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Penderecki / Don Cherry & The New Eternal Rhythm Orchestra: Actions [VINYL RSD] (Our Swimmer)

Formed specifically for a performance at Donaueschingen Music Festival on October 17, 1971 and featuring a veritable who's who of the European scene including Peter Brotzmann, Han Bennink, Terje Rypdal, Albert Mangelsdorff, and Gunter Hampel, trumpeter Don Cherry formed The New Eternal Rhythm Orchestra to perform this mind-bending collaborative work with composer Krzysztof Penderecki.
 

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product information:


UPC: 769791973640

Label: Our Swimmer
Catalog ID: WELLE 103LP
Squidco Product Code: 28736

Format: LP
Condition: New
Released: 2020
Country: Germany
Packaging: LP
Recorded live at the Donaueschingen Music Festival, in Donaueschingen, Germany, on October 17th, 1971.


Personnel:

Krzysztof Penderecki-conductor

Buschi Niebergall-double bass

Peter Warren-double bass, bass

Han Bennink-drums, wood block, Tabla, Kalimba, percussion, objects

Gunter Hampel-flute, bass clarinet

Terje Rypdal-guitar

The New Eternal Rhythm Orchestra-orchestra

Fred Van Hove-piano, organ

Peter Brotzmann-tenor saxophone, baritone saxophone

Willem Breuker-tenor saxophone, clarinet

Gerd Dudek-tenor saxophone, soprano saxophone

Albert Mangelsdorff-trombone

Paul Rutherford-trombone

Kenny Wheeler-trumpet, cornet

Manfred Schoof-trumpet, cornet

Tomasz Stanko-trumpet, cornet

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Artist Biographies:

"Krzysztof Eugeniusz Penderecki (Polish: [ˈkʂɨʂtɔf pɛndɛˈrɛt͡skʲi]; 23 November 1933 - 29 March 2020) was a Polish composer and conductor. Among his best known works are Threnody to the Victims of Hiroshima, Symphony No. 3, his St. Luke Passion, Polish Requiem, Anaklasis and Utrenja. Penderecki composed four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.

Born in Dębica to a lawyer, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the Academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His Threnody to the Victims of Hiroshima for string orchestra and the choral work St. Luke Passion have received popular acclaim. His first opera, The Devils of Loudun, was not immediately successful. Beginning in the mid-1970s, Penderecki's composing style changed, with his first violin concerto focusing on the semitone and the tritone. His choral work Polish Requiem was written in the 1980s and expanded in 1993 and 2005.

Penderecki won many prestigious awards, including the Prix Italia in 1967 and 1968; four Grammy Awards in 1987, 1998 (twice), and 2017; the Wolf Prize in Arts in 1987; and the University of Louisville Grawemeyer Award for Music Composition in 1992. In 2012, Sean Michaels of The Guardian called him "arguably Poland's greatest living composer". "

-Wikipedia (https://en.wikipedia.org/wiki/Krzysztof_Penderecki)
10/26/2020

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"Buschi Niebergall (July 18, 1938 - January 9, 1990) was a German free jazz musician. His given name was Hans-Helmut, and late in life, his friends called him Johannes.

Born in the city of Marburg into a family of academics (his father was a professor of theology and temporarily rector of the University of Marburg), Niebergall enrolled in medical school. Playing acoustic guitar, he got in contact with other musicians and quit his studies. As double-bass player Niebergall became co-founder of several of the first and most influential Free Jazz formations of Germany during the mid-1960s. Gunter Hampels quintet "Heartplants" and "Voices" by the Manfred Schoof quintet are two excellent examples of this independent European free jazz development.

A founding member of the Globe Unity Orchestra since 1966, Niebergall collaborated with many musicians playing freely improvised music, including Peter Brötzmann, Don Cherry, Alfred Harth, Evan Parker, Alexander von Schlippenbach, Irène Schweizer, John Tchicai. During the early 1970s he played in Albert Mangelsdorff's various quartets and quintets. After 1980 he chose a life in isolation in Frankfurt a.M., with the exception of occasional stints within a "Jazz und Lyrik" project."

-Wikipedia (https://en.wikipedia.org/wiki/Buschi_Niebergall)
10/26/2020

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"Drummer and multi-instrumentalist Han Bennink was born in Zaandam near Amsterdam in 1942. His first percussion instrument was a kitchen chair. Later his father, an orchestra percussionist, supplied him with a more conventional outfit, but Han never lost his taste for coaxing sounds from unlikely objects he finds backstage at concerts. He is still very fond of playing chairs.

In Holland in the 1960s, Bennink was quickly recognized as an uncommonly versatile drummer. As a hard swinger in the tradition of his hero Kenny Clarke, he accompanied touring American jazz stars, including Sonny Rollins, Ben Webster, Wes Montgomery, Johnny Griffin, Eric Dolphy and Dexter Gordon. He is heard with Gordon on the 1969 album "Live at Amsterdam Paradiso" (on the Affinity label) and with Dolphy on 1964s "Last Date" (PolyGram). At the same time, Bennink participated in the creation of a European improvised music which began to evolve a new identity, apart from its jazz roots. With fellow Dutch pioneers, pianist Misha Mengelberg and saxophonist Willem Breuker, he founded the musicians collective Instant Composers Pool in 1967. Bennink anchored various bands led by Mengelberg or Breuker, and appeared in their comic music-theater productions.

Bennink attended art school in the 1960s, and is also a successful visual artist in several media, often constructing sculpture from found objects, which may include broken drum heads and sticks. He has designed the covers for many LPs and CDs on which he appears. Bennink is represented by Amsterdam's Galerie Espace, and has been the subject of several one-man shows, including one at the Gemeente Museum in the Hague in 1995.

In 1966, Bennink played the US's Newport Jazz Festival with the Mengelberg quartet. From the late 1960s through the '70s Bennink collaborated frequently with Danish, German, English and Belgian musicians, notably saxophonists John Tchicai and Peter Broetzmann, guitarist Derek Bailey and pianist Fred van Hove. Bennink, Broetzmann and van Hove had a longstanding trio well documented on FMP Records. There Bennink also showcased his talents on clarinet, trombone, soprano saxophone and many other instruments, also featured in a series of solo albums he began in 1971.

Bennink's many recordings from the 1980s include sessions with Mengelberg's ICP Orchestra (where he remains), South African bassist Harry Miller, soprano saxophonist Steve Lacy, trombonists Roswell Rudd and George Lewis, and big-bandleaders Sean Bergin and Andy Sheppard.

From 1988 to'98 Bennink's main vehicle was Clusone 3, with saxophonist and clarinetist Michael Moore and cellist Ernst Reijseger, a band noted for its free-wheeling mix of swinging jazz standards, wide-open improvising, and tender ballads. Clusone played Europe and North America, West Africa, China, Vietnam and Australia, and recorded five CDs for Gramavision, hat Art and Ramboy.

Nowadays he is frequently heard with tenor saxophonist Tobias Delius's quartet and in a trio with pianist/keyboardist Cor Fuhler and bassist Wilbert de Joode, and he still collaborates occasionally with jazz luminaries such as Johnny Griffin, Von Freeman and Ray Anderson.

A conspicuous feature of Bennink's musical life since the 1960s is the spontaneous duo concert with musicians of many nationalities and musical inclinations; in the '90s he recorded in duo with among others pianists Mengelberg, Irene Schweizer and Myra Melford, guitarist Eugene Chadbourne, trumpeter Dave Douglas and tenor saxophonist Ellery Eskelin.

Since 2008 Han Bennink has his own Han Bennink Trio consisting of Han Bennink, Joachim Badenhorst on clarinet and Simon Toldam on piano."

-Han Bennink Website, Kevin Whitehead (http://www.hanbennink.com/music/biography/biography.php)
10/26/2020

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"Gunter Hampel (born 31 August 1937) is a German jazz vibraphonist, clarinettist, saxophonist, flautist, pianist and composer born in Göttingen, Germany, perhaps best known for his album The 8th of July 1969 that included fellow musicians Anthony Braxton, Willem Breuker and Jeanne Lee. Jeanne, now deceased, was Gunter's wife.

Hampel became dedicated to free jazz in the 1960s, developing his own record label (Birth Records), and worked with a variety of artists over the years, including John McLaughlin, Muruga Booker, Laurie Allan, Udo Lindenberg, Pierre Courbois and Perry Robinson. In the 1970s he also formed the Galaxie Dream Band."

-Wikipedia (https://en.wikipedia.org/wiki/Gunter_Hampel)
10/26/2020

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Fred Van Hove: "Born 1937 in Antwerp, Belgium; piano, accordion, church organ, composer.

Fred Van Hove studied piano, theory and harmony at the Music Academy in Belgium and experimented with several jazz styles and dance music before making the transition to free improvisation with local musicians (Zinzen, Van De Ven and Wanders). He has been a professional free-lance musician since 1964.

1966 saw the beginning of Van Hove's collaboration with Peter Brötzmann, initially in quartet or larger groupings (eg Machine Gun), then stabilising in a trio format (with Han Bennink) for five to six years; in 1995 contact with Brötzmann was renewed when the two played a duo as part of the 'Pool' at the Free Music XXII in Antwerp in August. His first solo concerts were played at the Avant-garde festival Gravensteen, Ghent, in 1970 and Jazz Middleheim, in Antwerp in 1971. In 1972, working as a duo with Belgian sax player Cel Overberghe, he refused to play at the Middelheim festival as a result of a dispute over the grossly differential fees being paid to visiting American musicians on the one hand and European musicians on the other. This dispute led to the foundation of the musicians collective WIM vzw, Werkgroep Improviserende Musici, whose aim was to improve the situation of free music in Belgium. Fred Van Hove has been Chairman of WIM since then.

From 1976, and in collaboration with, for example, De Andere Film Antwerp & Ghent, Dommelhof Neerpeilt (Belgium), and Filmhaus Berlin, he has provided solo accompaniment to silent movies, particularly experimental films of the 1920s (Griffiths, Porter, Murnau, Lang, Dreyer, among others) as well as comedies and animations. He has also performed regularly with duo partners who have included: Steve Lacy; Vinko Globokar; Lol Coxhill; Albert Mangelsdorf; Annick Nozati; Phil Wachsmann; André Goodbeek; Paul Van Gyseghem.

From the end of the 1970s, Van Hove formed a number of groups utilising the initials MLA (Musica Libera Antverpiae) and MLB (Musica Libera Belgicae) or similar. The first MLA, formed in 1978, was a group of variable composition from a nucleus of seven musicians: three strings; three brass; piano. This undertook several tours and festivals (e.g. at Jazz Middelheim, and London). In 1979, MLA Blek comprised Marc Charig on trumpet and Radu Malfatti and Paul Rutherford on trombones and toured Italy. Formed in 1980, though recorded in 1982, the ML DD 4 consisted of Marc Charig, Phil Wachsmann and Günther 'Baby' Sommer on percussion and toured through several ex-DDR European countries. In 1983, Fred Van Hove was invited to Berlin by the DAAD (Deutscher Akademischer Austauschdienst) as artist in residence for six months, April to October. During this time he took the opportunity to play concerts with MLA, MLA Blek and ML DD 4, but also to play extensively with local musicians in a series of MLBB: Berliner Begegnungen or Berlin Encounters.

In the mid-80s, Fred Van Hove undertook several tours of Japan playing solo and duos with a wide variety of musicians including percussionist Sabu Toyozumi, bass player Tetsu Saitoh; and US and European musicians such as: Ned Rothenberg; Douglas Ewart; Peter Kowald; Hans Reichel; Evan Parker; and Barry Guy. A three-day Van Hove festival was held at the concert hall Space Who, Saitama, celebrating its 5th anniversary.

The Belgisch Pianokwartet was formed in 1984, four pianists at 2 grands, originally consisting of Walter Hus, Christian Leroy and Eddy Loozen, but more recently with Marilyn Crispell replacing Hus and the group name becoming 't Pianokwartet. The MLB III trio with André Goudbeek, saxophone, and Ivo Vander Borght, percussion was formed around the same time, recorded in 1988 and toured the former DDR (with trumpeter Andy Altenfeldert), Spain and the Netherlands. Since 1988 the trio with the French singer Annick Nozati and the German trombonist Johannes Bauer has recorded and toured and, from 1991, 't Nonet has performed, comprising: Marc Charig or Axel Dörner, trumpet; Annick Nozati, voice; Paul Rutherford and Johannes Bauer, trombones; Benoit Viredaz, tuba, Evan Parker or John Butcher and André Goudbeek, saxophones; and Ivo Vander Borght, percussion. Cooperation with other musicians has included Luc Houtkamp, Connie Bauer and Wolfgang Fuchs.

Fred Van Hove has cooperated with poets and painters (the action painter W.J.C. Free) and held seminars and workshops on improvisation in Antwerp, Tilberg, Ghent, Amsterdam, in England and Germany and, since 1990, at Département d'Etudes Musicales, University Lille 3, France. In June 1996 the Belgium government conferred on Fred Van Hove the title of Cultural Ambassador of Flanders 1996, an award that included a grant for touring outside of Belgium."

-European Free Improvisation Pages (http://www.efi.group.shef.ac.uk/mvanhove.html)
10/26/2020

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"Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato.

Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid.

Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald. During 1962/63 Brötzmann, Kowald and various drummers played regularly - Mingus, Ornette Coleman, etc. - while experiencing freedoms from a different perspective via Stockhausen, Nam June Paik, David Tudor and John Cage. In the mid 1960s, he played with American musicians such as Don Cherry and Steve Lacy and, following a sojourn in Paris with Don Cherry, returned to Germany for his unorthodox approach to be accepted by local musicians like Alex von Schlippenbach and Manfred Schoof.

The trio of Peter Brötzmann, Peter Kowald and Sven-Ake Johansson began playing in 1965/66 and it was a combination of this and the Schoof/Schlippenbach Quintet that gave rise to the first Globe Unity Orchestra. Following the self-production of his first two LPs, For Adolphe Sax and Machine gun for his private label, BRÖ, a recording for Manfred Eicher's 'Jazz by Post' (JAPO) [Nipples], and a number of concert recordings with different sized groups, Brötzmann worked with Jost Gebers and started the FMP label. He also began to work more regularly with Dutch musicians, forming a trio briefly with Willem Breuker and Han Bennink before the long-lasting group with Han Bennink and Fred Van Hove. As a trio, and augmented with other musicians who could stand the pace (e.g. Albert Mangelsdorff on, for example, The Berlin concert), this lasted until the mid-1970s though Brötzmann and Bennink continued to play and record as a duo, and in other combinations, after this time. A group with Harry Miller and Louis Moholo continued the trio format though was cut short by Miller's early death.

The thirty-plus years of playing and recording free jazz and improvised music have produced, even on just recorded evidence, a list of associates and one-off combinations that include just about all the major figures in this genre: Derek Bailey (including performances with Company (e.g. Incus 51), Cecil Taylor, Fred Hopkins, Rashied Ali, Evan Parker, Keiji Haino, Misha Mengelberg, Anthony Braxton, Marilyn Crispell, Andrew Cyrille, Phil Minton, Alfred 23 Harth, Tony Oxley. Always characterised as an energy player - and the power-rock setting of Last Exit with Ronald Shannon Jackson, Sonny Sharock and Bill Laswell, or his duo performances with his son, Casper, did little to disperse this conviction - his sound is one of the most distinctive, life-affirming and joyous in all music. But the variety of Brötzmann's playing and projects is less recognised: his range of solo performances; his medium-to-large groups and, in spite of much ad hoc work, a stability brought about from a corpus of like- minded musicians: the group Ruf der Heimat; pianist Borah Bergman; percussionist Hamid Drake; and Die like a dog, his continuing tribute to Albert Ayler, with Drake, William Parker and Toshinori Kondo. Peter Brötzmann continues a heavy touring schedule which, since 1996 has seen annual visits to Japan and semi-annual visits to the thriving Chicago scene where he has played in various combinations from solo through duo (including one, in 1997, with Mats Gustafsson) to large groups such as the Chicago Octet/Tentet, described below. He has also released a number of CDs on the Chicago-based Okka Disk label, including the excellent trio with Hamid Drake and the Moroccan Mahmoud Gania, at times sounding like some distant muezzin calling the faithful to become lost in the rhythm and power of the music.

The "Chicago Tentet" was first organized by Brötzmann with the assistance of writer/presenter John Corbett in January 1997 as an idea for a one-time octet performance that included Hamid Drake and Michael Zerang (drums), Kent Kessler (bass) and Fred Lomberg-Holm (cello), Ken Vandermark and Mars Williams (reeds), and Jeb Bishop (trombone). The first meeting was extremely strong and warranted making the group an ongoing concern and in September of that same year the band was expanded to include Mats Gustafsson (reeds) and Joe McPhee (brass) as permanent members (with guest appearances by William Parker (bass), Toshinori Kondo (trumpet/electronics), and Roy Campbell (trumpet) during its tenure) - all in all a veritable who's who of the contemporary improvising scene's cutting edge. Though the Tentet is clearly led by Brötzmann and guided by his aesthetics, he has been committed to utilizing the compositions of other members in the ensemble since the beginning. This has allowed the band to explore an large range of structural and improvising tactics: from the conductions of Mats Gustafsson and Fred Lonberg-Holm, to the vamp pieces of Michael Zerang and Hamid Drake, to compositions using conventional notation by Ken Vandermark and Mars Williams, to Brötzmann's graphic scores - the group employs almost every contemporary approach to composing for an improvising unit. This diversity in compositional style, plus the variety in individualistic approaches to improvisation, allows the Tentet to play extremely multifaceted music. As the band moves from piece to piece, it explores intensities that range from spare introspection to all out walls of sound, and rhythms that are open or free from a steady pulse to those of a heavy hitting groove. It is clear that the difficult economics of running a large band hasn't prevented the group from continuing to work together since its first meeting. Through their effort they've been able to develop an ensemble sound and depth of communication hard to find in a band of any size or style currently playing on the contemporary music scene."

-EFI (European Free Improvisation Pages) (http://www.efi.group.shef.ac.uk/mbrotzm.html)
10/26/2020

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"Willem Breuker (4 November 1944, Amsterdam - 23 July 2010 Amsterdam) was a Dutch jazz bandleader, composer, arranger, saxophonist, and (bass) clarinetist.

During the mid 1960s he played with percussionist Han Bennink and pianist Misha Mengelberg, co-founding the Instant Composers Pool (ICP), with which he regularly performed until 1973. He was a member of the Globe Unity Orchestra and the Gunter Hampel Group.

In 1974, he began leading the 10-piece Willem Breuker Kollektief, which performed jazz in a theatrical and often unconventional manner, drawing elements from theater and vaudeville. With the group, he toured Western Europe, Russia, Australia, India, China, Japan, the United States, and Canada.

He was also known as an authority on the music of Kurt Weill. In 1997, he produced, with Carrie de Swaan, a 48-hour, 12-part radio documentary on the life of Weill entitled Componist Kurt Weill.

In 1974, he founded the record label BVHaast. Beginning in 1977, he organized the annual Klap op de Vuurpijl (Top It All) festival in Amsterdam. Haast Music Publishers, which he also operated, published his scores.

In 1992, Editions de Limon published the book Willem Breuker by J. and F. Buzelin in France. Uitgeverij Walburg Pers published a Dutch translation in 1994. BVHaast published the book Willem Breuker Kollektief: Celebrating 25 Years on the Road, which includes two CDs, in 1999.

In 1998, Breuker was knighted with the Order of the Netherlands Lion.

Willem Breuker died on 23 July, 2010 in Amsterdam. He suffered from lung cancer and had been ill for some time."

-Wikipedia (https://en.wikipedia.org/wiki/Willem_Breuker)
10/26/2020

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"Gerhard Rochus "Gerd" Dudek (born 28 September 1938) is a German jazz tenor saxophonist, soprano saxophonist, clarinetist and flautist.

Dudek studied clarinet privately and attended music school in the 1950s before joining a big band led by his brother Ossi until 1958. During the early 1960s, Dudek played in the Berliner Jazz Quintet, in Karl Blume's group and in Kurt Edelhagen's orchestra until 1965. He then became interested in free music and joined Manfred Schoof's quintet. Dudek took part in the first sessions of The Globe Unity Orchestra in 1966, and played with them at various time into the 1980s. He also worked with many other European free musicians and composers, including Alexander von Schlippenbach, Loek Dikker and The Waterland Ensemble And European Jazz Quintet. He is best known for his work with Manfred Schoof, Wolfgang Dauner, Lala Kovacev, the Globe Unity Orchestra, Berlin Contemporary Jazz Orchestra, Albert Mangelsdorff, Don Cherry and George Russell."

-Wikipedia (https://en.wikipedia.org/wiki/Gerd_Dudek)
10/26/2020

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"Albert Mangelsdorff (September 5, 1928 in Frankfurt, Germany - July 25, 2005 in Frankfurt) was one of the most accredited and innovative trombonists of modern jazz who became famous for his use of multiphonics.[1]

Mangelsdorff was born in Frankfurt. He was given violin lessons as a child and was self-taught on guitar in addition to knowing trombone. His brother, alto saxophonist Emil Mangelsdorff, introduced him to jazz during the Nazi period (a time when it was forbidden in Germany). After the war Mangelsdorff worked as a guitarist and took up trombone in 1948.

n the 1950s Mangelsdorff played with the bands of Joe Klimm (1950-53), Hans Koller (1953-54) (featuring Attila Zoller), Jutta Hipp (1954-55), as well as with the Frankfurt All Stars (1955-56). In 1957 he led a hard bop quintet together with Joki Freund which was the nucleus of the Jazz-Ensemble of Hessian Broadcasting (with Mangelsdorff as its musical director until 2005). In 1958 he represented Germany in the International Youth Band appearing at the Newport Jazz Festival. In 1961 he recorded with the European All Stars (further recording in 1969). In the same year he formed a quintet with the saxophonists Heinz Sauer, Günter Kronberg, and bassist Günter Lenz and drummer Ralf Hübner which became one of the most celebrated European bands of the 1960s. In 1962 he also recorded with John Lewis ("Animal Dance"). After touring Asia on behalf of the Goethe-Institut in 1964 his quintet recorded the album "Now Jazz Ramwong" later that year which made use of Eastern themes. He also toured the USA and South America with the quintet. After Mangelsdorff's involvement in the European free jazz movement Kronberg left and the quartet remained (1969-71).

During the early seventies the quartet was revived with Sauer, Buschi Niebergall and Peter Giger (1973-76). At the same time Mangelsdorff was exploring the new idiom with Globe Unity Orchestra, but also with many other groups (e.g. the trio of Peter Brötzmann). At that time, thanks to Paul Rutherford, he discovered multiphonics, long solistic playing and experimental sounds.

He performed as unaccompanied trombonist in an impressive concert set. In the 1970s he made first solo recordings and collaborated with Elvin Jones (1975, 1978), Jaco Pastorius and Alphonse Mouzon (1976), John Surman, Barre Phillips and Stu Martin (1977) and others. In 1975 he was co-founder of the United Jazz and Rock Ensemble that existed for more than 30 years, and recorded duo albums with Wolfgang Dauner (from 1981). In 1976 Mangelsdorff started teaching jazz improvisation and style at Dr. Hoch's Konservatorium in Frankfurt.

In the 1980s and 1990s Mangelsdorff continued to perform in solo and small settings, also playing with the Reto Weber Percussion Ensemble and Chico Freeman. Together with French bassist Jean-François Jenny Clark he founded the German-French jazz ensemble. In the 1990s he was also touring and recording with pianist Eric Watson, bass player John Lindberg and drummer Ed Thigpen and a second quartet with Swiss musicians and Dutch cellist Ernst Reijseger.

In 1995 he replaced George Gruntz as musical director for the JazzFest Berlin. Since 1994 the Union of German Jazz-Musicians awards a regular prize in Mangelsdorff's honor, the Albert-Mangelsdorff-Preis.

In 2007 the album Folk Mond & Flower Dream was re-released on CD. This album, produced by Horst Lippmann in 1967, was the last recording of the Albert Mangelsdorff Quintett. For more than twenty years the original master tapes of the recording seemed to be lost until they were found in spring 2007 in the archives of Horst Lippmann."

-Wikipedia (https://en.wikipedia.org/wiki/Albert_Mangelsdorff)
10/26/2020

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"Paul William Rutherford (29 February 1940 - 5 August 2007) was an English free improvising trombonist. Born in Greenwich, South East London, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama.

In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the 3-CD set Chapter One (Emanem, 2000). A film soundtrack was separately released as Buzz Soundtrack. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Russian word for "spark"; it was the title of the Iskra revolutionary newspaper edited by Lenin. The "1903" designation means "20th century music for trio"; occasionally Evan Parker played with the group (Iskra 1904) and Rutherford also at one point assembled a 12-piece ensemble called, inevitably, Iskra 1912. The group was later revived with Philipp Wachsmann replacing Bailey, a phase of the group's life that lasted from roughly 1977 to 1995; its earlier work is documented on Chapter Two (Emanem, 2006) and its final recordings were issued on Maya (Iskra 1903) and Emanem (Frankfurt 1991).

Rutherford also played with Globe Unity Orchestra, London Jazz Composer's Orchestra, Centipede, the Mike Westbrook Orchestra, and the Orckestra, a merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. He also played a very small number of gigs with Soft Machine. He is perhaps most famous for solo trombone improvisations. His album The Gentle Harm of the Bourgeoisie is a landmark recording in solo trombone and his 1983 Trio album Gheim, recorded at the Bracknell Jazz Festival is another acclaimed work.

Rutherford died of cirrhosis of the liver and a ruptured aorta on 5 August 2007, aged 67."

-Wikipedia (https://en.wikipedia.org/wiki/Paul_Rutherford_(trombonist))
10/26/2020

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"Kenneth Vincent John Wheeler, OC (14 January 1930 - 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.

Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles.

Wheeler was the patron of the Royal Academy Junior Jazz course.

Wheeler was born in Toronto, Ontario, on 14 January 1930. Growing up in Toronto, he began playing cornet at age 12, and became interested in jazz in his mid-teens. Wheeler spent a year studying composition at the Royal Conservatory in Toronto in 1950. In 1952 he moved to Britain. He found his way into the London jazz scene of the time, playing in groups led by Tommy Whittle, Tubby Hayes, and Ronnie Scott.

In the late 1950s, he was a member of Buddy Featherstonhaugh's quintet together with Bobby Wellins. Throughout the sixties, he worked with John Dankworth, and also formed part of (Eric Burdon and) the Animals' Big Band that made its only public appearance at the 5th Annual British Jazz & Blues Festival in Richmond (1965) with tenors Stan Robinson, Dick Morrissey and Al Gay, baritone sax Paul Carroll, and fellow trumpets Ian Carr and Greg Brown. In 1968, Wheeler appeared on guitarist Terry Smith's first solo album, Fall Out.

Wheeler performed and recorded his own compositions with large jazz ensembles throughout his career, beginning with the first album under his own name, Windmill Tilter (1969), recorded with the John Dankworth band. A CD was released by BGO Records in September 2010. The big band album Song for Someone (1973) fused Wheeler's characteristic orchestral writing with passages of free improvisation provided by musicians such as Evan Parker and Derek Bailey, and was also named Album of the Year by Melody Maker magazine in 1975. It has subsequently been reissued on CD by Parker's Psi label.

In the mid-1960s, Wheeler became a close participant in the nascent free improvisation movement in London, playing with John Stevens Parker, the Spontaneous Music Ensemble and the Globe Unity Orchestra. Despite the above-noted accomplishments, much of his reputation rests on his work with smaller jazz groups. Wheeler's first small group recordings to gain significant critical attention were Gnu High (1975) and Deer Wan (1977), both for the ECM label (Gnu High is one of the few albums to feature Keith Jarrett as a sideman since his tenure with Charles Lloyd). One exception from the ongoing collaboration with ECM was his rare album on CBC called Ensemble Fusionaire in 1976. This had three other Canadian musicians and was recorded in St. Mary's Church in Toronto for a different character to the sound than on the ECM recordings.

Wheeler was the trumpet player in the Anthony Braxton Quartet from 1971 to 1976, and from 1977 he was also a member of the chamber jazz group Azimuth (with John Taylor and Norma Winstone).Later life

In 1997 Wheeler received widespread critical praise for his album Angel Song, which featured an unusual "drummerless" quartet of Bill Frisell (guitar), Dave Holland (bass) and Lee Konitz (alto sax).

Wheeler died after a short period of frail health at a nursing home in London on 18 September 2014. He was 84 years old."

-Wikipedia (https://en.wikipedia.org/wiki/Kenny_Wheeler)
10/26/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Manfred Schoof (born 6 April 1936) is a German jazz trumpeter.

Schoof was born in Magdeburg and studied music in Kassel and Cologne.

He is a founder of European free jazz and collaborated with Albert Mangelsdorff, Peter Brötzmann, Mal Waldron, and Irène Schweizer. He has interpreted Die Soldaten, an operatic work by the contemporary composer Bernd Alois Zimmermann.

Schoof won various jazz prizes and is involved in the German musical rights association. Since 2007 he has been chairman of the Union Deutscher Jazzmusiker. He has been a professor in Cologne since 1990."

-Wikipedia (https://en.wikipedia.org/wiki/Manfred_Schoof)
10/26/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tomasz Stańko (born July 11, 1942) is a Polish trumpeter, composer and improviser. Often recording for ECM Records, Stańko is strongly associated with free jazz and the avant-garde.

Coming to prominence in the early 1960s alongside pianist Adam Makowicz in the Jazz Darings, Stańko later collaborated with pianist Krzysztof Komeda, notably on Komeda's pivotal 1966 album Astigmatic. In 1968, Stańko formed an acclaimed quintet that included Zbigniew Seifert on violin and alto saxophone, and in 1975 he formed the Tomasz Stańko-Adam Makowicz Unit.

Stańko has since established a reputation as a leading figure not only in Polish jazz, but on the world stage as well, working with many notable musicians, including Jack DeJohnette, Dave Holland, Reggie Workman, Rufus Reid, Lester Bowie, David Murray, Manu Katche and Chico Freeman. In 1984 he was a member of Cecil Taylor's big band.

Stańko lost his natural teeth in the 1990s, although over time he developed a new embouchure with the help of a skilled dentist and monotonous practice. He would spend long hours playing what he deemed to be "boring" long tones which helped to strengthen his lip, in spite of playing with the disadvantage of false teeth."



See also: http://www.tomaszstanko.com/profile/-Wikipedia (https://en.wikipedia.org/wiki/Tomasz_Sta%C5%84ko)
10/26/2020

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track listing:


SIDE A



1. Humus - The Life Exploring Force 18:36

SIDE B



1. Sita Rama Encores 4:17

2. Actions For Free Jazz Orchestra 16:33
sample the album:








descriptions, reviews, &c.

"Recorded live at the Donaueschingen Music Festival on October 17, 1971, Actions features a truly mind-bending confluence of musicians of the avant-garde, in the broadest sense of the term.

Don Cherry -- the brilliant American free jazz trumpeter -- had recently expatriated to Sweden and was finding his way not only among the emerging free-jazz scene of Europe but also within his own constantly expanding musical palette that had begun to incorporate elements of African rhythms, Turkish folk idioms, and Indian classical music.

Cherry, in collaboration here with Krzysztof Penderecki -- one of Poland's greatest modern composers, who is perhaps best known to casual audiences for the use of his music in The Exorcist (1973), The Shining (1980), and more recently, the third season of David Lynch 's Twin Peaks -- creates a sonic landscape previously unrivaled in his work.

Combining modern classical and avant-garde elements, choral arrangements, and a large free jazz ensemble -- The New Eternal Rhythm Orchestra , formed specifically for this performance and featuring a veritable who's who of the European scene including Peter Brotzmann, Han Bennink, Terje Rypdal, Albert Mangelsdorff, and Gunter Hampel -- Actions is one of the most expansive sets of Cherry's storied career."-Our Swimmer

Related Categories of Interest:

Record Store Day

Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
Large Ensembles
Jazz Reissues


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