An unusual and captivating work from the trio of saxophonist Alexandra Grimal, double bassist Benjaim Duboc, and cellist Valentin Ceccaldi, leading their album with tracks from "Respirer l'ombre" by Giuseppe Penone "spontaneously used without permission but with great admiration," leading to powerful and unpredictable directions in free improvisation; excellent.

The trio of Daunik Lazro on baritone and tenor saxophone, Jean-Luc Cappozzo on trumpet & flugelhorn and Didier Lasserre on drums, alternate jazz standards from Duke Ellington (Sophisticated Lady; Hop Head), John Coltrane (Lonnie's Lament), Albert Ayler (Angels), with original compositions and the 3-part "Garden", all in the varied traditions of jazz.

"Karoujite" is a Japanese term translating to scarcely, describing the minimalist attitude that Chilean guitarist Cristian Alvear and Japanese percussionist Seijiro Murayama approach this hybrid of composed and improvised music, using a focus of repetitive structures with slight variation to create a hypnotic and entrancing set of music.

A rich and building improvisation from this French 10 piece ensemble, using 4 reeds, piano, zither, gangsa gantung, Indian harmonium, harmonium, mixing desk, contact microphones, banjo, objects, electric & acoustic guitars, effects, gong and drums to create a expansive audio universe that owes its sound to free improvisation and Ligeti.

Eric La Casa and Jean Luc Guionnet recorded this conceptual work in Melbourne, Australia, combining different scales of time, space, & attention, with different working strategies to create a gallery installation, and this book & DVD package exploring the acoustic phenomenon of "standing waves" to engage with the physical relationship between sound and space.

Eric La Casa documents his home environment in Paris through audio investigation and field recordings, creating 3 large works that reveal the properties, singularities, banalities and features of his audio environment in perspective to his status as a citizen of the city, presented in a gatefold CD package with a color 60-page booklet of photos and text.

Two live recordings at Theatre au Clain, in Poitiers, France and at le Bistrot, in Bayonne, from the free improvising quartet of Christiane Bopp on trombone, Jean-Marc Foussat on synth & voice, Jean-Luc Petit on bass clarinet and sopranino sax, and Makoto Sato on drums, for submersive interchanges blending electronics and acoustics in remarkable ways.

The 2nd album from En Corps, the improvising trio of Eve Risser on piano, Benjamin Duboc on double bass, and Edward Perraud on drums, was recorded live at Artacts 16 festival in St Johann, Austria in 2016, performing two building works--"Des Corps" and "Des Ames" (The Bodies, The Souls)--which evolve from intricate quiet interplay into rich harmonic interaction.

Drummer Peter Orins expands the Kaze quartet of trumpeters Natsuki Tamura and Christian Pruvost and pianist Satoko Fujii, with a second drummmer--Didier Lasserre--and a second pianist--Sophie Agnel--for a live recording of a 5-part suite of magnificently epic collective improv.

Two large works of improvisation using electric guitar, synth and alto saxophone from the trio of Augustin Brousseloux, Jean-Marc Foussat, and Quentin Rollet, complex and evolving works with a psychedelic edge, blending experimental, rock and jazz into something truly unique.

French cellist Hugues Vincent recorded these improvisations in Sapporo, Hokkaido, Japan with well-established players on the Japanese free improv scene Shota Koyama on drums, Yuta Yokoyama on trumpet, and Maki Hachiya on objects & voice; lively, spacious and sophisticated improv.

Lisbon's Nuova Camerata brings together a mix of improvisers and contemporary classical players--Carlos Zingaro, Joao Camoes, Ulrich Mitzlaff, Miguel Leiria on string with Pedro Carneiro on marimba--for a set of improvisations bridging both disciplines in passionate and unexpected ways.

Dedicated to sailors, their adventures and rough living conditions while at sea, from the collective free improv quartet of US jazz master and Lacy associate Kent Carter on bass, French saxophonist Sylvain Gueineau, Makoto Sato on drums and Itaru Oki on trumpet & flute.

The trio of Jean-Marc Foussat on synthesizer and voice, abd Dynamo Dreesen & SVN on electronics, crossing artists more associated with electronica than free improvisation, here in their second release recorded live at Ohm in Berlin, Germany and at "Neues Deutchland" in 2016.

The free improvising trio of Makoto Sato on drums, Jean-Francois Pauvros on guitar and Jean-Marc Foussat on synthesizer & voice in a studio album of unique electro-acoustic dialog recorded in Paris in 2013.

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

The duo of French pianist Sophie Agnel and sax player Daunik Lazro traces back to their work in the quartet Qwat Neum Sixx; here the two as a duo are caught live at the "DOM" Cultural Centre, in Moscow in 2016 for 6 improvisations, contemplative to explosive dialog, inspired by the Russian novel "The Master and Margarita" by Mikhail Bulgakov.

Heard in our catalog on albums from Improvising Beings and Another Timbre, here we have a stunning solo album of improvised violin from Viennese violinist Irene Kepl, showing a great range of style and technique while keeping the music playful and interesting, invoking a quote from Trisha Brown: "Dancing on the edge is the only place to be."

A uniquely voiced dialog between two skilled improvisers -- Christiane Bopp on trombone and Jean-Luc Petit on bass clarinet & soprano sax -- bringing experience and technique to improvisations that push their instruments into extreme territory yielding fantastic and original language while keeps their listeners on the edge of their seats.

A live recording at 28 rue Dunois, in Paris, France in 1984 from the trio of Daunik Lazro on alto sax, Joelle Leandre on double bass and voice, and George Lewis on trombone, a trans-Atlantic enounter of creative inventiveness and innovative vision, a great document of three persistent masters captured early in their incredible careers.

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful.

The debut album of French clarinetist Jean-Brice Godet, recording with a New York quartet of Michael Attias on alto sax, Pascal Niggenkemper on doublebass, and Carlo Costa on drums for seven tracks of adventerous original compositions, using weaving lines in melodic heads that propel his sidemen to lyrically rich solos and asides.

Two exemplary solo sets from the truly distinctive and commanding French double bassist and vocalist Joelle Leandres recorded at Vancouver Jazz Festival, Western Front, Vancouver, Canada, in June 1995 and at The Ibleo Jazz Festival in Ragusa, Italy in October, 1994.

A wonderfully eccentric, complex and surprising set of extended improvisations between French clarinetist & saxophonist Jean-Luc Petit and synth and electronics artist Jean-Marc Foussat, ranging from intensive and detailed interactions to beautiful soundscapes, as the two show great compatibility and intent in their approach to free-form improvisation.

The trio of Jean-Marc Foussat on synthesizer, Claude Parle on accordion, and Joao Camoe on alto violin in three electroacoustic improvisations in a dialog of unusual approach balancing serious performance skills with quirky humor, "well mental" music indeed.

Synth improviser Jean-Marc Foussat and double bassist Fred Marty join their names and playing together for an absolutely impressive album of exploratory improv, Foussat taking their music into hallucinatory territories while Marty provides both a solid anchor and flights of textural nuance; supberb.

Two rich sound works: "Grounded Cloud" which gathers fragments of noise and tone into a continuous fabric; and "Hearing Metal (4)", an investigation into metallic resonance, performed by Pisaro with Dedalus members Stephane Garin (percussion) and Didier Aschour (guitar).

This French free improv group performs both quick-twisting post-bop compositions and modern extended technique work, comprised of John Cuny (piano), Jerome Fouquet (trumpet), Jean-Brice Godet (clarinet), Yoram Rosillio (bass) and Nicolas Souchal (trumpet).

Recordings from 2000 at Instants Chavires in Montreuil, France from the free improvising trio of Peter Kowald on double bass, Daunik Lazro on alto & baritone sax, and Annick Nozati on voice, in a uniquely informed dialog representing the only time this masterful trio performed.

Jean-Marc Foussat joins drummer Ramon Lopez for an album of inventive sound and rhythm, spontaneous compositions of unusual approach and texture, Lopez using an array of percussion and drums including tablas to provide punctuation and depth to Foussant's other-worldly playing.

An unusual and gripping album of electronic improvisation on guitar and synthesizer between keyboardist Jean-Marc Foussat and guitarist Simon Henocq, taking alien and abstract landscapes into intense territory over two monumental tracks.

Raymond Boni performs on guitar and harmonica, using a fascinating set of approaches, for poems from Spanish poet and playwright Federico Garcia Lorca, chosen from Lorca's "Romancero Gitano" (Gypsy Ballads), and read with substantial depth by actress Violeta Ferrer.

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

The Norwegian & Danish freejazz-noise-rock trio Yes Deer of Anders Vestergaard on drums, Karl Bjora on guitar and Signe Dahlgreen on sax, in their second album of high energy, cacophonous and brutally joyful (they say "enthusiastic despair") collective improvisation.

A strange and bizarrely beautiful "fanzine" of three CDs, one each from hurdy gurdy drone artist Yann Gourdon, bass guitarist Maxime Petite, and Jean Luc Guionnet on organ, with illustration by artists Fredox, Celine Guichard, and 38Fillette; an odd and absorbing package.

Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

An excellent instrumental 7-inch from the trio of Ava Mendoza on guitar, Maxime Petit on bass and Will Guthrie on drums, recording in the studio in France, four rocking pieces showing the band's chops, quirky asides, and aggressive yet clean playing style.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

Composer Jean-Luc Guionnet wrote "Distances ouies Dites" ("Distances: Hearsay") for the 7-piece Dedalus Ensemble, who are positioned in separate rooms at Le Consortium, each having to use the features of the room and distance from each other to confer liked musical ideas.

Two performers who have stretched the boundaries of their instruments--Miya Masaoka on 12-string koto and Anthony Braxton on saxophones and software-based electronics--in subtle and unusual environments where each player fills the phrases of the other in unforseen ways.

French flutist Michel Edelin leads this 6-piece band named in honor of Jeremy Steig, with 4 flutists including Sylvaine Helary, Ludivine Issambourg, and Nicole Mitchell, plus John Betsch (drums) and Peter Giron (bass) in exceptional, unexpected and inclusive approaches to improv.

Transcendental and exceptional improvisation in the 2nd release from the Fenetre Ovale project, with composer Karl Naegelen and improvisers Eve Risser (piano) and Joris Ruhl (clarinet), expanded with the arrival of percussionist Toma Gouband and violinist Amaryllis Billet.

Chicago flautist Nicole Mitchell presents a work inspired by photographs from scholar and leader of social justice, W.E.B. Dubois, about African American prosperity after the civil war, a rich and compelling set of compositions performed in an ensemble of superb Chicago improvisers.

Known mostly as a masterful improviser, this 2015 live performance of her 2009 work for a tenet crosses compositional and improvisation boundaries, reflecting on her 40 year career while bringing out new subtleties from its original release, here with a superb set of performers.

Percussionist Michel Blanc's astounding 12-part work was composed around news events that occurred between 1972-89, in a tour-de-force of music drawing from improvised music, RIO oriented rock, and concrete sound; with Marc Ducret, Annabelle Playe, Anne Gimenez, & Antonin Rayon.

An almost ceremonial release in percussive approaches to improvisation from the trio of William Parker on double bass, shakuhachi, thumb piano & more, Hamid Drake on drums, cymbals and gongs, and Joe Morris on guitar, banjo, bass, pocket trumpet, fiddle & whistles.

Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways.

A cooperative band of mostly NY improvisers-- Mary Halvorson on guitar, Tomas Fujiwara on drums, Taylor Ho Bynum on cornet & flugelhorn, and French pianist Benoit Delbecq, recording in the studio for a album of uniquely unusual and rewarding compositions from all players.

A direct translation of this band's name is "unemployed shaman", the trio of Leo Ratherius (guitar), Marc-Antonie Moercant (drums) and Thomas Cockerel (bass) use trance-like rhythms to build sonic progressions like cathartic rituals, alongside open-minded improvisations.