A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Chicago multi-reedist Ken Vandermark in a quintet with Italian musicians Stefano Ferrian (tenor saxophone), Simone Quatrana (piano), Luca Pissavini (double bass), and SEC_ (Revox tape recorder, instant sound treatment) in an uninhibited live concert in 2013 at Dragon Club in Poland.

Using saxophone and electronics in unexpected ways, Warszawa composer Kamil Szuszkiewicz's 9 movement "Robot Czarek" is described as a "sound cartoon", using odd punctuation of voice and effected interactive instrumental interjections to tell his libretto's strange tale.

UK guitarist and vocalist Richard Youngs, also on zither, suggested performing his large song work "Parallel Winter" on the first day of his Warszawa tour of Poland, a piece that changes in length based on location and environment, here in an extended and contemplative version.

Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

Sound essay, horspiel, reading, electroacoustic music, plunderphonics, sound portraits, collection of songs: a sonic exposition of melancholia from Tyto Alba, (Michal Libera and Ralf Meinz) accompanied by samples from classical music, birds, and saxophone playing by Martin Kuchen.

Tomek Mirt resurrects the memory of Norwegian composer Arne Nordheimie through this five part work of slowly shifting electronics, tense atmospheres, and gentle murmurs, detailed work that reveals its meditative depth through repeated listenings.

Helmut Kajzar's theatrical play with themes of physicality and death with sound performed on synthesizers and electronics, in it's 4th recording including stage directions in the narrative (in Polish) with an insert providing English translations of a selection of dialog.

Composer Petit in an opus dealing with the dynamic of resonance and its incidences: a microphonic exploration of a single sound body made to resonate by means of different types of percussion, building a dramatic story from sampled and processed percussive elements.

Rydberg was a Swedish physicist with a moon crater named after him, here celebrated by the the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics) in an album blending ambient electronics and muted, guiding rhythms.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

"The album is a studio version of a chamber opera prepared by Joanna Halszka Sokolowska at Opera// REMIX at Komuna// Warszawa. The...

Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.

Sound interpretations of Miron Bialoszewski's poetry, whose work focuses on the mundane aspects of the everyday life, usually from an autobiographical perspective and using an overtly colloquial language, interpreted by vocalist Mina Asi, aka Asia Bronisławska, speaking and singing over understated keyboard work.

Composer & pianist Marcin Masecki wrote this work, inspired by Frederic Rzewski and presenting variations on the Chilean song "El pueblo unido jamas sera vencido" (The town united will never be defeated) and invited pianist Piotr Nowicki to perform it for this recording.

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound.

Based on the anthems of nations that have endured recent struggles, from the duo of Marcin Masecki on keys and Candelaria Saenz Valiente on vocals and percussion, embraceable songs with unusual structures paying tribute to the beautiful themes for each nation.

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

A chamber opera by Joanna Halszka Sokolowska at Opera// REMIX at Komuna// Warszawa, using sung and spoken voice, piano, and a variety of tonal instruments to present an intriguing set of variations informed by numerological methods, scientific statistics, &c..

Ergo Phizmiz reinterprets Robert Ashley's disturbing avant-classical work "Purposeful Lady Slow Afternoon", in a group with Ergo Phizmiz (voice, piano), Lula (voice), Maciej Cieslak (guitar), Julia Zietek (violin), Alessandro Bosetti (laptop), and DJ Lenar (turntable).

A series of works from improvising DJ Lenar (Marcin Lenarczyk), using material from the large volumes of miniatures created by Polish Radio Experimental Studio (PRES) artist Eugeniusz Rudnik, transformed into new concrete compositions; in other words, reprising PRES.

Rinus van Alebeek plays a CD copy of the late composer Luc Ferrari's "Cycles Des Souvenirs" in Luc Ferrari's house, while his widow Brunhild Ferrari reads the liner notes and Van Alebeek makes recording inside the house and its surroundings.

Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.

Andrea Belfi (percussion), David Grubbs (guitar), David Maranha (organ), and Pete Simonelli (voice) perform "Ten Intrusions", following the model set by Harry Partch's 1949-1950 composition "Eleven Intrusions".

Merging Hannes Strobl's electric bass and effects with David Moss' unusual vocal approach into stream of consciousness observations and rich music of momentum and mood that are evocative, mysterious and fully engaging.

The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.

An interesting mixture of sound and spoken word originally recorded as a DJ set by RLW for a birthday celebration that was remixed with help from Stephen Meixner.

TLASILA was an experimental music collective founded in 1990 by composer Tom Smith; this 3 CD + download releases finds a massive cast of artists restructuring the improvisations from the "Noon and Eternity" album into a massive 240 minute work.

Chicago-based pianist Paul Giallorenzo trio with fellow Chicago drummer Tim Daisy and Norwegian bassist Ingebrigt Haker Flaten performing a set of Giallorenzo compositions that balance melodic and free moments with authoritative playing.

An experimental sound and voice duet featuring eRikm and Natacha Muslera: extreme, convulsive and immersive sounds that alternately surprises and seduces in brutal and beautiful ways.

Avant improvisation from violist Szilard Mezei's vocal ensemble, a 10 piece orchestra with two vocalists, performing live at CNESA, Serbia; complex and fascinating music with a mix of unusual and traditional orchestration.

Clockwork is the Polish duo of drummer Maciej Wrobel and bassist Szymon Orlowski, who for the last two years have worked with saxophonist Lukasz Poprawski (Urszula Dudziak, Michal Urbaniak, &c) here in their first album together.

NY multi-reedist Michael Marcus (Cosmosamatics), here on clarinet, in a large ensemble including Lenwood Turner on trumpet & John Austria on Rhodes piano, performing original and intricate compositions.

Organized sound compositions using recordings from Monteiro's home environment, compositing acoustic sound without adding electronic effects processing.

The latest project from Rafal Gorzycki, leader of "Ecstasy Project" & "Sing Sing Penelope", here with music composed for poems and inspired by modern electronic, jazz and chamber music.