"Composer, trumpeter, santur player, vocalist, and bandleader Amir ElSaffar has been described in the New York Times as "the celebrated trumpeter and composer who explores vital connections between jazz and Arabic music." A recipient of the Doris Duke Performing Artist Award and US Artist Fellowship, and Hodder Fellowship at Princeton University, ElSaffar has earned an international reputation for his work combining jazz and western classical music with the microtonal Maqam music of Iraq and the Middle East.

His six piece Two Rivers ensemble and 17-piece Rivers of Sound orchestra, combining Western and Arabic instrumentation and musical languages, have released five critically acclaimed albums and have toured throughout the U.S., Europe, and the Middle East. ElSaffar has also composed numerous works for chamber ensembles, symphony orchestras, jazz and Middle Eastern music ensembles, and transcultural works for Flamenco, Gnawa, and Raga musicians, and has made recent forays into electronic music, in addition to composing for dance, film, and theater.

ElSaffar is an expert trumpeter conversant not only in the language of contemporary jazz, but has created new techniques to play microtones and ornaments idiomatic to Arabic music. He was a member of Cecil Taylor's large ensembles from 2002 to 2005, and has performed in the ensembles of Archie Shepp, Vijay Iyer, Danilo Perez, and Anthony Davis.

ElSaffar is an expert trumpeter conversant not only in the language of contemporary jazz, but has created new techniques to play microtones and ornaments idiomatic to Arabic music. He was a member of Cecil Taylor's large ensembles from 2002 to 2005, and has performed in the ensembles of Archie Shepp, Vijay Iyer, Danilo Perez, and Anthony Davis.

Additionally, ElSaffar plays the santur (Iraqi hammered dulcimer) and sings, and is one of the few living performers of the centuries old, now endangered, Iraqi maqam tradition. His traditional Iraqi Maqam ensemble Safaafir, has been active since 2005, and now works with Hamid Al-Saadi, the undisputed master vocalist and authority of the Iraqi Maqam who recently relocated from Baghdad to New York.

Described as "an imaginative bandleader, expanding the vocabulary of the trumpet and at the same time the modern jazz ensemble," (All About Jazz), ElSaffar is an important voice in an age of cross-cultural music making. ElSaffar has received commissions from the MAP Fund, Arab Fund for Arts and Culture (AFAC), Newport Jazz Festival, Metropolitan Museum of Art, Chamber Music America, Jazz Institute of Chicago, and is composer-in-residence at the Royaumont Foundation in France in 2017-2019.

ElSaffar's most recent release, Rivers of Sound: The Other Shore (2021, OutHere Records) features his 17-piece Rivers of Sound Orchestra, consisting of musicians from a variety of musical backgrounds. Using resonance as its governing principle, the music incorporates elements of maqam modal music of the Middle East with jazz and other contemporary musical practices to create a unique microtonal musical environment that moves beyond the notions of style and tradition into a realm of uninhibited musical communication. Each musician of the orchestra interacts with the group through the combination of improvisation and composition, the merging of musical languages, maqam and polyphony, toward the goal of reaching a collective state of Tarab, or musical ecstasy.

The Rivers of Sound Orchestra is an expansion of ElSaffar's six-piece Two Rivers Ensemble. Active since 2006, this sextet explores the juncture between jazz and music of the Middle East. Their 2015 album, Crisis (Pi Recordings), was commissioned by the Newport Jazz Festival was commissioned by the Newport Jazz Festival, where at its 2013 premiere, it made a clear emotional connection to the audience, receiving a rousing standing ovation after just the first piece.

ElSaffar has a wide compositional palette and has worked with a variety of different ensembles and musical formats. His compositions for chamber ensemble include: Ashwaaq (2014) based on Sufi poetry of Ibn Arabi, for Syrian vocalist Khaled Al-Hafez and the Tana String Quartet, which premiered at the Avignon and Aix Festivals in France; Interstices (2017) composed for Ictus ensemble, which premiered at Royaumont in France and had subsequent performances at the Brugge Concertgebow in Belgium'; and Ahwaal (2018), composed for the Lutosloawski Quartet as part of the Jazztopad Festival in Wroclaw, Poland. His work, Maqam/Brass Resonance, for seven winds and percussion, was commissioned by the Berlin Jazz Festival in 2017. He has also composed works for symphony orchestra, including: Suite on the Green (2018, New Haven Symphony Orchestra), Cornu Luminis (2018, Eastern Sierra Symphony, Aix Festival), Two Rivers Symphonic Suite (2020, Amarillo Symphony) and Dhikra (2024 Mostly Mozart Festival Orchestra).

He has also worked with various transcultural ensembles. His 2019 piece "Luminiscencia," consisted of Flamenco vocalist Gema Caballero and dancer Vanesa Aibar, as well as electronics musician Lorenzo Bianchi-Hoesch and Amir's sister, Dena, on violin, viola, and Iraqi fiddle. The work premiered at the Flamenco Biennale in the Netherlands, and toured throughout Europe. That same year, he premiered "Transe" with Tunisian Stambeli (Gnawa) musicians, musicians from Mali, and Ivory Coast, and others at the Dream City Festival in Tunis. He has also worked extensively with Raga musicians, including a long-term project with Brooklyn Raga Massive entitled RagaMaqam, that premiered at Mass MoCA and Lincoln Center Out-of-Doors, as well as composing a original music for the Bharatanatyam dance troupe, Ragamala.

Born near Chicago in 1977 to an Iraqi immigrant father and an American mother, ElSaffar was drawn to music at a young age, listening incessantly to LPs from his father's collection, which included Louis Armstrong, Ella Fitzgerald, and the Blues Brothers Soundtrack (but interestingly, no Iraqi music). His first musical training was at the age of five, singing in a Lutheran church choir at the school he attended. His mother, an avid lover of music, introduced him to the music of Bach and Haydn, and taught him to sing and play American folk songs on ukulele and guitar. ElSaffar eventually found his calling with the trumpet in his early teens.

Chicago offered many opportunities for the young trumpeter: he attended DePaul University, earning a degree in classical trumpet, and had the opportunity to study with the legendary principal trumpeter of the Chicago Symphony Orchestra, Bud Herseth. As a trumpeter of the Civic Orchestra of Chicago, ElSaffar worked with esteemed conductors such as Pierre Boulez, Mstislav Rostropovich, and Daniel Barenboim, and recorded on the latter's 1999 Teldec release "Tribute to Ellington," with members of the Chicago Symphony and Don Byron. Additionally, ElSaffar gained experience playing regularly in Chicago's Blues, Jazz, and Salsa clubs.

He moved to New York at the turn of the century where he performed in the ensembles of jazz legend Cecil Taylor. He also performed with Vijay Iyer and Rudresh Mahanthappa, who were in the early stages of their careers, making forays drawing upon their ancestral background toward forging a new sound.

Amir gradually found himself drawn to the Musical Heritage of his Father's native country: Iraq. In 2001, after winning the Carmine Caruso Jazz Trumpet Competition, he funded a trip to Baghdad to find and study with the few surviving masters of the Iraqi Maqam. Some were still in Baghdad, but he discovered that most had left the country. Amir spent the next five years pursuing these masters across the Middle East and Europe, learning everything he could about the tradition. During this period he learned to speak Arabic, sing maqam, and play the santoor. His main teacher during this period was vocalist Hamid Al-Saadi, currently the only living person who has mastered the entire Baghdadi Maqam tradition.

In 2006 ElSaffar founded Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. Later the same year, ElSaffar received commissions from the Painted Bride Arts Center in Philadelphia and from the Festival of New Trumpet Music (FONT), to compose Two Rivers, a suite invoking Iraqi musical traditions framed in a modern Jazz setting. ElSaffar has since received commissions from the Jazz Institute of Chicago (2008), the Jerome Foundation (2009), Chamber Music America (2009), Present Music (2010), The Metropolitan Museum of Art (2013), The Newport Jazz Festival (2013), Morgenland Festival (2013) and the Royaumont Foundation (2014), creating works integrating Middle Eastern tonalities and rhythms into an contemporary contexts.

He currently leads four critically-acclaimed ensembles: The 17-piece Rivers of Sound Orchestra; Two Rivers, which combines the musical languages and instrumentation of Iraqi Maqam and contemporary jazz; the Amir ElSaffar Quintet, performing ElSaffar's microtonal compositions with standard jazz instrumentation; Safaafir, the only ensemble in the US performing and preserving the Iraqi Maqam in its traditional format; and The Alwan Ensemble, the resident ensemble of Alwan for the Arts, specializing in classical music from Egypt, the Levant, and Iraq. In addition, he has worked with jazz legends Cecil Taylor and Archie Shepp, and prominent jazz musicians, Danilo Perez, Mark Dresser, Gerry Hemingway, Marc Ribot, Henry Grimes, and Oliver Lake."

"Born in Boston in 1977, Brooklyn-based drummer Tomas Fujiwara emerged during the early to mid-2000s as a valued sideman before forming his own quintet, Tomas Fujiwara & the Hook Up, which gathered accolades for blending influences such as Wayne Shorter, Taleb Kweli, and Me'Shell Ndegéocello with the experimental and unpredictable spirit of the 21st century Brooklyn creative jazz scene. After studying for eight years with drummer and educator Alan Dawson in the Boston area, Fujiwara moved to New York at the age of 17. His first performing experiences included a five-year stint beginning around the turn of the millennium with the off-Broadway show Stomp, but he also began appearing as a sideman on jazz recordings (e.g., Three Souls by the Adam Rafferty Trio in 2003) and moving in exploratory, adventurous directions.

Fujiwara developed a particularly strong collaborative relationship with New Haven, Connecticut-based cornetist Taylor Ho Bynum, whose own avant-leaning ensembles have featured a number of top Brooklyn improvising musicians. Fujiwara first appeared with Bynum on two 2007 recordings, The Middle Picture by the Taylor Ho Bynum Sextet (Firehouse 12) and True Events by the Taylor Ho Bynum/Tomas Fujiwara Duo (482 Music). During the following years, the drummer appeared on the Bynum Sextet albums Asphalt Flowers Forking Paths (hatOLOGY, 2009), Apparent Distance (Firehouse 12, 2011), and Navigation (Possibility Abstracts X & XI) (Firehouse 12, 2013), and the Bynum/Fujiwara Duo album Stepwise (Nottwo, 2010). Fujiwara is also a member of Positive Catastrophe, a ten-piece outfit co-led by Bynum and percussionist Abraham Gomez-Delgado and inspired by Sun Ra and Latin jazz; the group has released two albums on Cuneiform, Garabatos Volume One (2009) and Dibrujo, Dibrujo, Dibrujo... (2012).

Another musician with whom Fujiwara has often worked, guitarist Mary Halvorson, also often travels in the same creative orbit as Taylor Ho Bynum; like Fujiwara, Halvorson is a member of the Bynum Sextet, and along with Bynum and violist Jessica Pavone, the drummer and guitarist formed the collective quartet the Thirteenth Assembly, which has recorded two albums for the Important Records label, 2009's (un)sentimental and 2011's Station Direct. Fujiwara, Halvorson, and Bynum also appeared as members of the Chicago-New York nonet Living by Lanterns, whose New Myth/Old Science album -- based on fragments of music recorded by Sun Ra in 1961 -- appeared on Cuneiform in 2012. In 2014 Cuneiform released another album featuring Fujiwara and Halvorson, the eponymous debut of Thumbscrew, a collaborative trio also including veteran bassist Michael Formanek.

Fujiwara first assembled his Hook Up quintet in 2008, later describing the bandmembers as "some of the most important musicians in my life" -- and given all of Fujiwara and Halvorson's recorded appearances together in various settings, it was no surprise that the guitarist was in the lineup. Also featuring tenor saxophonist Brian Settles, trumpeter Jonathan Finlayson, and bassist Danton Boller, Tomas Fujiwara & the Hook Up released their debut album, Actionspeak, on 482 Music in 2010. Featuring Trevor Dunn on bass in place of Boller, the group's sophomore album, The Air Is Different, arrived (also on 482 Music) in 2012.

The many other projects in which Fujiwara has played as a collaborator or sideman include the Steve Lacy tribute band Ideal Bread, the eight-piece "bhangra funk dhol 'n' brass" outfit Red Baraat, and saxophonist/clarinetist Matt Bauder's acoustic jazz quintet. "

"Greek pianist, composer, improviser and bandleader. She studied classical music (Piano Soloist and Composition diplomas) and Agriculture (MS on Food Technology, AUA). She explores jazz as the most creative music form and regularly employs improvisation in her practice. She makes jazz of the kind where improvisation is just the starting point and somewhere out there - or something deep inside - is the aim. Ιnspired by many different traditions and influences, her music and interdisciplinary projects span an impressive range of styles - a creative and borderless amalgamation of the global today's reality.

Her genre-defying "open sound language" is often described as lyrical, inspired, complex, eclectic, intoxicating and highly original. As the Korean magazine Jazzspace has written: "This music invites the listener to dream of eternity."

Her imaginative, explorative musical nature has led to five unique recording collaborations, all released on New Zealand's foremost art-music label, Rattle Records: Forest Stories (2012, with Portuguese wind player, Paulo Chagas), Transcendence (2015, featuring works composed for her Tania Giannouli Ensemble), Rewa (2018, a critically acclaimed, entirely improvised collaboration with traditional Maori instrumentalist, Rob Thorne), In Fading Light (2020, an unexpected trio with trumpet player Andreas Polyzogopoulos and oud player Kyriakos Tapakis) and Solo (2023, her first solo piano album, which has been gathering unanimously ecstatic reviews). All five albums received wide international acclaim and were included in numerous 'Best of' lists, with Transcendence cited as one of the most important Greek albums of the decade according to many Greek media. In 2024, she was one of the ten composers to contribute to the compilation album Piano Day Vol.3 (LEITER) after an invitation of Piano Day and Nils Frahm, its' founder.

She has performed at several venues and festivals in Germany, Netherlands, Belgium, Switzerland, UK, Austria, Spain, Sweden, Norway, France, Denmark, Poland, the Czech Republic, Iceland, Turkey, Italy, Slovenia, Romania, Skopje, Morocco, Mauritius, Greece (among others: Jazzfest Berlin- Berliner Festspiele, Madrid International Jazz festival, Enjoy Jazz festival, EFG London Jazz Festival- Wigmore Hall, Flagey Piano Days, Brussels Jazz Festival-Flagey, Bozar, Gent Jazz festival, MA Musique Antique festival, Rudolfinum Prague, Trondheim Jazzfest, Maijazz, Bergamo Jazz festival, Roma Jazz festival, Bimhuis, Ars Musica, November Music, Onassis Stegi, Venezia Jazz festival, Pisa Jazz festival, Gaume festival, Skopje Jazz festival, NFM Wrocław, NDR Jazz Series, Piano Days Copenhagen, Harpa concert hall for Reykjavik Jazz festival, Paris jazz festival, Ystad Winter jazz festival, Gaume jazz festival, Cerkno Jazz festival, Munsterland festival, Handelsbeurs, Jazzahead, Mamajaz, Zomer Jazz Fiets tour, Borusan Sanat, Stavros Niarchos Foundation Cultural Centre, Catania Jazz festival, Synch festival, Thessaloniki Concert Hall and more), but also in special projects like the demanding site-specific concert "634 minutes inside the volcano", where she- together with 14 more musicians- improvised for more than 10 hours inside the crater of Nisyros' island active volcano.

She is much involved in mixed media and her music for video, documentaries and film has travelled to many festivals, museums, galleries and Biennales worldwide. Her concert music has been performed by the Camerata/Armonia Atenea String Orchestra, Dissonart Ensemble, the Athens Youth Orchestra and the Galaxy String Quartet.

Giannouli is the recipient of many accolades and prizes: in 2025 she was voted as "Rising Star Pianist of the Year" in the 73rd Downbeat's Annual Critics Poll, in 2023 Tania was honoured by the Greek International Women Awards (GIWA) as a visionary individual who has made a significant impact in Arts and Culture and in 2021 she was nominated for the Deutscher Jazzpreis alongside pianists Tigran Hamasyan and Shai Maestro. The annual critic's poll Top Jazz, which is held by the Italian magazine Musica Jazz since 1982 (one of the most important polls in Europe) proclaimed her New International Talent for the year 2023 (premio Gian Mario Maletto). She is often invited to speak about her work, educate the next generation and participate as an artist-in-residence in various contexts. In autumn 2022 she was the artist in residence, together with Nik Bärtsch at Enjoy Jazz Festival.

She is currently collaborating with highly regarded musicians of the jazz international scene: Nils Peter Molvaer (in duo), Nik Bärtsch (in duo), Arve Henriksen (in duo), Maria Pia De Vito ( The Book of Lost Songs), Michele Rabbia and Daniele Roccato (Hemera), Amir ElSaffar (AES New Quartet), Reginald Mobley (Flowers of Stone, in duo), Sun Mi Hong (in duo). Her solo piano concert was premiered at the Kunsthalle Mannheim and has been ever since highly praised by leading magazines as Jazzwise and Downbeat. Several concerts of her were broadcasted by Deutschlandfunk Kultur, NDR, WDR, SWR, RTBF, rbbKultur, Klara and ERT."

"Ole Mathisen is a saxophonist, composer and teacher, with a strong background in jazz. He earned a Master's Degree from the Manhattan School of Music, where he studied arranging with Maria Schneider, composition with Ed Green, and saxophone with Bob Mintzer, and he holds a Bachelor's Degree from Berklee College of Music. Ole is the Director of the Louis Armstrong Jazz Performance Program at Columbia University, where he also has been teaching saxophone and directing ensembles since 2005.

In 2020 Norsk Musikforlag published his etude collection "Book of Mirrors - 18 Rhythmic and Intervallic Studies for Saxophone."

In 2009 he was awarded Chamber Music America's New Jazz Works Grant, which resulted in Mirage, a multi-movement chamber jazz piece based on illusive rhythmic layers. Mirage premiered at Miller Theatre in New York City. It was recorded live by NPR and featured on the radio shows JazzSet with Dee Dee Bridgewater and Jazzklubben with Erling Wicklund. Other awards include the ASCAP Plus Awards (2004, 2005, 2007, 2008, and 2009), The DANY Arts Grant (2006) from the Danish Government, the Tono Work Stipend (1999, 2014) from the Norwegian Composers Rights Organization, Artist Educational Stipend (1993) from the Norwegian Government, Faculty Association Award (1987) from Berklee College of Music, Phil Woods Incentive Award (1984) from Berklee College of Music.

Ole has worked on over 100 CD releases and has composed several movie and television scores."