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From Wolves To Whales (Dave Rempis / Nate Wooley / Chris Corsano / Pascal Niggenkemper) : Dead Leave (Dropa Disc)

Recorded during the same tour as their Aerophonic album "Strandwal", the quartet of Nate Wooley on trumpet, Dave Rempis on saxophone, Pascal Niggenkemper on bass, and Chris Corsano on drums are heard live at Het Bos in Antwerp, Belgium for 2 side-long, cutting-edge improvisations of incredible technique, creative drive, and impressive inventiveness.
 

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product information:


Label: Dropa Disc
Catalog ID: Dropa Disc #007
Squidco Product Code: 28087

Format: LP
Condition: New
Released: 2019
Country: Belgium
Packaging: LP
Recorded at Het Bos, in Antwerp, Belgium, on November 15th, 2017, by Koen Vandenhoudt.


Personnel:

Nate Wooley-trumpet

Dave Rempis-alto saxophone, tenor saxophone

Pascal Niggenkemper-bass

Chris Corsano-drums

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Artist Biographies:

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
11/20/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.

In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.

Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.

During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.

Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.

Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."

-Dave Rempis Website (http://daverempis.com/bio/)
11/20/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"New York City-based German-French bassist, composer and improviser Pascal Niggenkemper is a performing and recording artist active on the creative music scene in the US and in Europe.

From 1999-2005 he was musicaly active in Cologne having studied jazz & classical double bass at the Hochschule für Musik. In 2005 he received the DAAD award and moved to New York.

From 2008 to 2010 Pascal led the PNTrio with Tyshawn Sorey and Robin Verheyen. (CD "pasàpas" Konnex 2008 & "urban creatures" JazzHausMusik 2010). The trio toured extensively in Europe performing at the Jazzcologne Festival, Jazzherbst Konstanz and at the Kennedy Center in Washington. Recordings for the WDR and the BR Radio.

In cooperation with Jazzdor Strasbourg-Berlin, Pascal formed the septet vision7 that performed at Jazzdor Strasbourg-Berlin, Vive le Jazz in Cologne, Jazz à la Cité in Paris and at the Pori Jazz in Finland. (CD 'Lucky Prime' clean feed records Sept 2013)

In September 2011 Pascal released with Simon Nabatov and Gerald Cleaver the CD/LP upcoming hurricane on NoBusiness Records which is listed among 'Albums of the year' 2011 in the 'The New York City Jazz Record'. The trio performed in Canada and the USA.

He recently recorded a new solo program called: 'look with thine ears' music for bass & preparations was premiered at the Jazzdor Festival in Strasbourg in November 2013. The CD was released in March 2015 on clean feed records. He performed for the France Musique radio broadcast by Anne Montaron called 'a l'improviste'.

In 2014 he presented the double trio 'le 7eme continent' with the program 'talking trash' at the Vive le Jazz festival in Cologne, Germany and the concert was broadcast by WDR3 radio. Their CD was released in May 2016 on clean feed records and the group performed in France, Belgium and Germany.

Pascal is co-leading the groups baloni with Frantz Loriot viola and Joachim Badenhorst clarinets (CD 'fremdenzimmer' 2011, 'Belleke' 2014 & 'Ripples' 2015 clean feed records) PascAli a duo for two prepared basses with Sean Ali (CD 'suspicious activity' creative sources 2012) and Miner's Pick with Thomas Heberer. (CD 'miner's pick' FMR records 2014)

With friends, he curates in NY the house concert series ze couch, where every month artists meet to present their work.

Festival presence includes: Jazzdor Strasbourg-Berlin, Vision Festival New York, Umbrella Festival Chicago, Banlieues Bleues Paris, Strade del Cinema Aosta, météo Mulhouse, Jazzcologne, JIGG Lisbon, Taktlos Zurich, Jazz à la Cité in Paris, ESCUCHA Madrid, Washington DC Jazz Festival, Pori Jazz Festival, Middelheim Antwerp, Grenzenlos Köln, undead Jazzfest NYC, D'Jazz Nevers, NewAdits Klagenfurt, Font New York, Music Unlimited Wels, Vive le Jazz Cologne, GONG Aarau, Konfrontationen Nickelsdorf, Ljubljana Jazz Festival etc...

He received the following scholarships/grants: DAAD, Henry Mancini Institute, North Rhine-Westphalia composition stipend."

-Pascal Niggenkemper Website (http://www.pascalniggenkemper.com/bio_english.html)
11/20/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"First spellbound by freely improvised music in the mid-1990s after witnessing performances by TEST, William Parker, Cecil Taylor, and others, Chris Corsano began a long-standing, high-energy partnership with Paul Flaherty in 1998. A move from western Massachusetts to the UK in 2005 led Corsano to develop an expanded solo music of his own, incorporating sax reeds, violin strings and bows, pot lids, and other everyday household items into his drum kit. In February 2006 he released his first solo recording, The Young Cricketer, and toured extensively throughout Europe, USA, and Japan. He spent 2007 and '08 as the drummer on Björk's Volta world tour, all the while weaving in shows and recordings on his days off with the likes of Evan Parker, Virginia Genta, and C. Spencer Yeh. Moving back to the U.S. in 2009, Corsano returned focus to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work, now revamped to include synthesizers and contact microphones in addition to his drum set and home-made acoustic instruments.

In addition to the those mentioned above, he's also worked with, among others: John Edwards (released by: Clean Feed/Dancing Wayang), Jim O'Rourke & Akira Sakata (Drag City/Family Vineyard), Paul Dunmall (ESP-Disk), Nels Cline (Strange Attractors), Jessica Rylan (Load Records), Jandek (Corwood), Sunburned Hand Of Man (Manhand), MV&EE (Eclipse/Time-Lag), Vampire Belt (Open Mouth), Joe McPhee (Roaratorio), and Wally Shoup (Leo/Columbia Japan)."

-Chris Corsano Website (http://www.cor-sano.com/bio.html)
11/20/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Pakicetus 20:12

SIDE B



1. Ambulocetus 19:06
sample the album:








descriptions, reviews, &c.

"The term 'supergroup' often comes with tacky connotations, but this is the real deal. Through hard work and a tirelessly inquisitive spirit, Nate Wooley, Dave Rempis, Pascal Niggenkemper and Chris Corsano have become some of the most versatile improvisers of their generation. As From Wolves To Whales, they turn their imposing collective strength into a relentless new whole. Relentless, not just because of the energy levels or the generous amount of freedom, but because of the consistent inventiveness they display. This takes place on an individual level (let it be clear that each musician is a monster on his own instrument), but also because they always keep the bigger picture in mind. As such, Dead Leaves Drop is a terrific example of what all great improvising bands aspire to: find the shortest route from thought to action and turn it into brand new forms that transcend the sum of their parts."-Dropa Disc

See also Strandwal.

"As musicians in their early to mid-forties, Nate Wooley, Dave Rempis, Pascal Niggenkemper and Chris Corsano (all born between 1974 and 1978) find themselves in that enviable age group where they can boast substantial discographies and an extended web of connections, and still be regarded as young guys (remember, in jazz you can be a 'rising star' until the age of 50). Another thing is that they are experienced enough to have become benchmarks for the next generation of musicians. And let's be frank: we are dealing with a kind of free music supergroup here. Not that there is any danger of these guys ending up on the fronts of glossy magazines, but even in the world of improvised music, where musicians constantly find themselves in new surroundings and challenging line-ups, this is one for the books.

A strikingly original player since he first made his mark on the scene, Nate Wooley has become one of the most recognisable trumpet players around. Thoughtful, intelligent and versatile, possessing the ability to glide from improvisation's margins to more traditional fare in the blink of an eye. The past two decades, Dave Rempis has grown from a brilliant young newcomer on the Chicago scene to a central player of that city's fruitful environment. A guy with endless resources, plus a dynamo who sets things in motion and gets things done.

The title of Pascal Niggenkemper's solo album - Look With Thine Ears - says it all. Here's a guy who can support and function in a well-oiled machine, but he is also one of the most inventive and explorative bassists around. Finally, there is Corsano. An octopus if he wants to be, but as often a master of nuance and texture. As Rodrigo Amado, one of his frequent collaborators recently put it: "(...) he's an ultra expressive and sensitive player with a deep level of abstraction, but he never loses sight of the form."

Mark that last word: form. While free music's most persistent adversaries will claim that the genre can be defined as a formless mess, the opposite actually happens. There is no form to start with, but the heavyweights of the scene are musical architects of the highest order, who collectively and individually shape the music into something new. Something that might be destroyed again as well, but that made sense at the time and often arises as something intricately crafted and even beautiful. This is also what happens on Dead Leaves Drop. Yes, the music has its share of high energy and it definitely boasts a tumultuous freedom, but it would be a mistake to reduce it to forty minutes of raucous muscle-flexing.

Both album sides celebrate the possibilities of freedom with non-stop interaction of the kind that not only sounds as a kind of Q & A, but one that originates at a higher level, with musicians organically locking into each other, as if anticipating together what will happen next. There is an incessant flow to this music, a kind of coherence when all participants retain their individuality while adding to a collective act. Despite the distinctive flow, the album is also full of remarkable turns, open spaces and baffling moments that prove the musicians' ingenuity, like the moment when Rempis' first solo (a thrilling display of invention) emerges, or when Wooley manages to combine abstraction, unconventional techniques and lyricism with the nonchalance of a master chef preparing his signature dish. One more: the rhythmic spectacle by Corsano and Niggenkemper, one third into Pakicetus. Almost alien in its unpredictability and craziness. It all happens within the album's first eight minutes.

What it amounts to is the most desired goal in improvisation, for the musician and the listener: something that trumps the sum of its parts, a new language that found the shortest route from thought to action. Dead Leaves Drop contains improvised music in its sharpest form, played by contemporary masters: not just free and energetic, but also empathetic and filled with a crackling inspiration."-Guy Peters

Related Categories of Interest:

Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Chicago Jazz & Improvisation
Quartet Recordings

Nate Wooley
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers


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(Clean Feed)
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Ballister
Low Level Stink [VINYL & DVD]
(Dropa Disc)
From Wolves To Whales (Rempis / Wooley / Niggenkemper / Corsano)
Strandwal [2 CDs]
(Aerophonic)
Rempis / Abrams / Ra + Baker
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(Leo Records)
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The Early Bird Gets
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(Audiographic Records)
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(Intakt)
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(Astral Spirits)
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(Clean Feed)
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Noise Of Our Time
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ICOCI
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The Hated Music [VINYL 2 LPs]
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(Audiographic Records)
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(Tzadik)
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(Clean Feed)
Braxton, Anthony
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(New Braxton House)
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(NoBusiness)
Recommended & Related Releases:
Wooley, Nate
Battle Pieces 4
(Relative Pitch)
Entr'acte
Soigne Ta Droite
(Audiographic Records)
Halvorson / Radding / Wooley
Crackleknob
(Hatology)
Levin, Daniel Quartet
Blurry
(Hatology)
Levin, Daniel Quartet
Some Trees
(Hatology)
Shipp, Matthew / Nate Wooley
What If?
(RogueArt)
Ballister
Low Level Stink [VINYL & DVD]
(Dropa Disc)
Amado, Rodrigo / Chris Corsano
No Place To Fall
(Astral Spirits)
Amado, Rodrigo / Chris Corsano
No Place To Fall [CASSETTE w/ DOWNLOAD]
(Astral Spirits)
McPhee, Joe / Lol Coxhill / Chris Corsano / Evan Parker
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(Otoroku)
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Option 1 [2 CDs]
(Corbett vs. Dempsey)
Abdelnour, Christine / Chris Corsano
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(Relative Pitch)
Baczkowski / Lopez / Corsano
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(Relative Pitch)
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(Clean Feed)
Perelman, Ivo / Mat Maneri / Nate Wooley / Matthew Shipp
Strings 4
(Leo Records)
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(Leo Records)
Frith, Fred
All Is Always Now (Live at the Stone) [3 CDs]
(Intakt)
Vandermark, Ken / Nate Wooley
Deeply Discounted II / Sequences Of Snow [LP]
(Audiographic Records)
Laubrock, Ingrid (w/ Halvorson / Davis / Wooley)
Contemporary Chaos Practices - Two Works For Orchestra With Soloists
(Intakt)
Kuzu (Dave Rempis / Tashi Dorji / Tyler Damon)
Hiljaisuus [VINYL]
(Astral Spirits)
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(Clean Feed)
Vandermark / Wooley / Courvoisier / Rainey
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(Intakt)
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(Fitschgetau)
Costa's Acustica, Carlo
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(Neither/Nor Records)
Flaherty, Paul / Chris Corsano
The Hated Music [VINYL 2 LPs]
(Feeding Tube Records)
Rempis / Piet / Daisy
Throw Tomatoes [CASSETTE w/ DOWNLOAD]
(Astral Spirits)

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