Schwarm, or "Swarm", 13 is a German ensemble performing instant compositions, directed by clarinetist Rudi Debrunner and saxophonist Max Stehle, who also provides conceptions for the band, which is comprised of reeds, guitar, violin, viola, cello, piano, percussion, double bass, and voice, presenting (appropriately) 13 improvisations captured live at Studioboerne45.

The fourth release from the Portuguese lowercase electroacoustic ensemble Suspensao, merging viola, cello, bass clarinet, alto sax, electric guitar, piano, double bass, percussion and electronics in intensely detailed, slow moving improvisation, revealing impressive tension and suspension of time in impeccably concentrative collective conversation.

Bringing together a wealth of experience in contemporary improvised music, Berlin-based cellist Guilherme Rodrigues and soprano and sopranino saxophonist Harri Sjostrom developed these 12 pieces, combining and contrasting their instruments, at times seeming to complete each other's phrases, in a remarkably sophisticated and virtuosic "Treasure".

A fascinating confluence of improvisation and contemporary compositional approaches from this Spanish ensemble led by composer and drummer Nasim Lopez Palacios, using 5 reeds, trumpet, flute, piano, electric guitar, harp, double bass, drums and electronics in an extended work exploring space, tension and motion, with a beautiful build to catharsis.

The Barcelona trio of Gorka Benitez on tenor saxophone & flute, Guillermo Celano on electric guitar, and Marcos Baggiani on drums, play a lyrical and bluesy brand of instrumental rock music which they describe as an eclectic approach to rock emphasizing pure energy and fun, in nine upbeat and groove-oriented tunes of tight and enthusiastic playing.

Dialogs on the lowest of reed instruments from the Ann Arbor, Michigan duo of Jason Alder and Piotr Michalowski, using Leblanc paperclip contrabass clarinets and Selmer rosewood contrabass and contra-alto clarinets, as they apply diverse approaches to avant improvisation of deep interaction, from active grumblings to beautiful tonal stretches.

A subtle album of acoustic interaction recorded at Berlin's Noiseberg from the quartet of Miriam den Boer Salmon on violin, Ernesto Rodrigues on viola & zither, Fredrik Rasten on acoustic guitar, and Guilherme Rodrigues on cello & percussion, sounding almost electronic in their frictional technique and harmonic overtones, ebbing and flowing from active interaction to tranquil discourse.

Recording at the 12th CreativeFest at O'Culto da Ajuda, in Lisbon, Portugal, the IKB ensemble is represented by 20 musicians for this performance, merging acoustic and electronic instruments including strings, brass, winds, self-made instruments, and percussion in a concert of intense constraint & patience, seething with detail and replete with consummate skill.

Swedish improvisers, saxophonist Per Gardin--known for his work with Rodrigo Pinheiro & Pedro Lopes and Oblique (Trio)--joins fellow Swede Lars Brondum, whose work focuses on modern composers like Cardew, Ligeti, and Riley, here on modular synth and theremin, as the two focus on the star Adhara in the Canis Major constellation through 6 stellar object-named ea-improvisations.

Two sets across two nights during CreativeFest #12 at O'Culto da Ajuda, in Lisbon, Portugal, in a septet of six acoustic sources--viola, cellos, flute, trumpet, piano and percussion--and electronics, an extended journey approached with quiet tension and incredible detail, the recording of the first set used as the basis for the 2nd to create a virtual ensemble.

"Ecorchure" translates to a skin wound produced by a violent friction that removes or tears the superficial layers; here the French trio of Jean-Luc Petit on saxophones, Jeremy Baysse on electric guitar & gadgets, and Fabrice Favriou on drums, tear through three excoriating improvisations during a 2019 live concert at Ateliers Musicaux Syrinx, in Poitiers France.

The Lisbon String Trio of Ernesto Rodrigues on viola, Miguel Mira on cello, and Alvaro Rosso on contrabass continue their recent string of collaborations with a fourth player, Portuguese tuba player Gil Goncalves joining to addd a unique complement to their strings, as Goncalves adds bass, blats, growls and unique timbres of upper register low brass.

Clarinetist Tom Jackson, guitarist Daniel Thompson and drummer Vid Drasler met in 2016 as part of the CRAM Records residency at FriForma in Ljubljana, at which time they performed and recorded as a trio, vowing to collaborate again; this album of open-minded free improvisation is the result: "Nauportus" in 5 parts, ebbing and flowing from near silence to animated interaction.

Two complete live performances in Munich at Galerie arToxin, and at Udo Schindler's Salon fur Klang + Kunst Krailing in 2018, with Schindler on bass clarinet, soprano saxophone and cornet, Ernesto Rodrigues on viola, and Guilherme Rodrigues on cello, balancing active and introspective dialog of advanced harmonics, (a)rhythmic approaches, and extraordinary technique.

Taking their name from plants whose seeds are distributed by wind, violist Frantz Loriot and bassist Daniel Studer formed Anemochore in 2016 to purse different playing techniques and preparations in their search for unique forms of improvisation, here with drummer Benjamin Brodbeck and saxophonist & bass clarinetist Sebastian Strinning, recorded by Jean-Marc Foussat.

Recording in New York at the Omi International Arts Center in 2018, the duo of German trumpeter Nikolaus Neuser and Brazilian bassist Carlos Eduardo Quebrada Vasquez, Quebrada expanding his bass through electronics, capture an inventive and active set of dialogs, rich in technical skill and continually surprising through twists and turns; action-packed and inspired.

Far ranging free improvisation from the Sao Paulo, Brazil quartet of Jorge Nuno on guitar, Romulo Alexis on trumpet, Vitor Vieira Branco on vibraphone, and Rafael Cab on drums, in ethnically rich and spiritual playing that incorporates beautiful atmospheric work, ruminating assertive playing, and idiosyncratic interaction with unusual technique and percussive instruments.

An absurdly paced and spectacular album of electronic improvisation, percussion and voice, as the West Coast improvising trio Monopiece of Nathan Corder on electronics, Matt Robidoux on guitar, and Timothy Russell on percussion meet legendary improvising vocalist and electronics artist Jaap Blonk, recording at The Center for Contemporary Music, at Mills College.

With only an electric guitar, Luis Lopes (Humanization 4tet) Love Song presents the mostly composed work "Post-Ruins", recorded live at Teatro Maria Matos, in Lisboa, using notes, intervals and chords chosen with the intention of transmitting the perception of an eternalized moment occupying the space like a sculpture, full of emotions, infinite in itself.

Now a distinct edition of saxophonist Martin Kuchen's concept, the Angles 9 ensemble is captured live at the Zomer Jazz Fiets Tour in The Netherlands in 2018, performing Kuchen's embraceable and lyrical compositions, allowing his masterful band--including Magnus Broo, Johan Berthling, Mattias Stahl, &c.--great opportunities for collective playing and profound soloing.

Norway's Scheen Jazzorkester in their 7th album, commissioning works in their goal to make a large conventional jazz orchestra more spontaneous through composition, here recruiting trumpeter Thomas Johansson, co-founder of Cortex and Friends and Neighbors, to compose this set of six ardent works incredibly executed by this 13-piece band; breathtaking creative jazz.

Performing live at The Vortex in London and live at the DKDM studio in Copenhagen, legendary UK saxophonist Evan Parker joins Swedish pianist Jacob Anderskov's trio Kinetics with Adam Pultz Melbye on bass and Anders Vestergaard on drums, recording these four masterful improvisations of full-force momentum, concentration, exploration and exultation.

Turning to one third of his more familiar Red Trio setting, percussionist/drummer Gabriel Ferrandini enlists bassist Hernani Faustino and tenor saxophonist Pedro Sousa (Sousa/Berthling/Ferrandini, PeterGabriel Duo) to perform 9 Ferrandini compositions named after streets in Lisbon leading from Ferrandini's house to his studio and then to ZDB.

Recording live in the Namouche Studios in Lisbon in 2018, trumpeter Sei Miguel's octet performs a large work translating to "Fire Car", inspired by William Blake's "Jerusalem" (Chariot of Fire), reminding of early 70's Miles/fusion work as organist Andre Goncalves creates an atmospheric backbone over which the band introduces repetition and variation; mysterious and singular.

Saint Petersburg alto saxophonist Ilia Belorukov and Lisbon drummer Gabriel Ferrandini in a studio album uniting two continents through exploratory free improvisation of exemplary skill and intense concentrative discourse, bringing Belorukov's creative approach to the instrument in close conversation with Ferrandini's powerful technique and clever interventions.

Referencing the poem "Star-splitter" by Robert Frost, Italian improviser Gabriele Mitelli on cornet, soprano sax & alto flugelhorn, and Chicago improviser Rob Mazurek on piccolo trumpet, both using electronics, object & voice, create a spiritually rich and warm series, "gazing" at four planets through immersive, unique and authoritative performance; exceptional.

Referencing the poem "Star-splitter" by Robert Frost, Italian improviser Gabriele Mitelli on cornet, soprano sax & alto flugelhorn, and Chicago improviser Rob Mazurek on piccolo trumpet, both using electronics, objects & voice, create a spiritually rich and warm series, "gazing" at four planets through immersive, unique and authoritative performance; exceptional.

The 2nd album for East/West Coast double bassist and composer Mark Dresser's Seven band, in a diverse set of lyrically intricate Dresser compositions using unusual and compelling rhythmic structures, with Nicole Mitchell on flute, Marty Ehrlich on clarinets & sax, Keir GoGwilt on violin, Michael Dessen on trombone, Joshua White on piano, and Jim Black on drums.

With sections of dark grooves, wild free improv, seething electronics, and even moments of "Set the Controls..." surrealism, the trio of Alexandre Vaz on keys, guitar & saxophone, Joao Silva on synths & drum machine, and Vasco Marques on bass & synth, take their listeners on an unexpected and wide-ranging journey of uneasy and informed, rich exploration.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Using an electric guitar, preparations, and objects as a tool of reflection, Nicola L. Hein presents an album of philosophical bent, about the question of skepticism in music, or a skeptical form of improvisation, through tumultuous playing of impressive technique caught live at Spectrum in NYC, as each track title presents observations or questions that Hein seeks to resolve.

Starting from silence, the improvisations on this collective and fully spontaneous album from trumpeter Luis Vicente and percussionist Vasco Trilla never reaches cathartic crescendo, but as only skilled innovators such as they can do, they captivate the listener in other-worldly environments of advanced technique and profound intention; engrossing and ineffable.

Portugese double bassist Carlos Bica joins forces with German saxophonist Daniel Erdmann and turntablist DJ Illvibe, the son of pianist Alexander von Schlippenbach, for a unique album of improvisation blending experimental and jazz approaches with substantive layers of genre-blending from Illvibe's record arsenal, all handled with accessible control and lyrical sophistication.

The 2nd album from the Portuguese trio of cellist Ricardo Jacinto, double bassist Goncalo Almeida, and drummer Nuno Morao, blending free jazz and freely improvised music using effect pedals and electronic devices to expand their collective improvisations, textured playing influenced by folk melodies and an experimental post-rock bent; mesmerizing and passionate.

Picking up from flutist Sylvaine Helary's 2015 Ayler release "Spring Roll/Printemps", this evolved album of chamber jazz performed with Hugues Mayot on saxophone & clarinet, Antonin Rayon on piano & Moog, Sylvain Lemetre on vibes & percussions, and Kris Davis on piano, presents sophisticated compositions from Helary, Davis, Rayon Dan Blake, and Matt Mitchell.

Matthias' Spillmann's Trio with the leader on trumpet and flugelhorn, Swiss drummer Mortiz Baumgartner and Danish Bassist Andreas Lang are caught live at Bird's Eye Jazz Club, in Basel Switzerland in 2017 for a lyrical and informed album of hard bop, seminal free jazz and jazz standards, including pieces by Ornette Coleman, Billy Strayhorn, Joe Lavano, and William C. Handy.

A tour-de-force of modern creative jazz from the quintet of Larry Ochs on tenor & sopranino saxophones, Nate Wooley on trumpet, Ken Filiano on bass & effects, Pascal Niggenkemper on bass & effects, and Harris Eisenstadt on drums, the familiar history of the musicians and the staggering skill of each bearing out the album's title, in 2 collective and 3 Ochs compositions.

Recalling the French Revolution, Portuguese guitarist Luis Lopes joins forces with French cellist Valentin Ceccaldi and Norwegian drummer Andreas Wildhagen as they slice through complex electric improvisation in a triptych for Marie Antoinette, ending in a Robespierre-like reign of terror "Orgasmic Dance"; muscular, convoluted, unsettling and exultant.

Turning the piano trio concept onto its sonic side, the Swedish trio of Nina de Heney on double bass, Karin Johansson on piano, and Henrik Wartel on drums owe more to AMM than jazz tradition, as they use extended techniques and a sound-oriented approach to improvisation, presenting three live recordings at Elementstudion, in Gothenburg, Sweden.

Recording live in Berlin at Werkhalle Wiesenburg, the quartet of Portuguese father/son string players Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Danish saxophonist Mia Dyberg on alto sax, and Polish double bassist Tomo Jacobson present a precisely controlled concert of subtly detailed free improvisation using impressive technique and momentum.

The Netherlands quartet of Martin Tervoort on tenor & soprano saxophones and bass clarinet, Bert Kleijn on drums, Fons Sluijter on cello, and Bennie Timmer on guitars, in collective improvisation influenced by jazz, blues, salsa, pop, free improv and modern compositional music.

A mysterious and absorbing composition in 8 parts with 8 independent themes, composed to accompany the narrative of an exhibition in January 2018 by the Portuguese artist Sandra Gil at Galerie 9 in Lille, France, Bramnk's score combining acoustic, electronic, and studio components, this rendering adding viola from Guenola Fatout on several parts.

Thirteen emphatic "rituals" from the Argentinian duo of saxophonist Hernan Sama, recording in the studio as they employ an array of techniques including extended bowing and plucking approaches, saxophone smears, growls, vocal utterances, odd reed techniques, &c, to engage their listener's ears as they unfold dialog that merges jazz forms and fully free improvisation.

Free improvisation from the Norwegian trio of Dorothea Okland (voice), Ferdinand Bergstrom (guitar), and Olav Abildgaard (percussion), in 7 non-idiomatic interactions of quirky dialog, Okland's fragmented language interacting with Abilgaard's quick, scrabbly approach to nonspecific objects and Bergstrom's acoustic guitar abstract progressions or chord structures; enjoyably odd.

A collaborative French instrumental rock band led by and with compositions from the core quartet of Anthony Belguise (drums), Jean-Loup Faurat (guitar), Regis Laugier (bass) and Nico Morcillo (guitar), with a list of 22 international guests across 8 songs and instrumentals, including Rafael Toral, Maria Radich, Paulo Furtado, Carlos Zingaro, Rui Carvalho, &c.

Portuguese guitarist Jose Dias steps away from his quartet and trio, and from the many scores for theatre, contemporary dance and animation film that he's composed, to focus on his solo electric guitar work, in this album that applies subtle affects and a warm, ethereal ambiance to expressive and passionate pieces, each conveying a sense of narrative and purpose.

A tribute to pianist and composer Bernardo Sassetti from a trio that includes two members of Sassetti's Trio--bassist Carlos Barretto and drummer Alexandre Frazao--along with pianist Alberto Conde and violist Jose Valente, as they interpret Sassetti compositions, a Federico Mompou piece Sassetti played frequently, along with original compositions from all members.

Red Trio pianist Rodrigo Pinheiro joins Polish free improvisers, drummer Kuba Suchar from the European band Robotobibok (which became Mikrokolektyw), and double bassist Zbigniew Kozera from Sundogs and LEM, for five collective improvisations, diverse and dynamic dialogs of profound technique and creative intention.

The 3rd Clean Feed album from this Portuguese band of unusual orchestration and intentions that cross jazz and rock idioms, from the trio of Sergio Carolino on tuba, Mario Delgado on guitar, and Alexandre Frazao on drums, with rapid fire attacks and tight compositional moments balanced by wonderful open, sonic moments, surprising with a cover of King Crimson's "Starless".