Recordings from a unique concert at the Synagogue in Oerlinghausen, Germany in 1996 between long-term collaborators Philipp Wachsmann and artist Sarah Brigitte Eckel, Wachsmann improvising in the resonance of the synagogue on violin, viola, electronics & tape in response to Eckel's exhibition extemporizing five canvas painting and a floor installation.

Two 2022 live free jazz sessions from Malaysia, the first a saxophone duo between US ex-pat based in The Philippines, Rick Countryman on alto and Malaysian tenor saxophonist Yong Yandsen, appropriately recorded at The Saxophone Store in Kula Lumpur; then 5 trio improvisations recorded in concert at Live Fact in Petaling Jaya, Selangor, Malaysia on the same tour.

The continuing collaboration from the collective free jazz trio of Philippines-based American alto saxophonist Rick Countryman, Philippines bassist Simon Tan and Swiss drummer Christian Bucher is heard in this studio session of eight lyrically inclined tracks of spontaneous interaction, a well-balanced mix of energetic grooves and contemplative group conversation.

A 2022 concert of acoustic and electroacoustic interaction at The Jazz Centre UK from the Trans Map duo of Evan Parker on soprano saxophone and Matthew Wright on laptop processing, the "+" in Transmap+ being trombonist Robert Jarvis, a versatile collaborator since London Improvisers Orchestra and here a 3rd voice expanding their spectacular open collective free improv.

With shared background in Slovik groups and ensembles including work with Szilárd Mezei and the Olfamoštvo ensemble, the Lih Kadim sextet of electroacoustic improvisers is heard in an exceptional 2021 concert of innovative and exploratory interaction, each recording taken from a successive night performing at the Cultural Centre, Bistrica Ob Sotli in Slovenia.

The MMM Trio of Carlo Mascolo on prepared trombone, Miguel Mira on cello and Marcello Magliocchi on drums & percussion recorded this album during a concert series in Puglia, Italy, placing each musician in a separate room with headphones, promoting the close listening and concentrated interaction each brings to their unusual approach to free improvisation.

Reissuing the limited 2003 release on saxophonist Paul Dunmall's DUNS label, this wonderfully sophisticated concert at Victoria Rooms in Bristols featured collaborators and jazz luminaries Philip Gibbs on guitar, Neil Metcalfe on flute, Andrew Ball on piano & celesta and Hilary Jeffrey on trombone, a quintet of tempered intensity and incredibly expressive power.

A fascinating chamber jazz trio performing in a 2021 live concert in the Galerie at arToxin, in Munich, Germany from the collective free improvising trio of Udo Schindler on alto & sopranino saxophones & bass clarinet, Sebastian Gramss on double bass and Gunnar Geisse on laptop guitar, subtitled RESILIENT PERSPECTIVES... a real fact? [LowToneStudies#9+]

Udo Schindler follows his duo album with drummer Eric Zwang-Eriksson @ Salon fur Klang+Kuns, Poetry?? Ein Wurfelwurf with this recording at BASIS_Sound_Space at MUCCA - Munich Center of Community Arts in Munich, Schindler on sopranino & tenor saxophones and the deep TUBAX, interacting with Eriksson's rapid-fire and uniquely voiced drum & percussion work.

Their first album after a 6-year break, the collaboration of vocalist Julie Tippetts and multi-reedist & electronic artist Martin Archer is heard in two distinct presentations: a large and stunningly complex suite with an ensemble of acoustic and electronic artists; and a sequence of 13 separate and contrasting songs, performed by various small groups drawn from the JTMA Ensemble.

An exhilarating departure from saxophonist Paul Dunmall's Coltrane-esque approach to free improvisation with this electrified quintet of Steven Saunders on guitar, Richard Foote on trombone, James Owston on bass and Jim Bashford on drums, playing with upbeat urgency through a set of Dunmall compositions, often letting Saunder's riffs take the foreground around a first-rate set of solos.

A diverse set of compositions by London composer, performer and improviser John Lely performed by the UK ensemble Apartment House, demonstrating the spectrum of Lely's work across string quartets, solo piano works, a solo electronic piece, and a work for violin, two violas & cello; works of cohesive direction across a variety of approaches and interests.

A magnificent solo performance for Swiss Radio captured at Salle Faller, Conservatoire de La Chaux-de-Fonds in Switzerland in 2007 from trombonist Samuel Blaser, performing seven original, melodically inclined compositions performed with masterful technique and powerfully clear tone, along with an assertive reading of Ellington's "Mood Indigo".

After twenty years of collaboration including bands BleySchool, The Locals and Valid Tractor, this is surprisingly the first duo recording between British improvisers, pianist Pat Thomas and Dominic Lash, the latter more typically on double bass but here on electric guitar, and Thomas on the grand piano at St. Anne's College in Oxford, as the two improvise six fascinating dialogs.

Inspired by and recorded at the basilica of a former monastery overlooking a valley in southern Spain, the duo of Wade MatthInspired by and recorded at the basilica of a former monastery overlooking a valley in southern Spain, the duo of Wade Matthews on digital synthesis & field recordings and Carmen Morales on prepared piano, present improvisations with a unique palette of timbres, contrasting spacious moments against rapid interaction as they "Plunge and Tumble" through five captivating dialogs.ews on digital synthesis & field recordings and Carmen Morales on prepared piano, present improvisations with a unique palette of timbres, contrasting spacious moments with rapid interaction as they "Plunge and Tumble" through five captivating dialogs.

Trio & Octet compositions from UK double bassist Olie Brice: "Fire Hills" in five parts, commissioned by Jazz South and performed by the trio of Brice, Tom Challenger (sax) and Will Glaser (drums); then three pieces including the title track, with Alex Bonney & Kim Macari (trumpets), Jason Yarde, George Crowley, Cath Roberts & Rachel Musson (saxophones), and Johnny Hunter (drums).

The UK avant ensemble Apartment House performs three of John Cage's later works: Two (1987), a number piece using randomly-determined time brackets specifying pitch & dynamic; Hymnkus for up to 14 instrumental parts each of 17 elements blending the concepts of a hymn and a haiku; and Thoreau Drawings, the score twenty unnumbered pages on which Cage drew shapes onto a grid of six systems, each divided into 5+7+5 parts, following the form of a haiku.

Collecting five chamber works from prolific London-based composer Tim Parkinson, written between 1998 and 2017 and performed by the Apartment House ensemble: one piece for solo violin performed by Mira Benjamin, two duos for violin & piano (by Benjamin & Siwan Rhys), a quintet for winds and strings and a septet, both featuring flute and bass clarinet.

A diverse set of compositions from Canadian composer Allison Cameron showing the breadth of her interests across experimental and compositional forms, including a solo multiphonic work for bass clarinet; a guitar trio with the Allison Cameron band of Cameron, Eric Chenaux & Stephen Parkinson; and Apartment House performing quintet and sextet compositions.

A beautifully unfolding story in connected works forming a codex from Texas composer and Wandelweiser artist Kory Reeder, a long form work performed by the UK Apartment House Ensemble in a septet of strings, winds and piano, each section creating a loose narrative ark through several notational strategies envisioned with characters, scenes, diversions, and digressions.

A collection of three modified solo pieces and one collective performance with a minimalist aesthetic through compositions by David Ryan, performed by William Crosby on guitar, Luca Innocenti on church organ & Hammond organ and Dominic Lash on contrabass, each score allowing for interpretation and improvisation, particularly the final collaborative piece.

"As Frogworth says in one review: 'Two giants of Australian avant-garde music getting together here, dedicating their record to Australian composer Peggy Glanville-Hicks, whose house in Paddington, Sydney is used for residencies/sabbatic...

A mysterious set of four works using magnetic pickups to create a diverse set of soundscapes, from ringing tones to cantankerous scratchy earthquake zones, with radio captures alone or on top of those environments adding a sense of mystery to each piece, sometimes providing enigmatic voices, sometimes static, sometimes strange signal and carrier waves; fascinating.

Dave Tucker, a one-time member of The Fall and long-time free improviser involved with the Alan Tomlinson Trio and his own School of Velocity quartet with Evan Parker, John Edwards & Steve Noble, in a duo with double bassist Pierpaolo Martino for 11 succinct and assertive dialogs titled "Melophobia" I - XI, diverse works from active Crimson-esque playing to dark & introspective ruminations.

A massive archive of drone & ambient composer Phill Niblock's films and music, from recordings made between 2013 and 2016 in festivals and studios around the world, orchestrated with primarily acoustic instruments using rich and closely related harmonics, paired with moving images of people from around the world engaged in work; hypnotic and engrossing.

The fifth album on Leo Records for vibraphonist Sergio Armaroli, and his second with NY guitarist, saxophonist & electronic artist Elliott Sharp and bassist Steve Piccolo, using lyrical interpretations of jazz standards as a jumping off point for experimental and unusual approaches to improvisation, a unique balancing point in a fascinating collection.

There is uncertainty of when pianist John Tilbury recorded these three solo keyboard works by his associate and friend, legendary minimalist composer Terry Riley, performing "Keyboard Study #1" and #2, along with "Dorian Reeds" using piano, electric organ, harpsichord & celesta, captured with excellent quality in superb performances from Tilbury at the height of his powers.

Eight powerful and often cinematic pieces for organ and percussion, jointly composed and performed by long-time collaborators, Montreal composers and improvisers Katelyn Clark and Isaiah Ceccarelli, these 8 compositions developed around improvisations on the historic instruments continuo & portative organs, with percussion including a 40" bass drum, bell plates, and almglocken.

Six pieces developed by violinists Johnny Chang and Keir GoGwilt, with vocalist Celeste Oram joining on three, starting with early music works by Hildegard van Bingen and Orlando de Lassus in a hybrid of musical archaeology informed by modern concepts of repetition, variations of timbre, improvisation, &c, as they seek hidden sound worlds in older notation.

Three chamber works by Klaus Lang of a beautifully fragile and dark nature and a meticulous inner structure, alongside arrangements of early music pieces by Johannes Ockeghem and Pierre de la Rue, performed by Klaus Lang himself on organ with the Trio Amos of Sylvie Lacroix on flute, Krassimir Sterev on accordion and Michael Moser on cello.

Six potent duo improvisations for cello and piano by composer & pianist Ernstalbrecht Stiebler and fellow-Berlin resident Tilman Kanitz, who have been developing their dialog together for several years in studio, focusing much of their momentum on pitch and harmony, their work all the more remarkable for Stiebler only having begun improvising in his mid-80s.

Recording in the studio in Hornchurch, UK in 2022, the open-minded, innately lyrical and freely improvising trio of pianist Dan Banks, long-time collaborator with drummer Trevor Taylor at the latter's Jazz825 club in Southend-on-Sea, and Portuguese double bassist Jose Canhas, are heard in five impeccable contemporary jazz recordings, warm collective conversations of adept skill.

The 2nd release from the UK collective quartet of Jose Canha on double bass, Trevor Taylor on drums, percussion, Dan Banks on piano and Josh Ison on saxophone, exploring the intersection between freely improvised music and free-jazz, drawing out energetic and subtle moments in lyrical interactions through energetic and focused momentum with a full range of character.

Free string improvisations from Philipp Wachsmann on violin, David Leahy on double bass and Bruno Gustralla on cello, creating subtle and spacious intersections of strings that focus on unusual techniques, melodic fragments spliced over resounding bowing, plucking and instrument errata, while percussionist Trevor Taylor adds sparse punctuation; inscrutably authoritative improv.

Two sessions from the free improvising electroacoustic trio of Philipp Wachsmann on violin & electronics, Martin Hakett on synthesizer and Emil Karlsen on drums & percussion, first for three studio recordings in 2019, and then in concert at the 2020 "Sounds Like This" festival at Leeds College for two wonderfully idiosyncratic and masterful conversations.

Determined and ardent playing like the powerful creep of lava flow as the Brazilian & Portuguese trio of Felipe Zenicola (Chinese Cookie Poets, Paal Nilssen-Love) on bass, Jose Lencastre (Lencastre Nau Quartet) on saxophones and João Valinho (Creative Sources) on drums evolve their tumultuously articulate journey through a molten world of smoldering free jazz.

A collective West Coast trio from double bassist Kyle Motl (Treesearch) with cornetist Dan Clucas, also on violin and moxeno (an Andean wind instrument) and drummer Nathan Hubbard, imbued with a spiritual and natural chamber jazz feeling, their improvisations influenced by concepts of daydreams, incandescence and zephyrs; a beautiful and open-minded album.

Live recordings of two sessions of fully free and uniquely creative duo improvisations by Udo Schinlder on clarinets, saxophone and brass, and Peter Jacquemyn on double bass & voice, recorded on November 29th, 2019 at the 98th Salon für Klang+Kunst Kralling/Munich by Udo Schindler (part one) & on the next day at Galerie arToxin by Gottfried Düren (part two).

"The Demon of Analogy", reedist Udo Schindler on clarinets & saxophone and Michel Withsch performing on a Pleyel piano, take inspiration from the concepts of French symbolist poet Stéphane Mallamé (1842-1989), who considered his texts as instruments of harmonic complexity and ambiguity, interpreted in eight improvisations recorded live at Krailing, in Munchen, Germany in 2016.

A stellar collective collaboration between British and Australian improvisers recorded at the Kazz Lab/Jazz Club, in Melbourne, Australia as part of a joint recording project between MONASH and RMIT Universities, with performers Raymond MacDonald on alto sax, Robert Burke on tenor sax, Paul Grabowsky on piano, Nick Haywood on double bass and Antony Floyd on drums.

From the same 2017 session that was released as the album Estuary, this concert in the Philippines between American expatriate saxophonist Rick Countryman and visiting Swiss drummer Christian Bucher expands on the free playing of these two empathetic improvisers, presenting a mix of textural, conceptual, melodic and rhythmic interplay steeped in their personal histories.

Performing on tenor, alto and C-melody saxophones plus alto flute, Paul Dunmall's trio brings together drummer Taymotusz Joziwiak (heard on One Became Many, Unmasked and Awoto) and younger generation bassist James Owswon, for an album of expressive and lyrical free jazz, a well-paced example of tempered collective interplay highlighting all three musicians.

A series of impressive improvised solo drum performances by AMM/Matchless leader Eddie Prévost performed at Network Theatre in London, 2012, three pieces with each demonstrating a different characteristic of his remarkably creative and technically virtuosic playing, first with drum sticks, then with "Hands, brush, hands", and finally "Sticking it too".

Quartet, the masterful grouping of Rachel Musson on tenor sax, NO Moore on electric guitar, Olie Brice on double bass and Eddie Prévost on drums, an improvising ensemble of wonderfully unpredictable momentum, from passages of quiet introspection to thunderous density, but always with attentive listening and imaginative responses, heard in this spectacular 2021 concert at Iklektic.

Drummer Federico Ughi is heard in three duo configurations of three improvisations each with British improvisers Steve Buckley on alto saxophone and bass clarinet; Rachel Musson on tenor saxophone; and Matthew F. Morris on baritone saxophone, recording in the studio in London, 1998.

Employing multiphonics, circular breathing and unusual sonic phenomena of immense control over the lowest of clarinets--the bass clarinet and contra bass clarinet--UK-based multi-reedist Jason Alder performs the two-part "Milieu Interiuer" composition by Greek composer Thanos Chrysakis, along with three other Chrysakis compositions for solo and layered clarinets.

A fully free improvisation of subtly disruptive, extended electroacoustic mastery, recorded during the Svensk Musikvår Festival at Aliasteatern, Stockholm in 2021, in a piece conceived by Mats Gustafsson who performs on saxophone & flute, with Anna Lindal on violin, Mats Lindstrom on electronics, effects & sampler and Joachim Nordwall on analog synths, effects & tapes.

Sound Artist Jeph Jerman explored his Cottonwood, Arizona environment between 2019-2021 to capture the field recordings, windswept drones and close mic-ed minimal sounds that make up Flapndr, combining them in the studio to form complex and sometimes dense compositions that evolve and mutate in a fascinating hybrid of nature and noise.

Reissuing The Necks 18th album, finding the Australian trio of drummer/percussionist Tony Buck, bassist Lloyd Swanton and pianist/keyboardist Chris Abrahams in a vertiginous 44 minute dark excursion punctuated by cliff hanging moments through homemade instruments and unusual textures, one of the darker and more cathartic albums from The Necks large discography.

Led by Univers Zero bassist and composer Guy Seger, the third album from Eclectic Maybe Band combines elements of rock, jazz, electronic and abstract landscapes, performed by an ensemble of chamber rock players including Discus label leader Martin Archer, varying groupings within the band focusing on each section in a mix of composed and improvised approaches.