling saxophonist Michael Foster and drummer/percussionist Michael Evans to record with free improvising vocalist and story-teller Shelley Hirsch, whose nimble narratives guide these eleven interesting vignettes of far-ranging musical and sonic sources.

A series of sound impressions and an audio documentary of metal barriers placed at entrances to public buildings after the coordinated 2015 Paris attacks by ISIS; 29 compositions recorded and mixed between 2018-2023 by Eric La Casa, wondering what the barriers protected Parisians from, and answering the question of what Paris sounds like to the barriers themselves.

A journey through a diverse set of genres and styles of electronica, influenced by the New York drummer & composer Gerald Cleaver's native Detroit upbringing, bringing out elements of techno and house music tempered by his improvisational, experimental and avant work; 11 tracks with solid rhythmic foundation in both propulsive and contemplative approaches to electronic composition.

Recalling the For4Ears era of electroacoustic improvisation, the ea-improv trio of Jason Kahn on electronics, Frantz Loriot on viola and Christian Wolfarth on percussion are heard in this extended improvisation recorded in concert at Plattform nicht dokumentierbarer Ereignisse in Atelier Dürrenfeld/Geitel, Köln, Germany, as part of the trio's 2022 European tour.

An exceptional quartet of electroacoustic improvisers captured in concert at MUG Einstein Kultur in Munich, organized by the non-profit Offene Haken e.V. - Freunde der improvisierten Musik (Friends of improvised music), from Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Philip Zoubek on synthesizer and Etienne Nillesen on extended snare drum.

The seventh album from Creative Sources' detailed electroacoustic improvising group Suspensão led by violist Ernesto Rodrigues, recording at SMUP in Parede, Portugal in 2022 with Joana Sa on soprano sax, Nuno Torres on alto sax, Luisa Goncalves on piano, Joao Madeira on double bass, Carlos Santos on synthesizer and Jose Oliveira on percussion.

58 Compositions for Cello as part of a sound investigation process from Portuguese cellist based in Berlin, Guilherme Rodrigues, recording in 11 locations with interesting resonant properties, capturing several brief improvisations at each space, the architecture, delay, decay, and interaction affecting his approach and the sonic response to his playing.

Improvising over strings, winds & percussion from the Portuguese quintet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Joao Madeira on double bass, Bruno Parrinha on flute & bass clarinet and Monsieur Trinite on percussion, in a studio session of active, often pointillistic interaction offset with periods of introspection, reflecting concepts of Baudelaire & The Surrealists.

The trio of violist Ernesto Rodrigues, cellist Guilherme Rodrigues and clarinetist Bruno Parrinha on alto & bass clarinets are captured live at Lisboa Incomum, during the 2022 Festival DME, performing two sophisticated chamber improv works, their titles translating to "The aging skies - it's all illusion" and "Pass The Bridges If It's Windy - The Flame Of The Solemnity".

Referring to the city Brecht in Belgium, this concert at the Kapel Oude Klooster took place during a tour by the Lisbon free improvising trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on alto saxophone, joined by Dirk Serries on archtop guitar (New Wave of Jazz, Vidna Obama) for this impressively interactive 3-part improvisation.

Eight free improvisations from the German duo of Markus Reineke on contrabass, bass recorder, objects & electronics, and Jukka-Pekka Kervinen on electric guitar, violin, virtual bass clarinet & electronics, creating an unusual language that merges electronics with acoustic instrumentation in quirky yet natural ways, each track named impressionistically.

The working duo of Slovenian violinist Ana Kravanja and Austrian pianist Elisabeth Harnik present nine dialogs of freely improvised playing that draws on contemporary composition, using their primary instruments along with preparations, objects, frame drums, voice and ringing stones, a mood of tense mystery and wonder pervading their excellent and unusual discourse.

Both members of the Didier Lasserre Trio, French double bassist Jean Rougier and legendary French free free jazz multi-reedist Sylvain Guerineau performing on tenor sax & bass clarinet, distill their work into a duo formation for six innately lyrical free improvisations, a beautiful complement to Guerineau's 2022 duo album with double bassist Fred Marty, Parodies.

The cosmological concept of the aeon, the conflict between matter and spirit, is explored in eight "Chronicles" of collective free improvisation using impressive technique and concentrative interaction from the Portuguese quartet of Flak on acoustic guitar, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet and Ernesto Rodrigues on violin.

Since 2016 pianist Francesco Zago and guitarist & live electronics artist Andrea Bolzoni (The Night Watch, Stormy Six) have collaborated, focused on guitar improvisation, proposing a dialog between lyricism and psychedelic music, here in a 10-part work of fluid & ethereal sounds informed by contemporary music and creative improv, a unique journey presenting a strong narrative sense.

Saxophonist Sabir Mateen's NY based Shapes, Textures, and Sound Ensemble with Steve Swell on trombone, Matt Lavelle on trumpet, Matthew Heyner on bass and Michael T.A. Thompson on drums, run though a gamut of post-bop and collective, creative jazz forms with energy, incredible dexterity, and tremendous group interplay, a great example of the modern spirit of jazz.

Saxophonist Noah Howard's move from New Orleans to New York City brought him into the circle of early 60's free jazz players including Albert Ayler, joining Sun Ra's Arkestra, and performing at Slug's Saloon; this release reissues two ESP albums, his working band's 1966 Quartet album, and the extended and interestingly orchestrated sextet album, At Judson Hall.

Evolving after a gig in 1963, saxophonist John Tchicai and trombonist Roswell Rudd developed the NYAQ from loft sessions, adding the creative drumming of Milford Graves and bassist Lewis Worrell; ESP was so impressed that they recorded their 1st 1965 album with an Amira Baraka recitation on one track; Reggie Workman then took over the bass chair for their subsequent Mohawk album on the Fontana label.

Referencing the "laminal" style of AMM improvisations, the 6th album from the UK-based Orchesta of the Upper Atmosphere ensemble, led by multi-instrumentalist and woodwind player Martin Archer and Jan Todd, evolved from studio sessions of bass rhythms, free improvisation over those foundations, and then horn & voice arrangements shaped around the results, creating a superb hybrid of jazz rock, textural and free improv.

Following his previous Discus release Yes Tomorrow, UK saxophonist and composer Paul Dunmall expands his quintet to a septet with legendary vocalist Julie Tippetts and trumpeter Charlotte Keefe joining the exemplary ensemble of Martin Archer on sax, Richard Foote on trombone, Steven Saunders on electric guitar, James Owston on double bass and Jim Bashford on drums.

The meeting of three masterful string and keyboard players--Craig Taborn on piano, Joelle Leandre on double bass and Mat Maneri on viola--a Transatlantic chamber jazz trio recording live at Theatre Antoine Vitez in Ivry-sur Seine, France in 2022 for seven sublime conversations of innovative and imaginative exchanges; absolutely magnificent!

Six sound-oriented compositions for acoustic ensemble performed by the UK ensemble Apartment House, beautifully reflective and rich works, the first six pieces being text scores for open instrumentation, along with Peace/Tree, a seven movement work for violin, cello and piano that specifies pitches while leaving room for interpretation and improvisation.

Neha, the Slovakian word for tenderness, is expressed by composer Adrián Demoč in this lovely and gentle work performed by the Slovak Radio Symphony Orchestra; and "Popínavá hudba", written for the international symphony orchestra for new music, Ostrava New Orchestra, referencing the growth of climbing plants through an alluring melodic line that shifts and spreads in direction.

Written for and performed by the UK ensemble Apartment House, composer & performer Magnus Granberg's latest work reduces his working size from the larger Skogen ensemble to this sextet, opening new possibilities for composed structures that incorporate improvisation, in a work structured around components from Schubert's Abendbilder and So in Love by Cole Porter.

A work for voice, piano and electronics from experimental composer Laurence Crane, working with the closely associated UK ensemble Apartment House, Natural World is in three sections--"Field Guide", "Chorus" and "Seascape"--with vocalist Juliet Fraser and pianist & electronic artist Mark Knoop, Crane's work describing the natural world and portending the fragility of our ecosystems.

A foundational player for bands including Dynamite Club, Virtual Balboa, Normal Love and work with Jack Wright and Mike Pride, double bassist Evan Lipson presents his debut solo release, a multi-channel recording presenting a single uninterrupted improvised double bass performance recorded live.

Bringing together two noise improvisers and experimenters, Guro Skumsnes Moe from Sult and MoE performing on octabass & electric bass, and Philippe Petit (who has albums on Aural Terrains, Monotype and Bolt) performing on synthesizer and turntables, both also providing vocal utterance, for two thick journeys of twisted, diverse and often deep sonics bridged by an abstract interlude.

For more than 10 years since its inception as a spin-off from founder and principal programmer Eufrasio Prates's doctorate research in 2012, the Brasilia Laptop Orquestra has become a regular institution on the Brasiliense experimental and electronic scene, the orchestra an ever-changing collaboration of musicians, heard in 11 recordings captured live between 2013-2020.

A fascinating trio of West Coast sonic explorers exploring the isopleth, the zone of seawater that receives enough sunlight for photosynthesis to occur, from improvising trumpeter Tom Djll employing electronics with his horn, Bryan Day on invented instruments, and Cheryl Leonard using natural objects including driftwood, feathers, marsh reeds, penguin bones, &c.

A 6-CD box set in a magnetic snap case compiling double bassist Pascal Niggenkemper's musical journey between the years 2017-2022, in a variety of creative approaches improvising in acoustic and electroacoustic settings, from solo work through collaborations in trio, quartet and large ensembles; an absolutely magnificent presentation of his diverse work.

Commissioned by and recorded during the 2018 Ars Musical Festival, Fred Frith composed this work while under the inspiration of his residency at Lou Harrison's straw-bale house in the desert at Joshua Tree, CA, then performed with the Ensemble Musiques Nouvelles, along with two very unique improvisations, one recorded during the dress rehearsal and then again in concert.

Ten years having passed since his last solo acoustic guitar album, Bill Orcutt's new release focuses on a more lyrical, relaxed and reflective side to his playing, in ten succinct pieces recorded in the spring and summer of 2002 at San Francisco's community focal point for and member of Intersection for The Arts, The Living Room.

After performing together in Canada beginning in 2019, bass clarinetist & electronic artist Philippe Lauzier and NY percussionist Carl Costa remained in contact during the pandemic by exchanging compositional concepts, the 4-part "Sincronica Vaga" and "Soft Routine" the results, the former based on dovetailing motives, the latter on harmonic counterpoint interaction.

Part of a 2022 creative residency at the Abbey of Saint-Benoît-Labre, in Beauce at the invitation of the organization EXEcentrer, this duo recording captures the September concert of two magnificent Montreal sound artists: Érick d'Orion performing on electronics & synthesizers, and Martin Tétreault on turntables, vinyl records & synthesizer.

Organized by Miriodor drummer & composer Remi Leclerc, this experimental group features Canadian & European improvisers in a creative session with a sense of novelty and humor, from Pianist Andre Pelletier (Saint-Pascal), accordionist Robin Servant and guitarist Olivier D'Amours (Rimouski), bassist Alexandre Dubuc (Montreal) and saxophonist Cathy Heyden (Paris).

Extremely active in the Downtown NY scene as a versatile double bassist in a wide variety of settings, Brandon Lopez presents a tour de force album of solo improvisations, developed to illuminate his abilities as a powerful string player but also as a mischief-maker on the strings through unexpected technique and the application of "RealBadVibes".

A live recording in 2020 at AXART in Los Angeles of Eliane Radigue's first acoustic composition, investigating the physical properties of resonating bodies and dynamic systems, composed in 2005 in collaboration with West Coast cellist Charles Curtis, who also performed on the original 2006 recording at Rglise de Notre-Dame de Bon Secours in Paris that is included in this 2-CD set.

Continuing the sense of film noir and consummate conceptual compositions, Dave Pett's Remote Viewers ensemble of four saxophones--Adrian Northover, Sue Lynch, Caroline Kraabel & David Petts--and the powerful and often drum-like double bass of John Edwards, continue their journey in this strange place with 10 new solidly crepuscular and complex works.

Referencing Maxim Gorky's plays Children of the Sun, Alva Noto, aka Carsten Nicola, developed this music for a theater piece titled Komplitzen (Accomplices) by Simon Stone, presented in fourteen compositions of lush electronics, rich atmospheres of tones & timbre, detailed glitch and glacial rhythms that create a wonderful sense of tension and release.

An intimate set of solo expressions from Chicago tenor saxophonist and Kettle Hole label-leader Gerrit Hatcher, seven improvisations recorded in the studio that bring together the soloist's interests in free jazz, lyrical playing and intricate technical passages on the sax, infused with a sense of whimsy alongside serious concentrative playing.

The core duet of the Leap of Faith Orchestra of David Peck on clarinets, saxophones, clarinets & flutes and Glynis Lomon on cello, aquasonic & voice, are joined by Michael Caglianone on trumpet, Eric Woods on modular synth, Albey on bass, all processed in real time by Joel Simches, extending their previous acoustic-only approach to incorporate electronics.

A 2022 recording at Evil Clown Headquarters, in Waltham, MA of the duo offshoot of the Leap of Faith Orchestra--David Peck on reeds & flutes, and Glynis Lomon on cello, aquasonic & voice--with guests, trumpeter Vance Provey, saxophonist Michael Caglianone, modular synth player Eric Woods and Albey on bass, with Joel Simches performing real-time signal processing.

Saxophonist Allen Lowe's statement on American music and American song form across the many genres and styles that make up the terrain, including jazz, the blues, gospel, honky tonk, heavy metal, hillbilly/minstrel song & medicine shows, &c.; diverse forms of popular music that reflect a commingled society, as Lowe blurs the sacred and the profane with a stellar ensemble of musicians.

After suffering and recovering from cancer surgery for a tumor in his sinus, the darkest period of despair in NY-area tenor saxophonist Allen Lowe's life, he turned to composition of new jazz works, finding that the music poured out of him, as heard in this set of lyrical and sophisticated original compositions performed with his aptly named ensemble: The Constant Sorrow Orchestra.

Five interpretations of works by contemporary composers Franco Donatoni, Iannis Xenakis, Xavier Bonfil, Thanos Chrysakis and Tim Hodgkinson performed by a stellar set of performers in varying configurations, including bass clarinetist Jason Adler, trombonist Christian Larsen, bass clarinetist Yoni Silver, clarinetist Hodgkinson, horn player Julian Faultless, &c.

A new collaboration between keyboardist Brent Cordero and bassist Peter Kerlin, a gorgeous blurring of jazz, rock and Terry Riley-esque composition in a swirling collection of original work and a cover of Eddie Harris' "Freedom Jazz Dance", performed in a core trio with drummer Ryan Sawyer and prestigious guests including Daniel Carter, Jessica Pavone, James Brandon Lewis, &c.

The duo of improvisers Lina Tullgren on violin and Japanese koto player based in Boston Alec Toku Whiting, joined on one track by Ted Reichman on synthesizer & pedals, Reichman also recording these studio sessions, as the duo apply unsual techniques with an ear toward sonic assault and unexpected twists & turns, particularly some especially aggressive interaction on "Polly Chainsaw".

The 2nd album as a leader from NY drummer's Chad Taylor's Trio with long-time collaborators and friends, saxophonist Brian Settles and pianist Neil Podgurski, in nine diverse compositions with contributions from all three players along with two works from late pianist Andrew Hill; a wonderfully balanced album of creative jazz, from meditative to joyfully upbeat and rhythmically compelling.

The 19th Pere Ubu album brings members from the history and offshoots of the band that initiated in Cleveland with vocalist David Thomas, melded with members Keith Moline and Andy Diagram from Pale Boys, legendary drummer Chris Cutler (Wooden Birds & Pere Ubu), clarinetist & guitarist Alex Ward and bassist Michel Templem, for 17 wide-ranging songs, often eccentric, but always uniquely Ubu.

A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.

Interdisciplinary Spanish percussionist Núria Andorrà whose background includes contemporary music and improvisation with performers including Agustín Fernández, Joëlle Léandre, Mats Gustafsson, Nate Wooley, and Joe Morris joins Fred Frith in Santa Maria de Palautordera for studio and concert recordings of eleven far-ranging dialogs of unusual and imaginative technique and concept.

Composed by Henry Threadgill based on his observations of the exodus of people from New York City during the Covid pandemic and the debris left behind, this work titled "Valence" and dedicated to percussionist Milford Graves, is a chamber jazz piece in three movements was taken from recordings at Roulette of the second of two performances entitled "One" and "The Other One".

A warmly lyrical, mostly instrumental album of modern jazz that surprisingly takes it's title from legendary punk band MDC, and its songs from their 1982 debut album Millions of Dead Cops, led by NY drummer Mike Pride and performed with Jamie Saft (keys), Brad Jones (bass), Mick Bar (guitars) and on a few songs, vocalists JG Thirlwell (Foetus), Sam Mickens (The Dead Science) and Dave Dictor from MDC itself.

Using hard bop as his jumping off point, Swiss saxophonist Omri Ziegele Tomorrow Trio with Christian Weber on bass and Han Bennink on drums--musicians who have toured and performed together over years--went into the studio hot off of a 13 day tour to record these 6 Ziegele original compositions, lyrically balanced with room for exemplary soloing and group interplay.

Definitely of the Borbetomagus mold, the duo of tenor saxophonist Don Dietrich and cellist Camille Dietrich, his daughter who grew up under the influence of that band's relentlessly aggressive free jazz, here in a live performance at Tubby's in Kingston, New York for four burning improvisations that take apart a tree, leaving the audience to catch the fragments; terrifyingly intense!

With a booklet of images showing the riverside location of the first performances of French guitarist Marc Ducret's sophisticated compositions reflecting tidal river flows & fluctuations by season, the four meticulous recordings on this album were captured in the studio with Fabrice Martinez on trumpet, flugelhorn & tuba, Christophe Monniot on saxophones and Samuel Blaser on trombone.