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Rodrigues, Ernesto / Jose Lencastre / Miguel Mira / Hernani Faustino / Joao Lencastre: Affinity Suit (Creative Sources)

A chamber jazz quintet orchestrated for three strings, saxophone and percussion from Ernesto Rodrigues on viola, Jose Lencastre on alto saxophone, Miguel Mira on cello, Hernani Faustino on double bass and Joao Lencastre on drums, technically advanced collective playing that simmers with an underlying jazz fire unique to many of Rodrigues' groupings.
 

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product information:


UPC: 5609063407426

Label: Creative Sources
Catalog ID: cs742
Squidco Product Code: 32601

Format: CD
Condition: New
Released: 2022
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at SMUP, in Parede, Portugal, on October 14th, 2021, by Claudio Rego.


Personnel:

Ernesto Rodrigues-viola

Jose Lencastre-alto saxophone

Miguel Mira-cello

Hernani Faustino-double bass

Joao Lencastre-drums

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Artist Biographies:

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"José Lencastre, also known as Zé Lencastre, is a Lisbon, Portugal saxophonist, composer and arranger. He studied at the Hot Clube de Portugal, Chichester College of Arts(England), and Eastman Community Music School ( Rochester, NY). He Has played several festivals and venues in Portugal, Spain, Italy, Poland, Germany, Czech Republic, Eslovakia, Hungary, Brasil, Morroco.

TSUKI - Looking For Principles In Others (2006)/// TSUKI - I Wish That Mountain Had An Eye (2007)///TSUKI - Sea Snail (2009) ///THE MOST WANTED- The Most Wanted EP (2008) ///CACIQUE97 - Colectânea Novos Talentos Fnac (2007) - EP (2007) - Cacique97 (2009) ///BA MBO - Colectânea Intolerant? Me? (2008) ///POTLATCH - Live at Fabrica (2009) ///THE GRASSPOPPERS - DUB INNA WEEK (2010)/// SOCIAL SMOKERS - MAGNETIC POETRY (2011)/// THE GRASSPOPPERS - LOVERS ROCK INNA WEEK (2011)/// COOLTOUR - COOLTOUR (2012)

He has also appeared as a guest musician recorded with Gnu, Gazua, Philharmonic Weed, Tiago Gomes&Tó Trips, Tércio Borges & os Democratas do Samba, André Sampaio e os Afromandiga, etc. He currently resides in Recife, PE - Brazil."

-Facebook (https://www.facebook.com/pg/zelencastre/about/?ref=page_internal)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
1/25/2023

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"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joao Lencastre is a drummer/composer native from Lisbon. Started playing the drums at the age of 13 and he is now one of the most active and creative musicians on the Portuguese musical scene. He has played all different kinds of music, from avant garde Jazz to mainstream,Alternative Rock, Afro Beat, Reggae, Metal, World,Electronic/Dance, etc.

His interest in jazz started when he first joined the Hot Club Jazz School in 1995, where he studied with the drummer Bruno Pedroso.

Apart from Portugal, has also played in different venues around the world, including New York, Czech Republic, England, Brazil, Poland, Spain, Macau,and Panama.

Over the years, JL had extensive training and practice, in order to stay continuously up to date on new styles and improve his knowledge and skills, which included private lessons with some top drummers, either in England, with Mark Mondesir or in New York, with Ralph Peterson, Billy Kilson, Ari Hoenig and Dan Weiss.

Has played and/or recorded with David Binney, Bill Carrothers, Andre Fernandes, Mario Franco, Thomas Morgan, Jacob Sacks, Afonso Pais, Carlos Barreto, Phil Grenadier, Andre Matos, Demian Cabaud,Leo Genovese,Peter Bernstein, Masa Kamaguchi, Benny Lackner, Nelson Cascais, Spill, Joao Paulo Esteves da Silva, Vojtech Porchaska, David Doruzka, Noah Preminger, Russ Johnson, Sean Conly, Randy Ingram, Demian Cabaud, Jeremy Stratton, Tiago Bettencourt & Mantha, Blasted Mechanism, Jacinta, Cacique 97, among many others...

Lencastre has put out four records as a leader with his group Communion, "One!" and "B-Sides" on Fresh Sound/New Talent and "Sound it Out!" on TOAP Records, all with great national and international reviews on some of the most prestigious magazines, Modern Drummer, Jazz Times, Ipslon, Jazz.PT, All About Jazz, NYC Jazz Record, just to name a few...

The fourth Communion record, featuring David Binney, Phil Grenadier, Jacob Sacks, Thomas Morgan, Andre Matos, plus guests Sara Serpa, Tiago Bettencourt, Ary and Benny Lackner, came out in November 2014 on Auand Records."

-Joao Lencastre Website (http://www.joaolencastre.com/html/)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. I 23:05

2. II 12:10

3. III 16:18
sample the album:








descriptions, reviews, &c.

"Recorded live at SMUP last October, this "affinity suite" was performed by Ernesto Rodrigues on viola, José Lencastre on alto saxophone, Miguel Mira on cello, Hernâni Faustino on double bass and João Lencastre on drums. And it is the profusion of strings that is first felt, an intricate interweaving of vibrations that make up the reverberant web woven in this record.

In a luminous limbo somewhere between the dynamics of free and improvised music and the abstraction of a certain erudite and contemporary composition, this tripartite suite evolves over more than 50 minutes of vigorous instrumental interaction. The first piece denotes a certain urgency, seeming to be propelled by the dialogue between the cello and the viola, with the double bass in a dotted register and the drums, initially very discreet, offering shading via brushes, before fragmenting into a more incandescent phase of the theme. On top of all this, the saxophone releases short mimes, loose phrases, like Pollockian drops of color on a canvas laid out on the floor. The first - and longest - part of the suite moves forward and backward in a spiral of intensity, a veritable vortex that draws us towards its centre.

It is the strings vibrated with a bow that introduce and dominate the second part - the "briefest" one (even though it lasts almost 12 minutes) - made of contention on which the saxophone unfolds circular figures. The last section of the suite starts with a pulsating bass, an almost drone of the viola and a slow breath that emanates from the silence and produces a soft breeze from the saxophone. A textural "fog" that envelops us like a mantle and becomes denser, offering Lencastre the lead during a good part of the theme that then flows into almost silence only interrupted by the abstract figures with which the strings resolve the suite.

This music is always exciting because it is unpredictable, because it is texturally rich, because it is performed by a group of musicians who understand and listen to each other, always looking for a discreet place in a larger picture. Beautiful."-Rui Miguel Abreu, Rhymes and Beats (translated by Google)

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Creative Sources
Improvised Music
Free Improvisation
Jazz
Chamber Jazz
Collective Free Improvsation
Stringed Instruments
Quintet Recordings
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