Formed at Michael Attias's Washington Heights, Manhattan apartment by three improv compatriots, the trio of Kenneth Jiminez on bass, Michael Attias on saxophones and Francisco Mela on drums & voice incorporate free and experimental jazz forms with heartfelt tradition, in five collective improvisations captured in the studio, plus Paul Motian's "From Time to Time".
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Sample The Album:
Kenneth Jiminez-bass
Michael Attias-saxophones
Francisco Mela-drums
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UPC: 755491277607
Label: 577 Records
Catalog ID: CD-577R-5913-1
Squidco Product Code: 33487
Format: CDR
Condition: New
Released: 2023
Country: USA
Packaging: Digipack
Recorded at Douglas Recording, in Brooklyn, New York, in Summer, 2021, by Juanma Trujillo.
"Caribu was formed in saxophonist Michael Attias's Manhattan apartment, three friends venturing from across the city, finding togetherness in a shared love of experimental music. Drummer Francisco Mela would come down from the Bronx, while Bassist Kenneth Jiminez traveled up from Brooklyn, and together in Washington Heights, the trio would improvise for hours.
Heroes to each other, the improvisational sessions were full of mutual inspiration and admiration-and seemed like a "beacon of light", away from the blues of daily life. The resultant album is a delight, full of tantalizing saxophone riffs, a warm bassline, stand-alone drum solo's and Mela's iconic voice, contributing a unique, heartfelt Caribbean tradition.
On the album's eponymous track, "Caribu," Mela delivers a full-throated melody, soon echoed by Attias's lyrical saxophone and followed by Jiminez's smooth bass lines. Tracks like "Festejo" and "From Time to Time" showcase the trio's more experimental inclinations, contextualizing their sound in a modern tradition."-577 Records
Artist Biographies
• Show Bio for Michael Attias "Michaël Attias is a quietly fierce force on the international improvising scene. With a brisk and calming tone Attias is a thinker, traveler, questioner. Born in Israel, raised in Paris and the American Midwest, he has lived in NYC since 1994. As a leader, Attias has released five critically-acclaimed albums since 2005: Credo, Renku, Renku in Coimbra, Twines of Colesion and, in 2012, Spun Tree. As a sideman, he has performed and recorded all over the world alongside some of today's most compelling musicians: Anthony Braxton, Paul Motian, Anthony Coleman, Masabumi Kikuchi, Tony Malaby, Ralph Alessi, Oliver Lake, Tom Rainey, John Hébert, Nasheet Waits, Sean Conly, Ken Filiano, Kris Davis, and many others. His current projects include his long-standing trio Renku, with John Hébert and Satoshi Takeishi; Spun Tree, with Ralph Alessi, Matt Mitchell, Sean Conly, Tom Rainey; and the new Michaël Attias Quartet with Aruàn Ortiz, John Hébert and Nasheet Waits. Michaël Attias has also established himself as creator of live musical scores and sound designs for theatre including, since 2008, five collaborations with legendary director Robert Woodruff: Chair, Notes From Underground, Battle of Black and Dogs, Autumn Sonata, and In a year With Thirteen Moons. These were produced at such prominent New York and regional theatres as Yale Repertory Theatre, La Jolla Playhouse, Baryshnikov Arts Center, and The Duke on 42nd Street. Michaël Attias was named a 2000 Artists' Fellowship Recipient of the New York Foundation for the Arts and was awarded a MacDowell Arts Colony fellowship in Fall 2008. From 2003 to 2008, he curated the critically acclaimed and highly successful new music series, Night of the Ravished Limbs, at Barbès in Brooklyn, welcoming a wide array of established names such as Barre Philips, Tim Berne, Mark Helias, Jason Moran, as well as an impressive list of rising New York talent including Mary Halvorson, Eivind Opsvik, Gerald Cleaver, and many more. Earlier The product of migrations spanning North Africa, the Middle East, Western Europe and the American Midwest, Attias was born in Haïfa, Israel in 1968 and spent the first part of his childhood in Paris, where he attended the music conservatory and studied violin for a brief period. His family moved to Minneapolis in 1977. An early passion for the music of Miles Davis, Charlie Parker, Thelonious Monk, Ornette Coleman led him to start playing the alto saxophone at the age of 15 under the guidance of great Minneapolis saxophonist and composer Pat Moriarty, while attending the Children's Theatre School. Avid for adventure and experience, he graduated from high school as a junior and traveled for a year in Europe before enrolling at New York University as a Film and Music student. Somewhere in between, he had the great privilege of taking a couple of lessons with Lee Konitz. Judging that school was interfering with his education, he dropped out after the spring semester, went back to Paris for a year where he wrote a novel called Twines of Colesion (1000 pages thankfully destroyed), came back to the US for an eight-month cross-country trip that took him from New York City to San Francisco via Mexico, and returned to Paris in 1989 where he became bartender at the IACP, a music school founded by legendary bassist Alan Silva. There he met such heroes of the ex-pat scene as Steve Lacy, Sunny Murray, Frank Wright, Bobby Few and others. He recorded with a pianoless quartet dedicated to the music of Thelonious Monk, Four in One (In Situ 1992), made his first album as leader and composer with a quintet of French musicians (released on Igal Foni's For Elevators/Jazzis, 1993). In January 1993, at the prompting of Anthony Braxton, he moved back to the US, sat in on his classes at Wesleyan University for one semester and finally moved to New York the following winter." ^ Hide Bio for Michael Attias • Show Bio for Francisco Mela "Francisco Jose Mela is a Cuban drummer and percussionist who has performed with a wide array of prominent international Latin and jazz artists including Kenny Barron, Gary Bartz, JoAnne Brackeen, Jane Bunnett, Regina Carter, Anat Cohen, Paquito D'Rivera, George Garzone, Larry Grenadier, Stefon Harris, Lionel Loueke, Joe Lovano, Jason Moran, John Patitucci, John Scofield, Esperanza Spalding, Mark Turner, McCoy Tyner, Chucho Valdés, Kenny Werner, and many others. Born in Bayamo, Cuba, Francisco Mela studied at the Music School of Arts El Yarey as a teenager before furthering his studies at the National School of Arts for Teachers, el CENCEA. He taught at Rafael's Cabrera Conservatory of Music and played with some of the country's top Latin jazz musicians, as well as leading his group, MelaSon Latin Jazz Band, that toured throughout Mexico. In 2000, he moved to Boston to study at Berklee College of Music and was invited to join the percussion faculty. He became the house drummer at the Wally's Café. It was here where he developed the concept for what would later be his own group. In 2005, Mela joined the quartet of saxophonist Joe Lovano. Of particular note was the group's 2008 album on Blue Note entitled Folk Art.Later that year, Mela was approached by McCoy Tyner to join his trio. Mela was named the Twin Cities Jazz Festival's first artistic director in 2014, Before appointment, he served as artistic director for the Xalapa Jazz Festival in Veracruz, Mexico (2010-2013). In late 2016, Mela was part of an inaugural ensemble that joined Afro-Cuban pianist Chucho Valdés and saxophonist Joe Lovano for an international tour throughout Europe and North America. He also leads his own group, The Crash Trio." ^ Hide Bio for Francisco Mela
9/4/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
9/4/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Eco 12:11
2. 17 White Street 4:20
3. Caribu 5:34
4. Kastre y Barro 8:30
5. Festejo 5:32
6. From TIme To Time 6:11
Jazz
Improvised Music
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Collective Free Improvsation
Trio Recordings
New in Improvised Music
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