"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.

In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.

The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.

He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.

His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.

Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."

"Susana Santos Silva is a trumpeter, improviser and composer from Porto, Portugal.

She holds a Master Diploma in Jazz Performance '2010 from Codarts, Rotterdam, where she worked with Eric Vloeimans, Jarmo Hoogendijk and Wim Both.

She holds a Graduate Diploma in Jazz/Trumpet '2008 and in Trumpet '2004 from College of Music and Performing Arts in Porto, attending the last year of the course at the Staatliche Hochschule für Musik Karlsruhe in the class of Prof. Reinhold Friedrich, where she also had baroque trumpet lessons with Prof. Edward Tarr.

She is a member and co-founder of the Porto based jazz musicians association Porta-Jazz and it's label, Carimbo. 
With Coreto, an ensemble of musicians from this association led by João Pedro Brandão, she recorded in 2012 the first album of the label, 'Aljamia'. Two more were released after that, 'Mergulho' and 'Sem Chão'.

In 2011 she releases her first album as a leader of her own Quintet, 'Devil´s Dress' on Tone of a Pitch Records. With this band she played 12 Points Jazz Festival, Dublin in 2011. In 2015 she releases her second album as a leader, 'Impermanence' on Carimbo Porta-Jazz. Life and Other Transient Storms, her new project with Lotte Anker, Sten Sandell, Torbjörn Zetterberg and Jon Falt, premiered last year at Tampere jazz Happening and their new album is now out on Clean Feed Records.

Her other main projects include LAMA, a Rotterdam based trio with portuguese bassist Gonçalo Almeida and canadian drummer Greg Smith, 'Oneiros' (2011), 'Lamaçal' (2013) feat. Chris Speed and 'The Elephant's Journey' feat. Joachim Badenhorst (2015), all released on Clean Feed Records, a duo with swedish bassist Torbjörn Zetterberg, 'Almost Tomorrow' Clean Feed 2013, a duo with the slovenian pianist Kaja Draksler 'This Love' Clean Feed 2015, a duo with drummer Jorge Queijo 'Songs from my Backyard' Wasser Bassin 2013, a collaboration with the belgian trio De Beren Gieren, 'The Detour Fish' Clean Feed 2014, a trio with Torbjörn Zetterberg and the swedish organist Hampus Lindwall 'If Nothing Else' Clean Feed 2015 and a quartet with Christine Wodrascka, Christian Meaas Svendsen and Håkon Berre, 'Rasengan!' (Barefoot Records 2016).

She is also part of João Guimarães Octet, 'Zero' Toap 2014, Torbjörn Zetterberg 'Och Den Stora Frågan' Moserobie 2014, 'Om Liv & Död' Moserobie 2015, and Orquestra Jazz de Matosinhos, with whom she played and recorded with musicians as Lee Konitz, Kurt Rosenwinkel, Chris Cheek, Carla Bley, Steve Swallow, Maria Schneider, among many others.

She was a member of the European Movement Jazz Orchestra, with whom she played in Germany, Slovenia, Austria, Belgium, Portugal and Egipt. The orchestra recorded 'EMJO Live at Coimbra', released in 2011 on Clean Feed Records."