In 1988, on the spur of the moment, Blake and Braxton met to record this set of 8 standards, including pieces by Monk, Parker, Gillespie, Miles Davis, Mal Waldron, &c.

Legendary saxophonist and composer Anthony Braxton releases the first saxophone duet recording of two ghost trance compositions performed with reed player Kyle Brenders.

Three of the most important virtuoso instrumentalists in improvisation in an historic and intense musical meeting, recorded and mixed by Bill Laswell.

The 4th double CD documenting the legendary five-day residence of Anthony Braxton's ninetet at Yoshi's in 1997 performing Compositions 213 & 214.

Braxton's with Taylor Ho Bynum, Mary Halvorson and Katherine Young performing at the DOM in Moscow, incredible and unusual music from his "Diamond Curtain Wall Quartet".

New Braxton compositions and one standard performed live at Switzerland's Willisau Jazz Festival, 2007

Anthony Braxton's Ghost Trance Music (GTM) in two compositions (numbers 339 and 340) performed by Braxton on multiple reeds and classically trained experimental vocalist Ann Rhodes.

Stalwart avant-garde master Anthony Braxton meets fellow reedman Ben Opie in a pair of extended duet sessions: a Ghost Trance Musics work, and a late GTM work.

The complete meeting of bassist Joelle Leandre with reed player Anthony Braxton 2 CDs from their magnificent performance at the Heidelberg Cafe in Belgium, 2007.

Clean Feed's 100th release is a 4-disc set of multi-reedist Anthony Braxton and guitarist Joe Morris, two masters playing completely improvised pieces.

Reissuing and remastering saxophonist Anthony Braxton's stellar release documenting his 1993 live performance with Marilyn Crispell on piano, Mark Dresser on bass, and Gerry Hemingway on percussion & marimba, demanding collective improvisation from masterful players.

Legendary saxophonist Anthony Braxton met trumpeter John McDonough at Wesleyan University in 2006 to record these original compositions, plus a march by John Philip Sousa.

Limited edition DVD plus audio files of two extended sets bringing saxophonist Anthony Braxton and cornetist Taylor Ho Bynum together live at Bezanson Recital Hall in Amherst, MA in 2010, performing compositions by both artists.

AIMToronto (Association of Improvising Musicians Toronto) organized this concert for 18 AIMToronto members playing the music of American improv guru Anthony Braxton,

Braxton's 9 Compositions (Iridium) 2006 is a nine-CD-plus-one-DVD box set documenting what Time Out New York called "last Spring's epochal run" at New York's Iridium Jazz Club with his 12+1tet.

A reissued and remastered Braxton release with Jon Raskin, Dred Scott, Cecil McBee, and Andrew Cyrille that is intensely explosive, fast-paced, and aggressive, with Braxton's signature style.

Trillium E is the first-ever studio recording of an Anthony Braxton opera, a deluxe 4-disc set of this surreal and witty installment in Braxton's ongoing Trillium cycle, and includes a booklet with libretto, photos, and critical essays.

The dynamic rhythm section that worked behind Anthony Braxton as part of his legendary mid-'80s through mid-'90s quartet steps out on its own to perform a program of Braxton compositions.

Switzerland's 10-piece contemporary classical Ensemble Montaigne adapt 7 compositions from Anthony Braxton, blurring the lines between improvisation and composition in captivating ways.

1978 recordings of AACM wind phenomenon Mitchell performing fascinating and advanced compositions with Braxton, Leo Smith, Henry Threadgill, George Lewis and Don Moye.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Compositions 159, 148, 161, 158 and John Coltrane's "Impressions", performed with Marilyn Crispell, Mark Dresser and Gerry Hemingway.

Braxton's Diamond Curtain Wall Trio with Mary Halvorson and Taylor Ho Bynum live using laptop and interactive electronics at the 24th Festival International de Musique Actuelle de Victoriaville.

American and London artists Anthony Braxton and Derek Bailey performing as a duo at The Victoriaville Festival in 1986, an amazing exchange between two noted masters of free improvisation.

Composer/saxophonist Braxton performed "Composition NO 347 + 62'37" " at the 2011 Victo Festival with the "super-group" of Braxton alumni - Mary Halvorson, Taylor Ho Bynum, Jessica Pavone, Jay Rozen, Aaron Siegel, Carl Testa", on their respective instruments + iPods.

Remaster of the exhilarating second set from saxophonist and composer Anthony Braxton's concert at the Kuumbwa Jazz Center in Santa Cruz, CA, 1993, one of 7 nights performing with the quartet of Marilyn Crispell on piano, Mark Dresser on bass, and Gerry Hemingway on percussion.

"Fairly Early With Postscripts is meant to be a scrapbook of Derek Bailey's activities from 1971 to 1998. Most of the material included on this CD had been previously released on hard-to-find LPs (mostly on the label Emanem) and f...

A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.

1st studio recordings of Echo Echo Mirror House Music, a framework where musicians Braxton, Halvorson, Bynum, Pavone, Testa, Siegel, & Rozen navigate scores combining cartography and graphic notation on instruments plus iPods with samples from Braxton's recorded discography.

Composer and jazz master Anthony Braxton performing on piano in a septet with saxophonists Jackson Moore and Andre Vida, bassist Eivind Opsvik and drummer Mike Szekely, exploring the compositions of Lennie Tristano plus peers Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca, &c.

Reissuing and remastering Braxton's outstanding radio concert for Radio DRS in Safranzunft, Basel in 1977 in a quintet with George Lewis on trombone, Muhal Richard Abrams on piano, Mark Helias on double bass, and Charles "Bobo" Shaw on drums.

Two performers who have stretched the boundaries of their instruments--Miya Masaoka on 12-string koto and Anthony Braxton on saxophones and software-based electronics--in subtle and unusual environments where each player fills the phrases of the other in unforseen ways.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Anthony Braxton's first album as a leader, recorded in 1968 with Braxton performing on sax, clarinet, flute, bagpipes, accordion, bells & snare, in the company of trumpeter Wadada Leo Smith and violinist Leroy Jenkins, each taking on a variety of instruments as well.

Anthony Braxton's first album as a leader, recorded in 1968 with Braxton performing on sax, clarinet, flute, bagpipes, accordion, bells & snare, in the company of trumpeter Wadada Leo Smith and violinist Leroy Jenkins, each taking on a variety of instruments as well.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.

Reissuing the 1984 album of the live collaboration between New York multi-reedist Anthony Braxton and UK free improvising guitarist Derek Bailey, caught in performance at the Royal Hotel, in Luton, England in 1974, and originally intended to be released as two volumes; here the first volume and never-released second volume are in one newly mastered double LP.

Reissuing and remastering the two studio albums from the 1992 4-CD boxset of Anthony Braxton's Quartet with Marily Crispell (piano), Mark Dresser (double bass) and Gerry Hemingway (drums & marimba) recording in Willisau, Switzerland, realizing 10 Braxton numbered compositions with masterful skill and virtuosity, an exceptional set of modern jazz.

Eight improvisations over two CDs from Anthony Braxton's trio with frequent collaborator Taylor Ho Bynum on cornet, flugelhorn and bass trumpet, and Bob Bresnan on piano, Braxton performing on sopranino, soprano, alto and baritone saxes, as the trio twists bop and free/experimental jazz in insightful and quick-witted way, a sublime addition to Braxton's catalog.

A 4-CD box set documenting the meeting of a quartet featuring saxophonist, composer and conceptualist Anthony Braxton alongside improvising guitarist and Wilco star Nels Cline, drummer and Deerhoof founder Greg Saunier, and trumpeter Taylor Ho Bynum, each CD an hour-long, wide-ranging set leaving behind genre imitations as they perform Braxton's colorful graphic score.

Anthony Braxton's and Ray Anderson's short-lived 1979 quartet interpreting seven of Braxton's compositions with amazing results.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Braxton's 1972 Town Hall, NY concert with the great lineup of Dave Holland, Philip Wilson, John Stubblefield, Jeanne Lee, and Barry Altschul, an early example of his numbered compositions

An essential album in Braxton's catalog, this 1976 recording at the Jazzfestival "Jazz Life" in Dortmund, German with the superb quartet of Dave Holland on bass, Barry Altschul on drums & percussion, and George Lewis on trombone, in an album of post-bop avant modern jazz performing five Braxton numbered compositions; challengingly brilliant and exhilarating!

Saxophonist Braxton in a limited 4 CD set of live concerts with his quartet performing standards from the American Songbook, plus pieces by Monk, McLean, Coltrane, &c.

Two GTM compositions from saxophonist and composer Anthony Braxton: Composition 255, a duo with saxophonist Chris Jonas; and Composition 265, performed by the same duo with vocalist Molly Sturges.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

A compilation of works from the late Chicago multi-reedist, experimenter, and AACM founder Muhal Richard Abrams, focused on his widely unknown electronic compositions, in four recording from 1968-1995 with collaborators including Anthony Braxton, Leroy Jenkins, Amina Claudine Myers, Roscoe Mitchell, Maurice McIntyre, Yousef Yancey, Thurman Barker, &c.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

An upbeat and energetic performance at the Konfrontation Festival, Ulrichsberg in 2006, featuring six early compositions by Anthony Braxton, arranged by pianist Pat Thomas and performed by the quintet of superb improvisers and interpreters Alex Ward on clarinet, Evan Thomas on electric guitar, Dominic Lash on electric bass, and Darren Hasson-Davis on drums.