The Squid's Ear
Recently @ Squidco:

Anthony Braxton / James Fei:
Duet (Other Minds) 2021 (Other Minds)

Composed for a performance at the 2021 OM 25 Festival in San Fransisco between saxophonist & composer Anthony Braxton and saxophonist James Fei, "Composition 429" uses Braxton's new music system Lorraine, a combination of traditional notation and color-coded symbols of the composer's design to indicate specific sound types or performance techniques. ... Click to View


Alexander Schlippenbach von :
Globe Unity (Corbett vs. Dempsey)

Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c. ... Click to View


Alexander Schlippenbach von :
Globe Unity [VINYL] (Corbett vs. Dempsey)

Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c. ... Click to View


Devin Waldman Brahja / Hamid Drake:
Mediumistic Methodology [CASSETTE] (Astral Spirits)

Evoking the spirit of a seance experienced by alto saxophonist Devin Brahja Waldman, the duo of Waldman and drummer Hamid Drake are captured live at Elastic Arts, in Chicago, beginning as a mysteriously delicate concert of intricately introspective playing and spiritual reflection, building to a free jazz drum & sax duo of powerful and enthusiastic release. ... Click to View


Aonghus McEvoy :
Under & Cracked [CASSETTE w/ DOWNLOAD] (Astral Spirits)

Beautifully flowing acoustic avant folk under a diverse set of influences from the Dublin five-piece band led by acoustic and electric guitarist Aonghus McEvoy, with George Brennan on electronics, David Lacey on drums, Sean Maynard Smith on upright bass and Ailbhe Nic Oireachtaigh on viola, evolving their tracks from pastoral to edgy agitation or ecstatic drone. ... Click to View


Artur Malecki & The Creature Trio (w/ Chmiel / Aftyka):
Widoki (Fundacja Sluchaj!)

Widoki, Polish for Views, is the debut album of the free improvising trio of Artur Malecki on drums, Michal Aftyka on double bass & electric bass and Przemylaw Chmiel on tenor & soprano saxophones, performing seven compositions from drummer Malecki and one collective improvisation, a strong and wide-ranging set of recordings from a band with a fresh perspective on creative jazz. ... Click to View


Cyprien Busolini / Bertrand Gauguet:
Miroir (Akousis Records)

An album of intensive listening through concentrated improvisation from the long-running collaboration of French improvisers, Cyprien Busolini on viola and Bertrand Gauguet on alto saxophone, both using unfaltering techniques as they metamorphose their instruments from delicate silence to forceful tones, oscillating and vacillating across two extended improvisations. ... Click to View


Tragic Assembly:
Blood Drains And Memories (Soul City Sounds)

The Durham, NC free improvising trio of Crowmeat Bob on alto & tenor saxophones, clarinet & guitar, Phil Venable on double bass and Charles Chance on drums notch up their playing, with Crowmeat Bob performing on both reeds and electric guitar as the band explores breaking down the barrier between subconsciousness and expression through collective improv. ... Click to View


Tatsuya Nakatani / Kyle Motl:
Quicksand (Nakatani-Kobo)

Innovative Japanese percussionist Tatsuya Nakatani met with bassist Kyle Motl (Peter Kuhn Trio) at Nakatani Kobo Studio, in New Mexico to record these two extended improvisations, the 1st creating an aural environment through ringing metal and bowed contrabass, the 2nd a set of agitated and disruptive interactions through incredible technical skill and expressive dialog. ... Click to View


Bun Itakura / Mishio Ogawa :
Stardust (Ultragash)

A flowing twilight electro-jazz cover of the standard "Stardust" from Japanese guitarist Bun Itakura and vocalist Mishio Ogawa, expanding the melody and Ogawa's phrasing with encompassing electronics and percussion from Takefumi Kobayashi; backed with an experimental "Mystery Making Factory" using paint brush, harmonic tone guitar, and mbira. ... Click to View


River People (Bucher / Countryman / Alegre / Hori):
Sol Expression (ChapChap Records)

Evoking images of Indigenous Filipinos through free improvisation, with titles referencing the rivers, rains and environment that define them, the multi-national River People quartet of Christian Bucher on drums, Johnny Alegre on guitar, Tetsuro Hori on bass and Rick Countryman on alto saxophone are captured in the studio in Manila for seven superb collective conversations. ... Click to View


Sana Nagano:
Anime Mundi (577 Records)

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations. ... Click to View


Sana Nagano:
Anime Mundi [VINYL] (577 Records)

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations. ... Click to View


Hal Russell / Joel Futterman:
The Chicago River [3 CDs] (Fundacja Sluchaj!)

Late Chicago saxophonist, trumpeter & vibraphonist Hal Russell (NRG Ensemble) and legendary pianist Joel Futterman, also on curved soprano saxophone & Indian flue, are heard in the complete recordings from their two day concert for the victims of the 1992 Great Flood of the Chicago River, presenting a five part work of flowing free jazz force and currents of creative power. ... Click to View


Blue Lines Trio (Scheen / van der Weide / Hadow):
Chance and Change (Casco Records)

The free swinging Dutch piano trio of Michiel Scheen on piano, Raoul van der Weide on contrabass, synthesizer & objects and George Hadow on drums, in a set of buoyant and ebullient improvisations, a mix of composed and collective works that bring together tradition and freedom, melody and abstraction, while clearly enjoying their playful approach to creative jazz. ... Click to View


Magnus Granberg :
Night Will Fade and Fall Apart [2 CDs] (thanatosis produktion)

The 6 piece Tya Ensemble of string, piano, percussion and vibraphone performs Swedish composer Magnus Granberg's beautifully delicate and dusky work, conceived from historic and recent song structures and written so that individual parts also may be performed as solo pieces, as heard in an extended ensemble version and four solo and one duo configuration. ... Click to View


Alex Zethson:
Residy (thanatosis produktion)

The Residy, or remains of a unique variation on JS Bach's Goldberg Variation no. 21, performed live by pianist Alex Zethson who maintains the structure, rhythmic movement and note order of Bach's composition, while dispersing the notes and intervals into two synths and an E-bowed grand piano to evoke these meditative and expansive interpretations. ... Click to View


Gareth Davis / Machinefabriek:
Standards (of Sorts) (Sublime Retreat)

Frequent collaborators Rutger Zyderveldt (Machinefabriek) and bass & contrabass clarinetist Gareth Davis join together for five "Standards" through electronics, synthetics and unorthodox reed work, transmuting their instruments as they create variations from a few notes, some of them "misremembered", from jazz and contemporary classical standards. ... Click to View


Amelia Cuni / Alex Mendizabal:
Stimmen Aus Himmel Und Holle (ANTS Records)

Translating to "Voices from Heaven and Hell", the meeting of two Berlin artists--Amelia Cuni, whose vocal work is described as in/voluntary singing; and Alex Mendizabal, a sound artist who here electronically manipulates the voice of Cuni--using texts from poet Erin Honeycutt as the two apply diverse, fascinating and sometimes unnerving approaches to voice, utterance and expression. ... Click to View


Various Artists:
Free Percussion/Water [CASSETTE w/ DOWNLOAD] (Tsss Tapes)

Demonstrating the striking diversity modern solo percussionists present, the Italian tape label TSSS Tapes compiles an international set of solo works from explorers Tim Daisy, Jeph Jerman, Ted Byrnes, Wojtek Kurek, Clinton Green, Rie Nakajima, Emilio Berne, Shakeeb Abu Hamdan, Lucie Nezri, Karen Willems, Paolo Sanna, Li Qing, Carlos Godinho, and Rodrigo Vieira. ... Click to View


Dreamstruck (Crispell / Fonda / Sorgen):
With Grace In Mind (Fundacja Sluchaj!)

Officially taking their group name from the title of their first album, The Dreamstruck trio of Marilyn Crispell on piano, Joe Fonda on bass and Harvey Sorgen on drums are heard in this innately lyrical and masterfully controlled, concise set of studio recordings, with compositions from each performer and two collective improvisations, a remarkable example of the modern piano trio. ... Click to View


Rempis / Reid / Abrams:
Allium (Aerophonic)

The second release from the Chicago chamber-oriented, collective free jazz trio of Dave Rempis on alto & tenor saxophone, Tomeka Reid on cello, and Joshua Abrams on bass, expanding on their highly concentrative and contemplative approach to group dialog, a powerfully assured and seemingly composed set of nine impeccable improvisations. ... Click to View


Seabrook / Cleaver / Cooper-Moore:
In The Swarm [VINYL] (Astral Spirits)

The second album from guitarist Brandon Seabrook's Trio with Gerald Cleaver on drums & pulsating & punctuating electronics, Cooper-Moore providing massive and unconvential bass sounds on his Diddley Bow, and Seabrook himself playing banjo in inexplicably rapid and staccato runs or electric guitar with eccentric effects; rip-roaring, sometimes surreal, absolutely superb! ... Click to View


Horace Silver Quintet:
Live New York, Revisited (ezz-thetics by Hat Hut Records Ltd)

Recorded around the time of his most famous records, Song For My Father and The Cape Verdean Blues, lyrical hard bop/Blue Note pianist and composer Horace Silver's band is heard live at The Half Note in NYC and at "The Cork & Bib" on Long Island with his spectacular band including trumpeters Carmell Jones & Woody Shaw and saxophonist Joe Henderson. ... Click to View


Lionel Hampton Orchestra 1958:
The Mess Is Here, Revisited (ezz-thetics by Hat Hut Records Ltd)

An influence on the next generation of small band and bop players, vibraphonist and Band Leader Lionel Hampton's programs included both crowd-pleasers and sophisticatedly complex sections, heard here in this 1958 studio recording from Stuttgart, Germany while touring Europe, Ghana and Israel with his exceptional band expanded by three German jazz musicians. ... Click to View


The Work:
The Worst of Everywhere [2 CDs] (Ultragash)

Originally released by Woof Records in 1982 on cassette, this double CD reissues an essential lo-fi document from The Work (Bill Gilonis, Mick Hobbs, Tim Hodgkinson and Rick Wilson) in live performances from gigs and rehearsals assembled in cut-up form, adding new pieces and expanding on others, joined at times by Catherine Jauniaux, Bob Ostertag, Chris Cutler, &c. ... Click to View


Christian Wolfarth :
39 / Part I - III (Hiddenbell Records)

39 tracks make up this compelling 3-part solo percussion work from Swiss improviser and composer Christian Wolfarth, using a game approach where some sequences are determined by the roll of a dice for note values, rest and tempo, Wolfarth performing on dead wood, a drum or 39 pine cones, augmented with recordings of stones, water, footsteps, church bells, &c. ... Click to View


David Ryan (Crosby / Innocenti / Lash):
Fields And Refrains (Aural Terrains)

A collection of three modified solo pieces and one collective performance with a minimalist aesthetic through compositions by David Ryan, performed by William Crosby on guitar, Luca Innocenti on church organ & Hammond organ and Dominic Lash on contrabass, each score allowing for interpretation and improvisation, particularly the final collaborative piece. ... Click to View


Sage Harlow J :
Variations Without A Theme (Drones Ongs) (Edition Wandelweiser Records)

Australian sound poet and vocalist Sage J Harlow aka Sage Pbbbt, whose innovative vocal work takes inspiration from Tuvan and Mongolian overtone singing and Inuit throat singing, created this mysterious set of electroacoustic compositions on the unceeded lands of the Whadjuk People of the Noongar Nation, developing four works of spellbinding spectral ambience. ... Click to View


Samuel Blaser:
7th Heaven (Between The Lines)

Based in New York at the time of this recording, Swiss trombonist and composer Samuel Blaser's quartet with Thomas Morgan on double bass, Gerald Cleaver on drums and Scott Dubois on guitar explore rhythmic and tonal approaches to improvisation, bridging modern compositional forms with traditional jazz in energetic playing of an engagingly relaxed mood. ... Click to View



  •  •  •     Join Our Mailing List!



The Squid's Ear
Facebook: Squidco Sales

Heard In

Reviews of artist releases:
cd's, books, magazines, &c.


  Rafal Mazur, Satoko Fujii, Guillermo Gregorio, Natsuki Tamura, Artur Majewski, Ramon Lopez 
  The Great Tone Has No Sound  
  (Listen! Foundation (Fundacja Sluchaj!)) 


  
   review by Marc Medwin
  2022-04-14
Rafal Mazur, Satoko Fujii, Guillermo Gregorio, Natsuki Tamura, Artur Majewski, Ramon Lopez: The Great Tone Has No Sound (Listen! Foundation (Fundacja Sluchaj!))

These four discs were performed and curated by bassist Rafal Mazur, and should the title intrigue, his liner notes, available online, will double the anticipation. He is the unifying factor, but each of these studio and concert recordings (disc three) finds him solo or in the company of other excellent improvisers. He's heard in duo with clarinetist Guillermo Gregorio on the second disc, with trumpeter Artur Majewski on the third and in a quintet with Gregorio, pianist Satoko Fujii, trumpeter Natsuki Tamura and drummer Ramon Lopez.

While the credits insist that Mazur plays acoustic bass guitar, you wouldn't know it from the sound. I have never heard a bass sound quite like this, as amply demonstrated by the two long pieces comprising the first disc. Each disc has a subtitle, this one being Beyond the Five Notes, and Mazur's sinewy-soft sounds opening the second track speak to that description. He's bowing, that's certain, but it all resembles some combination of wind in the trees and industrial cityscape more than anything "in the tradition." What is really astonishing is the way each pitch, if that narrow appellation is even close to accurate, leads to and from its surroundings. They're more like sonic complexes, statements in and of themselves inhabiting a language system of rapidly morphing muttering, growling and rasping that occasionally cross the line into identifiable sonority. If Mazur hasn't recorded with Tony Oxley, he should, as they thrive on similar non-repetitive aesthetics. Are their effects in play, maybe a bit of reverb on the first track, delay and other manipulations throughout? Whatever is actually causing the sounds to manifest as they do, it's all great fun.

The second disc, The Strongest Blows are Light as a Feather, finds Mazur in passages nodding slightly more toward convention, especially on the fourth piece. He and Gregorio lay down counterpoint as much indebted to free-bop as to the Euro-Classical vibe on some of Gregorio's other projects. Of course, they don't stay there, and by the 10th minute, they're bandying about rasp and skronk, forming ensembles seemingly larger than the duo only to discard them. It's a joy to hear them hit together, as they do on the fifth piece's opening, just as it is when Majewski and Mazur engage in light-hearted back-and-forth on Water Flows from Above To Below's third piece. This duo revels in executing the hair-pin dynamic turn, and they do it with precision and humor. Listen out for Majewski's Bill Dixon impression at 2:56, as he cops the late trumpeter's low notes. The fourth piece shows that the duo is not averse to a drone-and-trill fest, and, as Richard Pryor used to say, "it's deep too!" Gesture for gesture, they rival the telepathic communication of the landmark 1960s improvisers, especially in the second piece, no mean feat in a crowded market of expert musicians.

Everything has been leading up to the concluding disc's quintet, which does not disappoint. The Wind Creates Great Harmony, proclaims the disc's title, and there is something sustained and cumulative about the broad opening gestures, especially Tamura's windy interjections! In these opening minutes, all take on the dual roles of respectful listening and collective engagement, but everything heats up by the second track's inauguration. Would that we could hear Fujii more prominently in the mix, but this is remedied by the fourth piece, where her customary piano preparations cut through the gusts and gales. Moments of extraordinary beauty, like Gregorio's solo opening the fifth piece and the subsequent group pointillism, stand in contrast against this unified backdrop of rolling crescendo of evolving tonal center. Lopez's work on the concluding vignette is particularly fine in its transparency, bringing a superb set to a worthy conclusion.



Rafal Mazur, Satoko Fujii, Guillermo Gregorio, Natsuki Tamura, Artur Majewski, Ramon Lopez: The Great Tone Has No Sound
Is On Sale at Squidco!
Squidco




Comments and Feedback:



The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Devin Waldman Brahja /
Hamid Drake:
Mediumistic Methodology
[CASSETTE]
(Astral Spirits)



Anthony Braxton /
James Fei:
Duet (
Other Minds) 2021
(Other Minds)



Alexander Schlippenbach von:
Globe Unity
(Corbett vs. Dempsey)



Magnus Granberg :
Night Will Fade and Fall Apart
[2 CDs]
(thanatosis produktion)



River People (
Bucher /
Countryman /
Alegre /
Hori):
Sol Expression
(ChapChap Records)



Blue Lines Trio (
Scheen /
van der Weide /
Hadow):
Chance and Change
(Casco Records)



Hal Russell /
Joel Futterman:
The Chicago River
[3 CDs]
(Fundacja Sluchaj!)



Dreamstruck (
Crispell /
Fonda /
Sorgen):
With Grace
In Mind
(Fundacja Sluchaj!)



The Work:
The Worst of Everywhere
[2 CDs]
(Ultragash)



Rempis /
Reid /
Abrams:
Allium
(Aerophonic)



Seabrook /
Cleaver /
Cooper-Moore:
In The Swarm
[VINYL]
(Astral Spirits)



Horace Silver Quintet:
Live New York,
Revisited
(ezz-thetics by
Hat Hut Records
Ltd)



Graewe /
Lonberg Holm /
Gratkowski:
Trilinear Polarity
(Fundacja Sluchaj!)



Joel Futterman:
Intervals 2
(Fundacja Sluchaj!)



Sylvain Kassap Sextet :
Octobres
(RogueArt)



Nickolas Mohanna :
Sight Drawings
[VINYL w/
DOWNLOAD]
(Run/Off Editions)



Great Waitress (
Mayas /
Brooks /
Altman):
Back, Before
(Splitrec)



Die Hochstapler:
Within
(Umlaut Records)



Nomad Trio (
feat Gordon Grdina /
Matt Mitchell /
Jim Black):
Boiling Point
(Astral Spirits)



John McCowen:
Models of Duration
[VINYL]
(Astral Spirits)







Squidco
Click here to
advertise with
The Squid's Ear






The Squid's Ear pays its writers.
Interested in becoming a reviewer?




The Squid's Ear is the companion magazine to the online music shop Squidco !


  Copyright © Squidco. All rights reserved. Trademarks. (2646)