The Squid's Ear Magazine


Ist (Davies / Fell / Wastell): Berlin (Confront)

Ist - Rhodri Davies (harp), Simon H. Fell (double bass) & Mark Wastell (violoncello) - recorded this fascinating, quietly active lower case work at Total Music Meeting in Berlin 2001.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:



product information:

Personnel:



Rhodri Davies-harp

Simon H. Fell-doublebass

Mark Wastell-violoncello


Click an artist name above to see in-stock items for that artist.




Label: Confront
Catalog ID: ccs 18
Squidco Product Code: 17772

Format: CDR
Condition: New
Released: 2013
Country: Great Britain
Packaging: Cardboard Sleeve Sealed
Recorded at Total Music Meeting, Podewil, Berlin in 2001.

Descriptions, Reviews, &c.

"One day, I hope, the story will be written. The story of the group IST and its relationship to the birth of the music that subsequently became variously known as 'New London Silence' or 'Lower Case Improv' (and yes, I use those upper case letters intentionally).

Perhaps the learned critics (who seem very rarely to actually ask the musicians) will tell us just what our place is in this history. Certainly we were not the first - Rhodri and Mark were much influenced by Radu Malfatti and Phil Durrant (among others) at this time (or so it seemed to me), but we were among the first. From my own personal point of view, playing this new kind of provocatively distilled music seemed like a coherently radical response to the expansive intensity of groups such as Hession/Wilkinson/Fell and Descension. I have always had a certain sinful pride in the breadth of my discography at this time, and looking back I'm still impressed by the fact that at one period I was simultaneously playing with Descension and IST.

These two groups have more in common than their radical diversity, however. Perhaps more than any other groups in which I've participated, each performance by these ensembles seemed to represent a kind of manifesto - a real challenging of the ways a certain number of our audience might have of thinking about music, and what it should be. But whilst Descension's discography amounts to one appallingly-recorded and long out-of-print CD, we are fortunate that IST was much better documented on numerous occasions.

It's only fair to point out that IST didn't begin with the purity it later developed. The very early recordings released on the 'Anagrams To Avoid' LP show a group still wedded to the music of free, unrestrained activity. But the chemical processes resulting from the combining of Rhodri and Mark didn't take long to come to fruition (my act of introducing Rhodri to Mark and vice versa might one day merit me a footnote in someone's thesis).

One such 'manifesto' performance was our appearance at Berlin's Total Music Meeting in 2001. Perhaps it is difficult for some people now to understand the significance of a group such as ours playing at the Total Music Meeting at that time. I don't intend to write this history now either, but from a free/improvised music point of view Berlin in 2001 was far from the place it is now - a chapter in the history of free music was drawing to a close, but for the moment the old ways of doing things still reigned supreme.

We played the music you will hear on this recording - and not for the first time caused quite a stir. In particular, a younger generation of Berlin musicians seemed to feel the musical permafrost cracking. The response of the audience at the end of our set - those who had stayed - gives some flavour of the impact of this performance.

Of course, this is all somewhat of a storm in a teacup. We didn't change the world, perhaps we didn't even change the Berlin musical world. But we did play a short but exceptional set; the music is here to hear, the rest you can decide for yourself."

Simon H. Fell [May 2013]


Artist Biographies

"Rhodri Davies was born in 1971 in Aberystwyth, Wales and now lives in Gateshead in the northeast of England.

He plays harp, electric harp, live-electronics and builds wind, water, ice and fire harp installations. He has released four solo albums: Trem, Over Shadows, Wound Response and An Air Swept Clean of All Distance.

His regular groups include: a duo with John Butcher, Common Objects, HEN OGLEDD: Dawson - Davies, a trio with David Toop and Lee Patterson, Cranc, The Sealed Knot and a trio with John Tilbury and Michael Duch.

In 2008 he collaborated with the visual artist Gustav Metzger on 'Self-cancellation', a large-scale audio-visual collaboration in London and Glasgow.

New pieces for solo harp have been composed for him by: Eliane Radigue, Phill Niblock, Christian Wolff, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.

In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award."

-Rhodri Davies Website (http://www.rhodridavies.com/words/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Simon H. Fell (b. Dewsbury, Yorkshire, 13 January 1959) is a bassist and composer; he is primarily known for his work as a free improviser and the composer of ambitiously complex post-serialist works.

Fell began playing double bass in 1973. From 1978 to 1981 he read English Literature at Fitzwilliam College of Cambridge University,[1] an interest that led to ties to many of the poets associated with the Cambridge scene (a later work, Music for 10(0), involves settings of texts by the poet/music journalist/provocateur Ben Watson).

Fell's most notable early group was a group with drummer Paul Hession and saxophonist Alan Wilkinson, a free-jazz trio that was exceedingly fast and furious even by the standards of that genre. Their work was primarily released as cassettes and CDs on Fell's label Bruce's Fingers, including Bogey's and the group's only studio album, foom! foom! Their most sonically extreme statement, however, was the grainily recorded The Horrors of Darmstadt (Shock). (Its title is a sarcastic quotation from a BBC announcer concerning the avant-garde Darmstadt School of composers.)

Other groups in which Fell is or was a member include the free jazz trio Badland (led by saxophonist Simon Rose; initially the drummer was Mark Sanders, with Steve Noble subsequently taking over the role), the improvising string+percussion ensemble ZFP (with Carlos Zingaro, Marcio Mattos and Mark Sanders), and SFQ, a quartet/quintet with changing membership, though clarinettist Alex Ward has been a constant. (Fell's 2001 version of his 70-minute SFQ composition Thirteen Rectangles was broadcast twice by the BBC and subsequently nominated for the 'new work' award in the 2002 BBC Jazz Awards.) In sharp contrast to the uproar of Hession/Wilkinson/Fell, the trio IST (with Rhodri Davies and Mark Wastell) was one of the seminal groups in the development of the ultra-quiet aesthetic now generally called "EAI" or "electroacoustic improvisation". Fell has also performed in many other ensembles, including the London Improvisers Orchestra and Derek Bailey's Company Week.

Fell's major sequence of compositions is titled Compilation (to date, four such projects have been issued). Despite the governing title, these are not collections of previous material but new, large-scale works. The musical language makes overt use of serialist procedures (such as tone rows, retrograde structures, &c), as well as many other techniques: extensive studio layering, overdubbing and reordering of material (so that seemingly "live" performances may be the result of carefully edited-together improvisations and/or notated material), and use of aleatoric techniques to "degrade" or distort precomposed structures into new shapes. Free improvisation, rock and jazz all form key parts of the musical language; one section of Compilation IV even includes a simultaneous hommage to Karlheinz Stockhausen and Henry Mancini. The cast of musicians drawn on for these pieces usually includes a mix of classically trained players, jazzers and free improvising musicians, as well as wild cards like the noise guitarist Stefan Jaworzyn. While virtuoso players such as Evan Parker and John Butcher are essential to the projects, Fell often deliberately makes use of amateur or student musicians, too, not as a makeshift but as an intentionally democratizing and less predictable element.

Other large-scale composition projects include:

• his compositions for The London Improvisers' Orchestra (Papers, Happy Families, Kšln Klang, Ellington 100 (Strayhorn 85), Morton's Mobile, Too Busy and Three Mondrians) (1998-2004)
• Kaleidozyklen, a 60-minute piece for improvising double bassist and orchestra (2000)
• Thirteen New Inventions, a major solo piano piece commissioned by Philip Thomas (2005)
• the concert-length BBC Radio 3 commission, Positions & Descriptions (for 18 musicians & prerecorded materials), premiered at the Huddersfield Contemporary Music Festival (2007)
• a 1-hour suite for sextet, The Ragging Of Time, commissioned by the Marsden Jazz Festival (2014)
-Wikipedia (https://en.wikipedia.org/wiki/Simon_Fell)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mark Wastell Born 1968; cello.

Much of Mark Wastell's relationship with his chosen instrument is concentrated on the tactile, textural and sonic possibilities of both violoncello and bow. He is increasingly interested in working with extreme elements drawn from frequency, timbre and pitch.

His early activity was consciously and subconsciously influenced by a variety of improvising musicians including John Stevens, Barry Guy, Phil Durrant and John Russell. Subsequent exposure to contemporary composers lead to a greater understanding and appreciation of the works written for strings by Feldman, Cage, Nono, Lachenmann and Sciarrino. The use of live electronics and music concrete by Tudor, Parmegiani, Xenakis and others was another important early influence.

Wastell's current instrumental material primarily focuses on using abstract principles of space and texture - encompassing elements of new London silence, pro-instrument minimalism, new complexity and electro-acoustics. Because of the very nature of his chosen instrument, he tends to favour 'chamber' style ensembles and is a member of a number of regular groups:

• Chris Burn's Ensemble, with John Butcher, Rhodri Davies, John Russell, Matt Hutchinson

• Derek Bailey's Company - with, for example, Will Gaines, Simon H. Fell and Rhodri Davies

• Evan Parker's String Project, with Peter Cusack, Hugh Davies, Rhodri Davies, Phil Durrant, John Edwards, Kaffe Matthews, Marcio Mattos, John Russell

• Assumed possibilities, with Chris Burn, Rhodri Davies and Phil Durrant

• The Sealed Knot, with Burkhard Beins and Rhodri Davies

• Necessaire with Alessandro Bosetti, Ignaz Schick and Burkhard Beins

• IST with Simon Fell and Rhodri Davies

• Quatuor Accorde with Tony Wren, Phil Durrant and Charlotte Hug

• Broken Concort, a duo with Rhodri Davies

Mark Wastell has also performed with many other leading musicians including John Zorn, Keith Rowe, Peter Kowald, Hugh Davies, Roger Turner, Veryan Weston, Lol Coxhill, Mark Sanders, Axel Dorner, Hans Koch, Phil Minton, Max Eastley and Steve Beresford.

As a soloist he has played at the Micro-classical Festival (London 1996), LMC Festival (London 2000) and the Huddersfield Contemporary Music Festival (2000). He has travelled extensively with various groups, performing on tour and at festivals in the USA, France, Spain, Italy, Germany, Sweden, Denmark and Greece. Other work includes the launch in 1996 of his own record label, Confront Recordings. Wastell is also joint co-ordinator of the concert venue All Angels, together with Rhodri Davies."

-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mwastell.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Punkt Und Linie 31:35

Related Categories of Interest:


Improvised Music
European Improv, Free Jazz & Related
Free Improvisation
lowercase, micro-improv, sound improv
London & UK Improv & Related Scenes
Trio Recordings
Trio Recordings
Instant Rewards

Search for other titles on the label:
Confront.


Recommended & Related Releases:
Other Recommended Releases:
Davies, Rhodri
Wound Response
(Amgen Records)
First released in 2012 on the Alt.Vinyl label and now reissued on his own Amgen label, Rhodri Davies performs solo in Newcastle upon Tyne on lap harp and electronics, using two main techniques: over-articulation of the strings (what harpists are taught not to do) and attacking the strings with a plectrum, forcing the tuning into new relationships until the strings eventually break.
Virtual Company (Fell / Wastell / Bailey / Gaines)
Virtual Company
(Confront)
IST, configured as the duo of double bassist Simon H. Fell and cellist/percussionist Mark Wastell, performing a virtual quartet at London's Cafe OTO, using using pre-recorded fragments of solo work from late guitarist Derek Bailey and tap dancer Will Gaines, combined with sections of silence of unforeseeable length, and then combined with the live musicians; amazing.
BEFOREHAND (Lazaridou / Wastell)
Live at Hundred Years Gallery
(Confront)
The duo of Dimitra Lazaridou-Chatzigoga on zither and Mark Wastell on his electronics set including bowls and shruti box, formed for the release concert for Angharad Davies' "Six Studies" in 2014, recording this excellent improvised dialog of rich and unusual sound.
Ist (Davies / Fell / Wastell)
Consequences (of Time and Place)
(Confront)
ist (The Improvising String Trio) of Rhodri Davies (harp), Simon H. Fell (bass) and Mark Wastell (violincello) performing at The Natural Music Club in London, 1997, using unorthodox techniques in indeterminate systems and free improvisation for fascinating results.
Davis, Matt / Phil Durrant / Mark Wastell
Confront Collectors Series
(Confront)
Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.
Halliwell, Graham
Recorded Delivery
(Confront)
Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.
Sealed Knot, The (Beins / Davies / Wastell)
and we disappear
(Another Timbre)
For a decade this trio has created some of the most interesting electroacoustic improvisation, captured in a 38 minute performance at the Ear We Are Festival in Biel, Switzerland, 2007.
Morris / Fell / Ward
The Necessary And The Possible
(Les Disques Victo)
This incredible trio, recorded at the 25th Victo Actuelle Festival, play complex music using shared ideas about articulation, timbre, and methods of interaction.
Eastley, Max / Rhodri Davies
Dark Architecture
(Another Timbre)
The duo of sound sculptor Max Eastley and electric harpist Rhodri Davies in an unedited recording performing live at South Hill Park Arts Centre in Bracknell, UK.
Furt plus
Equals
(psi)
The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.
fORCH
Spin Networks
(psi)
Scotch Of St James, The
Live at Amplify 2004
(Confront)
Tim Barnes on snare drum and amplification and Mark Wastell on amplified textures, tuned metal, making small, mostly unidentifiable sounds with a Cage-style open flair.



Customers Who Bought This Item Also Bought:
Neumann, Calle / Ketil Gutvik / Ingebrigt Haker Flaten / Paal Nilssen-Love
New Dance
(PNL)
After the 2019 retrospective box-set of the late 90s, legendary band The Quintet, and after the sad passing of bassist Bjornar Andresen, saxophonist Carl Magnus Neumann, guitarist Ketil Gutvik and drummer Paal Nilssen-Love decided to form a new quartet, adding bassist Ingebrigt Haker Flaten, commencing their organization with this outstanding 2020 live concert in Oslo.
Butcher, John / Philippe Lauzier / Eric Normand
How Does This Happen?
(Ambiances Magnetiques)
The Montreal free improvising, experimenting duo "Not The Music" of bassist Eric Norman & bass clarinetist Philippe Lauzier invited UK saxophonist John Butcher for concerts in Ottawa and Montreal, recording the two impressive 5-part series heard on this album--"en consequence" (consequently) and "par irruption" (by bursting), of masterful and profoundly pensive prowess.
Andersen, Arild / Clive Bell / Mark Wastell
Tales Of Hackney
(Confront)
World instrumentation of shakuhachi, thai flute, shinobue, thai mouth organ, and shruti box blends with western orchestration of double bass, percussion and electronics as Clive Bell, Arild Andersen, and Mark Wastell come together in the studio after their well-received concert at Cafe Oto in London to develop these beautifully lyrical improvisations.
Baron, Marc
Un Salon Au Fond D'un Lac
(Potlatch)
Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways.
Davies, Angharad / Rhodri Davies / Michael Duch / Lina Lapelyte / John Lely & John Tilbury
Goldsmiths
(Another Timbre)
An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
The extraordinary trio of three masterful players from different generations who have broken with convention while playing within free forms--Evan Parker on sax; Joe Morris on guitar; and Nate Wooley on trumpet--performing live at Firehouse 12 in Connecticut, 2014.
Davies, Rhodri / John Butcher
Routing Lynn
(Ftarri)
Chris Watson recorded John Butcher on acoustic & amplified sax and Rhodri Davies on acoustic & electric harp in Routing Lynn in Northumberland, then joined them live at a festival in Gateshead where the duo played alongside Watson's reworked recordings.
Butcher, John / Burkhard Beins / Mark Wastell
Membrane
(Confront)
Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.
Gray / Hobbs / Hostetter / Braman
Lawnmower II
(Clean Feed)
The second take of Boston area drummer Luther Grays' project Lawnmower with Jim Hobbs on sax, Kaethe Hostetter on violin and Winston Braman on electric bass, excellent jazz with unique instrumentation and a diversity of approaches.
Amado, Rodrigo / Mota / Faustino / Ferrandini
Wire Quartet
(Clean Feed)
Saxophonist Rodrigo Amado in a quartet with 2/3's of Red Trio - bassist Hernani Faustino and drummer Gabriel Ferrandini - and guitarist Manuel Mota adding unusual angles to their exemplary blues-based free improvisation.
Revis, Eric / Taylor / McHenry / Jones / Branford Marsalis
In Memory of Things Yet Seen
(Clean Feed)
A superb modern jazz release from NY bassist Eric Revis with Chad Taylor (drums), Bill McHenry (sax) and Darius Jones (sax), plus special guest Branford Marsalis on two tracks.
Chrysakis, Thanos / Wade Matthews / Javier Pedreira
Garnet Skein
(Aural Terrains)
The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.
Lacy, Steve
Avignon and After - 2 (1972-7) Volume 2
(Emanem)
The second volume of Steve Lacy's solo soprano saxophone concerts, starting off with the three short versions of Billy Strayhorn tunes which opened his first solo concert at Avignon in 1972.
Dessen, Michael Trio
Resonating Abstractions
(Clean Feed)
West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC