Recorded between 1989 and 1994, New Winds showcases Ned Rothenberg, J.D. Paran, and Robert Dick in a richly inventive exploration of woodwind timbres, their fluid shifts between reeds and flutes creating agile counterpoint and striking sonorities that blend chamber precision with adventurous free improvisation.

Jocelyn Robert's first release on Ambiances Magnetiques in a four-disc set that shows off his solo work and highlights the contributions from other artists who have worked with him through the years.

The music of bassist Jason Roebke and his trio of guitarist Matthew Schneider and drummer Marcus Evan is rooted in the leader's solid bass work and the tasteful and informed lyrical freedom of his sidemen, as heard in this live performace Chicago's Hungry Brain.

A journey in sound--drone, abrasive noise and subtle ambiance--in a well-paced example of non-idiomatic soundscape from the first meeting of Reed Evan Rosenberg on microphones, pedals, max, and voice, and Ethan Tripp on speakers, microphones, motors, junk.

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With trumpeter Herb Robertson joining reedist Ned Rothenberg and flutist Robert Dick, the trio New Winds expands its exploration of the border between composition and improvisation, blending saxophones, clarinets, flutes, and trumpet into intricate wind-driven dialogues where unusual timbres, extended techniques, and fluid melodic lines reshape musical space through focused interplay and inventive sonic color.

"This 'Aella' release is one of three in a series curated by myself and released by 577 Records. The other two records are of my trio and of Alan Bjorklund's Amygdala. This trio displays the amazing potential of improvised music. Whenev...

Dutch vocalist and electronic artist Jaap Blonk takes on insomnia in 13 short works celebrating sleeplessness, including one piece for Dada sound poet Raoul Hausmann, and other "songs" using effective electronics and bizarre vocal utterances to accompany your own sleepless nights.

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

A fully free, quirky and marvelous set of virtually indescribable improvisation from the trio of French vocalist Clara Weill (known from her work with Fred Frith), Olivia Scemama on bass and Tom Malmendier on drums, three active international collaborators with powerful technical skills and a strange sense of humor willing to take their music where ever it oddly leads.

Dedicated to the late free jazz legend Cecil Taylor, this Lisbon sextet of Paulo Alexandre Jorge on tenor saxophone, Ernesto Rodrigues on viola, Eduardo Chagas on trombone, Manuel Guimaraes on piano, Miguel Mira on cello, and Pedro Santo on drums performs four energetic and well-balanced collective improvisations, respecting and evoking the incredible legacy Taylor left behind.

Skull Defekts member and a part of Ocean Of Silver And Blood, Joachim Nordwal is captured in a 2008 concert in Oslo for this 17 minute lo-fi set of textured sound work, a grainy drone of howling sound.

Antonio Bertoni's solo Ongon project, trying to remove the mistreatment that the Moroccan Gnawa Music suffers due to the heavy western productions, as he performs on the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself; reference Natural Information Society.

The Ratchet Orchestra is a large ensemble of 30 fringe musicians from Montreal headed by director Nicolas Caloia whose compositions allow for improvised chamber jazz and showcase the talents of the orchestra's most passionate players.

A collection of southeast darkwave & post rock band Electric Bird Noise (Brian Lea McKenzie) from 2000-2010, cinematic, richly eclectic, and absorbing instrumental music.