The Squid's Ear Magazine


Made to Break: F4 Fake [VINYL] (Trost Records)

This active quartet project brings together two Chicago players--drummer Tim Daisy and reedist Vandermark--with two European players--Christof Kurzmann on pooll & electronics, and Jasper Stadhouders on bass--in their 9th album, recording in the studio in Austria for an innovative album blurring the lines between fierce free jazz and inventive experimental ea-improv.
 

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product information:

Personnel:



Ken Vandermark-reeds

Christof Kurzmann-pooll, electronics

Jasper Stadhouders-electric bass

Tim Daisy-drums


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UPC: 9120036682955

Label: Trost Records
Catalog ID: TROST 189LP
Squidco Product Code: 28225

Format: LP
Condition: New
Released: 2019
Country: Austria
Packaging: LP
Recorded at Primitive Studios, in Vienna, Austria, on November 29th, 2017, by Daniel Schatz.

Descriptions, Reviews, &c.

"Made To Break is the most fertile and active outfit from Ken Vandermark in the last decade, and as we all know, Vandermark leads or co-leads at least ten more outfits simultaneously. F4 Fake is already the 9th album from Made to Break, recorded in November 2017 after concluding a short European tour at the Primitive Studios, Vienna.

The title of the album refers, obviously, to today's troubled populist politics, but the three extended compositions relate to Vandermark's common interests - art, cinema, fiction, songwriting and how it all corresponds with his musical ideas and language. Made to Break features Vandermark on reeds, fellow Chicagoan, drummer Tim Daisy, Austrian Christof Kurzmann who plays on the ppooll software and electronics, and Dutch Jasper Stadhouders who mostly focuses on the electric bass, though can be heard contributing some guitar as well.

F4 Fake begins with "Aäton", dedicated to the great director-actor-writer Orson Wells, and titled after the Aäton film cameras, invented by Jean-Pierre Beauviala, who passed away earlier this year. Its strong funky vibe is disturbed by the subversive electronic sounds of Kurzmann who forces Vandermark, Stadhouders and Daisy to alter their rhythmic sense and eventually open the interplay to totally alien sounds and abstract, spacious dynamics. But patiently, Vandermark, Stadhouders and Daisy integrate Kurzmann's electronics interventions into their funky groove. This kind of interplay is suddenly interrupted again by the angelic sounds of Kurzmann who leads the quartet towards a chamber-like coda.

The second piece, "Meccano Number 7", dedicated to the Argentinian writer Julio Cortázar and titled after an expression from the counter-novel "Hopscotch". The atmosphere is still rhythmic, but lighter than "Aäton". Here Kurzmann employs his ppooll software as another reed instrument with weird, fragmented sounds that enriches the dialog with Vandermark and pushes him to some wild, ecstatic outbursts, but also, again, to delicate chamber interplay.

The third and last piece, "Agora", now in Portugese, dedicated to Brazilian protest singer Zélia Barbosa, is the most political piece here. Its urgent, raging spirit captures best the anger and dismay over the disastrous politics of the current Brazilian president, Jair Bolsonaro, who like his American colleague and model, relies on fake news to justify his idiotic acts. Here, Made to Break sounds like a four-headed massive unit that is in a holy mission, attacking with sheer force and boundless energy the demonic, fake politics. Made to Break combines fiery free jazz with raw noises and abstract electronics, all accumulates into a possessive interplay, sensual and extreme in its own way, but one that highlights Made to Break in its best."-Eyal Hareuveni, The Free Jazz Collective

Also available on CD.
Get additional information at The Free Jazz Collective

Artist Biographies

"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Christof Kurzmann (vocals, lloopp, clarinet, alto sax), is an Austrian musician, performer, composer currently living in Buenos Aires. Beginning in 1994 he started his work in the field of experimental electronic music. Since that time Christof has collaborated with some of the most significant artists working in contemporary music and improvisation- including Toto Alvarez, Martin Brandlmayr, John Butcher, Eden Carrasco, Sebi Ciurcina, Werner Dafeldecker, Kai Fagaschinski, Fernanda Farrah, Bernhard Fleischmann, Michaela Grill, Margareth Kammerer, Leonel Kaplan, Bernhard Lang, Andrea Neumann, Fernando Perales, Eva Reiter, Marina Rosenfeld, Ursula Rucked, Burkhard Stangl, Michael Thieke, and Clayton Thomas- in groups such as El Infierno Musical, The Magic I.D., and Schee. During the course of his career, Christof has performed throughout Europe, Japan, North and South Amercia. He has also been a music curator since the mid 1980's, and in 1999 founded the record label, Charhizma, which has released more than 30 cds."

-http://kenvandermark.com/2013/10/made-to-break-biography/ (Ken Vandermark Website)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jasper Stadhouders (Tilburg, the Netherlands, 1989) is a guitarist and bassist based in Amsterdam. He's performed music on stage since the age of 8. He is an active member of the international improvised music circuit. He is a co-founder of the bands Cactus Truck (with John Dikeman and Onno Govaert), Stadhouders/Govaert/De Joode Trio and two duos with percussionists Dag Erik Knedal Andersen and Nicolas Field. He is also part of such diverse bands as Spinifex and Lily's Déjà Vu, next to playing countless of ad hoc improv shows. Jasper also occasionally works in the fields of dance, theatre and contemporary composed music. He has played with Han Bennink, Ab Baars, Paal Nilssen-Love, Marshall Allen, Wolter Wierbos, Noel Redding, Ken Vandermark, Jim Black, Andrew D'Angelo, Terrie Ex, Andy Moor, Peter Evans, Frank Rosaly, Dave Rempis, Roy Campbell, Michael Moore, Jeb Bishop, Peter Jacquemyn, Wally Shoup, Ingrid Laubrock, Mars Williams, Michael Vatcher, Alan Wilkinson and many more. Jasper has performed extensively in Europe and the USA, as well as in India."

-Jasper Stadhouders Website (https://jasperstadhouders.wordpress.com/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. Aaton (For Orson Wells) 20:21

SIDE B



1. Agora (For Zelia Barbosa) 19:29

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Free Improvisation
Electro-Acoustic
European Improvisation, Composition and Experimental Forms
Chicago Jazz & Improvisation
Quartet Recordings
Ken Vandermark
Staff Picks & Recommended Items

Search for other titles on the label:
Trost Records.


Recommended & Related Releases:
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