The Squid's Ear Magazine


Wallmart / Rubbish: Asset Protection [split CD] (Love Earth Music)

A split release pairing Rubbish's abrasive industrial textures with Wallmart's ambient dissonance, presenting six tracks that explore themes of consumerism and surveillance through experimental noise compositions.
 

Price: $8.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





Product Information:

Personnel:



Rubbish-peformer, tracks 1-4.

Wallmart-performer, Tracks 5 & 6.

Click an artist name above to see in-stock items for that artist.



Label: Love Earth Music
Catalog ID: LEM-373
Squidco Product Code: 35900

Format: CDR
Condition: New
Released: 2025
Country: USA
Packaging: Digipack
No recording data listed.
Descriptions, Reviews, &c.


Track Listing:
Related Categories of Interest:


Various Artists & Compilations
Electro-Acoustic
Sound, Noise, &c.
Electronic Forms
Solo Artist Recordings
New in Experimental & Electronic Music
Recent Releases and Best Sellers

Search for other titles on the label:
Love Earth Music.


Recommended & Related Releases:
Juice Machine
Yachats
(Love Earth Music)
Recorded across two seasons in coastal Oregon, Yachats showcases the late Heather Chessman and Roger Smith as Juice Machine, sculpting fragile, tape-based electro-acoustic collages that blend field recordings, loops, and discreet electronics into seven immersive vignettes — each a poetic meditation on place, memory, and sonic texture.
Last Action
Alien Chrome
(Love Earth Music)
Belgian sound artist Carlo Steegen delivers a solo work of dense, textural abstraction under his Last Action moniker, blending elements of noise, industrial atmospheres, and electroacoustic experimentation into a raw and immersive studio performance recorded in the summer of 2024.
Abrasion Addict / Animal Machine
Split
(Love Earth Music)
A raw and punishing split release from UK noise artists Abrasion Addict (Joe Fowler) and Animal Machine (Bohr Ernst), presenting studio and live recordings — including a 2017 Brighton performance — of unrelenting sonic extremity, where dense textures, abrasive dynamics, and fractured structures embody the visceral force of the harsh noise underground.
subservientdominance
Publicdominance
(Love Earth Music)
Live recordings from four Northeast U.S. performances by subservientdominance, the solo project of Doug DeWalt, blending power electronics, harsh noise, and deep vocal-driven textures into a visceral exploration of sonic dominance, with each set presenting a uniquely aggressive and immersive approach to raw electroacoustic intensity.
Zane, Allan / Carl Kruger
Model Collapse
(Love Earth Music)
Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.
Elka Bong
Elektro Locution [VINYL]
(Love Earth Music)
Elka Bong is the experimental sound art duo of Al Margolis and Walter Wright, here joined by guests Andrea Pensado on voice and electronics and Steve Davis on electronics, Margolis performing on synth, electric guitar & objects, and Weiss on Board Weevil and drum kit, in a mix of improvisation, extended technique, cacophony and indeterminacy.
L'eclipse Nue
Degradation Bliss [VINYL]
(Love Earth Music)
Daniel Sine, aka L'eclipse Nue, in his third releases on Love Earth Music and his first on vinyl, the title evoking the sense of joyful noise and ritual aspects to his work through eight pieces of divergent sonic experiments, recalling the work he participated in Japan through bands with Le Chien Nu and SHROUD OF VAPOUR.
Jupitter-Larsen, GX
Ross Distracted [VINYL]
(Love Earth Music)
Each side of this LP from The Haters mastermind GX Jupitter-Larsen is a minimalistic noise work in the style of The Haters, built from loops and extraneous sounds, obscure and curious and each side ending with a giggle; you either need more of this kind of sonic opaqueness, or perhaps you too are a Hater.
T. Mikawa x Victoria Shen
Personality Chrysler
(Love Earth Music)
A duo recorded in Tokyo in 2019 as a live performance, and through remote collaboration on the internet, between NY sound artist Victoria Shen, who focuses her work on extreme textures and gestural tones, using "chaotic sound" to oppose signal and information to elude traditionally embedded meaning, and Japanese noisician Toshiji Mikawa of Hijokaidan & Incapacitants fame.
Juice Machine
Broken And Dilapidated
(Love Earth Music)
An apt description for the layers of sonic decay and deteriorated sounds, loops and errata that underpin each of the five tracks on this elusively restrained noise album, Juice Machine, aka Roger H. Smith (Chefkirk) and Heather Chessman, use mangled field recordings and concrete elements of blurred looping structures and aberrant interjection, each unique work a fascinating curiosity.
+DOG+
To Share Forever With You
(Love Earth Music)
Love Earth Music label leader and sound artist Steve Davis' +DOG+ project is joined by a cast of noise and sound artists--Bobby Almon, Chuck Foster, Edward Giles, Jack Szymczak, LOB, Mackenzie Kourie, Ron Karlin--for a mix of rich sonic assaults, collage constructions and possibly some live captures, in an interesting and well-produced collection of diverse approaches to sound.
Extra
Spiral/Athletics
(Love Earth Music)
The third album from the collaboration of sound artists Howard Seltzer, who typically works with consumer grade tape players, and Brian Grainger, head of the Milieu Music mailorder label, in an extended work of textural cassette sound, field recordings, drone music and modular synthesis, a journey through rich and well-controlled sound.
Modelbau
Inlets
(Love Earth Music)
A journey through drone, abstract sound and concrete elements from Netherlands sound artists and writer Frans de Waard (Vital Weekly), mixed from recordings sessions in 2022 and sourced from small electronics, shortwave radio, aqueous recordings, iPad synths, Walkman and "whatever else", the work suggesting 11 movements through various textures and sonic environments.
Gintas K
Sound & Spaces #2
(Love Earth Music)
With albums on Creative Sources, Bolt and esc.rec., &c., Lithuanian sound artist working in the digital electronic realm Gintas K. releases a solo album of nine compositions for computer, midi keyboard & controller, using glitch, oddly punctuated rhythmic elements and alien sound sources for an oddly compelling album of slippery electronics and strange sonic environments.
Ego Death / Astro
Crossing The Line Between Life And Death
(Love Earth Music)
A split release between two noise artists from opposite sides of the planet: first Greek sound artist Manos Michaelides, aka Ego Death, in a brutal assault of abrasive sound recorded over a decade; then an amalgamation of a live recording from Hiroshi Hasegawa (C.C.C.C.) performing at IAF shop in Fukuoka, Japan and in the studio at Koenji-Minami Studio, in Tokyo, Japan.
Chefkirk / Crank Sturgeon
Nice To Err With You (2 CDs)
(Love Earth Music)
Bringing together two aberrant sound artist--Chefkirk, aka Roger Smith, based in Oregon; and Crank Sturgeon, aka Matt Anderson currently based in Massachusetts--for two CDs of rhythmic mayhem layered and punctuated with electronics and mutilated sounds from objects & voice, with beats that feign steadiness but derail in amusing and embraceable ways; weird fun! Mastered by Squidco's own Carl Kruger.



Customers Who Bought This Item Also Bought:
Davis, Miles 3rd Quintet
Reference: Bitches Brew Live 1969 In Europe [2 CDs + 2 POSTCARDS]
(ALAY)
Documenting Miles Davis' 1969 "lost" third quintet live in Berlin, Stockholm and Rotterdam with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette, this 2-CD set captures the post-In a Silent Way ensemble reshaping material headed toward Bitches Brew, balancing lyricism and abstraction through open forms, electric-piano clusters, volatile rhythmic invention and Davis' fiercely exploratory trumpet.
Kelley, Greg / Yoona Kim
Distractions for Trumpet & Ajaeng
(Relative Pitch)
Bringing together Greg Kelley's extended-technique trumpet with Yoona Kim's non-traditional approach to the ajaeng, this Boston duo explores breath, bow, friction, resonance, and near-silence through taut improvisations where fragile tones, coarse strings, microscopic air bursts, and sudden ruptures forge a focused, unpredictable shared language.
Ochibo no ame (Kawashima / Inage / Yamagishi)
Studio Recording
(Relative Pitch)
A fierce studio document from the Japanese free-improvising trio of Makoto Kawashima on alto saxophone, Louis Inage on bass, and Naoto Yamagishi on drums and percussion, moving through charged silences, abrasive eruptions, fractured melody, dark bass resonance, and scattered percussive force in a raw, intuitive exchange rooted in underground intensity and collective risk.
Nebbia, Camila / Chris Corsano
Six or Seven Ways Towards Becoming Undone
(Relative Pitch)
A fierce, spontaneous duo of Camila Nebbia on tenor saxophone and Chris Corsano on drums, recorded in Berlin in 2025, merging Nebbia's searching lines, breath-driven textures and unstable lyricism with Corsano's explosive, highly detailed percussion language, moving between delicate abrasion, surging intensity, fragmented melody and raw improvised exchange.
Street Rat
Ticking Clock & The Aftershock
(Love Earth Music)
Philadelphia sound performer Gladys Nobriga's Street Rat project brings a raw solo noise document to Love Earth Music, with four 2025 studio pieces and a closing live recording from Calvary Center, using DIY electronics, object-based sound, physical gesture and abrasive texture to shape a stark, tactile and confrontational album of pressure, decay, rupture and aftermath.
+DOG+
The Garden
(Love Earth Music)
A new solo work from Steve Davis's long-running +DOG+ project, recorded in Sudbury, Massachusetts across 2025 and 2026, continuing the Love Earth Music founder's exploration of experimental noise, drones, abrasion and collage-like electronics in a raw sound environment where distortion, density and unstable resonance bloom into a tangled, immersive field of sonic growth and decay.
+Felladog+
III
(Love Earth Music)
The third electronics-only collaboration from Cleveland sound artist Jim Szudy and Steve Davis' +DOG+ unfolds as ten compact-to-extended pieces of industrial drone, electroacoustic noise, distortion, scrape and low-frequency pressure, continuing +Felladog+'s harsh but carefully shaped language of rusted texture, buried signal, abrupt rupture, and immersive sonic decay.
Dysmorfic +DOG+
To The Usual Atomic Rhetoric Vol. 1
(Love Earth Music)
Italian avant-grind duo Dysmorfic pair Davide Buccedi's volatile drumming with Tom Conte's fretted and fretless bass, then fold in Steve Davis' +DOG+ electronics for five compact assaults where grindcore velocity, prog-jazz dislocation and harsh ambient noise collide, turning riffs into unstable events and brief tracks into dense, abrasive miniatures of rhythm, texture, tension, resistance, and rupture.
Unsub
Misprision
(Love Earth Music)
The cross-coastal duo of Los Angeles experimental artist FETUSK on guitar, drones, keys, bass, beats and screams with Massachusetts synthesist Steven Davis, recorded between The Womb and MDP Studios in 2025, creating six volatile works of industrial drone, damaged electronics, guitar abrasion, buried rhythm and dark ambient pressure for a dense, confrontational and immersive Love Earth Music release.
Mephitick Ooze
The Path of Congealment
(Love Earth Music)
The Montague, Massachusetts noise project Mephitick Ooze delivers a forty-four-minute barrage of distorted, tortured sound in a harsh and challenging long-form work that moves glacially through ripped textures, overloaded frequencies and brief pockets of relief, shaping its abrasive force into a slow, deliberate arc of sonic pressure.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC