The Squid's Ear Magazine


Leandre, Joelle / Pauline Oliveros / George Lewis: Play As You Go (Trost Records)

An incredible concert of free jazz legends from long-time collaborators Pauline Oliveros on electric accordion, Joëlle Léandre on contrabass & voice, George Lewis on trombone, laptop & electronics, recorded by the national Czech radio station during the festival VS. Interpretation in Prague in July 2014 in a masterful 8-part collective improvisation.
 

Price: $17.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Pauline Oliveros-electric accordion

Joelle Leandre-contrabass, voice

George Lewis-trombone, laptop, electronics


Click an artist name above to see in-stock items for that artist.




UPC: 9120036683365

Label: Trost Records
Catalog ID: TROST 212CD
Squidco Product Code: 31053

Format: CD
Condition: New
Released: 2021
Country: Austria
Packaging: Cardboard Gatefold
Recorded at the festival VS. Interpretation 2014, in Prague, Czech Republic, on July 17th, 2014, for Czech radio.

Descriptions, Reviews, &c.

"French double bass master Joëlle Léandre and American accordionist and electronics player Pauline Oliveros and electronics player and trombonist George Lewis are great pioneers of free and experimental music on both sides of the Atlantic, influential thinkers and role models and inspiring educators. Play As You Go is the only recording of these three masters sharing the same stage, captured by the national Czech radio station during the festival VS. Interpretation in Prague in July 2014.

But these musicians have known each other since the early eighties. Léandre first met Oliveros in New York when she was performing British-American composer Bernard Rands' "Memo 1" for solo double bass, and later played with her in festivals all over Europe. In 2002, Oliveros and Fred Frith invited Léandre to be a visiting professor, teaching improvisation and composition at the Mills College in Oakland. This cooperation led to the recording of The Space Between (482 Music, 2003, with shakuhachi player Philip Gelb and pianist Dana Reason). Léandre first recorded with Lewis in 1982, as a free-improv quartet with Derek Bailey and Evan Parker, 28 Rue Dunois Juillet 1982 (Fou, 2014). Two years later Lewis invited Léandre to record his seminal composition Rainbow Family with Bailey, Steve Lacy and Douglas Ewart (Carrier, 2020), and throughout the eighties, they continued to collaborate with outfits led by Irène Schweizer and Anthony Braxton. Their last collaboration as a duo was recorded at the 2008 edition of the Vision Festival, Transatlantic Visions (RogueArt, 2009).

Play As You Go accumulates decades of experience in improvising and spontaneously composing at the moment. Obviously, and as sax player and scholar Tracy McMullen mentions in her insightful liner notes, deep listening, sonic awareness are essential for such a meeting, or as Oliveros taught us: full attention and openness to another, another which is sound, includes the sound that you make. Deep listening demonstrates that we can conceive of our relationship to the other not in terms of being recognized, but in terms of generous giving. Lewis adds to Oliveros Buddhist-tinged concepts the idea that we can live in an ever-present now and this idea denies the reality of history and the habits and momentum that shape our racist, sexist, capitalist present, and this leads to a resistance to accept the dualisms of the West. Our practice is to perceive things clearly, respond appropriately (that is ethical, born out of clear-perception) and to understand the biggest picture: that the ignorance of the world is not the world. Léandre wraps these notions in a simpler way: have fun and love each other. Then, at a certain point, we may find ourselves in a space where no instruction is needed, no remembering is needed.

Play As You Go offers 44 magical minutes. This piece draws you immediately into a colorful, almost psychedelic and spiritual sonic adventure that has its very own timeless logic and highly expressive language. It may sound at first as a secretive, exotic language that only Léandre, Oliveros and Lewis share but very soon you may feel quite proficient in their coded, layered messages, imaginative but refined dialects and fascinating nuances. Eventually, you will feel that these generous listeners-improvisers see you - the listener - as an integral part of their journey, and want to share with you the deep joys of celebrating being in the moment, a moment that holds at once all of our past and all of our future. An emotional and poetic moment that goes beyond the dichotomy of free and not free, acoustic vs. electronics, or improvised vs, composed. For a brief 44 minutes Léandre, Oliveros and Lewis become one with the music, sharing and enriching each other's ideas and making it bigger than themselves, feeling the rare elation of reaching such close and profound understanding, but not taking themselves too seriously, and insist on having fun.

A masterpiece."-Eyal Hareuveni, The Free Jazz Collective


Get additional information at The Free Jazz Collective

Artist Biographies

"Pauline Oliveros was a senior figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the '50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros was Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. Oliveros has been as interested in finding new sounds as in finding new uses for old ones --her primary instrument was the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi. Pauline Oliveros' life as a composer, performer and humanitarian was about opening her own and others' sensibilities to the universe and facets of sounds. Since the 1960's she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Pauline Oliveros was the founder of "Deep Listening," which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. Deep Listening was my life practice," she explains, simply. Oliveros was founder of Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer."

-Pauline Oliveros Website (http://paulineoliveros.us/about.html)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joëlle Léandre is a famous French Bassist and is known for her collaborations with other musicians in the field of improvised music. Born in France on September 12th, 1951, she made her music debut in 1984 with Les Douze Sons. Her childhood was filled with music, and she was particularly interested in the piano during her early years. In her later years, she developed an interest in double bass, which won her many honors and scholarships during her education. Her double bass teacher Pierre Delescluse encouraged her to apply to the Conservatoire National Superieur de Musique de Paris, where she was formally trained and noticed for her talent in the bass. Her outstanding musicianship took her to the United States and to the Centre for Creative and Performing Arts in Buffalo through a scholarship. In the United States, she expanded her network and met some of the best composers, such as John Cage, Giacinto Scelsi, and Morton Feldman. Among them, John Cage greatly influenced her music and compositions. Her time in the United States also enabled her to experience downtown New York music, which was another significant influence that led to her continued involvement in the field of improvised music.

Some of her notable collaborations in the field of contemporary music are with Pierre Boulez, Merce Cunningham, John Cage, and Giacinto Scelsi. Among them, John Cage and Giacinto Scelsi were the biggest influences in her life and music. In an interview, Joëlle Léandre said that John Cage was her spiritual father and changed her perception of sound and music. In another interview, she tells how Giacinto Scelsi allowed her to discover her own music and how his music transported her into a new world of improved consciousness. In the field of jazz music, she collaborated with Derek Bailey, William Parker, and Sebi Tramontana. Her music was owned and distributed by different music labels, including FMP, Leo, RougueArt, and Red Toucan. Some memorable songs and albums she released throughout the years include Instant Replay, Les Douze sons, Trios, Sweet Zee, Frerebet, Joelle et Tetsu, Philippe Fenelon, Voyages, etc. Some of the recent releases include Can You Hear Me and Unleashed. She has also performed live at the Tampere Jazz Festival twice, where popular international artists compete with each other.

Joëlle Léandre is also the member of European Women's Improvising Group (EWIG). The group evolved from the Feminist Improvising Group, and Joëlle Léandre joined the group in 1983. In the early 1900s, she co-founded Les Diaboliques with Irene Schweizer and Maggie Nicols, who were her long-time musician friends. Besides that, she also teaches several classes in prestigious universities about contemporary and improvised music. She has lived in France, Germany, and U.S during her lifetime, teaching at academic institutions in the religions and playing concerts. In 2002, she was invited to Canada as a visiting professor for music and composition."

-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A 2015 Fellow of the American Academy of Arts and Sciences and a Corresponding Fellow of the British Academy, Lewis has received a MacArthur Fellowship (2002), a Guggenheim Fellowship (2015), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. In 2015, Lewis received the degree of Doctor of Music (DMus, honoris causa) from the University of Edinburgh.

A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work in electronic and computer music, computer-based multimedia installations, and notated and improvisative forms is documented on more than 140 recordings. His work has been presented by the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Boston Modern Orchestra Project, Talea Ensemble, Dinosaur Annex, Ensemble Pamplemousse, Wet Ink, Ensemble Erik Satie, Eco Ensemble, and others, with commissions from American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, San Francisco Contemporary Music Players, 2010 Vancouver Cultural Olympiad, IRCAM, Glasgow Improvisers Orchestra, and others. Lewis has served as Ernest Bloch Visiting Professor of Music, University of California, Berkeley; Paul Fromm Composer in Residence, American Academy in Rome; Resident Scholar, Center for Disciplinary Innovation, University of Chicago; and CAC Fitt Artist In Residence, Brown University.

Lewis received the 2012 SEAMUS Award from the Society for Electro-Acoustic Music in the United States, and his book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society's Music in American Culture Award. Lewis is co-editor of the two-volume Oxford Handbook of Critical Improvisation Studies (2016), and his opera Afterword, commissioned by the Gray Center for Arts and Inquiry at the University of Chicago, premiered at the Museum of Contemporary Art Chicago in October 2015 and has been performed in the United States, United Kingdom, and the Czech Republic.

Professor Lewis came to Columbia in 2004, having previously taught at the University of California, San Diego, Mills College, the School of the Art Institute of Chicago, the Koninklijke Conservatorium Den Haag, and Simon Fraser University's Contemporary Arts Summer Institute. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey."

-Columbia University (http://music.columbia.edu/bios/george-e-lewis)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Play As You Go 43:59

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Trio Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Trost Records.


Recommended & Related Releases:
Other Recommended Releases:
Parker, Evan / George Lewis
From Saxophone & Trombone [VINYL]
(Otoroku)
The first vinyl re-issue of the 1980 duo between UK saxophonist Evan Parker and US trombonist George Lewis, captured live at the Art Workers Guild in London, using the natural resonance of the space and phenomenal technique in an intense set of dialogs showing the mastery of each player and the forceful voice each of them brings to free improvisation.
Nitsch, Hermann
Das Orgien Mysterien Theater - Musik des 6 Tage Spiels 2022 [2 CDs]
(Trost Records)
Recorded in Schloss Prinzendorf shortly after the passing of composer and artist Hermann Nitsch, this realization of his six-day play festival of the Orgien Mysterien Theater, an aesthetic ritual of the glorification of existence, merging art, photography and color together, the music an essential element derived from the interplay of sound and colour through harmony or dissonance.
Hautzinger, Franz
Gomberg III-V - Airplay
(Trost Records)
Creating a persona to "overcome his own limitations", Austrian trumpeter Franz Hautzinger adopts the name of Gomberg as an alter-ego, releasing this engaging and unconventional set of 22 succinct recordings made between 2006-2018, selected and sequenced from occasion-related compositions and commissioned works, performed on quartertone trumpet, electronics, zither, voice & percussion.
Taborn, Craig / Joelle Leandre / Mat Maneri
hEARoes
(RogueArt)
The meeting of three masterful string and keyboard players--Craig Taborn on piano, Joelle Leandre on double bass and Mat Maneri on viola--a Transatlantic chamber jazz trio recording live at Theatre Antoine Vitez in Ivry-sur Seine, France in 2022 for seven sublime conversations of innovative and imaginative exchanges; absolutely magnificent!
Leandre, Joelle
Zurich Concert
(Intakt)
A tour-de-force solo concert from the masterful improvising French double bassist Joëlle Léandre, performing at Kunstraum Walcheturm in Zurich in 2022, mostly performed through an astounding bowing exposition, accompanied at times by her worldless vocal improvising, the five parts of this concert evoking passion, power, and a lifetime of profound expression.
Oliveros, Pauline
The Well & The Gentle [VINYL 2 LPs]
(Important Records)
Reissuing two essential, major works from improviser, conceptualist, accordionist and composer Pauline Oliveros--The Well & The Gentle--recorded in 1984 with participation including fellow accordionist Guy Klucevsek, The Well recorded in the studio in Pennsylvania, The Gentle using the resonance of the drinking watertank Severin of Cologne in West Germany.
Leandre, Joelle / Nuria Andorra
BLA BLA BLA duo
(Listen! Foundation (Fundacja Sluchaj!))
A brooding meeting between free improvising double bassist Joëlle Léandre and Catalonian drummer/percussionist Nuria Andorra (Icarus Ensemble, Barcelona 216, Patchwork Ensemble), two generations of improvisers finding common ground through a simmering boil of intelligent improvisation, imaginative technical skill and passionately assertive playing.
Snekkestad, Torben / Soren Kjaergaard
Another Way Of The Heart
(Trost Records)
Mysterious and beautiful, the compositions of Norwegian improvisers, saxophonist, trumpeter and clarinetist Torben Snekkestad and pianist Søren Kjærgaard, are influenced by the peaceful western coast of Norway where they recorded these 12 pieces, with titles adapted from the texts by Torben Ulrich in the work Meridiana: Lines Toward A Nonlocal Alchemy.
Steamboat Switzerland (Blume / Pliakas / Niggli)
Terrifying Sunset [VINYL]
(Trost Records)
Contemporary German painter Albert Oehlen invited Steamboat Switzerland — Lucas Niggli on drums; Marino Pliakas on electric bass; Dominik Blum on drums& voice — to create music for his solo exhibition Tramonto Spaventoso at the Gagosian Gallery in Los Angeles, these extended compositions that connect to Oehlen's work the result, from dark ea-improv to hardcore Hammond free jazz.
Judson Trio (Leandre / Maneri / Cleaver)
Light And Dance [2 CDs]
(RogueArt)
A live recording at Instants Chavire's, in Montreuil, France in 2020, and a studio recording 5 days later in Malakoff, France, in the 2nd album from the Judson Trio of Joelle Leandre on double bass, Mat Maneri on viola, Gerald Cleaver on drums & small percussion, the entwining of viola and bass strings propelled with assertive restraint and accent from Cleaver.
Leandre, Joelle
Beauty / Resistance [3 CD BOX]
(Not Two)
Live concert recordings at Alchemia club in Krakow captured during the Krakow Jazz Autumn Festival 2019 while double bassist Joëlle Léandre held residence, 3 CDs presenting first a quartet with Zlatko Kaucic on drums & percussion, Mateusz Rybicki on clarinets and Zbigniew Kozera on bass, then one disc in a duo with Zlatko Kaucic and another with guitarist Rafal Mazure.
Lewis, George / Ozana Omelchuk (Studio Dan)
Breaking News
(ezz-thetics by Hat Hut Records Ltd)
Two works commissioned by the Austrian Studio Dan ensemble: "As We May Feel" by George Lewis, referencing visionary engineer Vannevar Bush's concepts of data linking & association, in a work reminding how music recombines and associates; and Oxana Omelchuk's double concerto for two trombonists, "Wow and Flutter", taking listeners on a profound journey through recording technologies.
Kimmig-Studer-Zimmerlin and George Lewis
S/T
(ezz-thetics by Hat Hut Records Ltd)
The innovative string trio of Daniel Studer on double bass, Harald Kimmig on violin, and Alfred Zimmerlin on cello, develop focused environments of timbre, texture, dynamic and space, seemingly abstract yet incredibly concentrative and virtuosic interaction, here joined by Chicago trombonist and electronics artist George Lewis adding a 4th profound layer to their incredible conversation.
Guy, Barry
Blue Horizon. Barry Guy@70 (Live At The Ad Libitum Festival 2017) [3 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
Three astonishing concerts on 3 consecutive nights at the Ad Libitum Festival 2017 in Warsaw, Poland from British bassist Barry Guy in 3 configurations: 1st in a duo with Spanish pianist Agusti Fernandez; 2nd in a trio with US pianist Marilyn Crispell and British drummer Paul Lytton; and 3rd in a double bass duo with French bassist Joelle Leandre.
Frith, Fred
All Is Always Now (Live at the Stone) [3 CDs]
(Intakt)
Guitarist Fred Frith performed 80 concerts at NY's The Stone between 2006-2016, in diverse configurations of duos, trios, quartets and large ensembles with some of the planet's finest improvisers, of which 23 recordings, titled from NY Times headlines of each concert's day, are presented in this essential 3-CD package, which includes a 24 page booklet detailing the collection.
Lazro, Daunik / Joelle Leandre / George Lewis
Enfances 8 Janv. 1984
(Fou Records)
A live recording at 28 rue Dunois, in Paris, France in 1984 from the trio of Daunik Lazro on alto sax, Joelle Leandre on double bass and voice, and George Lewis on trombone, a trans-Atlantic enounter of creative inventiveness and innovative vision, a great document of three persistent masters captured early in their incredible careers.
Glasgow Improvisers Orchestra & George Lewis
Artificial Life 2007
(FMR)
The large Glasgow Improvisers Orchestra, led by Raymond MacDonald, met trombonist George Lewis in 2012 at CCA in Glasgow to record this two part work based on a set of instructions presented graphically, plus an extended free improvisation.
Ceccaldi, Theo Trio + Joelle Leandre
Can You Smile?
(Ayler)
Theo Ceccarelli expands his string trio from their Ayler debut album, "Carrousel", adding bassist and free vocalist Joelle Leandre to the group, yielding a new dimension to their rapidly expanding repertoire of rich, interactive improvisation.
Leandre / Houle / Strid
Live at Sons D'Hiver
(Ayler)
Spontaneous extraordinary compositions/improvisations by bassist Joelle Leandre, clarinetist Francois Houle and percussionist Raymond Strid from the annual Sons d'Hiver festival near Paris.



Customers Who Bought This Item Also Bought:
Kaze with Satoko Fujii / Natsuki Tamura / Christian Pruvost / Peter Orins & Ikue Mori
Crustal Movement
(Circum-Libra)
The cooperative Japanese/French quartet Kaze of pianist Satoko Fujii, trumpeter Natsuki Tamura, trumpeter Christian Pruvost and drummer Peter Orins are expanded for a second time with New York electronic artist Ikue Mori, embracing pandemic restrictions by creating this album through file exchange, adding complex layers of profound interaction to the virtual improvisations.
EUPHORIUM_freakestra (feat Wadada Leo Smith / Barre Phillips)
Free Acoustic Supergroup (Chicago New York Berlin, Dresden Luzern Leipzig) [2 CDs]
(Euphorium)
The incredibly creative EUPHORIUM_freakestra as a mid-size ensemble performing at naTo in Leipzig, Germany are joined by legendary free jazz players, Wadada Leo Smith on trumpet and Barre Phillip on double bass, extending the incredible assemblage of players including Oliver Schwerdt, Axel Dorner, Ernst-Ludwig Petrowsky, Urs Leimgruber, Christian Lillinger, Gunter Baby Sommer & Michael Haves.
Lerner, Marilyn / Nicole Rampersaud
Brass Knuckle Sandwich
(Ambiances Magnetiques)
An assertive duo of piano and trumpet from Canadian improvisers Marilyn Lerner playing inside and out of the piano, and trumpeter Nicole Rampersaud performing with powerful and unusually expressive technique, this the first meeting between the two in a set of seven studio recordings, creative interactions of wide-ranging and cohesive approaches to their dialogs.
Spaces Unfolding (Metcalfe / Wachsmann / Karlsen)
The Way We Speak
(Bead)
All three having met in the London Improvisers Orchestra, Neil Metcalfe on flute and violinist Philipp Wachsmann each worked with drummer Emil Karlsen in separate projects including Tern, and then at Karlsen's suggestion creating this new Spaces Unfolding trio, heard in their first album, recording in the natural resonance of St. Mary's Old Church in Stoke Newington.
Silva, Susana Santos
All The Birds And A Telephone Ringing
(thanatosis produktion)
Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.
Dreamstruck (Crispell / Fonda / Sorgen)
With Grace In Mind
(Fundacja Sluchaj!)
Officially taking their group name from the title of their first album, The Dreamstruck trio of Marilyn Crispell on piano, Joe Fonda on bass and Harvey Sorgen on drums are heard in this innately lyrical and masterfully controlled, concise set of studio recordings, with compositions from each performer and two collective improvisations, a remarkable example of the modern piano trio.
Granberg, Magnus
Night Will Fade and Fall Apart [2 CDs]
(thanatosis produktion)
The 6 piece Tya Ensemble of string, piano, percussion and vibraphone performs Swedish composer Magnus Granberg's beautifully delicate and dusky work, conceived from historic and recent song structures and written so that individual parts also may be performed as solo pieces, as heard in an extended ensemble version and four solo and one duo configuration.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC