On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment

Unusual electronic improv that moves from light to dark with great grooves and unusual turns, from the core of Klaxon Gueule with Jesse Levine on organ.

Extraordinary free electro-acoustic improvisations from this active German quintet.

Violinist Del Fabbro (Fanfare Pourpour, Rouge Ciel) present 13 pieces for up to ten players with Jean Derome, Pierre Tanguay in a melting pot of avant-rock & compositional forms.

Multiphonic trombonist Fiedler in a trio playing nine original Fiedler compositions.

Mysterious and intense works for electric guitar, signal processing, field recordings and voice from experimenter, improviser and audio researcher Gunnar Geisse.

NY reed & flutist Giardullo's large Open Ensemble, the first release of his G2 music since 1979.

Dark electronic soundscapes with dark beats and vocal improvisations.

Intelligent Dark Electronica with a touch of Krautrock and experimental ambient.

Incredible hybrid of styles from Houle, Zubot & Co., incorporating electro-acoustic, improvisation, folk-inspired melodies, samples and odd dialogue.

Oliver Lake's 1970's trio live at the Willisau Jazz Festival in 1979 playing all Lake compositions.

Von Schlippenbach associate Rudi Mahall in his own Quartett with Necks' drummer Tony Buck, other Schlippenbach-er Johannes Bauer and Japanese pianist Aki Takase.

Improvised music using traditional Alpine horn music as its roots, as performed by a quartet of alphorns, büchels, and voice.

Lisbon saxophonist and composer Alípio Neto in exciting free and hard bop sessions with New Yorkers Herb Robertson, Michael Thompson, and Ken Filiano.

Recordings from Cork, Ireland (home of O'Leary) and Basel, Switzerland, of subtle, dark and powerful experimental improv from two masters of the form.

Mego founder and electronic artist Peter Rehberg met with Schmickler (Kontakta) in 2007 for two days of explosive, dense recording with a remarkable clarity.

Electro-acoustic improvising trio exploring the extremes of free improvisation and contemporary composition.

Triple CD from Variable Geometry Orchestra, who create music by juxtaposing acoustic and electronic sound matter with subliminal and psycho-acoustic side effects.

European pianist and band leader Mike Westrbrook's 11-piece orchestra playing Westbrook originals dedicated to Duke Ellington.

Circle The Path straddles the line somewhere between old-school free jazz, contemporary improvisation, the blues, and standard composition.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Jean Derome (sax, vocals), Normand Guilbeault (double bass), Michel F. Cote (drums, vocals) and Martin Tetreault (turntables) in a release that is ageless and archaic.

The New York trio of trumpeter Kirk Knuffke, bassist Max Johnson and Ziv Ravitz recording mostly original compositions in the studio, modern improvisation blending melodic and free improvisation in excellent ways.

Mike & Kate Westbrooks 1986 album of Gioacchino Rossini interpretations, with Lindsay Cooper on sopranino sax, huge works that impart improv and humor into magnificent compositions.

Live recordings of this incredible improvising trio as influenced by a 'tempestuous' storm buffeting & rattling the windows of the church in which the performance took place.

Active since 1997, the quartet of Alexander Frangenheim (double bass), Roger Turner (percussion), Pat Thomas (piano & electronics) and Philipp Waschsmann (violin & electroncis) in a wildly creative cross of non-idiomatic improv flavored by the London scene.

Fascinating compositions weaving field recordings from Frankbonner's Washington Heights, NYC, apartment window.

Mattin's quartet in the 4th of his "Songbook" series, a concert from Tokyo, where the musicians create "songs" on the spot with bizarre and unexpected results.

3rd solo album from Sleepytime Gorilla Museum's drummer Staiano, 11 tracks recorded on guitar, loops, drums, and percussion without overdubs.

Composer Tenney with early works for flute and clarinet and early drone compositions, exploring issues of unpredictable results and indeterminancy.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Prolific bassist William Parker's incredible lyrical quartet Raining on the Moon with vocalist Leena Conquest on a set of Parker originals.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

California saxophonist Adnan Marquez-Borbon exploring improvisation and electro-acoustic manipulation in solo works with a divserse set of influences.

Two live conducted improvisations percussion for large group recorded at the Oakland Box Theater, presenting the 6 part Piece No.11: Two Orchestras in Separate Rooms.

Faust's 1st 1971 release, originally on the Recommended Record label as ReR 1, beautifully repressed on 180 gram virgin vinyl.

Reissue of pianist Copland in a trio with bassist Drew Gress and drummer Jochen Rueckert performing ballads including pieces by Coltrane, Waldron, Porter and Sting.

The inimitable Chad & Jimmy Carl Black's 17th(!) release of eclectic, odd and fun rock forms, country blues, jazz, bluegrass, native American Indian music and folk rock.

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

Recorded among the Alps, "Refugio" is Laboule's (Paolo Novellino) disclosure of an ancient, dusty and seaside soundscape where it's possible to discover the necessary asylum to grow and find a refuge for melancholy.

Anthony Braxton's and Ray Anderson's short-lived 1979 quartet interpreting seven of Braxton's compositions with amazing results.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

European pianist and band leader Mike Westrbrook's 11-piece orchestra playing Westbrook originals dedicated to Duke Ellington.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.