"Camila Nebbia is a saxophone player, composer, improviser, multidisciplinary artist curator and educator from Buenos Aires, Argentina based in Berlin, Germany. Her artistic practice reflects the relationship between composition, free improvised music, film and mixed media creations, where memory and identity are some of the main resonances of her work. Her visual work includes super 8 film, archives, destroyed archives, expanded cinema & digital video. Co-creator and curator of the collective interdisciplinary group and improvised music series "La Jaula se ha vuelto pájaro y se ha volado", the concert series "Guillotina Fest" and creator and curator of the streaming concert series called "The warmth of proximity" for womxn, transgender & non binary experimental musicians presented at the Experimental Sound Studio of Chicago. Co-founder of the collective and independent record label based in Portugal "Habitable Records". Played and recorded with many artists of the international scene such as Valentin Garvie, La Big Nant, Axel Filip Sextet, Nacho Szulga Quintet, El devenir del río, Julian Mekler sextet, Burka, Paula Shocron, Barbara Togander, Patrick Shiroishi, Paul Pignon, Christer Bothén, Vinnie Sperrazza, Katt Hernandez, Nicola Hein, Kenneth Jimenez, Lesley Mok, Violeta García, Susana Santos Silva, Tom Rainey, Elsa Bergman, l' Arfi collective of Lyon, Joanna Mattrey, Micheal Formaneck, Flatter Ensemble, John Hughes, Lesley Mok, among others. Has released as a band leader and solo performer "A veces la luz de lo que existe resplandece solamente a la distancia" (Kuai 2017), "De este lado" (Club del disco 2019), Aura (ears&eyes records 2020),"Corre el río de la memoria" (ramble records 2021) and "Presencias" (Sound Holes 2021). Participated in many festivals around the world such as Winter Jazz Fest NYC co-presented with M3 (U.S), Buenos Aires Jazz Festival (ARG), Santa Fe Jazz Festival (AR), Lima Jazz Festival (PE), FRIM concerts at Fylkingen, Stockholm (SE), Diskurs Festival (DE), Ultima Oslo (NO), among others, and has assisted to several residencies such as SIM (NYC) Jazz & Creative Music dictated by Tyshawn Sorey and Vijay Iyer (CA), OMI (NYC), Konvent Zero (ES) UNCOOL (CH), Ensemble Evolution (US), CirkusVranen (SE), CCK with Tim Berne, Marilyn Crispell & Ben Goldberg (AR), among others. Has composed the music of the short film "Cuando Corro" by Ana Luz Furth 2020, the circus performance "Gården" 2021 by Anna Aro and the circus ritual performance "Lei-La" by Karla Arévalo 2022/23.

Studied classical saxophone at the Conservatory "Astor Piazzolla", jazz at the "Manuel de Falla" Conservatory, Film Direction at the Universidad Del Cine, and the masters degree program "CoPeCo Contemporary Performance and Composition. The two-year program occurs each semester in a different institution: Estonian Academy of Music and Theatre in Estonia, Royal College of Music in Stockholm in Sweden, National Superior Conservatory of Music Dance of Lyon in France and Hamburg University of Music and Theatre in Germany. Was part of the second cohort of Mutual Mentorship for Musicians M3 created by Jen Shyu & Sara Serpa 2021. Fellowship at Experimental Sound Studio 2022 for curating "A door in the mountain" series."

"Classically trained cellist Julia Biłat creates at the intersection of improvisation, composition and performance.

In her solo work, she expands the instrument through voice, body and movement, developing intense musical forms in which sound and performative presence become inseparable.

Based in Berlin, Biłat participates in various classical, jazz, improvisation and performance projects such as Stegreif.Orchester, Camila Nebbia's The Hanged One, Trickster Orchestra, Fabiana Striffler's Archiotic Quintet and many more.

She has composed and co-directed several productions with the Stegreif.Orchester. In 2022/23 her re-compositions of Hildegard von Bingen's music were performed at the Alte Oper Frankfurt and at the Berlin Philharmonie as part of #bechange project.

With her solo project Biłat has performed at the Butohpolis festival in Warsaw, Into The Open Berlin, Artacts Festival in Austria and Berlin Solo Impro among many others."

"Arne Braun, born 1995 in Jakobstad, Finland, is a Finnish musician with the electric guitar as his main instrument. He lives in Berlin where he is active on the scene in various bands and projects, playing both in Berlin and other cities around Germany. Besides Germany and Finland, where he regularly performs, he has also played in Iceland, France, Sweden, Italy, and the Netherlands. Notable festivals he has performed at include the Reykjavik Jazz Festival, Umbria Jazz Festival, Pori Jazz Festival, and MaerzMusik. He recently graduated from the Jazz Institute Berlin (UdK/Hanns Eisler), where during his studies he received lessons from Greg Cohen, Kurt Rosenwinkel, Kalle Kalima, Chris Dahlgren, Jim Black, John Hollenbeck, Marc Muellbauer, and more. In the last five years he has had the opportunity to play and perform with some of his favourite musicians, including Morgan Ågren, Jim Black, Pat Mastelotto, Greg Cohen, and many more."

"Born in Mendoza, Argentina, he began his piano studies privately at the age of 11. Later, he studied Music Production at the National University of San Luis. After graduating, he moved to Buenos Aires to study Jazz at the Conservatory Manuel de Falla, specializing in piano. In 2020, he moved to Berlin, where he currently resides. As an artist, he has found many tools in his training that allow him to develop in different facets of music.

Currently, he is dedicated to sound exploration through electronic devices, engaging with experimental elements alongside audiovisual components. This environment allows him to comfortably continue discovering and generating new ways of interpreting music. In recent years, he has been producing new music as a solo project, creating audiovisual material that connects various ways of sampling a piano with electronic tools.

Parallel to this, for the past 10 years, he has been part of a piano and voice duo focused on the song format, blending elements of jazz, electronics and contemporary music. This is another musical facet where he deeply enjoys composing and performing as a pianist, which has brought him great artistic satisfaction, including the release of three albums, one of which was later re-released by a label in Japan.

Since his formative years as a music producer until today, he has grown in different musical genres and fields, which have greatly helped him learn music production. He has produced jazz, electronic, hip hop, rock, pop, and urban beats records; all these styles have influenced his musical personality and provided him with the necessary tools to work with different artists.

As a teacher, he started teaching piano and harmony independently in 2010, acquiring tools and pedagogical resources that he applies to his current classes. Thanks to his studies, he is able to teach Piano, Harmony, Ear Training, Musical Language, and Music Technology (Music Production and Mixing). He currently offers workshops and personalized classes on the use and management of Ableton Live."

"Vinicius Cajado, from São Paulo, Brasil, his unique approach to the bass led him to win a jazz performance award with additional honors of most creative and unique playing at the International Society of Bassists competition, and in addition , his debut solo record for double bass "Monu" was nominated as "Best of the year 2021" by "The New York City Jazz Record" . Vinicius has performed in many festivals and renowned venues including Saalfelden Jazz Festival, Lincoln Center NYC, The Kitchen NYC, Budapest House of Music, Via Funchal Sao Paulo. Jazz and the City Festival Salzburg , 20 Years of Curva Minore Palermo, Vienna Art week and also Theater week, Porgy & Bess Vienna, has been artist in residence in Leopold Museum Vienna and part of Kunstforum's (Seven Rounds with Warhol/Basquiat) exhibition and etc.... And also to perform with artists such as Joelle Leandre (FR), Barre Phillips (US), Mark Dresser (US), Franz Hautzinger (AT), Nicole Glover (US), Lukas Koenig (AT), Martin Siewert (AT), Kenji Herbert (JP), Mauricio Takara (BRA), John Edwards (UK), Golnar Shahyar, (IRAN), Lucio Balduini (ARG), Kenneth Ishak (NOR), among many others from all over the world.

Besides touring and playing around the globe Vinicius is also co-founder of Urchin Records, a platform created to defy easy genre categorization, founded together with the Japanese/Austrian guitar player Kenji Herbert, in New York City

Vinicius's playing, technique, tone and sound is a mixture between lots of different styles, and all of this extended by the immense color palette that is improvised music. The Bassist uses traditional and unconventional techniques, to make the tradition new, and also cut any borders that have been created in modern music in order to make the stage an organic space of interaction."

"Lukas Akintaya also known as Adeolu, is a Berlin-based drummer, composer and music producer. As a cross-disciplinary musician, he explores diverse experiential and genre defying projects within the creative music industry. His musical conception is profoundly influenced by the Black art form of jazz, along with its wide and deep ranging cultural heritage and societal impact. His second Album �The in between�, released on November 7th, 2025 on cologne-based powerhouse Records, is a meditation on the multifacetedness of existence. It centers searching and belonging, fnding place in the in-between. Driven by a deeply collaborative spirit, the album blends personal poetry with non-linear storytelling, opening a space that listens as much as it speaks."