The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A double CD of UK's experimental music ensemble Apartment House performing 14 chamber pieces composed by and under the supervision of Laurence Crane, beautiful and informed minimal work from a unique voice in modern composition.

Two dark works of sound creating a mysterious chasm of drones, pulsations, electronic stretches, and mysterious percussive engines, a strange pair of recordings that definitely fit the title of this 7" record from Norwegian sound experimenter Lasse Marhaug.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Percussionist and electronics artist Matt Weston (Arthur Brooks Ensemble V, Arc Pair) in a 7" release showcasing his playing skills over his own notation systems employing additional dimensions of pre-and post-gestural strategies, using written standard notation and visual cues based on multiple and simultaneous, graphic scores.

The opening and closing tracks from the new Blazing/Freezing album on a 7" single by the genre-merging Downtown NY trio of Sam Day Harmet (mandolin), Sana Nagano (violin) and Zachary Swanson (upright bass) deconstructing Americana roots music by slicing and dicing it with jazz/improv, electronica, sample sources, and inexplicable errata.

Ljug Aldrig, aka Roosen, a visual artist, guitarist and vocalist from Stockholm, is heard in a 2-song 7" + download release performing with Dennis Egberth on drums, Alexander Zethson on keys, Anton Toorell on bass, guitars and Isak Hedtjarn on saxophone.

The first single from Swedish electronic composer Joakim Forsgren's Autorhythm's project Songs For The Nervous System, two soundscapes in the ambient realm, Forsgren using vintage synths and no computers to create these tracks, described as "pop music for a dysfunctional but beautiful parallel world".

Once roommates in Rhode Island, guitarist Jeffrey Alexander of The Heavy Lidders, now living in Philadelphia, and guitarist/vocalist Ashley Paul, now living in London, come together again for a 3-song 7" release of idiosyncratic and informed free-form songs and instrumentals performed with a saxophone, clarinet, prepared guitar, prepared percussion, moog & electric piano.

The Architek Percussion ensemble is a Montreal quartet performing works by Canadian composers, using percussion, drums, sampling, electronics and synth in wonderfully odd ways, here with two guest performers presenting works composed and mixed by Elliot Britton.

Remastering pianist Andrew Hill's distinct and exemplary albums issued on Blue Note Records in 1965 & 1967: Point of Departure, illustrating Hill's complex and exciting compositions in a front line with Eric Dolphy, Joe Henderson, Kenny Dorham and Tony Williams & Richard Davis; and the percussively rich Compulsion with John Gilmore, Freddie Hubbard, Cecil McBee, & Joe Chambers.

A great example of the current Downtown/Brooklyn scene, using jazz as a jumping-off point to merge free playing, fusion, and rock stylings into an enthusiastic, and technically brilliant album, as bassist Adam Hopkins provides the compositions performed with the sextet of Anna Webber, Ed Rosenberg, & Josh Sinton on sax, Jonathan Goldberger on guitar, and Devin Gray on drums.

A trio of Michigan creative music improvisers with wind player Piotr Michalowski, guitarist Jaime Rodriguez Matos and bassist/trumpter/percussionist Christopher M. Skebo in 3 studio and one live recording.

A stunning album of electroacoustic improv that truly pushes the envelope, from the MKM trio of Gunter Muller on iPods & electronics, Jason Kahn on modular synthesizer, mixer & radio, and Norbert Moslang on cracked everyday electronics, three masters of the form in their 5th Mikroton release after decades working together in configurations on labels like For4Ears.

Focusing on the compositions of Swedish pianist Per Henrik Wallin, the energetic piano trio of Simon Sieger on piano, Joel Grip on double bass and Michael Griener on drums puts new life into Wallin's 1998 trio album Coyote with the intention of putting Wallin's music in front of a new audience while clearly reveling in his compositions amid their own impressive mastery.

Delicately powerful and unusual improvisation from the trio of bassist Barre Phillips, violinist Malcolm Goldstein, and free vocalist Catherine Januiaux, performing at the Victo Festival in 2010.

Ex-Spaceseed wordsmith/gizmoist Serson Brannen explores the outer limits of high tech spoken word space art .

Rhythmically rich instrumental music crossing experimental, rock and compositional forms with an ear towards primitive and instinctual pulses, the French quartet of drummer & bass harpist Julein Chamla, percussionist Benjamin Flament, Simon Henocq on live electronics and guitarist Richard Comte explore innate pulses imbued with modern and urgent overtones.

A minimalist work in the tradition of Tony Conrad and Henry Flynt, John Cale or La Monte Young, West Coast-based composer and multi-instrumentalist John Krausbauer performing on an amplified violin and Portuguese experimental/drone artist David Maranha (Osso Exótico) performing on electric organ present two emphatic and rich compositions of interacting tone and texture.

Verge Music founder Daniel Kernohan aka Dee Kay and radio host Dan Lander developed this album of electroacoustic interaction between 1987-1989 in a dilapidated row house on "the wrong side of the tracks" in Toronto, using "instruments, toys, stuff, sound" to create an amusing, sometimes startling, and insightful series of interactions; unpredictable and interesting.

A compilation attempting to cover a wide spectrum of modern electroacoustic experimentation from the Greek Thirsty Leaves label, presenting Giorgos Christianakis, Shanyio, Fastus, Xu(e), Gusev K.P., Steven Sandberg, John Daly, Moody Alien, Zenjungle, KR Seward, & James Ross.

A split 7" 45 with radical sonic experimenting quartet Great Architect with Brent Bagwell from Eastern Seaboard; and polyrhythmic experimenting quartet Moenda.

A 33 rpm 7" from Washington, DC sound artist Chester Hawkins, which "contains highly concentrated extracts" of two remixes of live recordings at Logan Fringe Arts Space and Red Onion Records, from his limited-edition USB release "Cops Need Serial Numbers"; mesmerizing and hypnotic electronics from a masterful performer and kosmiche explorer.

First stock of this 1999 7" from French sound artist Eric La Casa created as part of Joe Colley's "Explorer" series, the title translating to "the shore breathing" where each composition develops from field recordings of water, the first part more naturalist and adhering to the initial recordings, the second using sound processing to create something unique and mesmerizing.

A 7" 6 song release of Mike Pride's "punk" vocal troupe Punkappella, with Dusan Hedl, Bojan Tmoazic, Rick Klaus Theis, and Jessica Pavone on vocals; double sided sleeve contains lyrics for these unusual vocal vignettes.

Reminiscent of the packaging of early releases from The Ex, the vocalist from that band--G.W. Sok--provides the words for the first tracks on this 7" from Sleepytime Gorilla Museum drummer/composer Moe! Staiano's long-running band, a brutal wordplay stab at Russian president Putin for his invasion of Ukraine; plus a dub remix of a song on the upcoming full-length Surplus 1980 album.

An archival punk document from JJ Gregg-better known now for his adventurous sitar work-this 1995 Seattle-area session with drummer Ryan Toliver captures the youthful energy of their Illinois-formed duo The Racing Pisshorses, recorded live to tape in under three hours and released here for the first time on 7" vinyl with download, a raw and spirited reminder of Gregg's formative years in DIY music.