The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2018, Squidco LLC


Dick, Robert / Joelle Leandre / Miya Masaoka: Solar Wind (Not Two)

Virtuosic collective improvisations with Robert Dick on flute, bass flute, contrabass flute, & piccolo flute, Joelle Leandre on contrabass and Miya Masaoka on koto & percussion, Dick and Leandre punctuating the conversation with their voice on 4 pieces, as the three record in the studio in NYC in 2018 for 12 succinct dialogs that balance abstraction and passionate intention.
 

Price: $15.95


Quantity:

In Stock


Shipping Weight: 2.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 5906395187461

Label: Not Two
Catalog ID: MW986-2
Squidco Product Code: 28028

Format: CD
Condition: New
Released: 2019
Country: Poland
Packaging: Cardboard Gatefold
Recorded at Mavericks Studio, in New York, New York, on September 28th, 2018, by John Epperly.


Personnel:

Joelle Leandre-contrabass, voice

Robert Dick-flute, bass flute,contrabass flute, piccolo flute, voice

Miya Masaoka-Koto, percussion

Click an artist name above to see in-stock items for that artist.

Highlight an instrument above
and click here to Search for albums with that instrument.

Artist Biographies:

"French double bass player (born 12 September 1951 in Aix-en-Provence, France), improviser and composer, Joëlle Léandre is one of the dominant figures of the new European music. Trained in orchestral as well as contemporary music, she has played with l'Itinéraire, 2e2m and Pierre Boulez's Ensemble Intercontemporain. Joëlle Léandre has also worked with Merce Cunningham and with John Cage, who has composed especially for her - as have Scelsi, Fénelon, Hersant, Lacy, Campana, Jolas, Clementi and about 40 composers.

As well as working in contemporary music, Léandre has played with some of the great names in jazz and improvisation, such as Derek Bailey, Anthony Braxton, George Lewis, Evan Parker, Irene Schweizer, William Parker, Barre Phillips, Pascal Contet, Steve Lacy, Lauren Newton, Peter Kowald, Urs Leimgruber, Mat Maneri, Roy Campbell, Fred Frith, John Zorn, Mark Naussef, Marilyn Crispell, India Cooke and so many others...

She has written extensively for dance and theater, and has staged a number of multidisciplinary performances. She got the DAAD at Berlin, is welcomed as artist resident at Villa Kujiyama (Kyoto). In 2002, 2004 and 2006, she is Visiting Professor at Mills college, Oakland, CA, Chaire Darius Milhaud, for improvisation and composition. Her work as a composer and a performer, both in solo recitals and a part of ensembles, has put her under the lights of the most prestigious stages of Europe, the Americas and Asia.

From 1981 to 2009, Joëlle Léandre has about 150 recordings to her credit.

-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Robert Dick (born January 4, 1950) is a flutist, composer, teacher and author. His musical style is a mix of classical, world music, electronic and jazz, and he is the inventor of the "glissando headjoint" a custom flute head joint that allows the player to achieve electric guitar-like whammy bar effects with their instrument. In 2014, the National Flute Association awarded Dick its Lifetime Achievement Award. The New York Times said his “technical resources and imagination seem limitless" while JazzTimes called him “revolutionary.”

Robert Dick was born and raised in New York City. He began playing the flute in the fourth grade, after hearing the piccolo on the radio in the Top 40 hit “Rockin’ Robin. His primary teachers were Henry Zlotnik, James Pappoutsakis, Julius Baker and Thomas Nyfenger.

As a teenager, Dick wanted to become an orchestral flutist, and played first flute in the Senior Orchestra at the High School of Music and Art and also the New York All-City High School Orchestra. “Studies with him (Julius Baker) were geared toward becoming an orchestral player, and that was my dream at the time. But as I grew out of that dream, I realized that my training really hadn’t provided a look at music from the inside, which is what I needed—particularly the idea that music is generated from hearing within and recognizing what you are hearing.” He became a soloist and composer.

At Yale College, Dick earned a BA degree, and met Robert Morris, a composer and theorist, who mentored him as he wrote his first compositions. While at Yale, Dick wrote his first book: THE OTHER FLUTE: A Performance Manual of Contemporary Techniques, and then earned his master's degree in composition, studying with Morris as well as electronic music with Bulant Arel and Jacob Druckman.

While attending Yale’s graduate school, Dick composed “Afterlight,” a flute piece that used multiphonics as its basis. “Afterlight” received a BMI Oliver Daniel Prize.

After leaving school in Spring 1973, Dick lived in New Haven, Connecticut until September 1977, when he moved to Buffalo, New York to join the contemporary music group, the Creative Associates. Dick was a member of the group until June 1980. While in New Haven, he wrote his second book Tone Development through Extended Technique and began to develop himself as an improviser and composer.

Dick spent six months in Paris from July - December 1978 working at I.R.C.A.M. (Institute of Research and Coordination, Acoustics and Music) developing his idea for a new flute mechanism. The first prototype was made by Albert Cooper in London in 1984. This design remains unfinished.

From Fall 1980 until Spring 1992, Dick lived in New York City, developing his compositions, improvisations and wrote Circular Breathing for the Flutist. In this period, he self-published The Revised Edition of THE OTHER FLUTE: A Performance Manual of Contemporary Technique and his later books, compositions and instructional recordings through his Multiple Breath Music Company. In 1986, he left the role of concert soloist in contemporary music to perform his own music and the music of composer-performer collaborators exclusively. Dick performed a recital of his own works as part of the New York Philharmonic’s Horizons 84 Festival at Avery Fisher Hall in 1984.

In May 1992, he moved to Switzerland for ten years, continuing his career as a composer-performer. He returned to the US in 2002, as Visiting Assistant Professor of Flute at the University of Iowa. In July 2003, he returned to New York City. Since July 2013, Dick has been dividing his time between New York City and Kassel, Germany, where his children Sebastian (born 2006) and Leonie (born 2008) live with their mother, composer-pianist Ursel Schlicht.[citation needed]

Dick's recitals today primarily consist of his compositions and improvisations, occasionally incorporating the influences of Paul Hindemith, Georg Philipp Telemann and Jimi Hendrix into his repertoire.

As an instructor, Dick created a method and practice of teaching for flutists that he documented in his books: Tone Development through Extended Techniques, and Circular Breathing for the Flutist and the two volumes of FLYING LESSONS: Six Contemporary Concert Etudes. He teaches masters classes at hundreds of international universities.

Dick is the inventor of the Glissando Headjoint®, a telescoping flute mouthpiece which allows the flutist to slide and extend notes.

As a composer, Dick's work has been recognized by a Koussevitzky Foundation Commission, a Guggenheim Fellowship and two NEA Composers Fellowships, among many grants and commissions. Dick has composed a new work for the National Flute Association Young Artist Competition. He has recorded over 20 albums and appeared as a guest on many other recordings."

-Wikipedia (https://en.wikipedia.org/wiki/Robert_Dick_(flutist))
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Miya Masaoka, musician, composer, performance artist, has created works for koto, laser interfaces, laptop and video and written scores for ensembles, chamber orchestras and mixed choirs. In her performance pieces she has investigated the sound and movement of insects, as well as the physiological responses of plants, the human brain, and her own body. Within these varied contexts of sound, music and nature, her performance work emphasizes the interactive, live nature of improvisation, and reflects an individual, contemporary expression of Japanese gagaku aural gesturalism.

Masaoka's work has been presented in Japan, Canada, Europe, Eastern Europe and she has toured to India six times. Venues include V2 in Rotterdam, Cybertheater in Brussels, Elektronisch Festival in Groningen, the Cleveland Performance Art Festival, The Electronik Body Festival in Bratislava, Slovakia, Radio Bremen, Germany, Festival of Lights, Hyberadad, India, and the London Musicians Collective.

Since forming and directing the San Francisco Gagaku Society, Masaoka has been creating new ways of thinking about and performing on the Japanese koto. She has developed a virtuosic and innovative approach, including improvisation and expanding the instrument into a virtual space using computer, lasers, live sampling, and real time processing.

Masaoka has been developing koto interfaces with midi controllers since the 1980's originally with Tom Zimmerman, co-inventor of the Body Glove. Since then, she has she has worked at STEIM, Amsterdam, CNMAT, and with Donald Swearingen to build interfaces with the computer and koto, at times using pedals, light sensors, motion sensors and ultrasound. With the koto connected directly to her laptop, she records her playing live, and processes the samples in real time. This new koto is able to respond dynamically and interactively in a variety of musical environments, and improvise with the processed sounds."

-Miya Masaoka Website (http://www.miyamasaoka.com/about/bio/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Whispering Of The Stars 3:19

2. Speed Of Silence 3:44

3. Chronotype 4:10

4. Pagophagia 4:25

5. Dinoflagellates 2:05

6. Prepsychotic Philosophers 3:35

7. Blue Fugates 3:04

8. Solar Wind 3:55

9. On Time's Edge 5:13

10. How Old Is Your Shadow? 6:08

11. Friends Of The Sun 5:12

12. Adiabatic 6:08
sample the album:








descriptions, reviews, &c.

Virtuosic collective improvisations with Robert Dick on flute, bass flute, contrabass flute & piccolo flute, Joelle Leandre on contrabass and Miya Masaoka on koto & percussion, Dick and Leandre punctuating the conversation with their voice on 4 pieces, as the three record in the studio in NYC in 2018 for 12 succinct dialogs that balance abstraction and passionate intention.

Related Categories of Interest:


Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
European Improvisation and Experimental Forms
Trio Recordings
Collective Free Improvsation
Unusual Vocal Forms
New in Improvised Music
Recent Releases and Best Sellers


Other Releases With These Artists:
Tiger Trio (Leandre / Melford / Mitchel)
Map of Liberation
(RogueArt)
Frith, Fred
All Is Always Now (Live at the Stone) [3 CDs]
(Intakt)
Leandre, Joelle / Marc Ducret
Chez Helene
(Ayler Records)
Leandre, Joelle
Dire du Dire
(Rectangle)
Leandre, Joelle
A Woman's Work [8 CD BOX SET]
(Not Two Records)
Dick, Robert / Tiffany Chang
Raise The River
(RogueArt)
Leandre / Minton
Leandre / Minton
(Fou Records)
Dick, Robert / John Wolf Brennan / Daniele Patumi
Aurealis
(Les Disques Victo)
Lazro, Daunik / Joelle Leandre / George Lewis
Enfances 8 Janv. 1984
(Fou Records)
Leandre, Joelle
No Comment
(Fou Records)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Tiger Trio (Leandre / Melford / Mitchel)
Unleashed
(RogueArt)
Judson Trio (Joelle Leandre / Mat Maneri / Gerald Cleaver)
An Air of Unreality [VINYL]
(RogueArt)
Braxton, Anthony / Miya Masaoka
Duo (Dcwm) 2013 [2 CDs]
(RogueArt)
Leandre, Joelle 10
Can You Hear Me?
(Ayler Records)
Leandre, Joelle
Dire du Dire
(Rectangle)
Leandre, Joelle / Michael Duch
(Live at) Gramolna
(Confront)
Leandre, Joelle / Nicole Mitchell
Sisters Where
(RogueArt)
Leandre, Joelle / Pascal Contet
3
(Ayler)
Turkoz, Saadet
Marmara Sea
(Intakt)
Dalachinsky, Steve / Joelle Leandre
The Bill Has Been Paid
(Dark Tree Records)
Sudo Quartet (Leandre / Zingaro / Tramontana / Lovens)
Live at Banlieue Bleue
(NoBusiness)
Leandre, Joelle & Jerome Bourdellon
Evidence
(Relative Pitch)
Leandre, Joelle & Lauren Newton
Conversations live in Ljubljana
(Not Two Records)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Stone Quartet (Leandre / Campbell / Crispell / Maneri)
Live at Vision Festival
(Ayler)
Leandre, Joelle / Phillip Greenlief
That Overt Desire of Object
(Relative Pitch)
Leandre / Mitchell / Van Der Schyff
Before After
(RogueArt)
Leandre, Joelle & India Cooke
Journey
(NoBusiness)
Leandre / Houle / Strid
Live at Sons D'Hiver
(Ayler)
Leandre / Vidal / Boni
Trace
(Red Toucan)
Lazro / Zingaro / Leandre / Loves
Madly You
(Potlatch)
Leandre, Joelle / Lewis, George
Transatlantic Visions
(RogueArt)
Ochs / Masaoka / Lee
Spiller Alley
(RogueArt)
Leandre, Joelle, Quentin Sirjacq
Out of Nowhere
(Ambiances Magnetiques)
Maybe Monday
Unsquare
(Intakt)
Leandre / Crispell / Campbell, Jr. / Maneri - The Stone Quartet
DMG @ The Stone, December 22, 2006 Volume 1
(DMG ARC)
New Winds
Digging It Harder From Afar
(Les Disques Victo)
New Winds
Potion
(Les Disques Victo)
Quartet Noir
Lugano
(Les Disques Victo)
Leandre, Joelle & Gianni Lenoci
Sur une balancoire
(Ambiances Magnetiques)
Phillips, Barre / Joelle Leandre / William Parker / Tetsu Saitoh
After You Gone
(Les Disques Victo)
Frith / Leandre / Segel
Tempted to Smile
(Spool)
Recommended & Related Releases:
Tiger Trio (Leandre / Melford / Mitchel)
Map of Liberation
(RogueArt)
Leandre, Joelle / Marc Ducret
Chez Helene
(Ayler Records)
Leandre, Joelle
Dire du Dire
(Rectangle)
Leandre / Minton
Leandre / Minton
(Fou Records)
Lazro, Daunik / Joelle Leandre / George Lewis
Enfances 8 Janv. 1984
(Fou Records)
Leandre, Joelle
No Comment
(Fou Records)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Leandre, Joelle 10
Can You Hear Me?
(Ayler Records)
Leandre, Joelle
Dire du Dire
(Rectangle)
Leandre, Joelle / Michael Duch
(Live at) Gramolna
(Confront)
Leandre, Joelle / Nicole Mitchell
Sisters Where
(RogueArt)
Leandre, Joelle / Pascal Contet
3
(Ayler)
Turkoz, Saadet
Marmara Sea
(Intakt)
Dalachinsky, Steve / Joelle Leandre
The Bill Has Been Paid
(Dark Tree Records)
Sudo Quartet (Leandre / Zingaro / Tramontana / Lovens)
Live at Banlieue Bleue
(NoBusiness)
Leandre, Joelle & Jerome Bourdellon
Evidence
(Relative Pitch)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Stone Quartet (Leandre / Campbell / Crispell / Maneri)
Live at Vision Festival
(Ayler)
Leandre, Joelle / Phillip Greenlief
That Overt Desire of Object
(Relative Pitch)
Leandre, Joelle & India Cooke
Journey
(NoBusiness)
Leandre / Vidal / Boni
Trace
(Red Toucan)
Lazro / Zingaro / Leandre / Loves
Madly You
(Potlatch)
Leandre, Joelle / Lewis, George
Transatlantic Visions
(RogueArt)
Leandre, Joelle, Quentin Sirjacq
Out of Nowhere
(Ambiances Magnetiques)
Leandre / Crispell / Campbell, Jr. / Maneri - The Stone Quartet
DMG @ The Stone, December 22, 2006 Volume 1
(DMG ARC)
Quartet Noir
Lugano
(Les Disques Victo)

Search for other titles on the Not Two label.