Combining free jazz spontaneity with the urgency of funk and rock, NY-based German saxophonist and bass clarinetist Welf Dorr (Funk Monk) presents his Unit with drummer Joe Hertenstein, bassist Dmitry Ishenko and guitarist Dave Ross, in an energetic album of tunes that combine determination and passion with upbeat grooves balanced by beautiful ballad work.

Clarinetist Tom Jackson, guitarist Daniel Thompson and drummer Vid Drasler met in 2016 as part of the CRAM Records residency at FriForma in Ljubljana, at which time they performed and recorded as a trio, vowing to collaborate again; this album of open-minded free improvisation is the result: "Nauportus" in 5 parts, ebbing and flowing from near silence to animated interaction.

The electroacoustic improv trio of flutist Paolo Pascolo and electronics guru Alberto Novello (JesterN') on modular synthesizer, and Slovenian drummer Vid Drašler, for seven haunting improvisations of unfaltering patience, electronic tones commingling with atmospheric flutes and subtle percussive intervention, creating rich sonic environments or quirky conversation.

Percussionist Andrew Drury, part of Jason Kao Hwang's Edge and part of Drury / Matthews / Cirotteau: Bszent (CS 078) in solo recordings from 2004-07.

Quiet and static acoustic musical territories explored through the pragmatic application of compositional and improvisational structures from these West coast improvisers.

Two Spanish musicians--Ricardo Tejero on clarinet and saxophone, and Paloma Carrasco on cello and piano--both with a long history working together and with legendary improvisers, combine as Duo Bruo, joining their distinctive approaches in free improvisation to create 16 succinct works that present lyrical, spiritual, experimental, and distinctive dialog.

"Back in July, I mentioned Skulking in the Big House from a quartet led by Alexander Frangenheim, and Frangenheim continues to release albums on Creative Sources, including more recently Kochuu, featuring French vocalist Isabelle Duthoit...

Recording live in Berlin at Werkhalle Wiesenburg, the quartet of Portuguese father/son string players Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Danish saxophonist Mia Dyberg on alto sax, and Polish double bassist Tomo Jacobson present a precisely controlled concert of subtly detailed free improvisation using impressive technique and momentum.

Two strings, sax, bass and percussion from the free improvising chamber jazz quintet of Mia Dyberg on alto saxophone, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Johan Moir on double bass and Jose Oliveira on percussion, in an interactive and dynamic live performance recorded in 2018 during the CreativeFest XII at O'Culto da Ajuda, in Lisbon, Portugal.

Citing their influences as Bill Frisell, Paul Motian, John Zorn, and Steve Lacy, the Brussels-based bassless jazz trio of Quentin Stokart (guitar), Mathieu Robert (sax), and Nicolas Chkifi (drums) play lyrical and intelligently restrained music.

Clarinetist Markus Eichenberger's beautiful solo work "Half Time" work is a foray into a landscape of memory using the instrument in traditional and unconventional ways.

Active in the modern creative music scene around Germany and The Netherlands, drummer/percussionist Hendrik Eichler explores a variety of "Dimensions" and "Transcendence" in solo percussive playing, using traditional and extended techniques, from highly active to deeply introspective moods, assisted at time through digital technology.

A slowly-unfolding and wonderful work of unusual acoustic and electronic sound from the Argentinian trio of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects & electronics), and Samuel Sahlieh (synth, electric bass & tapes).

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A student of Christian Dierstein and Fred Frith, French percussionist Camille Emaille, working in both modern compositional and improvised music and influenced by Middle Eastern and Persian approaches, presents an album of solo percussion work selected from eight improvisations recorded in Bromont, Canada, using a diverse and unusual set of percussive instruments.

The Ember quartet's 2nd release recorded during the 2008 Ahornfelder Festival in Leipzig, an amazing live/studio album of distinct and clearly separated structured improvisations.

Eight aquatic themed works from the Berlin-based quintet of Hui-Chun Lin and Uygur Vural on cello, Matthias Müller on trombone, Klaus Kurvers and Ulf Mengersen on bass; also known as Ensemble Discoveries, this album collects work from 2020-22, described as "improvised music and Echtzeit Compositions and the ideas of deep sea, their special living conditions: big pressure, eternity darkness".

"Ensemble MIA unites over 60 improvisers and experimental musicians from all over the world, who participated in MIA 2016 - 7th Encontro de Música Improvisada de Atouguia da Baleia (Improvised Music Encounter) festival. The event ...

"Although their developments took place in parallel, jazz-funk-rock and free jazz shared little, if not perhaps Miles Davis's "Live-Evil" period, due to the open "jam" character The music of the trumpeter took at the time - even when Te...

Originally meeting in 2015 at a music festival, the Berlin-based duo of pianist Antonis Anissegos and cellist Anil Eraslan worked together in different ensembles, and formally declared their duo project in 2018, this their first album, a superb set of both spirited and contemplative dialogs, intricate yet clearly unfolding interaction of masterful skill.

The duo of saxophonist Christoph Erb, best known for his work with the Manuel Mengis Group 6, and French-Japanese violist Frantz Loriot, for five open-minded, technically fascinating and musically unique duos recorded in the studio in Switzerland, 2015.

The Canadian free improvising electroacoustic quintet Escargot of Timothee Quost on trumpet and no-input mixer, Camille Emaille on percussion, Tom Malmednier on snare drums, Xavier Fertin on clarinets, and Louis Freres on bass, in a playful and oft-times bizarre set of collective improvisations, wonderfully eccentric work of strong technical skill and unusual techniques.

NYC trumpeter Peter Evans and bassist Tom Blancarte play very experimental improvisation pushing the boundries, density and speed of free improv interaction.

The second album from the trio of Ferran Fages (acoustic turntable), Ruth Barberan (trumpet), and Alfredo Costa Monteiro (accordion) expands on their first "Atolon" album with these two recordings of intense electroacoustic improvisation, a mixture of ritual, controlled chaos, mysterious and often disruptively provocative sound, and other inexplicable evolutions.

A composite of environmental sounds, electronics, and viola, recorded in Barcelona, Spain and Lisbon, Portugal from intrepid audio explorers Ferran Fages and Ernesto Rodrigues, the single long work taking the listener on a theoretical journey of transparent traffic, squealing wheels and indeterminate location, engrossing in its detail and the mystery it presents.

An unusual improvising string quartet plus alto saxophone, Thea Farhadian (violin), Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), Klaus Kurvers (double bass) and Nuno Torres (alto saxophone) present the 11-part "De-col//age_", a slowly-developing work balancing unconventional approaches to their instruments with more conventional strategies.

"Farhadian is an American composer and performer with a base in San Francisco and one in Berlin. Her work often is about connecting solo violin and interactive electronics. Combining her classical background as violist (Berkeley Symphon...

Six distinct "phases" of entrancing drones performed on an unprepared but slightly damaged harmonium by French improviser Monsieur Favriou, demonstrating the timbral range of the pedal-pumped reed organ.

A surreal and sophisticated work with a 9 piece electroacoustic ensemble composed by sampling and computer artist Roberto Fega, with audio interludes and vocal aberrations, plus text by Jennifer Scappettone.

Electronic improvisations from Formian reed & electronics artist Fega, a member of Taxonomy with Elio Martusciello, as well as IATO and IXEM, Pangolino Orchestra, &c.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

Subtle and reflective improvisations with electronics, flutes and melodica from these two active women of the European improvisation scene.

A series of brief guitar improvisations based on the visual art of Thomas Hornung, who creates chalk artwork that usually takes less than 1 minute to create.

Two string players, Swedish acoustic guitarist and banjo player Niklas Fite, and German double bassist Alexander Frangenheim, recording in the studio in Berlin in 2017 for 10 succinct improvisations ranging from quick interactive discourse of a pointillistic nature to near silent meditations using unusual and extended techniques, a quirky and informed album.

The cosmological concept of the aeon, the conflict between matter and spirit, is explored in eight "Chronicles" of collective free improvisation using impressive technique and concentrative interaction from the Portuguese quartet of Flak on acoustic guitar, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet and Ernesto Rodrigues on violin.

Arizona based percussionist Flinn, who has worked with Tim Perkis, Noah Phillips, in a solo work for drums, percussion and voice.

An immersive album of solo percussion, slowly sculpted through bowed cymbals, tension across drum heads, resonance and extraneous percussive elements, from New York-based experimental percussionist, composer & improviser, each piece unfolding a meditative yet substantial story built of powerful elements, creating mysterious and often daunting soundscapes.

Electricity and metal trash object meet in a banging and sparking session of minimal improvisation from percussionist Elisabeth Flunger and electronic artist Tomas Tello.

The improvising quartet of Canaries on the Pole (Foschia / goyvaerts / Irmer / Wissel) in their second release after their self-titled debut on the Free Elephant label.

London Improviser Orchestra peer Jacques Foschia in a double CD of solo clarinet works extending the instrument's range, performed in the studio & live in Brussels & London.

"We've written about Frangenheim before, whether playing solo, as on "The Knife Again", or in duo with trumpeter Natsuki Tamura on "Nax". On "Talk For A Listener", he goes far beyond conventions, getting rid of any foothold 'a listener"...

Active and exciting electroacoustic improvisation with a strong emphasis on the electronics from Richard Scott and his uniquely developed modular synthesizer, from this Berlin-based collective trio with double bassist Alexander Frangenheim and trumpeter Nikolaus Neuser, exploring Trialectics, a complex system of 21st century thought and formal logic.

Active and exciting electroacoustic improvisation with a strong emphasis on the electronics from Richard Scott and his uniquely developed modular synthesizer, from this Berlin-based collective trio with double bassist Alexander Frangenheim and trumpeter Nikolaus Neuser, exploring Trialectics, a complex system of 21st century thought and formal logic.

Double bassist Alexander Frangenheim, peer to Phil Durrant, Evan Parker, Phil Wachsman, Thomas Lehn, Roger Turner, &c., in a 17 part solo work of gripping and exhilarating playing.

A series of improvisations recorded in an afternoon in Melbourne, Australia between bass guitarist Joseph Franklin and saxophonist Sam Gill on alto & soprano, this the debut of their duo work that since 2018 has developed a unique discourse of adept interaction from calmly precise to rapid & disciplined exchanges, connected by textural and exploratory periods.