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Judson Trio (Leandre / Maneri / Cleaver):
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A live recording at Instants Chavire's, in Montreuil, France in 2020, and a studio recording 5 days later in Malakoff, France, in the 2nd album from the Judson Trio of Joelle Leandre on double bass, Mat Maneri on viola, Gerald Cleaver on drums & small percussion, the entwining of viola and bass strings propelled with assertive restraint and accent from Cleaver. ... Click to View


All Set (Laubrock / Payen / Tordini / Rainey):
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Distinctive for the dual reed front line of French saxophonist Stephane Payen on straight alto sax and New York tenor saxophonist Ingrid Laubrock, with the spirited rhythm section of double bassist Chris Tordini and drummer Tom Rainey, formed in 2002 through the collectives HASK and F-IRE, finally realized in recordings with this 2019 studio encounter in Pernes-les-Fontaines, France. ... Click to View


Natural Information Society w/ Evan Parker:
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The first live album from Chicago bassist and guimbri player Joshua Abrams is the 6th Natural Information Society album, captured live in the summer of 2019 at Cafe Oto in London, the core quartet with Lisa Alvarado on harmonium, Mikel Patrick on drums and Jason Stein on bass clarinet joined by UK legend Evan Parker on soprano saxophone for four ecstatic improvisations. ... Click to View


Matthew Shipp / William Parker:
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Evan Parker:
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Big Bad Brotzmann Quintet :
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A superb example of European Free Jazz tradition, modern and amazingly creative, from the quintet of pianist Oliver Schwerdt and reedist Peter Brotzmann performing on tenor sax, tarogato & clarinet, with Christian Lillinger on drums & percussion and dual double bassists in John Edwards and John Eckhardt, performing a 50+ minute free masterpiece at club naTo in Liepzig, 2017. ... Click to View


Susan Alcorn Quintet:
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An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions. ... Click to View


Susan Alcorn / Phillip Greenlief:
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A beautifully balanced encounter between Baltimore pedal steel guitarist Susan Alcorn and Bay Area reedist Phillip Greenlief, performing on tenor saxophone & B-flat clarinet, improvising four "colors" as the two span the spectrum from rapid interaction of weaving and pointillistic playing into deeply introspective and ruminating discourse, each the perfect complement for the other. ... Click to View


Fred Frith:
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The first of three sturdy box sets from innovative guitarist, composer and improviser Fred Frith, here with 8 CDs from the Recommended Records label plus a bonus CD, a thick booklet of artwork, photographs & extensive notes from Frith; albums included are Guitar Solos, Gravity, Cheap at Half the Price, Killing Time, Impur , Middle of the Moment, Keep the Dog; Dropera. ... Click to View


Fred Frith:
Crossing Borders (Volume 2 Of The Fred Records Story, 2001-2020) [BOX SET] (Recommended Records)

The second of three sturdy box sets from innovative guitarist, composer and improviser Fred Frith, here with 8 CDs from the Recommended Records label plus a bonus CD, a thick booklet of artwork, photographs & extensive notes from Frith; albums included are Live in Japan, Speechless, Prints, Step Across the Border, Impur 2, Art of Memory II, Skeleton Crew, Helter Skelter. ... Click to View


Fred Frith:
Stepping Out (Volume 3 Of The Fred Records Story, 2001-2020) [BOX SET] (Recommended Records)

The third of three sturdy box sets from innovative guitarist, composer and improviser Fred Frith, here with 8 CDs from the Recommended Records label plus a bonus CD, a thick booklet of artwork, photographs & extensive notes from Frith; albums included are Technology of Tears, Propaganda, Allies, Accidental, The Previous Evening, Happy End Problem, Nowhere, Sideshow, Field Days; Inimitable (previously unreleased). ... Click to View


Roy Campbell / John Dikeman / Raoul van der Weide / Peter Jacquemyn / Klaus Kugel:
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Performing at Bimhuis in 2013, the trans-Atlantic quintet of Roy Campbell on trumpet, flugelhorn & flute, John Dikeman on saxophone, Raoul van der Weide on cello & percussion, Peter Jacquemyn on bass & voice and Klaus Kugel on drums, perform an extended, energetic and dynamic set of free improvisation, with intricate melodies and beautifully rich transitions. ... Click to View


Elliott Sharp:
IrRational Music [BOOK] (TerraNova Press)

An insightful look at the history of New York composer, saxophonist and guitarist Elliott Sharp, "Sixteen Pieces in the Shape of a Memoir" as Sharp looks back at his musical influences and approach to playing and composing, with observations on music, art, politics and technology, a fascinating set of essays from a vanguard artist's point of view. ... Click to View


Charles Noyes K. :
Crimes In High Places, Part 1 (zOaR Records)

Known as a percussionist, Bay Area improviser Charles K. Noyes' first part of his Crimes In High Places is performed on electric & resonator guitars plus amplified guqin, expanding on the innovations of Derek Bailey in free-form non-idiomatic playing as he works to create a personal language on the instrument, presenting a dark and creatively foreboding vision. ... Click to View


Gerald Cleaver / Devin Gray:
27 Licks (Rataplan Records)

Drummer Gerald Cleaver's significance in NY free jazz can't be understated, and his influence and work with younger generation drummer Devin Gray as a teacher, friend and associate has shaped Gray's work, as heard here in this monumental encounter between the two drummers, a duet that started many years before, playing in the streets of NYC, and now properly captured in the studio. ... Click to View


Devin Gray / Ralph Alessi / Angelica Sanchez:
Melt all the Guns (Rataplan Records)

Recorded in the fall of 2019 as a statement to help expand awareness and work for a future free from gun violence, composed in response to several gun violence incidents, performed at Douglass Recording in Brooklyn with the trio of Ralph Alessi on trumpet, Angelica Sanchez on piano, and Devin Gray on drums and providing the compositions, each title expressing his concern. ... Click to View


Devin Gray / Ingrid Laubrock / Cory Smythe :
Cloudsounds Trio (Rataplan Records)

NY drummer Devin Gray provides the compositions for this EP with his Cloudsounds trio of Ingrid Laubrock performing on tenor and soprano saxophones and Corey Smythe on piano, the sophisticated structures leading the improvisers into almost chamber jazz territory, with a light playfulness and warm interaction, Gray's intriguing rhythms shifting and propelling their music. ... Click to View


The Selva + Machinefabriek (Jacinto / Almeida / Morao + Zuydervelt):
Barbatrama (Shhpuma)

The Selva trio of Ricardo Jacinto on cello, Goncalo Almeida on double bass and Nuno Morao on drums join with Rutger Zuydervelt of Machinefabriek who adds unique electroacoustic transformations to their fusion of free improvisation and hydrid world elements, resulting in this wonderfully dark venture inside a virtual jungle of contrasting darkness and refined acoustic beauty. ... Click to View


Giovanni Di Domenico :
Decay Music n. 4: Downtown Ethnic Music [VINYL] (Die Schachtel)

The fourth release in Die Schachtel's Decay Music series is Italian composer Giovanni Di Domenico's Downtown Ethnic Music, a tapestry of synthetic and acoustic sources in a 4th world/Jon Hassell mode, with rhythms from drummer João Lobo, vocals by Pak Yan Lau and Patshiva CIE women choir, the horns of Ananta Roosens and Jordi Grognard; a gorgeous album of detailed ambience and atmosphere. ... Click to View


Adrian Knight:
Fly By Night [2 CDs] (thanatosis produktion)

A "travelogue" of Swedish composer and songwriter Adrian Knight's guitar explorations, works originally released on his digital-only and now dormant label Pink Pamphlet, drawing from work recorded in his home studio that developed from sketches and experimentation, along with new recordings including one with saxophonist David Lackner; beautifully moody and elegant music. ... Click to View


J/L Duo + Adrian Knight and Frew Elfineh Taha:
Ismalfa [VINYL] (thanatosis produktion)

A cohesive suite in eight parts on dynamics, tone and vocal narration in acoustic jazz from the joining of the 20+ year Swedish duo project J/L Duo of saxophonist Johan Jutterstrom and drummer/percussionist Andreas Hiroui Larsson, Brooklyn-based pianist Adrian Knight and vocalist/lyricist Frew Elfineh Taha (also known under the moniker Black Fist). ... Click to View


Marta Forsberg:
TKAĆ [VINYL] (thanatosis produktion)

Tkać means to weave, as Swedish electroacoustic sound artist Marta Forsberg interwines drones, first through a work of sound and light using frozen and processed violin sounds that slowly shift in minimal repetition; then in a synthetic work exploring darkness, light and colour by means of LED light, fabric, sequins, and minimalistic drone-based electronic music. ... Click to View


OTONN :
Two Crumbling Shapes [CASSETTE + DOWNLOAD] (esc.rec.)

The electroacoustic duo of singer Andrea Silvia Giordano and drummer Nicholas Remondino, working with Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen, create uniquely motioned works of decay, deconstruction and destruction, percussion and voice weaving amid unusual sonic sources both abstract and rhythmic. ... Click to View


Yoshio Machida / Cal Lyall:
Premeditation [VINYL 2 10-inch records] (By the Bluest of Seas)

Both members of the Tokyo band SuperDeluxe, drummer Yoshio Mashida performing on steelpan, gamelan and metal-slit drums, and 5-string banjo player Cal Lyall, performing largely on a tabletop guitar setup augmented with electronics, have developed a lovely and relaxed, compelling language of improvisational forms using structural ideas-based on minimal scalar patterns. ... Click to View


Fred Frith:
Stone, Brick, Glass, Wood, Wire (Graphic Scores 1986-96)(2CDs) (Angelica)

RESTOCKED: Fred Frith's 1999 box set, presenting a large, flexible ensemble project using marked photographs and rules as scores while Frith directs and conducts as well as performing; permanent members are Ikue Mori and Zeena Parkins, otherwise the balance of the 44 strong ensemble changes; recordings here are taken from 5 concerts, including the first in 1992 at AngelicA. ... Click to View


Robbie Avenaim / Chris Abrahams / Jim Denley:
Weft (Relative Pitch)

The Australian trio of percussionist Robbie Avenaim, keyboard player Chris Abrahams performing on a Waldorf Q+ Synthesiser and bass flutist Jim Denley, all compatriots in a variety of groupings, in an extended studio improvisation of spacious textures and rapidly understated percussive elements, aptly titled for the weaving and cris-crossing threads on a loom. ... Click to View


Sergio Armaroli / Fritz Hauser:
Angelica (Leo Records)

Performed at the Angelica Contemporary Music Festival in Bologna, Italy in 2019 and recorded with superb fidelity, drummer/percussionist Fritz Hauser joined with xylophonist Sergio Armaroli for an enthralling performance that balances chamber jazz forms with fully free exploration, avant yet embraceable as two interact in exquisite and authoritatively unhurried ways. ... Click to View


John Brennan Wolf:
Nitty Gritty Ditties (Leo Records)

33 songs & instrumentals in 74 minutes performed by Dublin composer, performer, improvisor, pianist and organist John Wolf Brennan, covering an eclectic and vast cross-section of styles and genres, from composers including Chick Corea, Bill Evans, Miles Davis, The Rolling Stones, Lars Hollmer, Tom Waits, Cornelius Cardew, Bela Bartok, Paul McCartney, John McLaughlin, &c. ... Click to View


Kontrabassduo Studer-Frey:
Zip (Leo Records)

Naming each track for the teeth of a different type of zip-fastener (curved, triangular, saggitate, &c) Swiss double bassists Daniel Studer and Peter K. Frey improvise a fascinating set of interlocking and intersecting abstractions, recorded live at at Kronen Galerie, in Zurich as the two celebrated their 20th anniversary as a duo through a series of 10 half-hour concerts. ... Click to View


Christer Bothen :
Ambrosia [3 CD BOX SET] (thanatosis produktion)

Swedish contrabass clarinetist Christ Bothen in six extended works, the first and third disks a series of solo works using incredible technique and concentration, the 2nd disc a large work in an ensemble with fellow deep reedists Hans Koch & Per Texas Johansson, double bassist Vilhelm Bromander, pianists Kristine Scholz & Tisha Mukarji, and a spectral narrative from Sofia Jernberg. ... Click to View



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  Phil Minton and dieb13 
  With, Without  
  (Klanggalerie) 


  
   review by Dave Madden
  2021-04-01
Phil Minton and dieb13: With, Without (Klanggalerie)

Phil Minton's first experiments with extended vocal techniques were inspired by a desire to imitate the spirit of Jackson Pollock's "Action" paintings. In the late 1950s, he adopted the physicality of the painter's process by rolling around on the floor and making "a big racket" while a visual artist friend tossed paint around a room with equal fervor. Minton refers to his output there as "acrobatic break dance," an appropriately ambiguous way to describe someone contorting his face and speaking in tongues like he's being exorcised in an 1820 snake oil grift.

Minton's conscious tics began through attempts to mimic Louis Armstrong, opera singers and Labour Party politicians with his mouth. Decades later, Minton's amalgam of consonant and vowel groupings and the building blocks of word and sentence structure — while appearing to also communicate in both hungry bear and ghost — produces what one imagines came to pass minute one after the Tower of Babel confounded the peoples' tongue; there may be some interspecies humanoid vocabulary in there, as well.

Taken from six concerts — the earliest from 2009 — With, Without finds Minton in duet with dieb13, a capable manager and handler of Minton's arguable spotlight. Born Dieter Kovačič, the Austrian sound artist relies on a case of machines he refers to as the "klopfer" in concert and in the studio. Similar to his contemporaries and occasional sparring partners, erikM and Martin Tétreault, his turntablist method has nothing to do with idiosyncrasy — neither the intended purpose, where the appliance has landed in hip-hop or even in the hands of a Christian Marclay — as Kovačič is more about using the instrument and its accoutrement as something that can open and close dimensions. That is, while thoroughly stocked up on recordings of environments, his job is to create a habitat where Minton, curled up to a mic in this instance, can work. He also likes to turn that world upside with panning and filtering in ways that move and transform hiss, hum and controlled feedback across monitors with upending effects; further, he will often lure the listener into intent focus on the subtle development of a gesture before suddenly tilting the mix to the left and letting it dissolve around Minton, who often reacts as someone startled awake too quickly.

But With, Without isn't only about guttural, primordial groaning and whooshes. Sometimes jets circle, a human conversation playing at twice Chipmunks speed drifts by, trombonists playing from a car trunk, quasi-throat-singing, hands cupped to produce owl calls, infantry marching from or to war, etc. Half-way in, Kovačič begins a steady thump which Minton accompanies with a parched whistle until sinking into the impression of a dog giving chase to its tail. While the listener is distracted by the vocalist, Kovačič slips in a virtuosic clarinet run, repeated and edited into a remarkable clone that eventually wobbles and collapses, Kovačič back-spinning the record to remind the audience of the illusion. He augments the pattern with a repeating, Moogy bloop and the sound of a concrete slab being dragged (sealing you inside your mausoleum?) which all translates to something near the boggy likes of Throbbing Gristle's "Convincing People." Though wordless, the feeling is smarmy with the same tension of a Poe essay.

I'm picking on Minton, as his oeuvre — and the Jandek album that likes to come up on shuffle — is in a select list I don't often share for fear of changing family and friends' timid admittance that my music is not relatable. With, Without is difficult and might not be something you listen to out of enjoyment as much as respect; with the same reverence displayed when handing off an Olympic torch, it's a CD an educator will pull off a CD for advanced students looking to move (far) beyond lyrics and melody in writing for voice. Not bad for two guys with a stool and a sawhorse.



Phil Minton and dieb13: With, Without
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