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Dreyblatt,  Arnold: Star Trap  [VINYL] (Black Truffle)

Previously unreleased 1990's recordings from Arnold Dreyblatt and his Orchestra of Excited Strings, including six pieces performed by three different iterations of the Orchestra; ensembles of modified percussion, string, and wind instruments; pieces using Dreyblatt's Dynamic Processing System; plus 2 pieces composed for the 10th anniversary of the Orchestra in Europe.
 

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product information:


UPC: 4250101415791

Label: Black Truffle
Catalog ID: BT 065LP
Squidco Product Code: 29334

Format: LP
Condition: New
Released: 2020
Country: Australia
Packaging: LP
Tracks A1, B2, B3 recorded at Theaterspektakel, in Zurich, Switzerland, on July 28th, 1997, by Steffan Reitzentahler.

Tracks A2 and B1 recorded at Gallery Bernau, in Berlin, Germany, on April 8th, 1993, by Arnold Dreyblatt.

Track A3 recorded at Great Zeiss Planetarium, in Berlin, Germany, on December 25th, 1991, by Christian Venghaus.


Personnel:

Arndold Dreyblatt-electric lapsteel guitar, effects, midi sampler

Pierre Berthet-percussion

Werner Durand-saxophone, drums

Rob Gutowski-trombone

Jason Kahn-Cimbalom

Dirk Lebahn-excited string bass, Hurdy Gurdy

Silvia Ocougne-modified electric guitar

Jan Schade-cello, tuba

Chico Melo-violin

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Artist Biographies:

"Werner Durand performs his own music for saxophones, iranian ney, and self-made wind instruments since the late seventies. He studied with Ariel Kalma in Paris, Indian classical music in India and Berlin (with Kamalesh Maitra) and Iranian ney with Ali Reza Asgharia. He started to build wind instruments out of plexi-glass and PVC in the early 80s, which led to the foundation of THE THIRTEENTH TRIBE in 1990.

Performing worldwide, he participates in international festival and cultural exchange programs. He has composed music for theater, dance and radio features and is presently engaged in several CD productions and musical projects. Coming from the minimalist tradition, Werner Durands music has evolved into a personal style over the years. Inspired by various kinds of traditional musics and instruments, he started to create his own music and instruments reflecting this. A variety of materials and playing techniques enables him to bring out unusual sounds and with the help of digital delays he can create rich textural and rhythmic pieces, which might recall tribal music from Africa or the Pacific, but at the same time sounding experimental or even (post-)industrial.

His current projects include ASHTAYAMA with Dhrupad singer Amelia Cuni; ANCIENT TRENDS & NEW TRADITIONS IN INDO-EUROPEAN MUSIC with Amelia Cuni and percussionist Marika Falk; the group ARMCHAIR TRAVELLER with Sebastian Hilken (cello and percussion), Hella v. Ploetz (glassharp) and Silvia Ocougne (ac.guitars), a duo with australian gitar(t)ist Victor Meertens , and providing drones for Amelia Cuni..s Realisation of 18 MICROTONAL RAGAS (SOLO 58) FROM SONGBOOKS by John Cage and Fatima Miranda´s CANTOS ROBADOS. Werner Durand has also collaborated with numerous composers/performers including David Behrman, John Driscoll, Samm Bennett, Fast Forward, David Moss, Muslimgauze, Henning Christiansen, Dominique Regef, David Maranha , David Toop & Tom Recchion as well as with visual/ sound artists Michaela Kölmel, Andreas Oldörp and Rolf Julius. He was a member of Arnold Dreyblatts Orchestra of Excited Strings from 1990- 1997. In 1989 he received a grant from the city of Berlin for the Cité des Arts, Paris. He was granted a residency at Podewil (Berlin) for 1999 together with Amelia Cuni. For 2003/4 he received a grant for the Worpswede artist colony. He has collaborated in the organization of festivals of traditional as well as avant- garde music in Berlin like "Urban und Aboriginal", "Pipeline" , "USArts" , "Minimalisms " and "Intonations"."

-Last.FM (https://www.last.fm/music/Werner+Durand/+wiki?ver=1)
11/25/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

" is a musician, artist and writer. He was born 1960 in New York and grew up in Los Angeles. He re-located to Europe in 1990 and is currently based in Zürich.

As an electronic musician, vocalist and drummer Kahn collaborates regularly with many musicians, both in improvised settings and in the context of graphical scores which he composes for specific groups.

Kahn has exhibited his installations in museums, galleries, art spaces and public sites internationally. These works focus on the idea of space: the conceptual and physical juncture points, its production and dissolution, and our relation to it as a political, social and environmental medium.

Kahn's other activities include sound pieces for radio, film, dance and theater. He has also designed numerous CD, LP and cassette covers. As a writer, his work has appeared in books, magazines and as liner notes to many audio publications.

Performing regularly around the world, Kahn has given concerts throughout Europe, North and South America, Australia, China, Egypt, Hong Kong, India, Indonesia, Israel, Japan, Korea, Lebanon, Malaysia, Mexico, New Zealand, Russia, Singapore, Taiwan, Turkey and South Africa.

In 2011 Kahn started the Editions imprint to publish his own recordings and writings."

-Jason Kahn Website (http://www.jasonkahn.net/biography/index.html)
11/25/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Escalator 9:07

2. The System 8:33

3. Star Trap 6:50

SIDE B



1. Booster Electorate 3:16

2. Lapse 8:47

3. Standing Tonalities 13:05
sample the album:








descriptions, reviews, &c.

"Star Trap presents a selection of hitherto unreleased 1990s recordings from Arnold Dreyblatt and his Orchestra of Excited Strings. Following on from Black Truffle's wide-ranging archival Second Selection (2015), which presented a smorgasbord of unreleased material from between 1978 and 1989, Star Trap mines Dreyblatt's extensive archive of unheard recordings from the 1990s, uncovering six pieces performed by three different iterations of the Orchestra of Excited Strings.

While Dreyblatt often performs in his ensembles on his signature Excited Strings Bass (a double bass strung with piano wire), here we find him in the composer's chair and behind the mixing desk, leading ensembles of modified percussion, string, and wind instruments. Four of the pieces make use of Dreyblatt's Dynamic Processing System (heard on a stunning pair of solo pieces for electric guitar featured on Second Selection), in which the opening and closing of digital noise gates are controlled by an external signal (in this case, a recording of faulty escalator). Rather than the relentless thudding rhythms of 1980s works like Nodal Excitations, the ensemble pieces here are closer to the propulsive, at times even funky rhythmic foundation of Dreyblatt's classic Animal Magnetism (Tzadik, 1995), but further enlivened by the unpredictable accents of the Dynamic Processing System.

On 'Escalator', a six-piece version of the Orchestra performs the notated stuttering rhythms and shifting accents of the gated escalator recordings, without the actual Dynamic Processing System being audible. On the remaining two pieces, composed for the tenth anniversary of the Orchestra of Excited Strings in Europe, Dreyblatt made use of algorithmic software to generate material. But far from austere exercises, these pieces are perhaps the most immediate of all, as the Orchestra exuberantly tears through a sequence of repeating rhythmic and melodic cells, dazzling the ear with the overtones generated by Dreyblatt's twenty-note microtonal scale. At times recalling aspects of the work of Peter Zummo or Arthur Russell's Instrumentals, but with a massive dose of sonic heft, this is music for both the mind and the body."-Black Truffle

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