Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.

Guitarist Joacim Nyberg, also performing on double bass, bell and recorder, in a live performance in Stockholm, Sweden at Fylkingen in 2014, using "Wood, steel, air. Hands, fingers, heart" in an open-ended and ardent exposition of his interpretation of jazz.

A sound work about freedom, choice and politics, performed at Arika's Festival Episode 4 "Freedom is a Constant Struggle" in Glasgow, 2013, from the duo of Mattin (computer and feedback) and written with Lebanese philosopher Ray Brassier.

The duo of Dimitra Lazaridou-Chatzigoga on zither and Mark Wastell on his electronics set including bowls and shruti box, formed for the release concert for Angharad Davies' "Six Studies" in 2014, recording this excellent improvised dialog of rich and unusual sound.

ist (The Improvising String Trio) of Rhodri Davies (harp), Simon H. Fell (bass) and Mark Wastell (violincello) performing at The Natural Music Club in London, 1997, using unorthodox techniques in indeterminate systems and free improvisation for fascinating results.

Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.

Electronics artist Watkins wrote this piece for resonant spaces, interactive electronics, audience participation & string quartet, here in a special version tuning each string to an odd partial of 60Hz.

Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.

Tim Barnes on snare drum and amplification and Mark Wastell on amplified textures, tuned metal, making small, mostly unidentifiable sounds with a Cage-style open flair.