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Hungry Ghosts (Yandsen / Svendsen / Nilssen-Love): Segaki (Nakama Records)

Captured live in Austria during their 2022 tour, the ferocious trio of Yong Yandsen on tenor sax, Christian Meaas Svendsen on double bass, voice, and shakuhachi, and Paal Nilssen-Love on drums conjure a visceral yet nuanced ritual of free improvisation, fusing Buddhist themes and extended technique into a raw, dynamic, and spiritually charged performance.
 

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product information:

Personnel:



Yong Yandsen-tenor saxophone

Christian Meaas Svendsen-double bass, voice, shakuhachi

Paal Nilssen-Love-drums, percussion


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Label: Nakama Records
Catalog ID: NKM027CD
Squidco Product Code: 36241

Format: CD
Condition: New
Released: 2024
Country: Norway
Packaging: Cardboard Gatefold
Recorded Alte Gerberei in St. Johann in Tirol, Austria, on September 9th, 2022, by Charles Wienand.

Descriptions, Reviews, &c.

"Segaki is the second album of the Norwegian-Malaysian trio Hungry Ghosts, consisting of Malaysian tenor saxophonist Yong Yandsen accompanied by the Norwegian powerhouse duo of Christian Meaas Svendsen on double bass and Paal Nilssen-Love on drums. Their debut record has been described as an album with an "Unstoppable Energy" and like actual hungry ghosts - the unfortunate souls who are reborn as pitiful creatures into their own miserable realm, punished for their mortal vices - the trio has an insatiable appetite for more.

This appetite was temporarily quenched during their European tour in 2022. As part of this tour they played in a small Austrian town by the name of St. Johann in Tirol. That concert was recorded, and that recording became the raw ingredients for this release. Now, after having gone through a rather extensive two year long digestive system of listening, mixing, listening, mastering and listening again, the trio has brought us their second dish of hard hitting improv.

Hard hitting, yes, but there is also room for nuance, even more so than on their first album. The three musicians bring a rich arsenal of ideas and sounds to the table. Yong sticks to his saxophone, which in reality is just an extension of his abdomen. He howls, screams, whines and wails. But he also breaks it apart, and In a lyrical manner he accompanies Meaas Svendsen who - apart from playing his instrument in all sorts of unconventional ways and with multiple bows simultaneously - also doubles on shakuhachi and ancient Buddhist chants. Nilssen-Love shows us - as those who have followed him for some years know very well - that he can do much more than just play hard and fast. He listens, pauses, plays small gongs and other percussion instruments as well as his drum kit. He gives space, and sure knows how to take space when needed.

The somewhat grotesque and vulgar track titles are taken from actual texts that describe the different types of hungry ghosts that exist in Buddhist mythology. The title of the album, Segaki, translates as "Service For The Benefit Of Suffering Spirits" or "Feeding The Hungry Ghosts". The depiction on the cover is taken from page 9 from the Scroll of Hungry Ghosts, or in Japanese Gaki Zoshi. The scroll itself is from the Heian period in the late 12th century. This particular image shows a hungry ghost which is being forced to throw up what it just ate by a demon.

Perhaps it's not too far a stretch to say that part of this music sounds like a forced regurgitation. Still, this record doesn't only scream; it sings, dances and grooves, showing us that there's a whole lot going on in the realm of the Hungry Ghosts."-Nakama Records


Artist Biographies

Yong Yandsen is a Malaysian free improvising saxophonist, known primarily in Southeast Asia and increasingly in Europe. Yandsen runs the Lao Ban record label and also the concert series SPIL. He has a distinctive and expressive voice on the tenor saxophone that is influenced by players like Kaoru Abe, Albert Alyer and John Butcher.

-Squidco 6/18/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Svendsen started his jazz career within Kongsberg Big Band, was a year at Toneheim folkehøgskole and later studied Performing jazz music at the Norwegian Academy of Music in Oslo. In 2007 he was awarded Kongsberg Jazzfestival's talent scholarship. During the Kongsberg Jazzfestival in 2010, Svendsen referred to as The festival's busiest musician by Laagendalsposten[1] when he performed seven gigs in different constellations during the festival. In 2011 he received Kongsberg Municipality's Cultural Grant.[2] for sitt arbeid med byens tradisjonelle julejam.

Together with his own quintet Mopti he won the 2012 JazzIntro award.[3][4] After this he has performed among others with the brilliant Japanese pianist and band leader Ayumi Tanaka in the band Nakama with the release Before The Storm (2015) and the exiting Ayumi Tanaka Trio with the release Momento (2016)."-Wikipedia

-Wikipedia (https://en.wikipedia.org/wiki/Christian_Meaas_Svendsen)
6/18/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.

The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.

Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.

Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.

All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."

-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
6/18/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. In Search Of Filth Like Vomit And Feces To Eat 15:56

2. Small Bits Of Pus And Blood 4:34

3. Mountain Valley Bowels Full Of Grime 21:38

4. A Great Decomposing Odor 1:53

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Collective & Free Improvsation
European Improvisation, Composition and Experimental Forms
Trio Recordings
Paal Nilssen-Love
New in Improvised Music
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